Boston Symphony Orchestra Concert Programs, Season 9, 1889-1890

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 9, 1889-1890 MUSIC HALL. BOSTON. BOSTON SYMPHONY ORCHESTRA, ARTHUR NIKISCH, Conductor. Ninth Season, 1889-90. PROGRAMME OF THE Seventh Rehearsal and Concert FRIDAY AFTERNOON, NOVEMBER 22, AT 2.30. SATURDAY EVENING, NOVEMBER 23, AT 8.00. WITH HISTORICAL AND ANALYTICAL NOTES PREPARED BY G. H. WILSON. PUBLISHED BY C. A. ELLIS, Manager. (193) NEW LINE TO WASHINGTON BALTIMORE & OHIO R.R. FOR BALTIMORE, CHICAGO, WASHINGTON, ST. LOUIS, CINCINNATI, INDIANAPOLIS, COLUMBUS, PITTSBURG. Only Line Yia Washington to the West. Two Through Trains Daily to Chicago, Cincinnati, and St. Louis Without Change. Seven Fast Trains Daily to Washington. Magnificent Pullman Palace, Drawing and Sleeping Cars ON ALL TRAINS. CHAS. O. SCULL, Gen'l Pass'r Agt., A.J. SIMMONS, New Eng. Pass'r Agt., Baltimore, Md. 211 Washington St., Boston, Mass. C. P. CRAIG, Gen'l Eastern Pass'r Agent, New York. AND 1 59 Tremont S reet. (194. SEVENTH REHEARSAL and CONCERT. Friday Afternoon, November 22, at 2.30. Saturday Evening, November 23, at 8.00. PROGRAMME. Schumann - Overture, "Genoveva" 5 Raff - - - Song, "The Dream King and his Love' A. Foote - Suite for String Orchestra, in D major, No. 2, Op, 21 F rel ude. Minuetto. Air. Ga/otte. Songs with Piano. 11 Remembrance" Brahms "The Little Dustman" Beethoven -------- Symphony No. 8 Allegro vivace con brio. Allegretto scherzando. Tempo di minuetto. egro vivace. Soloist. Miss GERTRUDE EDMANDS. x The Programme or the next Public ^eiearsa 1 and Concert will be found on page 219. (195) SHORE LINE BOSTON NEW YORK NEW YORK TO BOSTON THROUGH TRAIN SERVICE FROM EITHER CITY. 10 a.m. DAY EXPRESS, arrives at 4.30 p.m. BUFFET DRAWING-ROOM CARS. Up.m. "AFTERNOON SERVICE," arrives at 8 p.m. BUFFET DRAWING-ROOM CARS. 5 p.m. NEW LIMITED EXPRESS, arrives at 11 p.m. THROUGH IN 6 HOURS, with drawing-room cars through and DINING CAR between Boston and New London. The Last Trains to Leave either City and Arrive at Termini the Same Day. 1 1 .30 p.m. NIGHT EXPRESS, MAIL, arrives at 7 a.m. SLEEPING CARS, open for occupation at 9.15 p.m. This late train affords the opportunity of a long evening in the city. It has been scheduled with a view L x of giving patrons a comfortable night's rest. It is not a fast train, and patrons will not be disturbed •by rapid movement en route or early arrival at terminal stations. Only ..Line between the two cities having Wagner Drawing-Room and Sleeping-Car Service. .w»(NEW YORK, from Grand Central Station, T»»Txre1 RAINS A-EAVET n J B0ST0N> FRQM pARK Square STATION. By the completion of the bridge over the Thames River, at New London, Conn., it is hoped the time be- tweea Boston and New York 01 the above trains will be materially shortened ; so that now, with new and greatly improved rolling stock, the finest dining, drawing-room, and sleeping cars, and a continuous rail pas- sage between the two cities, the service of the Shore Line has become as nearly perfected as is at present pos- sible, and it has no superior in New England. The New London bridge is the largest drawbridge in the world, and the vexatious and delaying ferries at this point are entirely done away with by its completion. J. R. KENDRICK, Gen'l Manager. GEO. L. CONNOR, Gen'l Pass'r Agent. OLD COLONY RAILROAD. ETHELBERT NEVIN. RIBBONS. Op. 5- THE LATEST SHADES and STYLES in all the choice Five Songs. and favorite qualities are now on sale in our NEW DE- RERBSTGEFUHL. PARTMENT. CHANSON DES LAYANDIERES. Nothing but first-class goods, 'TWAS APRIL. and EVERY PIECE FRESH THIS SEASON. RAFT SONG. AT DAYBREAK. WE OPEN WITH A Special Scale of Popular Prices. The above have been recently published by the" BOSTON MUSIC COMPANY