UDON STUDIOS (50%) and FABIANO NEVES
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BREAKING Newsrockville, MD August 19, 2019
MEDIA KIT BREAKING NEWS Rockville, MD August 19, 2019 THE BOYS by Garth Ennis and Darick Robertson Coming to GraphicAudio® A Movie in Your Mind® in Early 2020 GraphicAudio® is thrilled to announce a just inked deal with DYNAMITE COMICS to produce and publish all 6 Omnibus Volumes of THE BOYS directly from the comics and scripted and produced in their unique audio entertainment format. The creative team at GraphicAudio® plans to make the adaptations as faithful as possible to the Graphic Novel series. The series is set between 2006–2008 in a world where superheroes exist. However, most of the su- perheroes in the series' universe are corrupted by their celebrity status and often engage in reckless behavior, compromising the safety of the world. The story follows a small clandestine CIA squad, informally known as "The Boys", led by Butcher and also consisting of Mother's Milk, the French- man, the Female, and new addition "Wee" Hughie Campbell, who are charged with monitoring the superhero community, often leading to gruesome confrontations and dreadful results; in parallel, a key subplot follows Annie "Starlight" January, a young and naive superhero who joins the Seven, the most prestigious– and corrupted – superhero group in the world and The Boys' most powerful enemies. Amazon Prime released THE BOYS Season 1 last month. Joseph Rybandt, Executive Editor of Dynamite and Editor of The Boys says, “While I did not grow up anywhere near the Golden Age of Radio, I have loved the medium of radio and audio dramas almost my entire life. Podcasts make my commute bearable to this day. -
‚Every Day Is 9/11!•Ž: Re-Constructing Ground Zero In
JUCS 4 (1+2) pp. 241–261 Intellect Limited 2017 Journal of Urban Cultural Studies Volume 4 Numbers 1 & 2 © 2017 Intellect Ltd Article. English language. doi: 10.1386/jucs.4.1-2.241_1 MARTIN LUND Linnaeus University ‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics ABSTRACT KEYWORDS This article analyses three comics series: writer Brian K. Vaughan and artist Tony comics Harris’ Ex Machina (August 2004–August 2010); writer Brian Wood and artist Ground Zero Riccardo Burchielli’s DMZ (November 2005–February 2012); and writer Garth 9/11 Ennis and artist Darick Robertson’s The Boys (October 2006–November 2012). archifictions Taking literary critic Laura Frost’s concept of ‘archifictions’ as its starting point, the War on Terror article discusses how these series frame the September 11 attacks on New York and architecture their aftermath, but its primary concern is with their engagement with the larger social ramifications of 9/11 and with the War on Terror, and with how this engage- ment is rooted in and centred on Ground Zero. It argues that this rooting allows these comics’ creators to critique post-9/11 US culture and foreign policy, but that it also, ultimately, serves to disarm the critique that each series voices in favour of closure through recourse to recuperative architecture. The attacks on September 11 continue to be felt in US culture. Comics are no exception. Comics publishers, large and small, responded immediately and comics about the attacks or the War on Terror have been coming out ever since. Largely missing from these comics, however, is an engagement with Ground Zero; after depicting the Twin Towers struck or falling, artists and writers rarely give the area a second thought. -
Xena and Buffy
