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Oral History Interview with Massimo Vignelli, 2011 June 6-7
Oral history interview with Massimo Vignelli, 2011 June 6-7 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Massimo Vignelli on 2011 June 6-7. The interview took place at Vignelli's home and office in New York, NY, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Mija Riedel has reviewed the transcript and have made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Massimo Vignelli in his New York City office on June 6, 2011, for the Smithsonian Archives of American Art. This is card number one. Good morning. Let's start with some of the early biographical information. We'll take care of that and move along. MASSIMO VIGNELLI: Okay. MIJA RIEDEL: You were born in Milan, in Italy, in 1931? MASSIMO VIGNELLI: Nineteen thirty-one, a long time ago. MIJA RIEDEL: Okay. What was the date? MASSIMO VIGNELLI: Actually, 80 years ago, January 10th. I'm a Capricorn. MIJA RIEDEL: January 10th. -
Open Society Archives
OSA book OSA / Publications OPEN SOCIETY ARCHIVES Open Society Archives Edited by Leszek Pudlowski and Iván Székely Published by the Open Society Archives at Central European University Budapest 1999 Copyright ©1999 by the Open Society Archives at Central European University, Budapest English Text Editor: Andy Haupert ISBN 963 85230 5 0 Design by Tamás Harsányi Printed by Gábor Rózsa Printing House, Budapest on Niveus acid-free offset printing paper of 90g/m2 produced by Neusiedler Szolnok Paper Mill, Hungary. This paper meets the requirements of ISO9706 standard. TABLE OF CONTENTS CHAPTER I. The coordinates of the Archives The enemy-archives (István Rév) 14 Archival parasailing (Trudy Huskamp Peterson) 20 Access to archives: a political issue (Charles Kecskeméti) 24 The Open Society Archives: a brief history (András Mink) 30 CHAPTER II. The holdings Introduction 38 http://www.osaarchivum.org/files/1999/osabook/BookText.htm[31-Jul-2009 08:07:32] OSA book COMMUNISM AND COLD WAR 39 Records of the Research Institute of Radio Free Europe/Radio Liberty 39 • The Archives in Munich (András Mink) 39 • Archival arrangement and structure of the records of Radio Free Europe/Radio Liberty Research Institute (Leszek Pud½owski) 46 • The Information Resources Department 49 The East European Archives 49 Records of the Bulgarian Unit (Olga Zaslavskaya) 49 Records of the Czechoslovak Unit (Pavol Salamon) 51 Records of the Hungarian Unit (Csaba Szilágyi) 55 Records of the Polish Unit (Leszek Pud½owski) 58 Records of the Polish Underground Publications Unit -
The EMA Guide to Envelopes and Mailing
The EMA Guide to Envelopes & Mailing 1 Table of Contents I. History of the Envelope An Overview of Envelope Beginnings II. Introduction to the Envelope Envelope Construction and Types III. Standard Sizes and How They Originated The Beginning of Size Standardization IV. Envelope Construction, Seams and Flaps 1. Seam Construction 2. Glues and Flaps V. Selecting the Right Materials 1. Paper & Other Substrates 2. Window Film 3. Gums/Adhesives 4. Inks 5. Envelope Storage 6. Envelope Materials and the Environment 7. The Paper Industry and the Environment VI. Talking with an Envelope Manufacturer How to Get the Best Finished Product VII. Working with the Postal Service Finding the Information You Need VIII. Final Thoughts IX. Glossary of Terms 2 Forward – The EMA Guide to Envelopes & Mailing The envelope is only a folded piece of paper yet it is an important part of our national communications system. The power of the envelope is the power to touch someone else in a very personal way. The envelope has been used to convey important messages of national interest or just to say “hello.” It may contain a greeting card sent to a friend or relative, a bill or other important notice. The envelope never bothers you during the dinner hour nor does it shout at you in the middle of a television program. The envelope is a silent messenger – a very personal way to tell someone you care or get them interested in your product or service. Many people purchase envelopes over the counter and have never stopped to think about everything that goes into the production of an envelope. -
Triangle Accordion Books Part 2
