DOCSLIB.ORG

October 8, 2008 Thomasenia Duncan, Esquire General Counsel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

October 8, 2008 RECEIVED FEDERAL ELECTION Thomasenia Duncan, Esquire COMMISSION General Counsel OFFICE OF GENERAL Federal Election Commission COUNSEL mMITR4 999 E Street, NW TOOBOCT 15 A»U5 Washington, DC 20463 Re: Complaint Against Roy Carter for Congress Committee for exceeding contribution limits. Dear Ms. Duncan: Pursuant to 2 USC § 437g(aXl) and 11 CFR § 111.4, please accept this letter as a Complaint against Roy Carter CD for Congress Committee ("Carter Campaign"). Roy Carter is a candidate for Congress in the 5 District of in North Carolina. H in The facts in this matter indicate that the Carter Campaign accepted contributions from Joseph T-Bone" Burnett in violation of the Federal Election Campaign Act of 1971, as amended (the "Act"), and Federal Election «gr Commission ("FEC" or "Commission*1). o The Carter Campaign held a fundraiser in Asheville on June 14,2008 with Joseph "T-Bone" Burnett where Mr. Burnett provided ten limited edition packages for a conceit with Alison Krauss, Robert Plant, and T Bone Burnett See Exhibit A. According to Stacey Carter, Mr. Burnett also provided Roy Carter with an autographed guitar to auction off to benefit his campaign. See Exhibit B. However, the Carter Campaign does not list a single transaction in conjunction with the contribution of tickets or a signed guitar on the July Quarterly Report filed with the FEC. See Exhibit C. The Carter Campaign accepted contributions from Joseph 'T-Bone" Burnett in excess of legal limits and blatantly disregarded the law with regard to contributions and reporting requirements of the FEC. Mr. Burnett's contributions of the tickets and autographed guitar exceeds legal contribution limits for the General Election on November 4,2008. Accordingly, we respectfully request that the Commission must conduct an immediate investigation into the violations outlined above and impose the maximum penalty under law. The foregoing is correct and accurate to the best of my knowledge, information and belief. Respectfully submitted, ^Swor^n to and subscribed of October, 2008. NWAKIMDiR Notary Public Fornym county of North Goolna My Commission Expires: Email from the mountains... | North Carolina Mountain Dreams Page 3 of 7 . Reed fflOf*..A. f^\ ' Top Tags FEDERAL ELECTION on North Cirollm rt COMMISS10H ftwmm' MrtMi feed food + drink^ a.**** grMdp. gill OCT 15 wanner blue ridge parkway north Carolina dreams north Carolina places sustainable living rvj • Meta in o EntrieaRSS ™ VJ —. Alliion Brown MounHliF1 O on Email from the mountains... viay jutlit ••Bo * 2jrf9JUDfiMlK * UOfiUegojoiCil received this the other day and decided to just go ahead and port it in it's entirety... Hey Gary, This b Daniel Massoglia, and I'm working on a congressional campaign in North Carolina's fifth district, which includes those mountains that you dream about Ttereb a Muegiass event in Ashevilfe that we're t^ I've written up a short description, which b below, tat btticalry it's a meet and greet wM Plant/Alison Knuss concert. If you have any c^iesttow don't hesitate to email me backer call ine at 336 499 4140 Just so vouk^ the bottom oftbe release b a link to an image of an email acttew and slwuld be embedded Man image m the pc^ In just a few short weeks, there's an amazing music opportunity coming to Ashevllle. As some of you are probably aware, Alison Krauss, Robert Plant, and T Bone Burnett areperfbrming June 14* u part of feir Raising Saixl concert tew. Wimova platinum album to boast of, these perfbnmen are seUing out veniies across to Whst's inoic^ to • spediJ oflbr, T Bone B vnett is hoi^ event b a once-iit-a-lifetirae chance to talk with •Grammy Award winning musk legend who has worked with countless artists, including Roy Gibbon, Ehrb Costello. and Counting Crows as well as film stm Iflw Reece WilheispOM a^ event ta available at the special price of S2SO in the form of a donation to the congressional campdgn of Roy Carter, who also will be available at the reception. Only 100 of these tickets are available, so visit wuwjnyeaiterforeongieM.enm quickly to reserve yours. Abo available b are trollmh^edn^nackaaesthtt tafcmatkm about tfieipMU VIP otta I These packages provide unique opportunities to experience Muegrass music unlike ever before. I hope to hear from you soon! Daniel Massoglia Deputy Finance Director Roy Garter For Congress J364994I40 Jo if you WB interested in meeting • few mterestingoeople or just inakhig a change m the political dimate mis vev m June 14th take • run over to the gig and let me know how it turned mtf...If aiiycmshc^d get the chance, I would tovt a ccntple of autc^^^ i big Albon