Chandler & Co., (G. SCHIRMER), 28 WEST STREET. Winter St., BOSTON. (196) Overture, "Genoveva." Schumann. Schumann was seven years finding a book for the only opera he ever wrote. In that time, he examined no less than twenty-two subjects, in- cluding the " Nibelungen Lied," " Abelard and He'loise," and Byron's " Corsair." In 1847, ne came across Hebbel's version of the story of Genevieve. Tieck's poem on the same subject also presenting itself, he requested Robert Reinick to prepare from them both a libretto. Schumann, being dissatisfied with Reinick's book, made so many changes that Rei- nick renounced all claim to what finally appeared. The opera was com- pleted during the year 1848. On its first production, at Leipzig, in 1850, it failed ; and, though it has since been performed, from time to time, at various theatres in Germany, it has never held a firm place in the repertory of lyric theatres. It is admitted that reasons for its want of success are to be found partly in the defects of the libretto. With regard to this, Dr. " Spitta says : He himself [i.e., the composer] arranged his own libretto. His chief model was Hebbel's ' Genoveva,' — a tragedy which had affected him in a wonderful way,— though he also made use of Tieck's ' Genoveva.' Besides these, he took Weber's ' Euryanthe ' as a pattern. The mixture of three poems, so widely differing from one another, resulted in a confusion of motives and an uncertainty of delineation, which add to the uninterest- ing impression produced by the libretto." The essentially lyric character of Schumann's score affords another reason for the succes (Testime which " Genoveva " won. Nearly the entire music to " Genoveva " was given in concert by the Bach Choir of London, in May, 1887,— a unique proceeding, which gave great pleasure to the GRAND, UPRIGHT, AND SQUARE PIANOFORTES. For more than fifty years before the public, these instruments have, by their excellence, attained an unpurchased pre-eminence, which establishes them the unequalled in TONE, TOUCH, WORKMANSHIP, AND DURABILITY. E. W. TYLER, Agent, 178 TREMONT STREET. (197) H. B. STEVENS & CO., Music Publishers and Importers, 169 TREMONT STREET, BOSTON. JUST PUBLISHED. IN PRESS. A Group of Six Songs, TWELVE LYRICS, By WALTER PETZET. PRICE, 75 CTS. NHT. "The whole series is up to the level of the Lieder A. GORING THOMAS. ' f more distinguished, but possibly not more talented composers than Mr. Petzet." — Music and Drama. A new collection of beautiful songs and duets by "An exquisite and unique little volume of Vocal Gems." — The Folio. this popular composer. FLYNT WAIST, or TRUE CORSET. No. 1 represents a high-necked garment. No. 2 a low-necked one, which admits of being high in the back and low front. No. 3 is to illustrate our mode of adjusting the " Flynt Hose Support " each side of the hip; also, the most correct way to apply the waistbands for the drawers, under and outside petticoats and dress* skirts. No. 4 shows the Flynt Extension and Nursing Waist, appreciated by mothers. No. 5 the Misses' Waist, with Hose Supports attached. No. 6 how we dress very little people. No. 7 illustrates how the warp threads 0/ the fabrics cross at right angles in the back, thereby insuring in every waist the most successful Shoulder Brace ever constructed. It is universally endorsed by eminent physicians as the most Scientific Waist or Corset 6 known. THE FLYNT WAIST is the only garment manufactured where the material of which it is rnade is shrunk be- Pat. Jan. 6, 1874 fore cut, the only one which in its natural construction contains a Pat. Feb. 15, 187b SHOULDER BRACE which supports the bust from the shoulders, and (a fact so essential to large girls or women, thereby overcomes the objectionable abdominal development. The