Frances Early, Kathleen Kennedy, eds.. Athena's Daughters: Television's New Women Warriors. Syracuse: Syracuse University Press, 2003. 175 pp. $39.95, cloth, ISBN 978-0-8156-2968-9. Reviewed by Robin Riley Published on H-Peace (May, 2004) It is a strange experience to be reading and each represent, at least, "a girl-power hero--a writing about "television's new women warriors" young, hip, and alluring portrayal of female au‐ when television and the nation have actual wom‐ tonomy that offers an implicit contrast to and cri‐ en warriors with whom we have recently ob‐ tique of the second-wave feminist generation that sessed. Could it be that the presence of fctitious came of age in the 1960s and 1970s" (p. 3). The women warriors helped to conceptually prepare question of whether or not these characters or se‐ us for Jessica Lynch? ries represent a move towards female just war‐ Fans of Xena, Warrior Princess (as the au‐ riors, contain critiques of war, or are attempting thors say, hereafter XWP) and Buffy the Vampire to subvert traditional ways of thinking about gen‐ Slayer (not similarly acronymed) will enjoy this der and war, appears and disappears across the collection. Athena's Daughters is flled with plot collection's essays. references to episodes from the Xena and Buffy Frances Early and Kathleen Kennedy are dis‐ "verses," as well as two essays from authors fo‐ mayed at this turn toward "girl power heroes" cusing on the La Femme Nikita and Star Trek Voy‐ with its accompanying de-politicization of gender ager_ series. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
Hawkeye, Volume 1 by Matt Fraction (Writer) , David Aja (Artist)
Read and Download Ebook Hawkeye, Volume 1... Hawkeye, Volume 1 Matt Fraction (Writer) , David Aja (Artist) , Javier Pulido (Artist) , Francesco Francavilla (Artist) , Steve Lieber (Artist) , Jesse Hamm (Artist) , Annie Wu (Artist) , Alan Davis (Penciler) , more… Mark Farmer (Inker) , Matt Hollingsworth (Colourist) , Paul Mounts (Colourist) , Chris Eliopoulos (Letterer) , Cory Petit (Letterer) …less PDF File: Hawkeye, Volume 1... 1 Read and Download Ebook Hawkeye, Volume 1... Hawkeye, Volume 1 Matt Fraction (Writer) , David Aja (Artist) , Javier Pulido (Artist) , Francesco Francavilla (Artist) , Steve Lieber (Artist) , Jesse Hamm (Artist) , Annie Wu (Artist) , Alan Davis (Penciler) , more… Mark Farmer (Inker) , Matt Hollingsworth (Colourist) , Paul Mounts (Colourist) , Chris Eliopoulos (Letterer) , Cory Petit (Letterer) …less Hawkeye, Volume 1 Matt Fraction (Writer) , David Aja (Artist) , Javier Pulido (Artist) , Francesco Francavilla (Artist) , Steve Lieber (Artist) , Jesse Hamm (Artist) , Annie Wu (Artist) , Alan Davis (Penciler) , more… Mark Farmer (Inker) , Matt Hollingsworth (Colourist) , Paul Mounts (Colourist) , Chris Eliopoulos (Letterer) , Cory Petit (Letterer) …less Clint Barton, Hawkeye: Archer. Avenger. Terrible at relationships. Kate Bishop, Hawkeye: Adventurer. Young Avenger. Great at parties. Matt Fraction, David Aja and an incredible roster of artistic talent hit the bull's eye with your new favorite book, pitting Hawkguy and Katie-Kate - not to mention the crime-solving Pizza Dog - against all the mob bosses, superstorms -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
John Constantine and the Homoaffective Question: an Analysis of LGBTI+ Representations in Superhero Comics and Animations
John Constantine and the homoaffective question: an analysis of LGBTI+ representations in superhero comics and animations JOHN CONSTANTINE AND THE HOMOAFFECTIVE QUESTION: AN ANALYSIS OF LGBTI+ REPRESENTATIONS IN SUPERHERO COMICS AND ANIMATIONS JOHN CONSTANTINE E A QUESTÃO HOMOAFETIVA: UMA ANÁLISE SOBRE REPRESENTAÇÕES LGBTI+ EM QUADRINHOS DE SUPER-HERÓIS E ANIMAÇÕES JOHN CONSTANTINE Y LA PREGUNTA HOMOAFFECTIVE: UN ANÁLISIS DE LAS REPRESENTACIONES LGBTI+ EN CÓMICS DE SUPERHÉROES Y ANIMACIONES Mário Jorge de PAIVA1 ABSTRACT: This article is an analysis of LGBTI + representations in comic books, superheroes, and children's animations. In particular, we will approach the character of DC Comics John Constantine, bisexual, because he is a hero of a major publisher, appearing alongside Batman, Superman etc. Our methodology is qualitative, based on a broad contribution containing: Michel Foucault, Sarane Alexandrian, James Green, João Trevisan, Dandara Cruz among others. Our conclusions involve seeing how there has really been a profound change over time. If before this type of question could not be addressed as much, or could not be addressed explicitly, today there is a greater opening for representations of LGBTI + characters. KEYWORDS: LGBTI+. Comics. Animations. John Constantine. Hellblazer. RESUMO: O presente artigo é uma análise das representações LGBTI+ em revistas de super-heróis e animações. Abordaremos mais a personagem da DC Comics John Constantine, bissexual, por ele ser um herói de uma grande editora, aparecendo junto ao Batman, Superman etc. Nossa metodologia é qualitativa, se pautando em uma análise inicial do campo de estudos e na sequência em uma análise mais aprofundada da própria personagem Constantine. Possuímos um aporte teórico que envolve, entre outros autores: Michel Foucault, Sarane Alexandrian e Dandara Cruz. -