Krauss fan and 1 love the CD (bought it pre-release). raps http://iioithcaiolinamou^^ 10/7/2008 MySpace.com - Stacey T-Bone Fundraiser - Photo 8 of IS Page 1 of 1 I Homt Brown Poopte | FlndPtopHj | Forums | Muste | Vines Mont • • BltcOoo <OS Login I Sign Up 41 photos i Become A Forensic'CSI JMtatDMe WmtlobicoiniirHlCSr? CO CounticinbecompWBdinnnton 18 fiionlhH RsQuiit • MM oxkiCNon brachura. CLICK HERE NOW. in Unto to Hi« photo Photo URL: Copy| o Photo Godos copy It to your pnjflhi en Guitar Rapalr Chicago The Only Full-Service Guitar Repair T-BONE SIGNING A GUITAR FOR DAD TO AUCTION Facility In the Chksagoland Area. WMMT.ttlWOOMlBUlDV.OOfn VjportA |E-mite«ffr»nd | jQShirt | |mpoftTMi!iMgc IMXUUltl JnteoittniUL IM O2003-20M MySpooMom. Al Rights Btsorvod. httpy/viewmoi^ics.myspace.com/index.cfoTftiseaction^ewImage^ 10/7/2008 c SCHEDULE A (FEC Form 3 ) FORUNENUMBER: I P*3E jchMk orty DM) ITEMIZED RECEIPTS lor oMh Mtojpy of tta ut Q lib n no Q in E12 n Hi n tab n 14 n« fliyiwonHoiBHOJpfJ iPnuuoiRojortjiond QMcravrti njnrnol bo joMprundby o^pi orfoc omnoMBi pwpMOBt OBOJ Iw urinp ww iwn ond MBiM of onypoWoM oonnoiM V NMEOFCOMMTTEEOhF* FJOT CMRTBt FOR C3ONOnCDO OOMMTTTEE Ptf NM1W ^LMi! PHti 831 North Forte FM 06 05 2006 art Ti»»>luii» SA11AL6443 rsj in H m bMdnd - Cwnpdgn Bw Ite- Hazudout IMBihd Remoral 20H T 8pgndna (2 U AC. - X Priraov Onnl G CP FiUNonM^LMli RroXMUcNMub H V o o • v v » T oa 12 2008 cay ZpOodi n 8A11AL474Q Sttfe BMh RMt|pt mt PMod recDiuNbr 200.00 •tudert Untt DM to 2B.OD Zip Co* FEC D nunbr or BMMulno WHUPnoduow urn MraoMdON to Bp«ndng (2 U AC. «n WlBTOTALOf ROBtfpli TNt POOB (ODMfMq TOTAL TNtPwM(Mpofl»W»ln»iMnbr wM. A( T-Boric Burnett - Wikipedia, the free encyclopedia Page 1 of3 T-Bone From Wikipedia, the free encyclopedia T-Bone Buraett is an American songwriter, musician and producer. He was bom Joseph Henry Burnett (January 14. 1948) in St Louis. Missouri, and raised in Fort Worth, Texas. He released two albums in 2006 after a 14 year break from solo recording!: The True False Identity, his first album of new songs since 1992, and Twenty Twenty • The Euential T-Bone Burnett, a 40 song retrospective spanning his i Burnett • time awa fr ding md performing wo him to other iindertakings. He produced various artists such as Tony Bennett and kxL lang on theX Wonderful World album md The WalMowen on Bringing Dawn the Hone. Burnett won • Onmmy iwvd for the O Brother. Where AH Thou? soundtrack. He O NT worked as • songwriter, end was nominated for en Oscar for his contribution to Lfl the film Cold Mountain. He founded the record libel DMZ, in imprint of •H Columbia, end was involved with Mark Heard and Tonb K in the short-lived m What? Records. He also oversaw the music for the films Walk the Line end The (N 'BlgUbowfU. Burnett* s songs hive been covered by such artists as kxi. lang (Till the Heart Caves In"), Los Lotos. Sixpence None the Richer ("Cany You"). Tonio K, j Orifta SL Louis. Missouri. U.S. j o I GeartCs) Rock androll . Country Emmylou Harris, Mark Heard ("Power of Love"), Arlo Guthrle, Warren Zevon, i 01 Peter Cue, B. J. Thomas and others. fM !Oceapation<i) Singer-fongwriter, Producer 'Yean active 1972—present I Contents I i) Universal (1972-1976; 1916-1988) Arista (1976-1980) 1 Early musical 2 Solo career Takmna (1980-1982) 3 Production, film scoring, and other professional activities Warner Bros. (1982-1984) 4 Discography Demon (1984-1986) 5 Compilation* Columbia (1988-praenl) 6 External links DMZ (2006 preRrt) 7 Footnotes Website TBoneBurnetLcom Early musical career Burnett released his first album. The B-52 Band and the Fabulous Stylarks, in 1972. In 197S and 1976. he toured with Bob Dylan's Rolling Thunder Revue. When the Revue ended, Burnett and two other members of Dylan's band, David Mansfield and Steven Soles, formed The Alpha Band. The Alpha Band released three albums. The Alpha Band in 1977, Spark In The Dark in 1977, and The Statue Maker* of Hollywood in 1978. Solo career. In 1980 he released his first post-Alpha Band solo album, Truth Decay, a roots rock album described by the Rolling Stone Record Guide as "mystic Christian blues." In 1982 his Trap Door BP yielded the FM radio hit "I Wish You Could Have Seen Her Dance". Burnett toured after the release of Trap Door, opening several dates for The Who and leading a band that featured Mick Ronson on guitar. His 1983 album Proof Through the Night (whose song "When the Night Falls" got some FM airplay) and hb 1987 album The Talking Animals were more in the vein of 1980s new wave music, while his self-titled 1986 album was an album of acoustic country music. His 1992 album The Criminal Under My Own Hat tended toward adult album alternative music.
Recommended publications
  • Biography Emmylou Harris

