WIDC 2012 PERSONNEL BIOGRAPHIES PPPM Mentors & Guests
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Film Directors by Deborah Hunn
Film Directors by Deborah Hunn Encyclopedia Copyright © 2015, glbtq, Inc. A portrait of actor Jack Entry Copyright © 2002, glbtq, Inc. Larson (left) with director Reprinted from http://www.glbtq.com James Bridges and their dog Max by Stathis Gay, lesbian and bisexual film directors have been a vital creative presence in cinema Orphanos. Courtesy Stathis since the medium's inception over one hundred years ago. Until the last two decades, Orphanos.Copyright © however, mainstream directors kept their work (and not infrequently their lives) Stathis Orphanos.All discreetly closeted, while the films of underground and experimental creators, Rights Reserved. although often confrontational in theme and technique, had limited circulation and financial support. More recently, new queer filmmakers have capitalized on increased (although by no means unproblematic) public acceptance to win critical recognition and commercial viability for their projects. The Hollywood Golden Era In the so-called Golden Era of Hollywood, there were a number of famous directors privately known for their alternative sexual preferences. These included George Cukor, Edmund Goulding, Mitchell Leisen, F.W. Murnau, Mauritz Stiller, James Whale, and Dorothy Arzner, who functioned with varying degrees of success in the industry. Cukor (1899-1983) is primarily famous as a prolific and assured director of women's films. His sexuality was a well known secret in Hollywood, and while it did not do substantial harm to his career, it is generally believed that his "fairy" reputation cost him the directorship of Gone With the Wind (1939), following objections from macho star Clark Gable. Although Cukor's work never overtly addresses gay issues, later critics and viewers have come to appreciate its many queer subtexts: Katharine Hepburn's cross dressing in Sylvia Scarlett (1935); the gloriously camp bitchiness in the dress and dialogue of the all women cast of The Women (1939); the effete figure of Kip in the classic Adam's Rib (1948). -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Australian Lesbian and Gay Archives Videocassette Collection: Additional Series
Australian Lesbian and Gay Archives Videocassette Collection: Additional Series Mark Micallef’s donation Box 1 of 2 – 12 video tapes No Show Title Channel Date Time 1 Donahue (US) Gay Cops 10 21/07/1994 1.30 pm - 2.30 pm 1 Ricki Lake (US) We’re married but one of is gay 10 20/07/1995 12.00 pm - 1.00 pm 1 Donahue (US) When one spouse is gay and a marriage unravels, 10 10/08/1995 1.30 pm - 2.30 pm 2 Donahue (US) Gays beware – this town wants you out 10 6/04/1992 1.30 pm - 2.30 pm 2 Oprah Winfrey Show (US) Fired because you are gay 10 6/04/1992 2.30 pm - 3.30 pm Woman wins eight year battle to care for disabled 2 Donahue (US) lesbian lover 10 5/05/1992 1.30 pm - 2.30 pm 3 Donahue (US) Transvestite shopping spree 10 27/08/1991 1.30 pm - 2.30 pm 3 Donahue (US) Transsexual family – leather biker turns lacy mom 10 28/01/1991 1.30 pm - 2.30 pm 3 Donahue (US) Boy scouts v girls, atheists and homosexuals 10 29/08/1991 1.30 pm - 2.30 pm 4 Donahue (US) Lesbian baby boom 10 11/11/1991 1.30 pm - 2.30 pm 4 Donahue (US) Female impersonators 10 6/01/1992 1.30 pm - 2.30 pm The most gorgeous transexual ever - Tula with ex- 4 Donahue (US) fiance and her mum 10 21/01/1992 1.30 pm - 2.30 pm 5 Donahue (US) My husband-to-be is a transexual and mum’s upset 10 13/04/1992 1.30 pm - 2.30 pm 5 Oprah Winfrey Show (US) Wife confronts husband’s gay lover 10 13/04/1992 2.30 pm - 3.30 pm Desperate for a job, he cross-dressed to feed his 5 Donahue (US) family 10 14/04/1992 1.30 pm - 2.30 pm 6 Donahue (US) Transvestite hookers 10 31/07/1991 1.30 pm - 2.30 pm 6 Donahue (US) -
Saving Lives: Why the Media's Portrayal of Nursing Puts Us All At
SAVING LIVES SAVING LIVES Why the Media’s Portrayal of Nursing Puts Us All at Risk Sandy Summers, RN, MSN, MPH Harry Jacobs Summers UPDATED SECOND EDITION 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Sandy Summers and Harry Jacobs Summers, 2015 Lyrics from Aimee Mann’s “Invisible Ink” used by permission of Aimee Mann/SuperEgo Records All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Summers, Sandy, author. -
UNIVERSITY of CALIFORNIA Los Angeles Coming out of The