American Vampire: Volume 5 Pdf, Epub, Ebook
AMERICAN VAMPIRE: VOLUME 5 PDF, EPUB, EBOOK Rafael Albuquerque,Dustin Nguyen,Scott Snyder | 280 pages | 08 Apr 2014 | DC Comics | 9781401237714 | English | United States American Vampire: Volume 5 PDF Book Though tracking their movements over the span of decades, the comic also explores the evolution of the United States. Back at the camp Skinner recognizes the danger and attempts to track down the Apache on his own, planning to catch them off-guard. After American Vampire — Second Cycle concluded, the series went on another hiatus but will return in October This is becoming one of my favorite graphic novels. Performance and Analytics. Set in Los Angeles, providing a brief account of the meeting between Hattie and Pearl, and then Hattie's later betrayal of Pearl in the service of the vampiric Old World movie moguls. Dec 25, C. Characters trying to live a normal life in a world full of vampires As I always say, if you haven't started this series, then what are you waiting for?? We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. Other Editions 7. This volume also contains 14 pages of extra material consisting of variant covers, cover sketches, and character designs, by Greg Capullo, Dave Johnson, Francesco Francavilla, Jock, Dustin Nguyen, and Rafael Albuquerque. Dishonored Vol. It was interesting to see a vampiric take on the whole McCarthy b. Meanwhile, James Book, Felix Camillo, and Will Bunting ride towards Felix's father, as the elder Camillo is responsible for Skinner's apprehension and they believe his gang will seek revenge. -
The New Normal: Enfreakment in Saga
THE COMICS GRID Journal of comics scholarship Research How to Cite: Lipenga, KJ. 2019. The New Normal: Enfreakment in Saga. The Comics Grid: Journal of Comics Scholarship, 9(1): 2, pp. 1–17. DOI: https://doi.org/10.16995/cg.161 Published: 14 February 2019 Peer Review: This article has been peer reviewed through the double-blind process of The Comics Grid: Journal of Comics Scholarship, which is a journal published by the Open Library of Humanities. Copyright: © 2019 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: The Comics Grid: Journal of Comics Scholarship is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Ken Junior Lipenga. ‘The New Normal: Enfreakment in THE COMICS GRID Saga’ (2019) 9(1): 2 The Comics Grid: Journal of Comics Journal of comics scholarship Scholarship. DOI: https://doi.org/10.16995/cg.161 RESEARCH The New Normal: Enfreakment in Saga Ken Junior Lipenga Department of English, University of Malawi, Zomba, MW [email protected] This article draws on the award-winning fantasy comic Saga (Vaughan and Staples 2012–present), in order to explore how it portrays bodily difference as the norm, presenting to us a fantasy reality that nevertheless uncannily parallels ours in many ways. -
3.50 Story by Joe Quesada and Jimmy Palmiotti