    Biography Emmylou Harris

    BIOGRAPHY EMMYLOU HARRIS A 13-time Grammy winner and Billboard Century Award recipient, Emmylou Harris’ contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums Photo: Veronique Rolland Veronique Photo: and has lent her talents to countless fellow artists’ recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame in 2008. Harris is known as much for her eloquently straightforward songwriting as for her incomparably expressive singing. Admired through her career for her talent as an artist and song connoisseur, Harris shook up country radio in the 1970s, and established herself as the premiere songwriter of a generation selling more than 15 million records and garnering 13 Grammy Awards (this year she and Rodney Crowell won the Grammy for "Best Americana album"), three CMA Awards, and two Americana Awards. Harris is one of the most admired and inuential women in music. She has recorded with such diverse artists as Linda Ronstadt, Daniel Lanois, Bob Dylan, Mark Knoper, Neil Young, Gram Parsons, Willie Nelson, Dolly Parton, Roy Orbison, Ryan Adams, Beck, Elvis Costello, Johnny Cash, Lucinda Williams, Lyle Lovett and most recently Rodney Crowell. Few artists have achieved such honesty or have revealed such maturity in their writing. Forty years into her career, Harris continues to share the hard-earned wisdom Photo: Jack Spencer Photo: that—hopefully if not inevitably—comes with getting older, though she’s never stopped looking ahead. A longtime social activist, Harris has lent her voice to many causes. She has performed at Lilith Fair, helping promote feminism in music and organizing several benet tours to support the Vietnam Veterans of America Foundation.
  • Brotherhood" “Timeless, Deeply Soulful and Uplifting Gospel-Drenched Blues, Street Corner Doo-Wop, Ballads, R&B, Country and Funk.” –NEW YORK TIMES

    Brotherhood" “Timeless, Deeply Soulful and Uplifting Gospel-Drenched Blues, Street Corner Doo-Wop, Ballads, R&B, Country and Funk.” –NEW YORK TIMES

