Music Career Starts Here
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
4 Non Blondes What's up Abba Medley Mama
4 Non Blondes What's Up Abba Medley Mama Mia, Waterloo Abba Does Your Mother Know Adam Lambert Soaked Adam Lambert What Do You Want From Me Adele Million Years Ago Adele Someone Like You Adele Skyfall Adele Turning Tables Adele Love Song Adele Make You Feel My Love Aladdin A Whole New World Alan Silvestri Forrest Gump Alanis Morissette Ironic Alex Clare I won't Let You Down Alice Cooper Poison Amy MacDonald This Is The Life Amy Winehouse Valerie Andreas Bourani Auf Uns Andreas Gabalier Amoi seng ma uns wieder AnnenMayKantenreit Barfuß am Klavier AnnenMayKantenreit Oft Gefragt Audrey Hepburn Moonriver Avicii Addicted To You Avicii The Nights Axwell Ingrosso More Than You Know Barry Manilow When Will I Hold You Again Bastille Pompeii Bastille Weight Of Living Pt2 BeeGees How Deep Is Your Love Beatles Lady Madonna Beatles Something Beatles Michelle Beatles Blackbird Beatles All My Loving Beatles Can't Buy Me Love Beatles Hey Jude Beatles Yesterday Beatles And I Love Her Beatles Help Beatles Let It Be Beatles You've Got To Hide Your Love Away Ben E King Stand By Me Bill Withers Just The Two Of Us Bill Withers Ain't No Sunshine Billy Joel Piano Man Billy Joel Honesty Billy Joel Souvenier Billy Joel She's Always A Woman Billy Joel She's Got a Way Billy Joel Captain Jack Billy Joel Vienna Billy Joel My Life Billy Joel Only The Good Die Young Billy Joel Just The Way You Are Billy Joel New York State Of Mind Birdy Skinny Love Birdy People Help The People Birdy Words as a Weapon Bob Marley Redemption Song Bob Dylan Knocking On Heaven's Door Bodo -
Popular Repertoire (1960’S – Present Day)
! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club -
Digitalisation and Intermediaries in the Music Industry
CREATe Working Paper 2017/07 (June 2017) Digitalisation and intermediaries in the Music Industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, Finance, University of East Anglia University of East Anglia and Economics, University of Huddersfield [email protected] [email protected] [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.809949 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Abstract Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of artists [composers, lyricists and musicians] supplying creative expressions to a small number of larger record labels and publishers who funded, produced, and marketed the resulting recorded music to subsequently sell these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with “self- publishing” by artists, will lead to the demise of powerful firms in the record label segment, thus shifting market power from the record label and publisher segment to the retail segment, rather than increasing the number of segments with market power. i Table of Contents 1. Introduction ................................................................................................................................. 1 2. How the advancement of technologies shapes the music industry ................................. -
19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
03/31/2018 Daily Program Listing II 02/05/2018 Page 1 of 124 Start Title Thu, Mar 01, 2018 Subtitle Ster
Daily Program Listing II 43.1 Date: 02/05/2018 03/01/2018 - 03/31/2018 Page 1 of 124 Thu, Mar 01, 2018 Title Start Subtitle Distrib Stereo Cap AS2 Episode 00:00:01 Great Decisions In Foreign Policy NETA (S) (CC) N/A #903H China: The New Silk Road China is the second largest economy in the world, and it's expected to bump the U.S. out of the top rank in less than a decade. Beijing is increasingly looking beyond China's borders, toward investment in Asia and across the world. What does China's massive One Belt One Road initiative mean for America? 00:30:00 In Good Shape - The Health Show WNVC (S) (CC) N/A #508H 01:00:00 The Lowertown Line. APTEX (S) (CC) N/A #124H Bruise Violet 01:30:00 Songs at the Center APTEX (S) (CC) N/A #110H Artists: Tim Easton, Talisha Holmes, Nathan Bell, Mark Brinkman, and hosted by songwriter Eric Gnezda. Tim Easton was nominated twice in the 9th Annual Independent Music Awards, including for Best Americana Song. Originally from Akron, he is now based in Nashville. He tours worldwide. He recently re-released his first album, Special 20, on vinyl. He sings "Elmore James." Talisha Holmes is known for her intimacy and energy as a performer. She has opened for Dwele, John Legend, Styx, Stephanie Mills, Ohio Players and others. With an eclectic style fusing jazz, blues, folk, rock and choral music, Talisha performs regularly with the Columbus Jazz Orchestra. She sings "Follow Me." Nathan Bell composed the music for The Day After Stonewall Died, a movie that was awarded first prize at the 2014 Cannes Short Film Festival. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Press Book from 01.10.2014 to 31.10.2014