http://www.dynamiteentertainment.com/cgi-bin/solicitations.pl 1. PAINKILLER JANE #1 Price: $3.50 STORY BY JOE QUESADA AND JIMMY PALMIOTTI; WRITTEN BY JIMMY PALMIOTTI; ART BY LEE MODER; COVER ART BY RON ADRIAN, STJEPAN SEJIC, GEORGES JEANTY, AND AMANDA CONNER Jane is back! The creative team of Joe Quesada, Jimmy Palmiotti and Lee Moder return for an all-new Painkiller Jane event! Picking up from the explosive events of issue #0, PKJ #1 hits the ground running as Jane faces international terrorists and the introduction of a brand new character - "The Infidel" who will change her world forever! Featruing cover art by Ron (Supergirl, RED SONJA) Adrian, Georges (Buffy) Jeanty, Amanda (Supergirl) Conner, and Stjepan (Darkness) Sejic! Find out for yourself why reviewers have described Jane and her creators as "Jimmy Palmiotti has a sick, twisted imagination, and he really cut it loose here. But the book really works because Lee Moder draws the hell out of it, depicting every gruesome moment with grisly adoration for the script." (Marc Mason, ComicsWaitingRoom.com) FANS! ASK YOUR LOCAL RETAILER ABOUT THE AMANDA CONNER BLACK AND WHITE SKETCH INCENTIVE COVER! FANS! ASK YOUR LOCAL RETAILER ABOUT THE RON ADRIAN NEGATIVE ART INCENTIVE COVER! FANS! ASK YOUR LOCAL RETAILER ABOUT THE AMANDA CONNER VARIANT SIGNED BY AMANDA CONNER AND JIMMY PALMIOTTI! 2. PAINKILLER JANE #1 - RON ADRIAN COVER AVAILABLE AS A BLOOD RED FOIL Price: $24.95 Jane is back! The creative team of Joe Quesada, Jimmy Palmiotti and Lee Moder return for an all-new Painkiller Jane event! -
'Ripley's Believe It Or
For Immediate Release: BELIEVE IT OR NOT, TRAVEL CHANNEL GREENLIGHTS THE REBOOT OF THE ICONIC ‘RIPLEY’S BELIEVE IT OR NOT!’ HOSTED BY ACTOR BRUCE CAMPBELL Veteran actor Bruce Campbell is executive producer and host of the reboot of “Ripley’s Believe It or Not!” NEW YORK (January 2, 2019) – Ripley’s Believe It or Not! has cornered the market on the extraordinary, the death defying, the odd and the unusual. Now, 100 years after Robert L. Ripley launched the brand, the phrase Believe It or Not! is known globally and has come to symbolize how we marvel at the wonders of our world. Travel Channel is rebooting the iconic series, hosted by veteran actor Bruce Campbell (Evil Dead, Burn Notice), with 10 all-new, one-hour episodes that will showcase the most astonishing, real and one-of-a- kind stories. Currently in production, the series will be shot on location at the famed Ripley Warehouse in Orlando, Florida, and will incorporate incredible stories from all parts of the globe — from Brazil to Baltimore. The series is slated to premiere in summer 2019. As part of the 100th anniversary celebration of Ripley’s Believe It or Not!, Campbell rang in the new year in Times Square with the New Year’s Eve Ball Drop along with millions of new friends. “As an actor, I’ve always been drawn toward material that is more ‘fantastic’ in nature, so I was eager and excited to partner with Travel Channel and Ripley’s Believe It or Not! on this new show,” said Campbell. -
Darick Robertson: Into the Night
Darick Robertson: Into The Night “There are some things in this world that are neither human nor mutant, but threaten both species. There are places in this world where shadows rule—and creatures of darkness and light struggle, hidden from view. Where the superhuman and the supernatural meet, where the line between sorcery and science blurs, where the occult and the quotidian intermingle… there stalks the Nightcrawler.” That’s how writer Roberto Aguirre-Sacasa pitched Nightcrawler, a new monthly series set to debut this September from Marvel Comics. The book will be the first to feature the solo adventures of the fuzzy blue mutant on an ongoing basis. Joining Sacasa on the series will be talented artist Darick Robertson. Robertson cut his teeth on the acclaimed DC/Vertigo series Transmetropolitan before moving over to Marvel to pencil the controversial mini-series Fury and the Punisher origin tale Born. Late last year he also relaunched the monthly title Wolverine with writer Greg Rucka. Although Nightcrawler is still in the early stages of development, Darick took some time to answer questions about the recently revealed project. MARKISAN NASO: How did you get involved with Nightcrawler? DARICK ROBERTSON: It was offered to me by Marvel when it was clear that I would be available towards the end of my Wolverine run. I had mentioned to a few people there how much I love the character and how badly I wanted to do a Nightcrawler project. [Marvel Editor] CB Cebulski nominated me for the title immediately, recalling how much I enjoy drawing the character and our collaboration on X-Men Unlimited.