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SYDNEY SYMPHONY UNDER the STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair
SYDNEY SYMPHONY Photo: Photo: Jamie Williams UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM Dmitri Shostakovich (Russian, 1906–1975) SYDNEY Festive Overture SYMPHONY John Williams (American, born 1932) Hedwig’s Theme from Harry Potter UNDER THE Wolfgang Amadeus Mozart (Austrian, 1756–1791) Finale from the Horn Concerto No.4, K.495 STARS Ben Jacks, horn SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA THE CRESCENT Hua Yanjun (Chinese, 1893–1950) PARRAMATTA PARK Reflection of the Moon on the Lake at Erquan 8PM, 19 JANUARY 120 MINS John Williams Highlights from Star Wars: Imperial March Benjamin Northey conductor Cantina Music Diana Doherty oboe Main Title Ben Jacks horn INTERVAL Sydney Symphony Orchestra Gioachino Rossini (Italian, 1792–1868) Galop (aka the Lone Ranger Theme) from the overture to the opera William Tell Percy Grainger (Australian, 1882–1961) The Nightingale and the Two Sisters from the Danish Folk-Song Suite Edvard Grieg (Norwegian, 1843–1907) Highlights from music for Ibsen’s play Peer Gynt: Morning Mood Anitra’s Dance In the Hall of the Mountain King Ennio Morricone (Italian, born 1928) Theme from The Mission Diana Doherty, oboe Josef Strauss (Austrian, 1827–1870) Music of the Spheres – Waltz Pyotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEYSYDNEY SYMPHONY SYMPHONY UNDER UNDER THE STARS THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair Benjamin Northey is Chief Conductor of the Christchurch Diana Doherty joined the Sydney Symphony Orchestra as Symphony Orchestra and Associate Conductor of the Principal Oboe in 1997, having held the same position with Melbourne Symphony Orchestra. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries
AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years. -
Compositions by Matthew Hindson
Compositions by Matthew Hindson Matthew Hindson, M. Mus. (Melb), B.Mus. (Hons.) (Syd) A folio of original musical compositions and accompanying introductory essay submitted in fulfilment of the requirements of the degree of Doctor of Philosophy Department of Music University of Sydney July 2001 Volume I: Introductory Essay N.B.: This submission comprises a folio of creative work. It is in two volumes and includes two accompanying compact discs, musical scores and an introductory essay. © Matthew Hindson Certification I certify that this work has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due references has been made in the text. ____________________________ Matthew Hindson 31st July 2001 Possible works to be included on the CD and in the folio of compositions: • Speed (1996) – orchestra – 16 minutes [YES] • RPM (1996) – orchestra – 4 minutes [DO I NEED THIS ONE?] • Techno-Logic (1997) – string quartet – [no recording] • technologic 1-2 (1997) – string orchestra – 8 minutes [YES] • Night Pieces (1998) – soprano saxophone and piano – 8 minutes [YES] • Rush – guitar and string quartet – 9 minutes [YES] • In Memoriam: Concerto for Amplified Cello and Orchestra (2000) – 34 minutes [YES] • Moments of Plastic Jubilation (2000)– solo piano – 5 minutes [???] • Always on Time (2001) – violin and cello – 2 minutes [???] • The Rave and the Nightingale (2001) – string qt and string orch – 18 min. [???] [CONCERNS: IS THIS CONCENTRATED TOO MUCH ON ORCHESTRAL AND STRING WORKS? – THEY ARE THE BEST PIECES THOUGH] Chapter 1: Introduction As an Australian composer living at the end of the twentieth / start of the twenty-first centuries, I believe that there is an obligation embedded in musical art that is created in this era: to impart and explore musical and extra-musical ideas that are directly relevant to, and representative of, the society in which I live. -
2021 Audition Requirements
