ADOBE® PREMIERE® PRO Help and Tutorials

Total Page:16

File Type:pdf, Size:1020Kb

ADOBE® PREMIERE® PRO Help and Tutorials ADOBE® PREMIERE® PRO Help and tutorials February 2013 Contents What's New....................................................................................................................................................1 What's New in CS6..................................................................................................................................................................2 What's New in Adobe Media Encoder CS6.............................................................................................................................8 What’s new (CS5.5)..............................................................................................................................................................16 What’s new (CS5).................................................................................................................................................................17 Premiere Pro getting started tutorials..........................................................................................................19 Learn Adobe Premiere Pro CS5 and CS5.5..........................................................................................................................20 Workspace and workflow.............................................................................................................................22 Workspaces...........................................................................................................................................................................23 Working with Panels..............................................................................................................................................................28 Using the Source Monitor and Program Monitor...................................................................................................................31 Customizing the Project panel...............................................................................................................................................37 Basic workflow.......................................................................................................................................................................41 Default keyboard shortcuts in CS6........................................................................................................................................47 Default keyboard shortcuts (CS5 and CS5.5)........................................................................................................................60 Preferences...........................................................................................................................................................................68 Adobe Dynamic Link..............................................................................................................................................................72 Cross-application workflows..................................................................................................................................................75 Cross-platform workflow........................................................................................................................................................81 Finding and customizing keyboard shortcuts.........................................................................................................................82 Setting up your system..........................................................................................................................................................84 Project setup................................................................................................................................................91 Creating and changing projects.............................................................................................................................................92 Archiving projects..................................................................................................................................................................95 Trim or copy your project.......................................................................................................................................................96 Importing footage.........................................................................................................................................98 Transferring and importing files.............................................................................................................................................99 Importing assets from tapeless formats...............................................................................................................................105 Importing still images...........................................................................................................................................................107 Importing digital audio..........................................................................................................................................................110 Importing sequences, clip lists, libraries, and compositions................................................................................................112 Importing XML project files from Final Cut Pro....................................................................................................................114 Support for growing files......................................................................................................................................................117 Working with Adobe Prelude CS6.......................................................................................................................................118 Batch capturing and recapturing..........................................................................................................................................119 Capturing DV or HDV video.................................................................................................................................................124 Capturing HD video.............................................................................................................................................................125 Capturing and digitizing.......................................................................................................................................................126 Capturing content for DVD...................................................................................................................................................133 Create clips for offline editing..............................................................................................................................................134 Digitizing analog video.........................................................................................................................................................135 Working with timecode.........................................................................................................................................................137 Managing assets........................................................................................................................................141 Customizing the Project panel.............................................................................................................................................142 Organizing assets in the Project panel................................................................................................................................146 Managing metadata.............................................................................................................................................................153 Working with aspect ratios...................................................................................................................................................157 Working with markers..........................................................................................................................................................161 Monitoring assets.......................................................................................................................................167 Using the Source Monitor and Program Monitor.................................................................................................................168 Playing assets......................................................................................................................................................................174 Using the Waveform monitors and vectorscope..................................................................................................................178 Using the Reference Monitor...............................................................................................................................................181 Editing sequences and clips......................................................................................................................183 Creating and changing sequences......................................................................................................................................184 Creating and playing clips....................................................................................................................................................200
Recommended publications
  • Adobe® Soundbooth® CS5 Création Et Montage Aisés Du Contenu Audio
    Adobe Soundbooth CS5 — Guide de télévente Adobe® Soundbooth® CS5 Création et montage aisés du contenu audio Adobe Soundbooth CS5 est un éditeur audio professionnel facilitant la création, le montage et le nettoyage des contenus audio. Ses fonctions intuitives axées sur les tâches et son étroite intégration avec les autres applications Adobe permettent de gagner du temps et d’obtenir des résultats de qualité professionnelle. Son environnement multipiste optimisé vous permet de mixer des partitions et des effets sonores personnalisables et libres de droit avec des dialogues pour une parfaite maîtrise de votre créativité. Profils clients Quel produit promouvoir ? Professionnels de la vidéo — Monteurs vidéo produisant des films captivants et d’autres types de Vous pouvez aussi vous procurer contenu vidéo à partir d’enregistrements en direct, d’images fixes et d’éléments audio. Ils travaillent Soundbooth CS5 comme sur des projets extrêmement variés : spots publicitaires, courts et longs métrages, programmes composant d’Adobe Creative Suite 5 télévisés, événements sportifs, etc. Production Premium, environnement très complet offrant des performances Concepteurs de contenus interactifs — Concepteurs et développeurs utilisant des éléments visuels hors pair pour créer du contenu et des programmes en arrière-plan pour créer des contenus web interactifs captivants. Nombre de cinématographique et vidéo. leurs projets incluent du contenu vidéo pour un impact renforcé. Le produit est également disponible dans l’édition Master Collection. Principales raisons d’acheter Adobe Soundbooth CS5 Nettoyez rapidement le contenu audio — Repérez et corrigez automatiquement les défauts courants dans les enregistrements audio — sifflantes, respirations, bourdonnements, problèmes de phase, crépitements et pops. Créez des effets audio spéciaux ou ajoutez des effets de réverbération pour restituer l’ambiance extérieure.
