Kate Winslet

Total Page：16

File Type：pdf, Size：1020Kb

Kate Winslet Please contact Dallas Smith with any enquiries. Academy Award Winner 2009 for Best Actress in a Leading Role for 'The Reader'. Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company BLACK BEAUTY Beauty (Voice) Ashley Avis Disney+ AMMONITE Mary Anning Francis Lee BBC Films BLACKBIRD Jennifer Roger Michell Busted Shark Productions AVATAR 2 Ronal James Cameron Twentieth Century Fox NAYA LEGEND OF THE Cupid Jonathon Kay Magic Factory Productions GREEN DOLPHIN THE MOUNTAIN BETWEEN Ashley Knox Hany Abu- Assad Twentieth Century Fox US UNTITLED WOODY ALLEN Woody Allen Amazon Studios PROJECT COLLATERAL BEAUTY Claire David Frankel Warner Brothers TRIPLE 9 Irina Vlaslov John Hillcoat Worldview Entertainment United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company INSURGENT Jeanine Robert Schwentke Red Wagon Entertainment STEVE JOBS Joanna Hoffman Danny Boyle Universal Pictures THE DRESSMAKER Myrtle 'Tilly' Jocelyn Moorhouse Amazon Studios Dunnage DIVERGENT Jeanine Neil Burger Red Wagon Entertainmen A LITTLE CHAOS Sabine Alan Rickman Potboiler Films LABOR DAY Adele Jason Reitman Paramount CONTAGION Dr. Erin Mears Steven Warner Bros Soderbergh CARNAGE Nancy Cowan Roman Polanski SBS Productions THE READER Hanna Schmitz Stephen Daldry Mirage Enterprises/Weinstein Company REVOLUTIONARY ROAD April Wheeler Sam Mendes DreamWorks THE FOX & THE CHILD Narrator Luc Jacquet Pathe THE HOLIDAY Iris Simpkins Nancy Meyers Columbia LITTLE CHILDREN Sarah Pierce Todd Field New Line ALL THE KINGS MEN Anne Steven Zaillian Columbia ROMANCE AND Tula John Turturro MGM CIGARETTES ETERNAL SUNSHINE OF Clementine Michel Gondry USA films THE SPOTLESS MIND NEVERLAND Sylvia Marc Forester Miramax Films THE LIFE OF DAVID GALE Bitsy Alan Parker Universal IRIS Young Iris Richard Eyre Fox Iris Productions ENIGMA Hester Michael Apted Jagged Films QUILLS Madeline Phillip Kauffman Fox Searchlight HOLY SMOKE Ruth Jane Campion Miramax Films HIDEOUS KINKY Julia Gilles McKinnon Greenpoint Films TITANIC Rose James Cameron 20th Century Fox JUDE Sue Bridehead Michael Obscure Films Winterbottom HAMLET Ophelia Kenneth Branagh Castlerock Entertainment SENSE AND SENSIBILITY Marianne Ang Lee Paramount HEAVENLY CREATURES Juliet Hulme Peter Jackson Miramax Television Production Character Director Company United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] MARE OF EASTTOWN Mare Sheehan Craig Zobel HBO MILDRED PIERCE Mildred Pierce Todd Haynes HBO United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