    New from THE HOLMES BROTHERS ! brotherhood" “Timeless, deeply soulful and uplifting gospel-drenched blues, street corner doo-wop, ballads, R&B, country and funk.” –NEW YORK TIMES “Fervent, inspired and joyful blues, R&B, soul, roadhouse rock and gospel… beautiful harmonies, true magic.” –NPR Over the course of a 30-year career, with ten acclaimed albums and thousands of live performances, revered roots trio The Holmes Brothers—Wendell Holmes on guitar, piano and vocals, Sherman Holmes on bass and vocals, brother-in-spirit Popsy Holmes on drums and vocals—have garnered heaps of critical praise and countless loyal fans. They have created a timeless blend of blues, soul, funk and country, highlighted by their heavenly gospel-inspired vocal harmonies. Brotherhood is a testament to the uplifting musical The band’s new Alligator Records album, Brotherhood, power that comes from the close-knit, fraternally produced by Glenn Patscha (Ollabelle, Marc Cohn), telepathic relationship of The Holmes Brothers. The Chris Bruce (Me’Shell NdegéOcello, Seal) and Hector album is full of deeply soulful performances, from the Castillo (Brazilian Girls, David Bowie), is another rocking Wendell original Stayed At The Party to the stellar chapter in their storied and still-evolving sweet harmonies of Ted Hawkins’ I Gave Up All I Had, history. It’s their most bluesy album yet, with the to Sherman’s intense Passing Through to the doo-wop band digging deep to deliver roadhouse wisdom, late- splendor of Popsy’s falsetto vocals on the Stax classic My night doo wop, soulful R&B and a proto-rock ‘n’ roll Kind Of Girl.
  • Adult Contemporary Radio at the End of the Twentieth Century

    Adult Contemporary Radio at the End of the Twentieth Century

    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
  • To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma

    To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma

    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo.
  • Country Music and the Expression of Loss

    Country Music and the Expression of Loss

    Country Music and the Expression of Loss THE RECIPIENT OF CSW’S 2008 CONSTANCE COINER GRADUATE AwARD TALKS ABOUT HIS by Marcus Desmond Harmon CURRENT RESEARCH ON GRIEF, LOSS, AND MOURNING IN THE MUSIC As a doctoral candidate in the Department of Musicology at UCLA, I have OF EMMYLOU HARRIS had the opportunity to work with a variety of scholars studying the intersection between music and cultural practice. In my research and my classroom teaching, I work to bring a class-aware, feminist perspective DEC08 14 CSupdateW Since the meaning of musical gestures is so often the result of individual experience artists of any ideological affiliation and how they contribute to the larger eschew the religious and patriotic American discourse about trauma, interacting with broader social and cultural norms, I’ve taken a psychoanalytic signifiers that make many secular critics grief, and memory. Since the meaning approach to interpretation–looking not just at what artists and audiences say about uncomfortable, but artists deploy of musical gestures is so often the result the music they listen to, but also the ways in which that music evokes (or resists) them in a number of complex ways. of individual experience interacting other artifacts and institutions. For example, it would be hard to discuss the age- In any case, working-class concerns with broader social and cultural norms, worn last albums of Johnny Cash without understanding the particular beliefs about have rarely been of great interest to I’ve taken a psychoanalytic approach to sin, punishment, and redemption that stem from his Southern Baptist cosmology.
  • MUSIC 262: Art/Prog Rock [Brian Ward Demonstrates a Tune on Piano

    MUSIC 262: Art/Prog Rock [Brian Ward Demonstrates a Tune on Piano

    MUSIC 262: Art/Prog Rock [Brian Ward demonstrates a tune on piano] [Brian Ward]: So around this time in rock and roll we really start to see a lot of fragmentation going on, and that’s reflected in this course. The way we have this designed is so that we can go in different directions with the music, and that’s what the music did all sort of at the same time. One of the directions is what we now call art rock and also progressive rock. Now art rock and progressive rock are terms that are used loosely. A good way to describe it is art rock is rock and roll that is influenced by classical music while progressive rock is more influenced by jazz, so- but you have different elements in varying degrees of influence and in different ways. A good illustration of that is one of the first bands that I want to talk about is The Who. Now The Who were definitely a straight down the line rock and roll band, and they started like a lot of these other British bands: imitating the blues and rhythm and blues music from the United States, but The Who were very unique. They had probably the most four individualized members of any band of all time. All four members of the band, Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, were all very, very different people coming from different backgrounds, and that reflected in their music, and they used that to their advantage quite a bit. But with The Who I think rock star first becoming an art form in the sense that they had longer forms and they used many structures that eventually became mini-operas and they eventually made a rock opera called “Tommy.” Now when they started out they were more on the cutting edge of hard rock.
  • Jimmy D. Lane

    Jimmy D. Lane

    Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls.
  • ROSANNA LEE I, Rosanna Lee Cohen, Declare As Follows