2021 AUDITION REQUIREMENTS In response to the global events of 2020, and our subsequent inability to hold live in-person auditions, Manhattan School of Music will only hold recorded and virtual auditions in 2021. MSM has creatively adapted to offer a modified audition process that will allow our applicants to be fully considered for both admission and scholarship. Below you will find the updated audition requirements for each area. Please read the instructions for your major carefully, and feel free to reach out to the Office of Admissions at [email protected] if you have any questions or concerns about your ability to fulfill these requirements. We look forward to another inspiring audition season! English Assessments All applicants for whom English is not their first language will be contacted to schedule a 30-minute Zoom interview with MSM’s ESL faculty in January and February of 2021. We cannot give our written English Exam online this year, so we strongly recommend that you send TOEFL or IELTS scores to MSM. We would like to consider your test scores along with the results of your 30-minute interviews. Your test scores can be uploaded directly to the application Status Portal. Table of Contents Classical 2 Classical Brass 2 Classical Collaborative Piano 4 Classical Composition 7 Classical Guitar 8 Classical Organ 10 Classical Percussion 11 Classical Piano 13 Classical Strings 14 Classical Voice 18 Classical Woodwinds 19 Jazz Division 24 Musical Theatre 26 Contemporary Performance 27 Orchestral Performance 28 Zukerman Performance 34 CLASSICAL BRASS Audition Format Applicants will submit the required repertoire listed below as separate video recordings by February 1, 2021. -
Sydney Symphony Under the Starssydney Symphony Under the Stars
SYDNEY SYMPHONY Photos: Victor Photos: Frankowski UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM SYDNEY Ludwig van Beethoven (German, 1770–1827) SYMPHONY Fidelio: Overture Bedřich Smetana (Czech, 1824–1884) UNDER THE Má Vlast: Vltava (The Moldau) STARS John Williams (American, born 1932) SYDNEY SYMPHONY ORCHESTRA AND Theme from Schindler's List PARRAMATTA PARK TRUST | AUSTRALIA Sun Yi, violin THE CRESCENT PARRAMATTA PARK Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 18 JANUARY The Nutcracker: Three Dances 120 MINS Alexander Borodin (Russian, 1833–1887) Benjamin Northey conductor Prince Igor: Polovtsian Dances Sun Yi violin Leah Lynn cello INTERVAL Sydney Symphony Orchestra Giuseppe Verdi (Italian, 1813–1901) The Force of Destiny: Overture Aram Khachaturian (Armenian, 1903–1978) Spartacus: Adagio of Spartacus and Phrygia Camille Saint-Saëns (French, 1835–1921) (orch. Vidal) Carnival of the Animals: The Swan Leah Lynn, cello Jacques Offenbach (German-French, 1819–1880) (arr. Binder) Orpheus in the Underworld: Can-Can Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEY SYMPHONY UNDER THE STARSSYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY SUN YI CONDUCTOR VIOLIN Associate Concertmaster Benjamin Northey is Chief Conductor of the Christchurch Sun Yi was born in Hunan, China. He attended the Symphony Orchestra and Associate Conductor of the Shanghai Conservatory of Music from 1988 to 1993 Melbourne Symphony Orchestra. He was previously where he was the Concertmaster for the Youth Orchestra Resident Guest Conductor of the Australia Pro Arte and Chamber Orchestra. In 1990, he won the third Chamber Orchestra (2002–2006) and Principal prize for the senior section in the China National Violin Conductor of the Melbourne Chamber Orchestra (2007– Competition, and also participated in the International 2010). -
Don Banks, Australian Composer
Don Banks, Australian Composer: Eleven Sketches Graham Hair Southern Voices ISBN 1–876463–09–0 First published in 2007 by Southern Voices 38 Diamond Street Amaroo, ACT 2914 AUSTRALIA Southern Voices Editorial Board: Professor Graham Hair, University of Glasgow, United Kingdom Ms Robyn Holmes, Curator of Music, National Library of Australia Professor Margaret Kartomi, Monash University Dr Jonathan Powles, Australian National University Dr Martin Wesley-Smith, formerly Senior Lecturer, Sydney Conservatorium of Music Distributed by The Australian Music Centre, trading asSounds Australian PO Box N690 The Rocks Sydney, NSW 2000 AUSTRALIA tel +(612) 9247 - 4677 fax +(612) 9241 - 2873 email [email protected] website www.amcoz.com.au/amc Copyright © Graham Hair, 2007 This book is copyright. Apart from fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act 1968, no part may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission. Enquiries to be made to the publisher. Copying for educational purposes Where copies of part or the whole of the book are made under section 53B or 53D of the Act, the law requires that records of such copying be kept. In such cases the copyright owner is entitled to claim payment. ISBN 1–876463–09–0 Printed in Australia by QPrint Pty Ltd, Canberra City, ACT 2600 and in the UK by Garthland Design and Print, Glasgow, G51 2RL Acknowledgements Extracts from the scores by Don Banks are reproduced by permission of Mrs Val Banks and Mrs Karen Sutcliffe. -