“Part Two: Assembling the book” Time from start to finish = 1 hour You will need the following materials: • Heavy paper, which will be cut into three 4 5/8” X 20” strips, the best option is to cut these strips from one large 22” X 30” sheet of watercolor paper (this will be used for the inner “accordion” of the book) • 2 pieces of chipboard or thick cardboard, 6x6 inches each • Painted paper or scrapbooking paper at least 6x6 inches in size • Pencil • Ruler • Glue (regular white glue or glue sticks) • Clean scrap paper, computer paper or newsprint is good • X-acto Knife or scissors • Cutting matt (or a piece of scrap cardboard to protect your work surface) Brief description: The next part of our process is to measure, cut and assemble your book. This part is made up of several smaller steps within each major step and requires precise measurement and patience. For Part Two, I suggest making a cup of your favorite tea and putting on some relaxing music in the background. While, this may be the most challenging step for some, if you follow the instructions closely and don’t rush, you should come out of it with a fully assembled book ready for creative alteration and decoration! For those new to bookmaking here are a few helpful hints: • Measure! Measure! Measure!: Nothing is more disappointing than assembling several pieces only to find at the final step that they don’t quite fit, especially when you’re out of materials to try again! During this process, we will be measuring out strips of paper, then folding, cutting and gluing them together at specific points. -
Technical Handbook Carbonless Papers
www.mitsubishi-paper.com HiTec Paper. Technical Handbook Carbonless Papers Technical Handbook A technical handbook for the printing and processing of Giroform, the carbonless paper from Mitsubishi HiTec Paper Europe GmbH. Published by: Mitsubishi HiTec Paper Europe GmbH Niedernholz 23 33699 Bielefeld | Germany All rights are reserved. This also includes partial extraction, reproduction by photographic means and use of the translations made. Retail Price: EUR 15.00 4 | Technical Handbook Foreword This technical handbook for Giroform is intended to Many of the explanations, recommendations and give help and information to forms manufacturers, our limitations are not only applicable to Giroform, but distributors and to forms users. also to carbonless papers of a similar technical con struction. In addition to explanations of the construction, proper ties and processing of Giroform, we have therefore also Should you require any further information please dealt with questions of forms usage. contact us – our distributors and technical advisers will always be pleased to help. We have endeavoured to compile a detailed product handbook, with which most questions concerning the The information given in the handbook is based on our use and application of Giroform can be answered. many years of experience. It does not, however, relieve | 5 the forms manufacturer or user of his duty of ordinary therefore, reserve the right to modify the product. We care and control. will, however, endeavour to inform our customers as soon as possible of any changes likely to affect the Because the processing and use of Giroform takes pla use of our product. ce beyond our control, no possible product guarantee claims can be derived from the contents of this hand book. -
Discover Your Library St
St. Charles Public Library June – August 2017 Discover Your Library St. Charles Public Library News and Event Guide ST. CHARLES PUBLIC LIBRARY Interlibrary Loan: An Unrivaled Strength of Your Public Library When a St. Charles cardholder wants an item we don’t carry—perhaps it’s a winemaking book written in French, or a DVD of a 1950s TV show—we will pursue borrowing it from another facility, and have it delivered to our Library. It’s a service called Interlibrary Loan (ILL), and it’s one of the great strengths of a public library. No company or organization can duplicate our vast network of libraries, universities and museums willing to share valuable materials. While we borrow and lend almost 100,000 items per year through our local library consortium, some materials simply aren’t available from a nearby library. On any given day, we will also receive books, DVDs, CDs, sheet music and more from Peoria to Pittsburgh and Danville to Denver. Here in St. Charles, we are fortunate to have dedicated staff to fill these requests. “My favorite part of the job is the obscure items that requires digging,” said Interlibrary Loan Assistant, Holly Szpara. “Whether it’s their lifelong passion or a recent curiosity, we’re here to help our cardholders find what they need.” “Interlibrary Loan is an ideal solution for writers and researchers,” Szpara added. “It’s also great if you’re just feeling nostalgic to re-read your favorite book from when you were 16.” Interlibrary Loan requests regularly help a wide variety of our cardholders, from home schoolers and hobbyists to beekeepers and bloggers. -