    [Show full text]
  • Adobe Trademark Database for General Distribution
    Adobe Trademark List for General Distribution As of May 17, 2021 Please refer to the Permissions and trademark guidelines on our company web site and to the publication Adobe Trademark Guidelines for third parties who license, use or refer to Adobe trademarks for specific information on proper trademark usage. Along with this database (and future updates), they are available from our company web site at: https://www.adobe.com/legal/permissions/trademarks.html Unless you are licensed by Adobe under a specific licensing program agreement or equivalent authorization, use of Adobe logos, such as the Adobe corporate logo or an Adobe product logo, is not allowed. You may qualify for use of certain logos under the programs offered through Partnering with Adobe. Please contact your Adobe representative for applicable guidelines, or learn more about logo usage on our website: https://www.adobe.com/legal/permissions.html Referring to Adobe products Use the full name of the product at its first and most prominent mention (for example, “Adobe Photoshop” in first reference, not “Photoshop”). See the “Preferred use” column below to see how each product should be referenced. Unless specifically noted, abbreviations and acronyms should not be used to refer to Adobe products or trademarks. Attribution statements Marking trademarks with ® or TM symbols is not required, but please include an attribution statement, which may appear in small, but still legible, print, when using any Adobe trademarks in any published materials—typically with other legal lines such as a copyright notice at the end of a document, on the copyright page of a book or manual, or on the legal information page of a website.
    [Show full text]
  • Adobe Premiere Elements 11 Classroom in a Book
    Adobe® Premiere® Elements 11 CLASSROOM IN A BOOK® The official training workbook from Adobe Systems DVD-ROM Included for Windows and Mac OS Adobe® Premiere® Elements 11 Classroom in a Book® © 2013 Adobe Systems Incorporated and its licensors. All rights reserved. If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner.
    [Show full text]
  • Christine Steele, Practitioner and Trainer Extraordinaire. Real-World Experience with Adobe Creative Cloud and Adobe Premiere Pro CC Fuels Training Expertise
    Adobe Customer Story Christine Steele, practitioner and trainer extraordinaire. Real-world experience with Adobe Creative Cloud and Adobe Premiere Pro CC fuels training expertise. “It’s fun not only talking about Adobe Creative Cloud but also sharing the reason I’m using these tools, which is to share universal truths by creating stories and getting that content out there.” Christine Steele, Director and Lead Editor, Steele Pictures Studios SOLUTION RESULTS Adobe Creative Cloud GLOBAL SUPPORT QUALIFIED INSTRUCTION BROADCAST SWITCH VALUABLE EXPERTISE Provide boots-on-the-ground Incorporate real-world Helped editors at ABC and Contribute editing expertise video content to clients experience into training the BBC transition to Adobe to documentary projects around the world sessions video apps Adobe Customer Story Steele Pictures Studios Established in 2006 Los Angeles, California http://steelepictures.com CHALLENGES • Relate real-world experience to audiences • Assist broadcasters with smooth transition to new NLE • Add value to documentary projects with editing and directing skills Hands-on expertise yields smooth transitions Steele Pictures Studios is based in Los Angeles, California, but its Founder Christine Steele works all over “This last year I helped approximately the world. Together with other directors, producers, and editors she creates broadcast television content, 120 editors and producers at ABC feature films for theatrical release, and web content. Documentary work is one of her main passions, and luckily it is also the bread and butter of much of her professional work. In addition to producing content, transition to Adobe Premiere Pro she also loves teaching and training others in the field on how to get the most from the video apps in from Final Cut Pro.” Adobe Creative Cloud.