Commencement1990.Pdf (7.862Mb)
TheJohns Hopkins University Conferring of Degrees At the Close of the 1 14th Academic Year May 24, 1990 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1990 Contents Order of Procession 1 Order of Events 2 Honorary Degree Citations 9 Academic Regalia 16 Awards 18 Honor Societies 22 Student Honors 25 Degree Candidates 28 Order of Procession MARSHALS Stephen R. Anderson Marion C. Panyan Andrew S. Douglas Peter B. Petersen Elliott W. Galkin Edward Scheinerman Grace E. Goodell Henry M. Seidel Sharon S. Krag Stella Shiber Bonnie J. Lake Susan Wolf Bruce D. Marsh Eric D. Young THE GRADUATES MARSHALS Jerome Kruger Dean W. Robinson THE FACULTIES to MARSHALS Frederic Davidson AJ.R. Russell-Wood THE DEANS OFFICERS OF THE UNIVERSITY THE TRUSTEES CHIEF MARSHAL Owen M. Phillips THE PRESIDENT OF THE JOHNS HOPKINS UNIVERSITY ALUMNI COUNCIL THE CHAPLAINS THE PRESENTERS OF THE HONORARY DEGREE CANDIDATES THE HONORARY DEGREE CANDIDATES THE INTERIM PROVOST OF THE UNIVERSITY THE GOVERNOR OF THE STATE OF MARYLAND THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY - /- Order ofEvents Si even Muller President of the University, presiding * • 4 PRELUDE La Mourisque Tielman Susato (? -1561) Basse Dance Tielman Susato (? -1561) Two Ayres for Cornetts and Sagbuts JohnAdson (?- 1640) Sonata No. 22 Johann Pezel (1639-1694) » PROCESSIONAL The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. FESTIVAL MARCHES THE PRESIDENTS PROCESSION Fanfare Walter Piston (1894-1976) Pomp and Circumstance March No. -
Read the Program
10–13 February Sydney Town Hall ROMANCE BEGINS CONDUCTED BY SIMONE YOUNG Presenting Partner Principal Partner 2021 CONCERT SEASON Wednesday 10 February, 8pm SYDNEY SYMPHONY ORCHESTRA ABERCROMBIE & KENT MASTERS SERIES Thursday 11 February, 7pm Friday 12 February, 8pm Saturday 13 February, 8pm PATRON Her Excellency The Honourable Margaret Beazley AC QC Sydney Town Hall Founded in 1932 by the Australian Broadcasting Commission, the Sydney Symphony Orchestra has evolved into one of the world’s finest orchestras as Sydney has become one of the world’s great cities. Resident at the iconic Sydney Opera House, the Sydney Symphony Orchestra also performs in venues throughout Sydney and regional New South Wales, and international tours to Europe, Asia and the USA have earned the Orchestra worldwide recognition for artistic excellence. The Orchestra’s first chief conductor was Sir Eugene Goossens, appointed in 1947; ROMANCE he was followed by Nicolai Malko, Dean Dixon, Moshe Atzmon, Willem van Otterloo, Louis Frémaux, Sir Charles Mackerras, Zdenêk Mácal, Stuart Challender, Edo de Waart and Gianluigi Gelmetti. Vladimir Ashkenazy was Principal Conductor from BEGINS 2009 to 2013, followed by David Robertson as Chief Conductor from 2014 to 2019. CONDUCTED BY SIMONE YOUNG Australia-born Simone Young has been the Orchestra’s Chief Conductor Designate since 2020. She commences her role as Chief Conductor in 2022 as the Orchestra returns to the renewed Concert Hall of the Sydney Opera House. The Sydney Symphony Orchestra's concerts encompass masterpieces from the classical repertoire, music by some of the finest living composers, and collaborations SIMONE YOUNG conductor ESTIMATED DURATIONS with guest artists from all genres, reflecting the Orchestra's versatility and diverse DANIEL RÖHN violin 33 minutes, interval 20 appeal. -
UTR 6.400 – the ROSEMARY and JOHN HOPKINS AWARD Background 1. the University of Melbourne Received from Sarah Hopkins, Evelyn
UTR 6.400 – THE ROSEMARY AND JOHN HOPKINS AWARD Background 1. The University of Melbourne received from Sarah Hopkins, Evelyn (Ruth) Hopkins, Clare Hopkins, and friends and donors pursuant to an Appeal a sum sufficient to establish in perpetuity The Rosemary and John Hopkins Award (Fund.) The Fund was established to honour Rosemary and John Hopkins. 2. The purpose of the Fund is to support in perpetuity an award or awards for Australian conductors of any age assisting with a youth or community music project. Awards made from the Fund are to be called The Rosemary and John Hopkins Award. (Purpose). 