Lisa Javelin. Film & Tv
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
![La Ciudad En El Cine De Superhéroes" [En Línea]](https://docslib.b-cdn.net/cover/0286/la-ciudad-en-el-cine-de-superh%C3%A9roes-en-l%C3%ADnea-800286.webp)
La Ciudad En El Cine De Superhéroes" [En Línea]
ENCINAS CANTALAPIEDRA, Arturo (2013): "La ciudad en el cine de superhéroes" [en línea]. En: Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural, vol. 5, núm. 2, pp. 53-66. En: http://www.ucm.es/info/angulo/volumen/Volumen05-2/articulos04.htm. ISSN: 1989-4015 http://dx.doi.org/10.5209/rev_ANRE.2013.v5.n2.43330 La ciudad en el cine de superhéroes Arturo ENCINAS CANTALAPIEDRA Departamento de Humanidades Universidad Francisco de Vitoria [email protected] Recibido: 14/03/2013 Modificado: 11/08/2013 Aceptado: 01/10/2013 Resumen En el presente trabajo analizamos la imagen de la ciudad en el cine de superhéroes a través de: el estudio de la ciudad como signo de los valores democráticos y la relación del superhéroe con las leyes, el papel narrativo de la ciudad y su realización cinematográfica, la ciudad como escenario de la lucha entre villanos y superhéroes, y los medios de comunicación como factor determinante en la relación entre el superhéroe y la ciudadanía. Cuando mencionamos la “ciudad”, también nos referimos a los ciudadanos además de a las estructuras urbanas. Palabras clave: cine, superhéroes, ciudad, medios de comunicación, democracia. Title: The city in the superheroes movies Abstract In this paper we analyze the image of the city in the superhero film through: the study of the city as a sign of democratic values and the relationship of the superhero with the laws, the role of the narrative city and its filmmaking, the city as the setting for the fight between superheroes and villains, and the mass media as a determinant factor in the relationship between the superhero and citizenship. -
Hancock Ce Mois-Ci Sur Canalplay
EN AVRIL HANCOCK CE MOIS-CI SUR CANALPLAY Kung FU PANDA WANTED: CHOISIS TON DESTIN FAUBOURG 36 EDen laKE SPECIAL OSS 117 CLIENTE LE ZOOM DU MOIS LES TEMPS FORTS DU MOIS SHOW DEVANT FAUBOURG 36 COMÉDIE de Christophe Barratier. Avec Gérard Jugnot, Clovis Cornillac. En 1936, dans un faubourg du nord de Paris, trois ouvriers du spectacle au chômage décident de redonner vie à leur théâtre… Après l’immense succès des CHORISTES, Christophe Barratier retrouve Gérard Jugnot et Kad Merad, ici rejoints par Clovis Cornillac, pour un grand film musical sur fond de Front Populaire qui ressuscite le réalisme poétique. coup DE coeur DU mois TAUPE SECRETE WANTED : CHOISIS TON DESTIN ACTION de Timur Bekmambetov. Avec Angelina Jolie, James McAvoy. Loup ou agneau ? James McAvoy (LE DERNIER ROI D’ÉCOSSE), lui, a choisi… Coaché par une Angelina Jolie plus fatale que jamais, il se transforme en tueur d’élite dans un film d’action échevelé, adaptation spectaculaire d’une BD de Mark Millar qui marque les débuts à Hollywood du cinéaste kazakh Timur Bekmambetov, l’auteur de la saga à succès NIGHT WATCH. ACTION. USA, 2008. 92 minutes. De Peter Berg. Avec Will Smith, Charlize Theron. SUPER ZERO SATISFAITE OU REMBOURSÉE HANCOCK CLIENTE COMÉDIE de Josiane Balasko. Aussi attachant en super-héros blasé qu’en sauveur de la planète, Will Smith fait Avec Nathalie Baye, Eric Caravaca. tourner le monde en bourrique dans une superproduction drôle, fun et rythmée. Josiane Balasko revient derrière la caméra Lorsqu’un super-héros torturé tente de redorer Un super-héros atypique, alcoolique et irascible, et se penche sur les dessous de la prostitution son image en faisant appel à un spécialiste des qui brise tous les modèles du genre. -
A GLOSSARY of THEATRE TERMS © Peter D
A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam. -
Technical Theatre Practicum
TECHNICAL THEATRE PRACTICUM THEAT 186A VERSION 1 COLLEGE OF THE CANYONS 186 A: TECHNICAL THEATRE PRACTICUM TEXTBOOK Draft 1: Tuesday, February 26, 2019 Christopher R Boltz Post Office Box 6372 Lancaster CA 93539-6372 [email protected] 1 | Technical Theatre Practicum - B O L T Z Acknowledgements College of the Canyons would like to extend appreciation to the following people and organizations for allowing this textbook to be created: California Community Colleges Chancellor’s Office Chancellor Dianne G. Van Hook Santa Clarita Community College District College of the Canyons Distance Learning Office In providing content for this textbook, the following professionals and sources were invaluable: Writer and Compiler: Christopher R Boltz Trudi Radtke for formatting, editing, and aesthetics. Unless otherwise noted, the content in this textbook is licensed under CC BY 