The King James Translation: Still the Best! Compiled by Dr
THE KING JAMES TRANSLATION: STILL THE BEST! COMPILED BY DR. MAX D. YOUNCE ADDITIONAL MATERIAL TO BE USED WITH VIDEO/AUDIO CLASSES 1A – 8B 1 THE KING JAMES TRANSLATION: STILL THE BEST! COMPILED BY DR. MAX D. YOUNCE ADDITIONAL MATERIAL TO BE USED WITH VIDEO/AUDIO CLASSES 1A – 8B TABLE OF CONTENTS Comparison of Old Testament Texts – Class One……………………………………..………………………………….4 What Does God Say About His Word?............................................................................................5 Words and Meanings – Class Two…………………………………………………………….………………………..………17 Nestle-Aland Greek Texts…………………………………………………………………………………………………………..24 Minority and Majority Texts Identified………………………………………………………………….……..……………27 Class Three – Biblica Hebraica and Ancient Manuscripts……………………………………………..…………….29 Class Four Notes………………………………………………………………………………………………………………………..33 The Doctrinal Views of Westcott, Hort, and Others…………………………………………………………..……….37 Historical Evidence for the Received Text – Early Modern Period: (1453-1881 A.D.)…………..……..44 Omissions of the NKJT, NASB, & NIV………………………………………………………………………….……………..46 The Textus Receptus…………………………………………………………………………………….…………………………..52 Modern Translators and Critics………………………………………………………………………………..……………….53 Translation Method……………………………………………………………………………………………………….………...57 Excerpts from the Preface of the New King James Translation………………………..…………………...……60 Early Patristic Quotations of the New Testament – Class Six…………………………………………….……….61 Mark, the Last Twelve Verses – Class 7……………………………………………………………………..……………...62 -
HORIZONS WINTER 2013/14 Set up Copy 2.Pages
Bruce Edison Cumming 1921 - 2014 ! ! Missionary to! Venezuela ! ! was the one who identified most with the !Venezuelan people.” Bruce, with his wife Rhoda, gave spirit, soul and body to evangelize the state of Falcon, on the north-western coast of that country, and to build assemblies according to the pattern laid down in the New Testament. It took pressing circumstances, or strong persuasion by his fellow workers, to convince him to interrupt his labours where his heart was. ! He visited the humblest of homes, far from populated areas; preached publicly the Word of God in his down-to-earth, earnest way; Upon hearing that Bruce Cumming was to leave sponsored literature distribution in every hamlet; Venezuela after sixty years of service there, a constructed many gospel halls; and counselled a Christian in Caracas who had known the people who respected him for what he was as assemblies of God's people since the 1940s, said, well as what he did. Bruce Cumming was born "Well, of all the foreigners who have come to in Squamish, near Vancouver, Canada, on July this country to serve the Lord, Bruce Cumming 11, 1921, into a family of six boys and three FALL - WINTER, 2013/14 ISSUE 163 ! !! www.horizons.homeip.net girls, and grew up in Vancouver during the Great a house and a gospel hall in Cumarebo, Those Depression. His father was killed in a train buildings are icons to the present day. Bruce and accident when Bruce was eleven-years-old. Rhoda later relocated to a more adequate ! residence in nearby Tocopero. -
Articles from 2016
Preview Shelf Articles for 2016 December 1, 2016 Discovering the Wild Heritage of the Nineteenth State By Dianne Combs It has been a wonderful year of celebration for the state of Indiana. Two hundred years of statehood! We have learned many things about our political and historical heritage, but I believe that Indiana still has many secrets that need to be learned. Here at the library we have some beautiful books that will help you explore the natural history of our great state. “The Natural Heritage of Indiana,” edited by Marion T. Jackson, takes us on a lively jaunt through the terrain of our great state. To my delight, the very first picture in Part One is of the “Honeycomb Rock” at Pine Hills Nature Preserve in the southwestern part of Montgomery County. Glaciation and its effects on our landscape are explained in detail, which helps me to understand all the rock formations I come across while exploring some of our nationally renowned state