Flynt Waist, fitting superbly, permits that most desirable grace of motion possible only with perfect respiration gained by freedom from compression. For Singers, Actresses, Teachers or Pupils of elocution or physical exercise, for equestrians or invalids, for every girl or woman, the Flynt Waist is unequalled. Thousands of ladies whom we have fitted by mail sat- isfactorily are constantly blessing its inventor. Sg^" Our "Manual," containing 48 pages of reading matter relating to the subject of Hygienic Modes of Under-dressing, Sent Free to any physician or lady, on applica- tion to Mrs. O. P. FLYNT, 319 Columbus Ave., Boston, Mass. Columbus Avenue cars pass the house from all depots. EUREKA SILK PURE DYE, FAST COLORS, BRILLIANT LUSTRE. EUREKA SPOOL SILK so and ioo yard spools. Button-hole Twist 10 and 16 yard spools. These goods have stood the test for years and have constantly grown in popularity, for the reason that they are ALWAYS RELIABLE in length, strength and quality. For sale by leading job- bers and retailers throughout the United States. EUREKA KNITTING-SILK is the best for all kinds of Knitting, Crochet work, etc. Our celebrated Eureka Wash Silks, for Art Embroidery, Rope Silk, Zephyr and Etching Silks, are unexcelled. TRY THEM. EUREKA SILK MFC. CO., BOSTON, MASS. (198) cultivated clientele of that society, but which has not been adopted else- where. The story of Genevieve, as related in the "Origines du Palatinat," by Freher, has been a favorite with novelists, dramatists, and the makers of pantomime, opera, and opera bouffe (notably Offenbach). We will ask the accomplished annotator of Mr. Henschel's London Symphony Concerts to tell something about the overture, mentioning, however, that it was first performed in Boston by the orchestra of the Harvard Musical Association on March i, 1866. Its last performance here was at a Boston Symphony Concert, Nov. 19, 1887: — " Genoveva's knightly husband goes to the wars ; and, in his absence a pretended friend urges her to forget her duty to him.
Recommended publications
  • Mr. George Jean Nathan Presents
    >4/ CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924027048382 MR. GEORGE JEAN NATHAN PRESENTS MR. GEORGE JEAN NATHAN PRESENTS NEW YORK ALFRED A. KNOPF MCMXVII COPYRIGHT, 1917, BY ALFRED A. KNOPF Ptdlisher, August, 1917 s PBINTED IN THB UKTTED STATES OT AMF.EICA An After-Piece of More or Less Critical Confidences and Memoirs Touching Lightly Upon the Various Some- things Which Go to Consti- tute What is Called the American Theatre CONTENTS The Philosophy of Philistia (^Salutatory) ii I The Hawkshavian Drama. 23 II The American Music Show. 43 III The Commercial Theatrical Misman- AGER. 53 IV Legend's End. 66 V The Follies of 1917, B. C. 86 VI Slapsticks and Rosemary. 94 VII Pantaloons A-Posture. 108 VIII The Black Art. 115 IX The Case for Bad Manners. 122 X The Vaudevilles. 133 XI A Few Pages of Destructive Dramatic Criticism. 140 XII Why Schmidt Left Home. 155 XIII The Dramatic Critic and the Undramatic Theatre. 170 XIV America's Most Intellectual Actress. 183 XV Myths of Momus. 205 XVI Realismus. 211 XVII Polish Versus Shine. 220 XVIII The Cut-Rate Mind and the Premium Seat. 228 XIX Mists of Delusion. 239 XX Curtain-Raisers and Hair-Raisers. 262 Contents XXI The Case of Mr. Winthrop Ames. 278 XXII A Clinical Report.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • Theatricals in Philadelphia" Scrapbooks Ms
    "Theatricals in Philadelphia" scrapbooks Ms. Coll. 1384 Finding aid prepared by Siel Agugliaro. Last updated on July 14, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2019 May 7 "Theatricals in Philadelphia" scrapbooks Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 8 Series I. "Theatricals in Philadelphia".................................................................................................... 8 Series II. Index to "Theatricals in Philadelphia" (produced by the WPA)............................................28 - Page 2 - "Theatricals in Philadelphia" scrapbooks Summary Information Repository University