Copy Link

Recommended publications

Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date Of
Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date of review: Thursday 13th December, 2007 Director: Jason Reitman Duration: 91 minutes Classification: M We rate it: 4 and a half stars. Jason Reitman, son of ultra-mainstream (and very successful) Hollywood director Ivan Reitman (he of Ghostbusters, Stripes and Kindergarten Cop fame) may just be able to move out from under his father’s significant shadow with this wonderful film. Jason Reitman’s breakthrough film as a director was 2005’s Thank You for Smoking, a cleverly written and very well performed black comedy that was so well pulled-off that one felt in the presence of promising new talent. It seems that feeling was correct, because with Juno, a very different film to its predecessor, Reitman has made an utterly assured and charming comedy/drama, and has drawn tremendously convincing and engaging performances from the entire cast. The talented young actress Ellen Page (who was so memorable in the confronting thriller Hard Candy) plays the titular character, an intelligent, articulate, out-of-left- field high-school student who, as our story opens, finds herself pregnant to her close friend and would-be boyfriend, Bleeker. Being smart, strong and self-possessed, Juno confronts her situation level-headedly, and decides, on reflection, that she will go through with the pregnancy and offer her child for adoption to a couple who are unable to conceive. With the support of her family - stepmother Bren (the wonderful Alison Janney) and father Mac (the ever-humourous J.
[Show full text]
Current Film Slate
CURRENT PROJECTS Updated 06 August 2021 For more information on any of the projects listed below, please contact the Premier film team as follows: • Email: [email protected] • Visit our website: https://www.premiercomms.com/specialisms/film/public-relations UK DISTRIBUTION NIGHT OF THE KINGS UK release date: 23 July 2021 (in cinemas) Directed by: Philippe Lacôte Starring: Koné Bakary, Barbe Noire, Steve Tientcheu, Rasmané Ouédraogo, Issaka Sawadogo, Digbeu Jean Cyrille Lass, Abdoul Karim Konaté, Anzian Marcel Laetitia Ky, Denis Lavant Running time: 93 mins Certificate: 12A UK release: 23 July 2021 Premier contacts: Annabel Hutton, Simon Bell, Josh Glenn When a young man (first-timer Koné Bakary) is sent to an infamous prison, located in the middle of the Ivorian forest and ruled by its inmates, he is chosen by the boss 'Blackbeard' (Steve Tientcheu, BAFTA and Academy-Award nominated LES MISÉRABLES) to take part in a storytelling ritual just as a violent battle for control bubbles to the surface. After discovering the grim fate that awaits him at the end of the night, Roman begins to narrate the mystical life of a legendary outlaw to make his story last until dawn and give himself any chance of survival. JOLT UK release date: 23 July 2021 (Amazon Prime Video) Directed by: Tanya Wexler Starring: Kate Beckinsale, Bobby Cannavale, Jai Courtney, Laverne Cox, David Bradley, Ori Pfeffer, Susan Sarandon, Stanley Tucci Running time: 91 mins Certificate: TBC UK release: Amazon Studios Premier contacts: Matty O’Riordan, Monique Reid, Brodie Walker, Priyanka Gundecha Lindy is a beautiful, sardonically-funny woman with a painful secret: Due to a lifelong, rare neurological disorder, she experiences sporadic rage-filled, murderous impulses that can only be stopped when she shocks herself with a special electrode device.
[Show full text]
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong.
[Show full text]
Over the Past Ten Years, Good Machine, a New York-Based
MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000).
[Show full text]
Brochure Spetherton 2012
BFFS SOUTH WEST GROUP Carnage Cert 15 France 2011 79 mins Crew Director Roman Polanski Screenplay Roman Polanski & Yasmina Reza Cinematography Pawel Edelman Film Editing Hervé de Luze Original music Alexandre Desplat Cast Jodie Foster Penelope Longstreet Kate Winslet Nancy Cowan Christoph Waltz Alan Cowan John C. Reilly Michael Longstreet Reviews Synopsis ....A comedy of malice, Carnage is a tight film expertly paced by Polanski who demonstrates a talent for tickling ribs that will New York, the present. Eleven-year- probably come as a surprise to many. Adapted from Yasmina Reza's old classmatesSynopsis Zachary Cowan and play 'Le Dieu du Carnage' the film (a collaboration between Reza and Ethan Longstreet have an argument in Polanski) falls into three acts - or bouts - of steadily worsening the park which ends when Zachary hits relations. Skewering the upper middle-classes with wry Ethan across the face with a stick, observations of their neuroses and petty obsessions, Polanski just causing him to lose a tooth. about manages to sidestep snootiness and stays in the realm of the The boys' parents learn of the cheeky. In fact the script does have some very clever judgement to altercation through Ethan's parents pass, although there is an unfortunate reliance on some tired gender questioning him about his injuries. tropes in the film's final stretch..... And so the Longstreet parents invite the Cowan parents to their Brooklyn What really keeps the simple premise buoyant are the pitch-perfect apartment to discuss how to deal with cast who are all sickeningly authentic. Foster especially stands out the incident in a civilized manner....
[Show full text]
What Characters Learn and What They Never Will