UNIVERSITY OF CALIFORNIA Los Angeles Coming Out of the Television LGBT-themed Made-for-Television Movies as Critical Media Pedagogy Submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Education by David Randolph Craig 2014 © Copyright by David Craig 2014 ABSTRACT OF THE DISSERTATION Coming Out of the Television LGBT-themed Made-for Television Movies as Critical Media Pedagogy David Randolph Craig Doctor of Philosophy in Education University of California, Los Angeles, 2014 Professor Douglas M. Kellner, Chair Since the early 1970s, an important but under-examined subgenre of Made-for-Television Movies have foregrounded critical LGBT concerns, including coming out, parental custody, HIV/AIDS, gays in the military, and hate crimes or featured affirmative LGBT representations. These programs, often highly-rated and critically-acclaimed, were nonetheless sites of political contestation from social conservatives and LGBT activists. Through the lenses of critical media pedagogy, critical cultural studies, and critical media industries studies, this dissertation conducts a critical cultural history of LGBT TV movies. This history includes critical case studies of twenty seminal LGBT programs featuring original interviews with the producers, executives, and writers responsible for their pedagogical design. The evidence reflects how these programs helped frame these concerns, educate audiences, and advocate on behalf of the LGBT community. This research further suggests how progressive pedagogues and media -
Deitch, Donna (B. 1945) Donna Deitch at the by Linda Rapp Outfest 2008 Film Festival
Deitch, Donna (b. 1945) Donna Deitch at the by Linda Rapp OutFest 2008 film festival. Still from a YouTube video. Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com Pioneering filmmaker Donna Deitch is best known for Desert Hearts (1986), a classic of lesbian cinema. Produced a decade before the advent of the New Queer Cinema, Desert Hearts is one of the first films to present positively a sexual relationship between women. A native of California, born June 8, 1945 in San Francisco, Deitch enrolled at the University of California at Berkeley in the 1960s with the intention of becoming a painter. She soon became interested in photography, however, working first with a still camera but then discovering that her true vocation lay in making motion pictures. Deitch continued her education with graduate studies in film production at the University of California at Los Angeles. She concentrated on making documentaries, mostly on the lives of women. Because of the quality of her work, the American Film Institute awarded her a grant of $2,600 in 1972 so that she could complete one of her projects. Along with muralist Judith F. Baca and painter Christina Schlesinger, Deitch founded the Social and Public Art Resource Center (SPARC) in 1976. SPARC "espouses public art as an organizing tool for addressing contemporary issues, fostering cross-cultural understanding, and promoting civic dialogue." Among the artworks that the group has created is a gigantic mural about which Deitch made a documentary, The Great Wall of Los Angeles (1978). In 1979, after reading Jane Rule's novel Desert of the Heart (1965), Deitch wrote to the author, seeking to buy the film rights to the story. -
The Women of Brewster Place Was a Seminal Moment in Television When It Aired Across Two Nights—Sunday, March 19 and Monday, March 20—In 1989
MUSIC FROM THE TELEVISION MINISERIES EVENT Music Composed and Conducted by David Shire Poverty couldn’t break them. Hatred couldn’t shame them. Bricks and mortar couldn’t hold them. The Women of Brewster Place was a seminal moment in television when it aired across two nights—Sunday, March 19 and Monday, March 20—in 1989. Produced by and starring Oprah Winfrey, already a supernova on the ascent as a talk show host and media magnate, the four-hour miniseries boasted a veritable hall of fame of African-American actresses, including Cicely Tyson, Jackée, Mary Alice, Olivia Cole, Robin Givens, and Lynn Whitfield. Based on the National Book Award -winning novel by Gloria Naylor, Brewster grap- pled with controversial subjects—rape, abortion, lesbianism—within the larger frame of the struggles of a community of low-income African-American women. It was nominated for two Primetime Emmys (includ- ing Outstanding Miniseries), and launched the television career of director Donna Deitch. It also contained a gospel-flavored, elegiac score by composer David Shire, which has remained unreleased and buried in time—until now. Winfrey read Naylor’s novel in 1985 while shooting her debut performance in Steven Spielberg’s filmThe Color Purple. “Halfway through Mattie’s story I knew this was something special,” she told TV Guide in 1989. “At the end of her story, I put the book down and just tried to absorb it all. I thought, ‘This is a powerful piece of work.’” Before even finishing the book, she began pursuing the rights, and teamed up with Purple casting director Reuben Cannon (who also read the book during production of Spielberg’s film) to begin developing it. -