    [Show full text]
  • J. Andrew Coombs (SBN 123881) [email protected] Annie S
    Case 4:09-cv-01089-CW Document 15 Filed 06/11/09 Page 1 of 13 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Adobe Systems Incorporated 7 Kimbra Lee Baker a/k/a Kim Baker 8 16173 Suffolk Dr. Spring Lake, MI 49456 9 Defendant, in pro se 10 UNITED STATES DISTRICT COURT 11 NORTHERN DISTRICT OF CALIFORNIA (OAKLAND) 12 Adobe Systems Incorporated, ) Case No. C09-01089 CW 13 ) Plaintiff, ) PERMANENT INJUNCTION AND 14 v. ) DISMISSAL WITH PREJUDICE ) 15 Margie Clark, Kimbra Lee Baker a/k/a Kim ) Baker, and Does 2 – 10, inclusive, ) 16 ) Defendants. ) 17 18 The Court, having read and considered the Joint Stipulation for Permanent Injunction and Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 19 (“Plaintiff”) and Defendant Kimbra Lee Baker a/k/a Kim Baker (“Defendant”) in this action, and 20 good cause appearing therefore, hereby: 21 ORDERS that based on the Parties’ stipulation and only as to Defendant, her successors, 22 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 23 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 24 pursuant to 17 U.S.C. § 101 et seq., 15 U.S.C. § 1051, et seq., 15 U.S.C. § 1121, and 28 U.S.C.
    [Show full text]
  • Adobe® Creative Cloud and NVIDIA Gpus Solution Overview
    CREATE INTUITIVELY. PERFORM FASTER. ® ® NVIDIA GPUs POWER ADOBE CREATIVE CLOUD . CC ADOBE OVERVIEW SOLUTION Get blazing-fast performance and smooth interactivity in your most challenging professional video and design projects. Nothing accelerates Adobe Creative Cloud tools and meet the demand of 4K and beyond. It’s a powerful the Adobe Anywhere solution like NVIDIA® Quadro® partnership that ensures that creative artists, and Tesla® GPUs. web designers, professional photographers, and Together, NVIDIA and Adobe deliver unprecedented video editors always get the best features and performance and acceleration to help creative performance—when and where they’re needed. professionals build a streamlined workflow and ADOBE CC | Solution Overview | SEP14 ADOBE® PREMIERE® PRO CC DO YOUR BEST WORK FASTER WITH REAL-TIME VIDEO EDITING. At the heart of Adobe Premiere Pro CC is the GPU- ROCKET card. Other new GPU-enhanced features accelerated Adobe Mercury Playback Engine, co- include faster Feathered Masking and the ability to developed by Adobe and NVIDIA. It leverages NVIDIA apply Mercury Playback features universally with GPUs and NVIDIA CUDA® to deliver interactive, Master Clips Effects. And if you’re a Mac user, a real-time editing and up to 23x1 faster performance. simple upgrade to the NVIDIA CUDA driver can often result in up to 30% faster Premiere Pro CC The new high-speed GPU debayerer accelerates 4K 1 RED camera files, eliminating the need for a RED performance! ADOBE PREMIERE PRO CC WITH NVIDIA GPUs Adobe Mercury Playback Engine 2x Quadro K6000 23.3 2x Quadro K5200 23.3 2x Quadro K4200 21.0 Quadro K6000 19.4 Quadro K5200 15.0 2x Quadro K2200 13.1 Quadro K4200 12.9 Quadro K2200 7.6 Dual Xeon 1.0 0X 5X 10X 15X 20X 25X Performance Acceleration System Configuration: Adobe Premiere Pro CC, Windows 7 – 64-bit, Dual Intel Xeon E5 2687W 3.10GHz CPUs [16 total cores].