What characters learn and what they never will This session was written by Lucy for The Script Factory’s I © screenwriting course presented at BFI Southbank, June 2013. The teaching points in this lecture are mostly illustrated with reference to the following four films: Argo (dir. Ben Affleck, scr. Chris Terrio, 2012) Sightseers (dir. Ben Wheatley, scr. Alice Lowe & Steve Oram, 2012) Up in the Air (dir. Jason Reitman, scr. Jason Reitman & Sheldon Turner, 2009) Animal Kingdom (dir./scr. David Michod, 2010) Screenwriting lore dictates that characters should learn life-improving lessons through their experiences. Pardon our French, but that’s bullsh*t! In many films the external challenges the character faces are so great that it’s imperative that they are equipped with the necessary attributes to tackle those obstacles from the outset. In other movies the characters remain obstinate despite what life throws at them and their inability to change is exactly what the film is about. This session examines how to chart convincing character journeys and, if your character does need to overcome a flawed attitude to life, how to ensure that the difference in whom they are at the beginning and end of the film is clearly marked. By far the most vital way that an audience literally gets on board with what’s at stake in a story is through the characters. This is because we generally go to see films in order to have an emotional experience. There are probably exceptions but, on the whole, we don’t buy tickets because we want to be educated, we are not hoping to improve our minds or learn a lesson – we are going to the cinema to have a vicarious experience through watching characters do stuff.
[Show full text]
Nominees & Winners for the 86Th Oscars (Feb 2014)
Nominees & Winners for the 86th Oscars® (Feb 2014) The Act of Killing Final Cut for Real Production (Drafthouse Films) • Documentary Feature All Is Lost Black Bear Pictures, Treehouse Pictures, FilmNation Entertainment, Sudden Storm Entertainment, Before The Door/Washington Square Films Production (Lionsgate & Roadside Attractions) • Sound Editing American Hustle Columbia Pictures and Annapurna Pictures Production (Sony Pictures Releasing) • Christian Bale - Actor in a Leading Role • Bradley Cooper - Actor in a Supporting Role • Amy Adams - Actress in a Leading Role • Jennifer Lawrence - Actress in a Supporting Role • Costume Design • Directing • Film Editing • Best Picture • Production Design • Original Screenplay Aquel No Era Yo (That Wasn't Me) Producciones Africanauan Production (FREAK Independent Film Agency) • Live Action Short Film August: Osage County Weinstein Company/Jean Doumanian Productions/Smokehouse Pictures/Battle Mountain Films/Yucaipa Films Production (The Weinstein Company) • Meryl Streep - Actress in a Leading Role • Julia Roberts - Actress in a Supporting Role Avant Que De Tout Perdre (Just before Losing Everything) KG Production • Live Action Short Film Before Midnight Faliro House Production (Sony Pictures Classics) • Adapted Screenplay Blue Jasmine Perdido Production (Sony Pictures Classics) • Cate Blanchett - Actress in a Leading Role • Sally Hawkins - Actress in a Supporting Role • Original Screenplay The Book Thief Fox 2000 Pictures Production (20th Century Fox) • Original Score The Broken Circle Breakdown Menuet
[Show full text]
Tiina Rosenberg
Don ’t be Quiet TIINA ROSENBERG , Don’ ,t be Quiet ESSAYS ON FEMINISM AND PERFORMANCE Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance Tiina Rosenberg Published by Stockholm University Press Stockholm University SE-106 91 Stockholm, Sweden www.stockholmuniversitypress.se Text © Tiina Rosenberg 2016 License CC-BY ORCID: Tiina Rosenberg: 0000-0002-7012-2543 Supporting Agency (funding): The Swedish Research Council First published 2016 Cover Illustration: Le nozze di Figaro (W.A. Mozart). Johanna Rudström (Cherubino) and Susanna Stern (Countess Almaviva), Royal Opera, Stockholm, 2015. Photographer: Mats Bäcker. Cover designed by Karl Edqvist, SUP Stockholm Studies in Culture and Aesthetics (Online) ISSN: 2002-3227 ISBN (Paperback): 978-91-7635-023-2 ISBN (PDF): 978-91-7635-020-1 ISBN (EPUB): 978-91-7635-021-8 ISBN (Kindle): 978-91-7635-022-5 DOI: http://dx.doi.org/10.16993/baf This work is licensed under the Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit creativecommons.org/licenses/ by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated. Suggested citation: Rosenberg, Tiina 2016 Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance. Stockholm: Stockholm University Press. DOI: http://dx.doi. org/10.16993/baf. License CC-BY 4.0 To read the free, open access version of this book online, visit http://dx.doi.org/10.16993/baf or scan this QR code with your mobile device.
[Show full text]
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
[Show full text]
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
[Show full text]
Film Press Kit Collection
http://oac.cdlib.org/findaid/ark:/13030/kt8b69s3fs No online items Guide to the Film Press Kit Collection Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 2011 The Regents of the University of California. All rights reserved. Guide to the Film Press Kit PA Mss 39 1 Collection Guide to the Film Press Kit Collection Collection number: PA Mss 39 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Staff, Department of Special Collections, Davidson Library Date Completed: 10/21/2011 Encoded by: Zachary Liebhaber © 2011 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Film Press Kit collection Dates: 1975-2005 Collection number: PA Mss 39 Creator: University of California, Santa Barbara, Arts and Lectures Collection Size: 9 linear ft.(28 boxes). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: Press kits for motion pictures, mostly independent releases, including promotional material, clippings, and advertising materials. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access The use of the collection is unrestricted. Many of these films were shown by the UCSB Arts and Lectures series. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections.
[Show full text]
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept.
[Show full text]