Collection of the Center for the Study of Political Graphics
http://oac.cdlib.org/findaid/ark:/13030/c8959k7m No online items Collection of the Center for the Study of Political Graphics Center for the Study of Political Graphics 3916 Sepulveda Blvd. Suite 103 Culver City, California 90230 (310) 397-3100 [email protected] http://www.politicalgraphics.org/ 2020 Collection of the Center for the See Acquisition Information 1 Study of Political Graphics Descriptive Summary Title: Collection of the Center for the Study of Political Graphics Dates: 1900- ; bulk 1960- Collection Number: See Acquisition Information Creator/Collector: Multiple creators Extent: 330 flat files Repository: Center for the Study of Political Graphics Culver City, California 90230 Abstract: The collection of the Center for the Study of Political Graphics (CSPG) contains over 90,000 domestic and international political posters and prints relating to historical and contemporary movements for social change. The finding aid represents the collection in its entirety. Language of Material: English Access The CSPG collection is open for research by appointment only during the Center's operating hours. Publication Rights CSPG does not hold copyright for any items in the collection. CSPG provides access to the materials for educational and research purposes only. Users are responsible for obtaining all necessary permissions for use. Preferred Citation [Identification of item], Collection of the Center for the Study of Political Graphics (CSPG). Acquisition Information CSPG acquires 3,000 to 5,000 items annually, primarily through donations. Each acquisition is assigned a unique acquisition number and is written on individual items before these are sorted and filed by topic. Scope and Content of Collection The collection represents diverse social and political movements. -
Sapphic Cinema: an Exploration of Films About Gay Women and Their Relationship to American Society in the Reagan Era and Beyond Melinda Roddy
University of Portland Pilot Scholars History Undergraduate Publications and History Presentations 12-2017 Sapphic Cinema: An Exploration of Films about Gay Women and their Relationship to American Society in the Reagan Era and Beyond Melinda Roddy Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the Film and Media Studies Commons, History Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Women's Studies Commons Citation: Pilot Scholars Version (Modified MLA Style) Roddy, Melinda, "Sapphic Cinema: An Exploration of Films about Gay Women and their Relationship to American Society in the Reagan Era and Beyond" (2017). History Undergraduate Publications and Presentations. 6. https://pilotscholars.up.edu/hst_studpubs/6 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Roddy 1 Sapphic Cinema: An Exploration of Films about Gay Women and their Relationship to American Society in the Reagan Era and Beyond By Melinda Roddy Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2017 Roddy 2 Heterosexuality has always been privileged within the United States, which has resulted in, among other things, a lack of representation of LGBTQ+ people film, especially women. Sapphic women and all things Sapphic have largely been marginalized in society. Sapphic, coming from the name of the Greek poet Sappho, means women, or things related to women, who are attracted to other women. -
OUTLINE Sloandissertation (Citations)