    [Show full text]
  • Iicraral and COMPANY's PERFORMANCES Tions of Lite
    essas m&fw 14 THE"" PETTSBTJRG DISPATCH, SUNDAY, I'EBKTJAKY 8. 1891 ADVERTISEMENTS, ADVERTISEMENTS. NEW ADVERTTSKM KNTS.g NEW ADVEItTTSESrEmS. nolntl quote a few words very well said by C down considerably. Now, this proves to me NEW HEW F. Matbewson. He says: just what I bave argued nrore than once. I AREVIEWOFPORTS. "At-tb- sanfe time the report forma a basis havo contended that after this first flush upon which tho A A V. can build in regula- of excitement passes from the magnates, tion of the expenses of its other athletes; It things, as as are concerned, has already, last meeting, lar salaries HARRY DAVIS' DUQUESNE at Its accepted the will resnme their good old way: that is, good system of prizes therein prescribed. That will get good and so on. Why expenses, players salaries, ,XS ' S. portion relating to being of snch Im- is John M. Ward to receive such a big salaryt E 5 SHMV Some Comments on the Proposed New portance and Intricacy, could not Intelligently Simply because, as a player and as an attrac- be passed upon in a moment, and was laid tion, his services are in demand, even at this THEATER. Rules Relating to Expenses over till tbo meotingof the Board of Managers, singular period of baseball history. It will FIFTH AVENUE to be held In Boston February 14. believe sarao m a comparatively grig? us, I be Just tbe all round a Athletics. most. If not all of believe that the interests short time. The very desire of the magnates m(flWDlVf""DYf.KEErWI Z of Amateur of amateur sport, particularly in the case of themselves to outclass each other in players PitlslrarE's Playhouse.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 9, 1889
    MUSIC HALL, BOSTON. BOSTON SYMPHONY ORCHESTRA, ARTHUR NIKISCH, Conductor. Ninth Season, 1889-90. PROGRAMME OF THE Sixth Rehearsal and Concert, FRIDAY AFTERNOON, NOVEMBER 15, AT 2.30. SATURDAY EVENING, NOVEMBER 16, AT 8.00, WITH HISTORICAL AND ANALYTICAL NOTES PREPARED BY G. H. WILSON. PUBLISHED BY C. A. ELLIS, Manager. (161) NEW LINE TO WASHINGTON BALTIMORE & OHIO R.R. FOR BALTIMORE, CHICAGO, WASHINGTON, ST. LOUIS, CINCINNATI, INDIANAPOLIS, COLUMBUS, PITTSBURG. Only Line via Washington to the West. Two Through Trains Daily to Chicago, Cincinnati, and St. Louis Without Change. Seven Fast Trains Daily to Washington. Magnificent Pullman Palace, Drawing and Sleeping Cars ON ALL TRAINS. CHAS. O. SCULL, Gen'l Pass'r Agt., A.J. SIMMONS, New Eng. Pass'r Agt., Baltimore, Md. 211 "Washington St., Boston, Mass. C. P. CRAIG, Gen'l Eastern Pass'r Agent, New York. AND 1 59 Tremont S reet. (1G2) " SIXTH REHEARSAL and CONCERT. Friday Afternoon, November 15, at 2.30. Saturday Evening, November 16, at 8.00. PROGRAMME. Cherubini ------- Overture, "Anacreon Eckert - - Concerto for Violoncello, in A minor, Op. 26 Allegro moderate Andante; Scherzo vivace; Andante. Allegro non troppo (Rondo a la Cosaque). (First time in Boston.) Svendsen - - - - Norwegian Rhapsody, No, 2, in A, Op. 19 (First time at these Concerts.) M Bruch Kol Nidrei," for Violoncello and Orchestra, Op. 47 (First time in Boston.) Goetz -------- Symphony in F Allegro moderate Intermezzo (Scherzo). Adagio ma non troppo lento. Allegro con fuoco. Soloist, Mr. LEO SCHULZ. The Programme for the next Public Rehearsal and Concert will be found on page 187. (163) SHORE LINE BOSTON NEW YORK NEW YORK TO BOSTON THROUGH TRAIN SERVICE FROM EITHER CITY.