    [Show full text]
  • Adobe Systems FY2006 10-K/A
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ________________ FORM 10-K/A (Amendment No. 1) ________________ (Mark One) [X] ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 1, 2006 OR [ ] TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number: 0-15175 ADOBE SYSTEMS INCORPORATED (Exact name of registrant as specified in its charter) Delaware 77-0019522 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 345 Park Avenue, San Jose, California 95110-2704 (Address of principal executive offices and zip code) (408) 536-6000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Stock, $0.0001 par value per share The NASDAQ Stock Market LLC (NASDAQ Global Select Market) Securities registered pursuant to Section 12(g) of the Act: None Indicate by checkmark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes [X] No [ ] Indicate by checkmark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes [ ] No [X] Indicate by checkmark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15 (d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Soundbooth CS3 User Guide
    ADOBE®SOUNDBOOTH™ CS3 USER GUIDE ©Copyright 2007 Adobe Systems Incorporated. All rights reserved. Adobe® Soundbooth™ CS3 User Guide for Windows® and Mac OS. If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or trans- mitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated.Pleasenotethatthe content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. Thecontentofthisguideisfurnishedforinformationaluseonly,issubjecttochangewithoutnotice,andshouldnotbeconstruedasacommitmentbyAdobe Systems Incorpo- rated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample templates are for demonstration purposes only and are not intended to refer to any actual organization. Adobe, the Adobe logo, Adobe Premiere, After Effects, Creative Suite, Encore, Flash, Photoshop, Soundbooth, and Version Cue are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
    [Show full text]
  • Adobe Production Studio Product Overview
    FEATURES Adobe® Creative Suite Production Studio The complete post-production solution Product overview Bring new power and efficiency to your film, video, DVD, and web workflows. Part of the Adobe Creative Suite family, Adobe Production Studio Premium software is a complete post-production solution that combines Adobe’s world-class video and graphics software with the timesaving integration and workflow features Adobe Dynamic Link and Adobe Bridge. Creative power Motion graphics and visual effects with Adobe After Effects® 7.0 Fast and flexible 32-bit 2D and 3D compositing environment • Use After Effects software to composite and animate in 2D or 3D space using cameras and lights. Unrivaled text animation and titling effects • Create animated text with unprecedented ease. Use the standard Adobe Text tool or edit and animate text from Adobe Photoshop® software, instantly apply text Animation Presets, and much more. Powerful animation and keyframing controls • Animate layer properties such as position, scale, rotation, and effects. Save time with Animation and Behavior Presets. Use the new Graph Editor for complete visual control over keyframe editing and easy synchronization of effects across layers. Use included templates to create motion menus for Adobe Encore® DVD software. Nondestructive vector painting and cloning • Paint nondestructively on layers using Photoshop style brushes to clean up footage, draw masks, clone elements, and create animations. Use Liquify to create brush- based distortion. Extensive visual and audio effects • Take advantage of hundreds of included effects, and share common effects with Adobe Premiere® Pro software. Hundreds of additional third-party effects are available separately. Real-time video editing with Adobe Premiere Pro 2.0 Scalable format support • Work with your choice of video formats.