4.0 2 | Technical Theatre Practicum - B O L T Z Table of Contents 186 A: TECHNICAL THEATRE PRACTICUM TEXTBOOK ------------------------------------------------------------------ 1 CHAPTER 1: JOBS IN TECHNICAL THEATRE ------------------------------------------------------------------------------------ 5 Introduction ----------------------------------------------------------------------------------------------------------------- 5 Industry Sectors ------------------------------------------------------------------------------------------------------------ 5 Jobs --------------------------------------------------------------------------------------------------------------------------- -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: -
Resume of Kim Bailey “ Feature Projects ”
Local #800 Local #44 Resume of Kim Bailey “ Feature Projects ” ADOD, LLC. 2008-Present, ADOD, LLC. (Artistic Development on Demand) (Los Angeles) C.E.O. Current entrepreneurial venture outside the scope of the entertainment industry. Business model focuses on conceptual business development, development of the brand image along with image consulting, architectural interior design and themed entertainment environments , in-house graphics, development & design of advertisement campaign relating to corporate message and trade show exhibits, product placement, web design, marketing strategies, tools & sales materials, consulting for personnel management of staff, vendors and direction of sales force. Damaged Goods 2012, Serious Damage Productions, LLC. Director: Annie Biggs (Los Angeles - PILOT) Production Designer Hired by: (Executive Producer) Annie Biggs Interfaced with: (All aspects of production) Responsible for complete design and look for all aspects of production. Pranked 2011, Untitled, LLC. Director: Adam Rifkin (Los Angeles) Supervising Art Director Hired by: (Producer) Bernie Gewissler Interfaced with: (Production, Director & Executive Producer) Responsible for complete design and look for all aspects of production. The Wrath of Shatner 2010, Free Enterprise 2, LLC. Director: Robert Burnett (Los Angeles) Supervising Art Director to Production Designer Hired by: (Producer) Jeffrey Cohglan Interfaced with: (Production & Director) Responsible for complete design and look for all aspects of production, took over for Production designer -
Glossary of Filmmaker Terms
Above the Line Clapboard Generally the portion of a film's budget that covers A small black or white board with a hinged stick on the costs associated with major creative talent: the top that displays identifying information for each shot stars, the director, the producer(s) and the writer(s). in the movie. Assists with organizing shots during (See also Below the Line) editing process; the clap of the stick allows easier Art Director synchronization of sound and video within each shot. The crew member responsible for the design, look Construction Coordinator and feel of a film's set. Includes props, furniture, sets, Also known as the construction manager, this person etc. Reports to the production designer. supervises and manages the physical construction of Assistant Director (A.D.) sets and reports to the art director and production Carries out the director’s instructions and runs the set. designer. The first A.D. is responsible for preparing the Dailies production schedule and script breakdown, making The rough shots viewed immediately after shooting sure shooting stays on schedule and on budget. The each day by the director, along with the second A.D. is responsible for distributing information cinematographer or editor. Used to help ensure and cast notifications, keeping track of hours worked proper coverage and the quality of the shots gathered. by cast and crew, management of extras, signing Director actors in and out and preparing call sheets. The The person in charge of the overall cinematic vision of second A.D. is also in charge of the production the film and the performance of the actors. -
Pittsburgh Applause August 2011