    [Show full text]
  • The Tattooed Countess : a Romantic Novel with a Happy Ending
    "i-CUv THE TATTOOED COUNTESS CARL VAN VECHTEN: A BIBLIOGRAPHY WHY AND WHAT (aN ADVERTISING PAMPHLET, SIGNED ATLAS; 19^4) MUSIC AFTER THE GREAT WAR (IQIS) MUSIC AND BAD MANNERS (I9l6) Out of print INTERPRETERS AND INTERPRETATIONS (19I7) Out of print THE MERRY-GO-ROUND (iQI^) Out tf print THE MUSIC OF SPAIN (1918) * Out tf print IN THE GARRET (192O) MARGUERITE D'ALVAREZ: A BROADSHEET ( I920) INTERPRETERS ( I920) THE TIGER IN THE HOUSE (1920)* PETER WHIFFLE: HIS LIFE AND WORKS (1922)* THE BLIND BOW-BOY ( I923) * THE TATTOOED COUNTESS ( I924) Mr. Van Vethten hat writttn prifacet for the following books: SOPHIE, BY PHILIP MOELLER (l9I9) A LETTER WRITTEN IN 1837 BY MORGAN LEWIS FITCH (IQIQ) Privatily printed LORDS OP THE HOUSETOPS (I92l) KITTENS, BY SVEND FLEURON (1922) IN A WINTER CITY, BV OUIDA (tHE MODERN LIBRARY; 1923) MY MUSICAL LIFE, BY N. A. RIMSK Y-KO RS AKOFF (1923) PRANCING NIGGER, BV RONALD FIRBANK (1924) THE LORD OP THE SEA, BY M. P. SHIEL (1924) Tht folio-wing hoots contain papers by Mr. Van Vechten: THE BORZOI: 1920 WHEN WINTER COMES TO MAIN STREET, BY GRANT OVERTON (I922) Mr. Van Vechten it the composer of: FIVE OLD ENGLISH DITTIES ( I9O4) * Published also in England The Tattooed Countess A romantic novel with a happy ending Carl Van Vechten New York Alfred • A • Knopf MCMXXIV COPYRIGHT, 1924, BY ALFRED A. KNOPF, INC. • PUBLISHED, AUGUST, 1924- SET UP AND ELEC- TROTYPED BY THE VAIL-BALLOU PRESS, INC... BINGHAMTON, N. Y. • PRINTED AND BOUND BY THE PLIMPTON PRESS, NORWOOD, MASS. • PAPER FURNISHED BY W.