    [Show full text]
  • Jr. Video Editor / Digital Content Coordinator Location: Castle Rock, Colorado (WFCF Headquarters)
    Where Food Comes From, Inc. 303.895.3002 wfcfcare.com wfcfstorybit.com Where Food Comes From Position: Jr. Video Editor / Digital Content Coordinator Location: Castle Rock, Colorado (WFCF Headquarters) Video Editing / Storytelling for WFCF Storybit Video Series (wfcfstorybit.com) • Establish a clear understanding of the storyline and be able to effectively tell a story • Editing includes interview cutdowns, adding graphics and text when needed and music selection based on story direction • Create initial storyboard drafts of videos • Edit video to ensure the correct formatting and presentation for finalized videos according to Where Food Comes From brand specifications and designated social media channel Social Media Coordinator • Coordinating social media posts and advertising campaigns • Creating graphics and video content for posts • Research and manage influencer brand relationships • Develop, implement and manage our social media strategy that includes content that is informative and appealing o Research industry-related topics to be used on social, blogs and external and internal communication • Collaborate with other WFCF divisions to develop engaging content • Measure the success of every social media campaign • Keep abreast of the latest social media best practices and technologies • Use social media marketing tools such as Hootsuite • Communicate with industry professionals and influencers via social media to create a strong network Requirements: • 1-2 years of creative experience in filmmaking and videography, specifically
    [Show full text]
  • Download Our Information in Adobe Acrobat Reader PDF Format
    MIBCI Contractors - Home Phone: (586) 243-1223 E-mail: mbci@mbcicontractors. com Simplicity is complexity made simple Home Our Services Residential Gallery Commercial Gallery Contact Us Tips HOME Services COMMERCIAL MBCI Contractors is a professionally managed construction company, licensed by the State of ● Commercial Michigan; specializing in residential, commercial construction, custom built homes, additions, garages, basements, and complete home remodeling. RESIDENTIAL We offer all kinds of designs, permits, consultation and ● Custom Built professional work and results. Homes We provide a complete renovation project services. All ● Additions your construction needs are handled from the start ● Garages point to the end. ● Basements We run, manage and back your custom built, additions ● Kitchens and improvements during and after completion. ● Bathrooms ● Decks & porches Download our information in Adobe Acrobat Reader PDF format Copyright 2011 MBCI Contractors - All rights reserved Website Design by LAC Consulting Services http://www.mbcicontractors.com/mbcicontractors/29/12/2010 12:06:18 AM MBCI Contractors - Our Services Phone: (586) 243-1223 E-mail: mbci@mbcicontractors. com Simplicity is complexity made simple Home Our Services Residential Gallery Commercial Gallery Contact Us Tips OUR SERVICES Services COMMERCIAL COMMERCIAL Commercial construction from the ground up; or expansions; or renovations will be done according to ● Commercial your requirements. See Commercial Gallery for work we have done. RESIDENTIAL RESIDENTIAL ● Custom Built We do home improvements, renovations, and Homes additions. See Residential Gallery for possibilities ● Additions and options. ● Garages Custom Built Homes ● Basements MBCI can help build your custom home from ● Kitchens underground up. Together we can plan, design and ● Bathrooms build your dream home. ● Decks & porches Additions MBCI can design or use your design to build any size of addition from a whole floor to a one room, any size, shape and design.
    [Show full text]
  • Digital Video Editing SG
    Tech-Design® Digital Video Editing Student Guide eSeries Edition 1 37657-Q0 FIRST EDITION Second Printing, February 2011 Copyright 2010-2011 Lab-Volt Systems, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopied, recorded, or otherwise, without prior written permission from Lab-Volt Systems, Inc. Information in this document is subject to change without notice and does not represent a commitment on the part of Lab-Volt Systems, Inc. The Lab-Volt® software and other materials described in this document are furnished under a license agreement or a nondisclosure agreement. The software may be used or copied only in accordance with the terms of the agreement. ISBN 978-1-60533-185-0 Lab-Volt®, Tech-Design® and Mind-Sight™ logos are registered trademarks of Lab-Volt Systems, Inc. Lab-Volt recognizes product names as trademarks or registered trademarks of their respective holders. Certain clipart and images used within this course are used with permission from: Copyright© 2003 Microsoft Corporation, One Microsoft Way, Redmond, Washington 98052-6399, U.S.A. All rights reserved. www.ablestock.com. Copyright© 2003 Lab-Volt Systems, Inc. and its licensors. All rights reserved. www.comstock.com. All rights reserved. Copyright 2009 JUPITERIMAGES, and its licensors http://www.photos.com/en/company/terms CorelDRAW® 9. All rights reserved. All other trademarks are the property of their respective owners. Other trademarks and trade names may be used in this document to refer to either the entity claiming the marks and names or their products.
    [Show full text]