    ROSANNA LEE I, Rosanna Lee Cohen, Declare As Follows

    EXHIBIT C IN THE UNITED STATES DISTRICT COURT DISTRICT OF MASSACHUSETTS ) COMMUNITY ARTS ADVOCATES, INC . , ) and STEPHEN H . BAIRD , ) Civil Action No : ) 04 11618 N G Plaintiffs , ) ) Judge Nancy Gertner v . ) ) CITY OF BOSTON, ) ) Defendant . ) ) DECLARATION OF ROSANNA LEE I, Rosanna Lee Cohen, declare as follows : 1. I have personal knowledge of the matters state d in this declaration and I make this declaration based upo n my own knowledge and recollection of those matters . 2. I am a singer and guitar player and I perfor m under the name Rosanna Lee . I currently live in Venice , California and perform in the greater Los Angeles area . I have recorded two albums, "The Girl With The Red Guitar" i n the fall of 2002 and "Make Believe" in the winter of 2004 . Both of my albums were released on Big Girl Records, th e label I created in 1998 . In 2003, I toured the country , performing eighty shows in twenty states, including The Kendall Caf@ in Cambridge, Massachusetts . I also produced a compilation CD of Boston folk music artists in 199 9 entitled "Can You Read This Boston?" $2 .50 from the sale of each copy of the CD is contributed to the Boston Adult Literacy Fund (HALF) . The project has raised over $3,00 0 for HALF since its release in April, 1999 . The album won the 2000 Boston Music Award for "Outstanding Folk/Acousti c Album" and Crossroads Magazines Gold Star for being the "Hest Contemporary Folk Compilation" of 1999 in the Unite d States . I attach to this declaration a biography and a list of my recordings .
  • Mixed Folios

    Mixed Folios

    mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs
  • American Old-Time Musics, Heritage, Place A

    American Old-Time Musics, Heritage, Place A

    THE UNIVERSITY OF CHICAGO SOUNDS OF THE MODERN BACKWOODS: AMERICAN OLD-TIME MUSICS, HERITAGE, PLACE A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY LAURA C.O. SHEARING CHICAGO, ILLINOIS JUNE 2020 ã Copyright 2020 Laura C.O. Shearing All rights reserved. ––For Henrietta Adeline, my wildwood flower Table of Contents List of Figures .............................................................................................................................. v List of Tables .............................................................................................................................. vi Acknowledgements .................................................................................................................... vii Abstract ...................................................................................................................................... ix Introduction ................................................................................................................................ 1 1. Contextualizing Old-Time ..................................................................................................... 22 2. The Making of an Old-Time Heritage Epicenter in Surry County, North Carolina ................... 66 3. Musical Trail-Making in Southern Appalachia ....................................................................... 119 4. American Old-Time in the British Isles ................................................................................
  • Final Version

    Final Version

    This research has been supported as part of the Popular Music Heritage, Cultural Memory and Cultural Identity (POPID) project by the HERA Joint Research Program (www.heranet.info) which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007–2013, under ‘the Socio-economic Sciences and Humanities program’. ISBN: 978-90-76665-26-9 Publisher: ERMeCC, Erasmus Research Center for Media, Communication and Culture Printing: Ipskamp Drukkers Cover design: Martijn Koster © 2014 Arno van der Hoeven Popular Music Memories Places and Practices of Popular Music Heritage, Memory and Cultural Identity *** Popmuziekherinneringen Plaatsen en praktijken van popmuziekerfgoed, cultureel geheugen en identiteit Thesis to obtain the degree of Doctor from the Erasmus University Rotterdam by command of the rector magnificus Prof.dr. H.A.P Pols and in accordance with the decision of the Doctorate Board The public defense shall be held on Thursday 27 November 2014 at 15.30 hours by Arno Johan Christiaan van der Hoeven born in Ede Doctoral Committee: Promotor: Prof.dr. M.S.S.E. Janssen Other members: Prof.dr. J.F.T.M. van Dijck Prof.dr. S.L. Reijnders Dr. H.J.C.J. Hitters Contents Acknowledgements 1 1. Introduction 3 2. Studying popular music memories 7 2.1 Popular music and identity 7 2.2 Popular music, cultural memory and cultural heritage 11 2.3 The places of popular music and heritage 18 2.4 Research questions, methodological considerations and structure of the dissertation 20 3. The popular music heritage of the Dutch pirates 27 3.1 Introduction 27 3.2 The emergence of pirate radio in the Netherlands 28 3.3 Theory: the narrative constitution of musicalized identities 29 3.4 Background to the study 30 3.5 The dominant narrative of the pirates: playing disregarded genres 31 3.6 Place and identity 35 3.7 The personal and cultural meanings of illegal radio 37 3.8 Memory practices: sharing stories 39 3.9 Conclusions and discussion 42 4.
  • Why Am I Doing This?

    Why Am I Doing This?

    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................