Production Notes for the Classroom PETER PAN
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Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
Peter Pan Jr - Full Synopsis Peter Pan and the Other Inhabitants of Neverland Open the Show by Introducing the Audience to Their World ("Neverland")
Peter Pan Jr - Full Synopsis Peter Pan and the other inhabitants of Neverland open the show by introducing the audience to their world ("Neverland"). Meanwhile, in the Darling Nursery ("Prologue"), Wendy, Michael, and John are playing before bed as Mrs.Darling and Mr.Darling get ready to go out. Nana, the family dog, and Liza encourage the children to go to bed. Before leaving, Mrs. Darling sings a lullaby with the children to say goodnight ("Tender Shepherd"). As soon as the parents have gone, Peter follows Tinker Bell into the room, searching for Peter’s shadow. Wendy is awakened by the commotion and quickly befriends the mysterious visitor. The Darling children soon set off to Neverland with Peter, travelling the only way possible ("I’m Flying"). Back in Neverland, the Pirates search for the Lost Boys ("Pirate March"). After discovering the Lost Boys’ underground home, Captain Hook and his first mate Smee devise a plan ("Hook’s Tango"), but is chased away by the Crocodile. The Lost Boys remain in peril as the Brave Girls, led by Tiger Lily, arrive on the scene ("Brave Girl Dance"). Peter and the Darlings reach Neverland, frightening the Brave Girls. Finally safe, the Lost Boys celebrate the arrival of their new “mother” ("Wendy"). Captain Hook’s first attempt to poison the Lost Boys is thwarted by their new guardian, and the pirates must devise a new plan ("Hook’s Tarantella"). The next day, the Lost Boys learn a lesson from Peter, their “father” ("I Won’t Grow Up"). When they discover that the pirates have captured Tiger Lily, the Lost Boys help to free her. -
Queensland Ballet
Queensland Front cover: Rachael Walsh as Fonteyn & Christian Tátchev as Nureyev dance The Lady of the Camellias pas de deux in François Klaus’s Fonteyn Remembered; Photographer: Ken Sparrow Below: Sarah Thompson and children taking class at the Open Day BAllet ANNuAl REPORT 2010 Queensland Ballet Thomas Dixon Centre Cnr Drake St & Montague Rd West End Queensland 4101 Australia Phone: 07 3013 6666 Fax: 07 3013 6600 Email: [email protected] Web: www.queenslandballet.com.au Christian Tátchev and Keian langdon in François Klaus’s Don Quixote (excerpt), 50th Anniversary International Gala; Photographer: Ken Sparrow Christian Tátchev as Romeo & Rachael Walsh as Juliet in François Klaus’s Romeo & Juliet; Photographer: Ken Sparrow Queensland Ballet 2010 AnnuAl RepoRt CONTENTS Company profile 1 2010 highlights 2 50 year chronology 3 Chair’s review 7 Artistic Director’s report 8 Chief Executive Officer’s report 10 2010 performance summary 11 The Company 15 Acknowledgements 17 Directors’ report 19 Lead Auditor’s Independence Declaration 25 Financial report 26 Independent auditor’s report 41 Appendix A: 2010 strategic performance 42 Appendix B: Queensland Ballet Friends 44 QUEENSlAnD BALLET 1 COMPANY PROFILE Queensland Ballet is the advanced dance training to students in ouR DReAm Years 10, 11, and 12 at Kelvin Grove State flagship ballet company of the College as well as the introductory Track By 2013, Queensland Ballet will be State of Queensland, with a Dance and Mid-Trackdance programs for recognised, not only in Queensland but reputation for a fresh, energetic Years 3 to 9. throughout Australia and also overseas, for: and eclectic repertoire ranging Community education and outreach is » creating and presenting a broad from short works for children to achieved through a range of programs. -
Disney Junior Jake and the Never Land Pirates Magical Story Pdf, Epub, Ebook