    [Show full text]
  • THE ARTIST and the ENTERTAINERS: EMMANUEL CHABRIER and HIS IMITATORS by MARY HELEN STILL (Under the Direction of Dorothea Link)
    THE ARTIST AND THE ENTERTAINERS: EMMANUEL CHABRIER AND HIS IMITATORS by MARY HELEN STILL (Under the Direction of Dorothea Link) ABSTRACT Composed by Emmanuel Chabrier in 1877, the opera L’Étoile quickly become fodder for “borrowing” by American and British musical comedy collaborators. An American adaptation by Woolson Morse, The Merry Monarch, was produced in 1890, and a British adaptation by Ivan Caryll, The Lucky Star, was produced in London in 1899. Each subsequent version is in no way simply a translation or reproduction of L’Étoile; these are adaptations in a broad sense, with little Chabrier left at all. It is the purpose of this thesis to demonstrate by means of this case study how the musical comedy genre and the popular music industry of the late nineteenth and early twentieth centuries made use of an established and canonic genre, opera, by investigating what is appropriated and what is not valued in this borrowing process. INDEX WORDS: L’Étoile, The Merry Monarch, The Lucky Star, Emmanuel Chabrier, Eugène Leterrier, Albert Vanloo, H. Woolson Morse, J. Cheever Goodwin, Ivan Caryll, Charles H. Brookfield, Adrian Ross, Aubrey Hopwood THE ARTIST AND THE ENTERTAINERS: EMMANUEL CHABRIER AND HIS IMITATORS by MARY HELEN STILL BA, Piedmont College, 2010 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2013 © 2013 Mary Helen Still All Rights Reserved THE ARTIST AND THE ENTERTAINERS: EMMANUEL CHABRIER AND HIS IMITATORS by MARY HELEN STILL Major Professor: Dorothea Link Committee: David Haas Adrian Childs Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2013 iv DEDICATION This thesis is dedicated to my almost husband and best friend, Shakib Hoque, my sweet family, and my puppy, Henry, who never let me work too hard for too long.
    [Show full text]
  • The History of the Savannah Theater, 1865-1906
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1970 The iH story of the Savannah Theater, 1865-1906. Robert Lane Overstreet Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Overstreet, Robert Lane, "The iH story of the Savannah Theater, 1865-1906." (1970). LSU Historical Dissertations and Theses. 1799. https://digitalcommons.lsu.edu/gradschool_disstheses/1799 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 71-3431 OVERSTREET, Robert Lane, 1930- < THE HISTORY OF THE SAVANNAH THEATER, j 1865-1906. ' ! ! The Louisiana State University and Agricultural \ and Mechanical College, Ph.D., 1970 } Speech-Theater j i j University Microfilms, Inc., Ann Arbor, Michigan [ s J THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED The History of the Savannah theater, 1865-1906 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Robert Lane Overstreet A.B., North Georgia College, 1950 M.A., Northwestern University, 1957 May, 1970 The History of the Savannah Theater, 186£-1906 Volume I ACKNOWLEDGMENT The writer gratefully acknowledges his debt to Dr. Claude L. Shaver, for whom his admiration has steadily increased, and to the members of his committee, Ur.
    [Show full text]
  • Ms0447 Rev March 2013
    Legacy Finding Aid for Manuscript and Photograph Collections 801 K Street NW Washington, D.C. 20001 What are Finding Aids? Finding aids are narrative guides to archival collections created by the repository to describe the contents of the material. They often provide much more detailed information than can be found in individual catalog records. Contents of finding aids often include short biographies or histories, processing notes, information about the size, scope, and material types included in the collection, guidance on how to navigate the collection, and an index to box and folder contents. What are Legacy Finding Aids? The following document is a legacy finding aid – a guide which has not been updated recently. Information may be outdated, such as the Historical Society’s contact information or exact box numbers for contents’ location within the collection. Legacy finding aids are a product of their times; language and terms may not reflect the Historical Society’s commitment to culturally sensitive and anti-racist language. This guide is provided in “as is” condition for immediate use by the public. This file will be replaced with an updated version when available. To learn more, please Visit DCHistory.org Email the Kiplinger Research Library at [email protected] (preferred) Call the Kiplinger Research Library at 202-516-1363 ext. 302 The Historical Society of Washington, D.C., is a community-supported educational and research organization that collects, interprets, and shares the history of our nation’s capital. Founded in 1894, it serves a diverse audience through its collections, public programs, exhibits, and publications. 801 K Street NW Washington, D.C.