August, 2011 Digital 6 “Dark Knight” Starts Shooting The stage is set as ―The Dark but told the Pittsburgh Tribune- According to a joint press release Knight‖ begins filming. Review’s Mandy Hofmockel that issued with the city, the Pitts- he’s ―had friends who filmed here burgh Film Office (PFO) reports Director Christopher Nolan’s before, and all had good experi- that production will begin in Oak- third entry in his adaptation of the ences.‖ Nolan told the press that land before moving to other loca- classic comic book is shooting Pittsburgh’s architecture was a tions including Downtown. One key scenes in Pittsburgh, one of a key selling point in choosing the important scene will be filmed at group of locations being used city. Heinz Field on August 6 for a across the globe. Filming began fictional football game. Down- earlier this year in India. Roads and buildings will be town streets being affected are closed in Downtown, Lawrence- those in the Smithfield Street vi- At a July 28 press conference, star ville and Oakland with shootings cinity where fake snow will be Christian Bale admits that he has scheduled Wednesdays through used to create winter scenes. Up- never been to Pittsburgh before Sundays to minimize disruptions. dated street closings are being But the results are expected to posted online by the Pittsburgh benefit Pittsburgh’s economy. Downtown Partnership at Inside This Issue The Pittsburgh Post-Gazette’s www.downtownpittsburgh.com Barbara Vancheri quotes Mayor The August Wilson Page Luke Ravenstahl: ―For every one ―The Dark Knight Rises‖ --- Center admits to dollar that’s invested in film pro- which is also being called large debt 2 duction, our city sees approxi- ―Magnus Rex‖ --- is scheduled for mately $118 in direct spending.‖ a July 2012 release. -
2021 Permittee Information Book
IATSE LOCAL 856 500-332 Bannatyne Avenue Winnipeg, MB R3B 2M3 Phone: (204) 953-1100 FAX: (204) 953-1109 Website: www.iatse856.com Permittee Information Package For IATSE Local 856 International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada All Applicants must provide proof of successful completion of WHMIS & SET ETIQUETTE Please contact Film Training Manitoba @ 204-989-9669 www.filmtraining.mb.ca /Volumes/Server/Administration/Applications-Form Letters & Information/Permittee Information/2015 Permittee/Permittee Information Package.doc Revised April 2019 IMPORTANT INFORMATION FOR OBTAINING PERMITTEE STATUS WITH IATSE LOCAL 856 This is also an information resource for permittees who are new to I.A.T.S.E. Local 856 and who will be placed on the availability roster that is used for filling work positions. This infoRmation package will define the application pRoceduRe foR Permittee status with IATSE Local 856. Specific depaRtment qualification foRms aRe RequiRed to be completed and returned along with your application form. PREVIOUS EXPERIENCE IS A REQUIREMENT. YOU MAY SUBMIT UPDATED RESUMES AS YOU GAIN NEW EXPERIENCE. RESUMES AND APPLICATIONS ARE USUALLY REVIEWED EVERY THREE TO FOUR MONTHS. YouR chances of being considered for Permittee status and work will be greatly increased if you have curRent production experience – preferably television, theatRe, commercials, documentary, or independent production credits. IF YOU DO NOT HAVE ANY TRAINING OR DIRECT EXPERIENCE IN YOUR FIELD OF CHOICE: • FamiliaRiZe youRself with the job descRiption and the qualifications RequiRed of the DepaRtments that you wish to apply to. • Contact Film Training Manitoba at 989-9669 Regarding TRaining ProgRams. -
CHAPTER 13: Your Future in Theatre ■ 247 ■■■■■■■■■■■■■■■■ Joining a Community Theatre Production Can Be a Fun and Rewarding Experience
Your Future in 13 Theatre LESSON 1 ◆ The Next Step 247 LESSON 2 ◆ Playwrights and Actors 249 LESSON 3 ◆ Producers and Directors 254 LESSON 4 ◆ Designers 256 LESSON 5 ◆ Other Careers 261 ◆ community theatre ◆ property master ◆ costume designer ◆ screenplay ◆ designer ◆ screenwriter ◆ lighting designer ◆ set designer ◆ makeup designer ◆ sound designer ◆ producer ◆ theatre teacher 246 ■ Unit 3: Producing and Appreciating Plays ■ ave you ever wondered what your life would be like if you were an H actor, playwright, director, or even a theatre teacher? When you are en- joying an exciting class such as theatre arts, it’s only natural for you to imagine a lifetime in the theatre. In fact, it’s not too soon to begin thinking of job and career opportunities in the theatre. Perhaps you can picture yourself as an actor or choreographer, director or play- wright, stage manager or makeup artist. But there are many other be- hind-the-scenes job opportunities as well. Many shows hire personnel to publicize the show, to dress the actors, and to work on crews setting up the lights and sound. Every production requires dedicated workers both onstage and backstage to produce the final product that the audi- ence gets to see. People work in theatre because they love it. It’s an uncertain way to earn a living, but very exciting. Theatre jobs do not offer much job se- curity. If a show is unsuccessful, it closes. The closing leaves all those associated with the show jobless. What’s more, the pay for work in the theatre is extremely low. -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75