UCLA UCLA Electronic Theses and Dissertations Title Lesbian Feminist Performances of the Culture Wars Permalink https://escholarship.org/uc/item/63f0f3jm Author Sloan, Lisa Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Lesbian Feminist Performances of the Culture Wars A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Lisa Sloan 2015 © Copyright by Lisa Sloan 2015 ABSTRACT OF THE DISSERTATION Lesbian Feminist Performances of the Culture Wars by Lisa Sloan Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2015 Professor Sue-Ellen Case, Chair This dissertation analyzes lesbian feminist performance in the United States during the 1980s and 1990s to critically interrogate how this period has been narrativized in histories of feminism. When considering the history of feminism in terms of decades, the 1970s are often idealized as feminism’s zenith, while the 1980s and 1990s are marred by feminist in-fighting, rising conservatism on the national stage, and the culture wars. Clare Hemmings refers to this version of the history of feminism as a “loss” narrative which unwittingly serves those who would mark feminism as over.1 This dissertation brings together performances that disrupt this loss narrative by advancing ideas that have been associated with 1970s lesbian feminism into the 1980s and 1990s, or by emphasizing common goals over divisive issues. These performances range from plays such as Shirlene Holmes’s A Lady and a Woman to museum installations such 1 . -
Master Content ITL 2201
IN THE LIFE’S SHOW CONTENT LIST 001 (Jun. ’92)- PILOT - HOST Kate Clinton OPENING - Run Time-0:20 MUSIC - New York City Gay Men's Chorus - Run Time-4:03 INTRO - Kate Clinton - Run Time-5:47 MOCK COMMERCIAL - "The Stonewall Collection" - Run Time-1:00 MUSIC - Casselberry & DuPree - 4:37 DANCE - Amy Pivar and Scott Willingham - Run Time-5:00 GAY FILM PANEL DISCUSSION - Su Friedrich (filmmaker and director), Hilton Als (screenwriter), Todd Haynes (director), Martha Gever (Director of the Association of Independent Video and Filmmakers); clips of lesbians and gays in film, Spence Halpern (producer and "Out in Film" member), Ellen Carton (GLAAD), Harvey Fierstein (actor), Urvashi Vaid (NGLTF), Daryl Chin (critic and playwright), Marlon Riggs (director), B. Ruby Rich (critic), Pratibha Parmar (director) - Run Time-18:12 Celebrity ID: Debbie Harry THEATER SPOTLIGHT - Five Lesbian Brothers - Run Time-4:36 MUSIC - John Kelly (sings) - Run Time-4:18 PSA - ACT-UP - Run Time-0:22 MUSIC - Lavender Light Gospel Choir - Run Time-4:55 OUTRO, MUSIC, AND CREDITS - Lavender Light Gospel Choir - Run Time-2:29 ITL 200 SERIES RUNDOWN (1st Season) 201 (Oct. ’92)-IN THE LIFE PREMIERE-HOST Kate Clinton INTRO - Kate Clinton - Run Time-2:42 MOCK COMMERCIAL - " Schmitts Gay" from Saturday Night Live - Run Time-1:23 SINGERS - “The Flirtations” - Run Time-4:07 Celebrity ID: Dick Sargent POLITICS - David Mixner (Clinton Campaign Senior Advisor) - Run Time-2:14 PSA - Anti-Violence Campaign - Run Time-0:30 TRIBUTE - To Vito Russo (clips from "Our Time") - Run Time-3:38 -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Coming out of the Television: LGBT-themed Made-for-Television Movies as Critical Media Pedagogy Permalink https://escholarship.org/uc/item/4d75k139 Author Craig, David Randolph Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Coming Out of the Television LGBT-themed Made-for-Television Movies as Critical Media Pedagogy Submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Education by David Randolph Craig 2014 © Copyright by David Craig 2014 ABSTRACT OF THE DISSERTATION Coming Out of the Television LGBT-themed Made-for Television Movies as Critical Media Pedagogy David Randolph Craig Doctor of Philosophy in Education University of California, Los Angeles, 2014 Professor Douglas M. Kellner, Chair Since the early 1970s, an important but under-examined subgenre of Made-for-Television Movies have foregrounded critical LGBT concerns, including coming out, parental custody, HIV/AIDS, gays in the military, and hate crimes or featured affirmative LGBT representations. These programs, often highly-rated and critically-acclaimed, were nonetheless sites of political contestation from social conservatives and LGBT activists. Through the lenses of critical media pedagogy, critical cultural studies, and critical media industries studies, this dissertation conducts a critical cultural history of LGBT TV movies. This history includes critical case studies of twenty seminal LGBT programs featuring original interviews with the producers, executives, and writers responsible for their pedagogical design. The evidence reflects how these programs helped frame these concerns, educate audiences, and advocate on behalf of the LGBT community.