parks. Throughout this section, written by Henry Gray, we are taken on several tours of Indiana. He describes the terrain as if he were driving along highways and illustrates his discussion with appropriate topographical maps. Our soil and water, wetlands and caves — all these give our state its unique stamp on the map of our nation. Beautiful photographs of the flora and fauna of Indiana fill the pages of this coffee table book. I could spend hours just turning its pages, learning about the native plants and animals with which we share our land. We have recently acquired two copies of “A Place Called Turkey Run — A Celebration of Indiana’s Second State Park in Photographs and Words,” by Daniel P. -
Specifications Guide ES9466 MFP/ES9476
MULTIFUNCTIONAL DIGITAL COLOR SYSTEMS Specifications Guide ES9466 MFP/ES9476 MFP ©2016 Oki Data Corporation All rights reserved Under the copyright laws, this manual cannot be reproduced in any form without prior written permission of Oki Data. Preface Thank you for purchasing OKI Multifunctional Digital Systems or Multifunctional Digital Color Systems. This manual describes about the specifications of this equipment and the information of the options. Read this manual before using this equipment. Some models provide the scanning/printing function as an option. How to read this manual Symbols in this manual In this manual, some important items are described with the symbols shown below. Be sure to read these items before using this equipment. Indicates a potentially hazardous situation which, if not avoided, could result in death, serious injury, or serious damage, or fire in the equipment or surrounding assets. Indicates a potentially hazardous situation which, if not avoided, may result in minor or moderate injury, partial damage to the equipment or surrounding assets, or loss of data. Indicates information to which you should pay attention when operating the equipment. Describes handy information that is useful to know when operating the equipment. Pages describing items related to what you are currently doing. See these pages as required. Description of original/paper direction Paper or originals of A4, B5 or LT size can be placed either in a portrait direction or in a landscape direction. In this manual, “-R” is added to this paper size when this size of paper or original is placed in a landscape direction. e.g.) A4 size original on the original glass Placed in a portrait direction: A4 Placed in a landscape direction: A4-R Paper or originals of A3, B4, LD or LG can only be placed in a landscape direction, therefore “-R” is not added to these sizes. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Final Paper Products Recovered Materials Advisory Notice Response to Public Comments
FINAL PAPER PRODUCTS RECOVERED MATERIALS ADVISORY NOTICE Response to Public Comments Office of Solid Waste U.S. Environmental Protection Agency April 1996 CONTENTS I. Introduction . 1 A. The Draft Paper Products Recovered Materials Advisory Notice . 1 B. Overview of the RCRA Requirements . 1 C. Overview of the Executive Order Provisions for Paper . 3 II. Applicability . 5 A. Background. 5 B. Comments and Agency Response. 5 III. EPA's Objectives . 7 A. Background. 7 B. Comments and Agency Response. 7 IV. EPA's Approach to Recommendations. 11 A. Background . 11 B. Comments and Agency Response . 11 V. EPA's Methodology . 14 A. Background . 14 B. Comments and Agency Response . 14 VI. Recommendations for Printing and Writing Papers. 15 A. Background . 15 B. Comments and Agency Response . 19 VII. Recommendations for Newsprint . 27 A. Background . 27 B. Comments and Agency Response . 27 VIII. Recommendations for Tissue Products. 31 A. Background . 31 B. Comments and Agency Response . 32 IX. Recommendations for Paperboard and Packaging Products . 36 A. Background . 36 B. Comments and Agency Response . 38 X. Recommendations for Miscellaneous Paper Products. 45 A. Background . 45 B. Comments and Agency Response . 45 XI. Recommendations for Measurement. 46 A. Background . 46 B. Comments and Agency Response . 46 XII. Recommendations for Specifications. 48 A. Background . 48 B. Comments and Agency Response . 48 XIII. Recommendations for Recyclability. 49 A. Background . 49 B. Comments and Agency Response . 49 XIV. Definitions . 51 A. Background . 51 B. Comments and Agency Response . 51 XV. Certification and Verification . 54 A. Background . 55 B. Comments and Agency Response . 55 XVI. Sawdust as Recovered Fiber.