Horizons Cover Photograph: Waiting to Cross: Cañón Zapata (Gelatin Silver Print) by Alan Pogue, 1986
Horizons Cover photograph: Waiting to Cross: Cañón Zapata (gelatin silver print) by Alan Pogue, 1986 Right: The Economy of Class and Culture (serigraph) by Juan Sánchez, 2007, commissioned for the second IUPLR Siglo XXI conference, held in Austin, Texas Horizons is a news publication of the Institute for Latino Studies written by Evelyn Boria-Rivera, Andrew Deliyannides, and Caroline Domingo; art direction by Zoë Samora. Design by Jane A. Norton and José Jorge Silva, Creative Solutions. © 2007 University of Notre Dame elcome to the 2007 issue of The visual arts are a thriving and dynamic aspect of how Latinos Horizons in which we turn our and Latinas reflect and respond to their experience as they move attention to the aesthetic and to and throughout the United States. At the most basic level, W academic value of the visual the purpose of the Institute is to research and convey the Latino arts. This pursuit is close to my own heart but, experience to a broader audience, both locally and nationally. more importantly, central to the field of Latino We proceed under the conviction that the story of the American studies. people cannot be told without adding the voices of Latinos to the national discourse and adding the visions of Latinos to a One of the first things most people notice when broader mosaic. they visit the Institute’s offices in both South Bend and Washington DC is the prominent display of In this issue of Horizons you will see how we carry out this mission artwork—not only in the Galería América, the art in our local educational endeavors within the Notre Dame/Saint gallery leading to the main entrance of the home Mary’s community, our outreach to the general public, and our office, but paintings, photographs, lithographs, fruitful partnerships with the Snite Museum on Notre Dame’s drawings, sculptures, ethnographic objects, and campus and the Crossroads Gallery in downtown South Bend.
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