Press Book from 01.10.2014 to 31.10.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 29/10/2014 Irish Examiner: €33.8m royalties bonanza for artists............................................................................................ 3 16/10/2014 Tralee Outlook: DEADLINE LOOMS TO ENTER 2014 CHRISTIE HENNESSY SONG CONTEST..................................... 4 18/10/2014 Nenagh Guardian: DEADLINE LOOMS TO ENTER CHRISTIE HENNESSY SONG CONTEST..............................................5 11/10/2014 Limerick Leader Saturday County-Leader 2: Dolan's book the dream ticket to mark 20 year celebrations.........................................................6 11/10/2014 Limerick Leader Sat City-Leader 2: Dolan's book the dream ticket to mark 20 year celebrations.........................................................8 11/10/2014 Limerick Leader West Edition - Leader 2: Dolan's book the dream ticket to mark 20 year celebrations.........................................................9 29/10/2014 Irish Independent Tabloid: IMRO artists' royalties bonanza tops €33.8m..............................................................................10 09/10/2014 Athlone Advertiser: IMRO launches new awards........................................................................................................ 11 02/10/2014 Westmeath Topic: 'MULUNGAR'S CAVERN CLUB' TO CLOSE..................................................................................... -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Abs Stop Sign Mp3, Flac, Wma
Abs Stop Sign mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: Stop Sign Country: Australia Released: 2003 Style: Europop, Breakbeat, Electro MP3 version RAR size: 1422 mb FLAC version RAR size: 1715 mb WMA version RAR size: 1422 mb Rating: 4.8 Votes: 892 Other Formats: RA FLAC APE AAC MOD MP2 XM Tracklist Hide Credits Stop Sign Arranged By [Arrangement Input By] – A. Harrison*, G. Simmons*Backing Vocals – 1 Tracy AckermanMixed By – Absolute , Steve FitzmauriceProducer, Instruments [All 2:56 Instruments] – Absolute Written-By – Watkins*, O'Connell*, Sechleer*, Wynn*, Wilson*, Breen* Music For Cars Backing Band – Abs Backing Vocals – Richard "Biff" Stannard*Mixed By – Alvin 2 SweeneyProducer – Alvin Sweeney, Julian Gallagher, Richard "Biff" 3:02 Stannard*Programmed By – Julian GallagherWritten-By – Alvin Sweeney, Julian Gallagher, R. Breen*, Richard "Biff" Stannard* Stop That Bitchin' Backing Vocals – Shernette MayMixed By – Alvin SweeneyProducer, Instruments [All 3 Instruments] – Julian Gallagher, Richard "Biff" Stannard*Programmed By – Alvin 3:16 Sweeney, Julian Gallagher, Richard "Biff" Stannard*Written-By – Julian Gallagher, R. Breen*, Richard "Biff" Stannard* Video Stop Sign Companies, etc. Phonographic Copyright (p) – BMG UK & Ireland Ltd. Copyright (c) – BMG UK & Ireland Ltd. Licensed From – Nestshare Ltd. Manufactured By – BMG Australia Limited Distributed By – BMG Australia Limited Pressed By – Technicolor, Australia Produced For – Biffco Productions Mixed At – Biffco Studios, Dublin Published -
NORTH NORFOLK ARTS E-NEWS 20 June 2016
NORTH NORFOLK ARTS E-NEWS 20 June 2016 – Issue 7 In this issue: News Opportunities • Opportunities at The Wells Maltings • Summer Textile workshops at the Mo, Sheringham • Two new visual arts development posts- The Arts Development Company in Dorset • Artswork Communications & Development Manager • Southwark Council: Gallery Operator • Lecturer: VFX - Norwich University of the Arts • Head of the School of Literature, Drama, and Creative Writing - University of East Anglia • Workshops - Norfolk Dance Artists Collective • Jeremy Webb Photography Workshops • Project Management in 10 Simple Steps - Creative Training Hub • Local Global Song Project Workshops - Southburgh Festival of World Music • Clore Leadership Programme: Clore Short Course Programme • Writers' Centre Norwich Emerging Translator Mentorships 2016 • FREE Special Drypoint Workshop Opportunity • Norfolk Community Foundation - Vital Signs Survey • Voluntary Arts - Disability & Access at Events Briefing • What Next? Norfolk chapter meeting • Volunteers' Week - Pledge the hours you give to arts Funding News For what’s going on in North Norfolk visit our Arts online diary www.northnorfolk.org/arts/search.aspx Submit your event for FREE visit www.northnorfolk.org/arts/submit_event.aspx or www.visitnorthnorfolk.com For information on North Norfolk WW1 events and support visit www.northnorfolk.org/ww1 Opportunities Opportunities at The Wells Maltings • Volunteering possibilities. We are always looking for new volunteers and recruits to work in the Tourist Information Centre alongside our staff. Fancy giving up a couple of hours a week? Go into the Centre and ask to speak to Inez or Sophie who would be very happy to give you further information. • Oral History Recordings . One of our projects for the Heritage Lottery for completion during the development stage is recording and collating recorded oral histories of the town and from the local people who live and have lived here.