3. John Hopkins OBE AM (1927–2013) was a distinguished conductor, music academic and music administrator, and a leading figure in Australian musical life for nearly 50 years. Born in Britain, John was one of the youngest-ever conductors of a BBC orchestra before moving to New Zealand, where he led the National Orchestra of New Zealand (later NZSO) and New Zealand Opera Company, and founded the New Zealand National Youth Orchestra. Moving to Australia in the 1960s, John was Federal Director of Music for the ABC until 1973, overseeing a vibrant and prolific period of performance of Australian music. Other career highlights included a six-year tenure as Director of the Sydney Conservatorium of Music, conducting the Melbourne and Sydney Symphony Orchestras, and numerous overseas tours to conduct orchestras internationally. A passionate champion of music education and youth music, John became the founding Dean of the College of Music at the newly formed Victorian College of the Arts (now incorporated into the Faculty of Fine Arts and Music at the University) in 1974, and was the Convenor of Conducting and Honorary Professorial Fellow in the Melbourne Conservatorium of Music at the University until his death. -
Effect Echo Effect
2011/12 Chicago Symphony Orchestra Chamber Music Series MEMBERS OF THE CHICAGO SYMPHONY ORCHESTRA AT THE ART INSTITUTE OF CHICAGO ECH EFFECT ECHO EFFECT This year we celebrate the great artistic ideas that continue to resonate throughout the ages through music and images—those that, rather than diffusing as they ripple through time, gather strength through repetition, variation and reinterpretation. Constantly changing and moving ourselves, we are drawn back to the venues where we are enriched by a reacquaintance with art and music that retains its power, no matter how new and different the performance, or how changed our own perception. Join us for five sets of artistic echoes, where the aural and visual arts respond to each other in sympathetic resonance! Standard Logo For reproduction when the logo is 0.75" wide or greater Small Logo For reproduction when the logo is 0.5" wide Type is slightly bolder for smaller logo 2011/12 CHICAGO SYMPHONY ORCHESTRA CHAMBER MUSIC SERIES cso.org/csochamber · 312-294-3000 ORDER FORM For new subscribers only SUBSCRIPTIONS 5 Sundays at 2:00 SERIES # SEATS PRICE TOTAL Regular 5-concert series $105 OUT OF RUSSIA SNAPSHOTS ECHOES and VARIATIONS SUBLIME POP SUBSCRIBE TODAY December 11 January 22 February 5 March 25 June 10 and enjoy these Student 5-concert series* $35 exclusive benefits: Subtotal: $ Optional prepaid parking $12.25 x no. of concerts= $ SAVINGS Save 20% off the price of Handling fee: $6 *Valid student ID single tickets required Total subscription price: $ 15% off Symphony Center merchandise All seating will be assigned at the discretion of Subscription Services. -
REPERTOIRE CONDUCTED in PERFORMANCE Current March 2020
REUBEN BLUNDELL – CONDUCTOR REPERTOIRE CONDUCTED IN PERFORMANCE Current March 2020 Information concerning premiere recording of American Romantics, including reviews: http://www.newfocusrecordings.com/catalogue/gowanus-arts-ensemble-american-romantics/ http://www.newfocusrecordings.com/catalogue/gowanus-arts-ensemble-american-romantics-ii/ http://www.newfocusrecordings.com/catalogue/reuben-blundell-lansdowne-symphony-orchestra-american-romantics-iii/ John Adams Ludwig van Beethoven The Chairman Dances Ah! perfido Coriolanus Overture Elfrida Andrée Creatures of Prometheus Overture Andante quasi recitativo Egmont Overture Leonore Overture No. 1 Anton Arensky Name Day Overture Variations on a Theme by Tchaikovsky Symphonies 1 & 3-8 Johann Sebastian Bach Seth Bedford The Art of Fugue Flushing Meadow 1964* Brandenburg Concerto No. 4 Freedom from Fear* Concerto for Two Violins In a Snowy Day* Orchestral Suite No. 3 Samuel Beebe Samuel Barber The Rest is Silence* Adagio for Strings Overture to the School for Scandal Jeanne Behrend Concert Fanfare Béla Bartók Concerto for Orchestra Jennifer Bellor Concerto for Viola (Serly ed.) Air and Angels* Old Hungarian Dances Echo's Lament* Rumanian Folk Dances, Str/Orch Two Pictures Alban Berg Chamber Concerto María de Baratta Danza del Incienzo Hector Berlioz Hungarian March from Faust Randol Alan Bass Symphony Fantastique A Christmas Flourish Seasonal Sounds Leonard Bernstein Concert Suite from West Side Story Mason Bates The B-Sides Georges Bizet Carmen Suite No. 1 Priscilla Beach Suite from L’Arlesienne