    [Show full text]
  • Famous Prima Donnas
    jiMjgujguAJiujiuajujLixiujuiiAJiLJJUiLJU^ajg K L ]fVVAVWWWWWSVWWWWWW^TWW SALT LAKB cr Famous Prima Donnas t 1 5 1 > > » 5 » O J >0 '} 3 t t f € r e t r • ' I c EDNA MAY As Violet Grey in " The 15elle of New York." ^ »v;o M • • • » , t i - . * , ' - • • • " By L. C. Page & Company (incorporated) All rights reserved Third Impression, February, 1906 COLONIAL PRESS Electrotyped and Printed by C. H. Sivtonds &= Co. Boston, U.S.A. CONTENTS CHAPTBR ^^^^ Introduction ^x I Alice Nielsen ' 21 II. Virginia Earle III. Lillian Russell 3° IV. Josephine Hall 4^ V. Mabelle Oilman S^ VI. Fay Templeton 67 VII. Madge Lessing 81 VIII. Jessie Bartlett Davis 88 IX. Edna Wallace Hopper 104 X. Paula Edwardes 113 XI. Lulu Glaser 120 XII. Minnie Ashley '34 XIII. Edna May i47 XIV. Marie Celeste 156 XV. Christie MacDonald 172 « 95'7'' > •« vi Contents CHAPTER PAGB XVI. Marie Dressler i8i XVII. Della Fox 192 XVIII. Camille D'Arville 208 XIX. Marie Tempest 222 XX. Maud Raymond 233 XXI. Pauline Hall 239 XXII. Hilda Clark 253 LIST OF ILLUSTRATIONS FAGB Edna May as Violet Grey in " The Belle of New York " . Frotitispiece " " Alice Nielsen in The Fortune Teller . 7 Virginia Earle as Winnifred Grey in " A Runaway Girl" 21 " Lillian Russell as * The Queen of Brilliants 42 " Mabelle Gilman in The Casino Girl " . 56 Fay Templeton singing the " coon" song, " My Tiger Lily " 67 Madge Lessing Si Edna Wallace - Hopper . .104 Paula Edwardes '^3 Lulu Glaser 120 Minnie Ashley ^34 Christie Macdonald 172 List of Illustrations PAGE Marie Dressler i^^ Della Fox ^9^ Marie Tempest 222 Introduction The musical stage in the United States may be said to be a birthright rather than a profession.
    [Show full text]
  • “Oh, Joy Unbounded...”
    Gilbert & Sullivan 8 Exhibition Catalog George Mason University Libraries 8 Exhibition Catalog George Mason Gilbert & Sullivan “Oh, Joy Unbounded...” A Celebration of Exhibition Catalog George Mason University Libraries “Oh, Joy Unbounded...” A Celebration of Gilbert &Sullivan Selections from the collection of David and Annabelle Stone Exhibition Catalog George Mason University Libraries George Mason University Libraries with George Mason University College of Visual and Performing Arts presents “Oh, Joy Unbounded...” A Celebration of Gilbert & Sullivan From the David and Annabelle Stone Gilbert & Sullivan Collection Exhibit Catalog by Mason Publishing, George Mason University Libraries Catalog design: Emily L. Cole and John W. Warren Cover images: Children’s Pirates of Penzance, Souvenir program, D’Oyly Carte’s Children’s Opera Co., Savoy Theatre, London, 1884-85 © 2017 by George Mason University Libraries “Oh, joy unbounded, With wealth surrounded, The knell is sounded Of grief and woe.” —from Trial by Jury Gilbert and Sullivan Introduction by Rick Davis ‘Oh, Joy Unbounded…’ offers unparalleled access to the creative process, the relation- ships, the business decisions, and the influence of Gilbert and Sullivan on their time and beyond. That we have this access is thanks to the generosity of David and An- nabelle Stone in sharing items from their extensive collection for our celebrations of Gilbert and Sullivan this year. This partnership between the College of Visual and Performing Arts and the Uni- versity Libraries, working with David to host exhibitions, scholarly events, and performances, represents a groundbreaking collaboration. Nothing less than such a partnership can fully recognize Gilbert and Sullivan as the transformative pair of creative geniuses that they were.
    [Show full text]