DISNEY JUNIOR JAKE AND THE NEVER LAND PIRATES MAGICAL STORY PDF, EPUB, EBOOK none | none | 30 Nov 2012 | Parragon Book Service Ltd | 9781781860366 | English | Bath, United Kingdom Disney Junior Jake and the Never Land Pirates Magical Story PDF Book We know that parent engagement in the media their young children consume can have a very important benefit in terms of learning as well as become a gateway for conversations with children around the storylines and themes that are presented. The series has received generally mixed reviews. Categories :. Jake and the Neverland Pirates Playsets. The launch of Disney Junior in the U. We create the underscore. No Preference. It is a television destination enjoyable for children and parents alike, including older children and siblings already engaged in our content, who we want to feel included in Disney Junior. In Disney Junior will debut as a hour basic cable and satellite channel in the U. PJ Masks Action Figures. A review in Variety called it "part video game, part interactive cartoon, part advertisement for 'Peter Pan' merchandise". Yo ho! Sofia is whisked off to the castle, where she learns what it means to be a real princess, discovering empowering lessons about kindness, forgiveness, generosity, courage and self-respect. All Auction Buy It Now. In this episode, the Princess's rainbow wand has run out of power. Disney Junior. Since forums and fan pages first started buzzing about the new Disney Junior brand, questions have been plentiful and answers not as much. Buying Format see all. Many episodes showcase Jake being a huge fan of Peter Pan. -
2008, WDA Global Summit
World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns. -
2021-QB-Academy-Prospectus.Pdf
Prospectus 2021 CONTENTS Queensland Ballet acknowledges the traditional custodians 02 Academy Director’s welcome of the land on which we train and perform. Long before we 04 About Queensland Ballet Academy arrived on this land, it played host to the dance expression 06 Training and career pathways of our First Nations Peoples. We pay our respects to their Elders, past, present and emerging, and acknowledge 07 Training programs the valuable contribution they have made and continue 08 Kelvin Grove State College to make to the cultural landscape of this country. 10 Career entry programs 11 Workshops and activities 12 Living in Brisbane 14 Academy location and facilities 17 Career development 18 Fostering health and wellbeing 19 Auditions 19 Fees, scholarships and bursaries 21 Our leadership team Photography, unless otherwise labelled — David Kelly 01 ACADEMY DIRECTOR’S WELCOME On behalf of Queensland Ballet, I warmly welcome your consideration of our Academy’s elite training programs. Queensland Ballet Academy takes great pride in nurturing the future custodians of our exquisite artform. Combining world-class ballet training with an emphasis on student wellbeing, our Academy offers a unique educational pathway comparable to the finest international ballet schools. Our current training programs build on the extraordinary expertise of Queensland Ballet’s founder, Charles Lisner OBE. The establishment of the Lisner Ballet Academy in 1953 inspired Queensland Ballet’s commitment to nurturing and developing young dancers. Queensland Ballet Academy honours that legacy. As the official training provider for Queensland Ballet, our graduates have unparalleled access to the Company and its connection to the professional industry and wider dance community. -
For Immediate Release First Night of 2019 Creative Arts
FOR IMMEDIATE RELEASE FIRST NIGHT OF 2019 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (Los Angeles, Calif. – Sept. 14, 2019) The Television Academy tonight presented the first of its two 2019 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at the Microsoft Theater in Los Angeles. The ceremony, which kicked-off the 71st Emmys, awarded many talented artists and craftspeople in categories including reality, variety special, documentary, animated program and short form animation, choreography for variety or reality program, and interactive program. This year’s first Creative Arts Awards, executive produced by Bob Bain, featured presenters from television’s top shows including Will Arnett (BoJack Horseman), Marsha Stephanie Blake (When They See Us), Roy Choi and Jon Favreau (The Chef Show), Terry Crews (America’s Got Talent), Jeff Goldblum (The World According to Jeff Goldblum), Seth Green (Robot Chicken), Diane Guerrero (Orange Is the New Black), Derek Hough (World of Dance), Marie Kondo (Tidying Up With Marie Kondo), Nick Kroll (Big Mouth) and Wanda Sykes (Wanda Sykes: Not Normal). FXX will broadcast the awards on Saturday, Sept. 21 at 8:00 PM ET/PT. Press Contacts: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected], (818) 462-1150 For more information please visit emmys.com. TELEVISION ACADEMY 71ST CREATIVE ARTS EMMY AWARDS – SATURDAY The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total Netflix 3 12 15 National Geographic 1 7 8 CNN 3 2 5 NBC 1 4 5 FOX 1 3 4 HBO 2 2 4 YouTube 1 3 4 CBS 1 2 3 VH1 0 3 3 ABC 1 0 1 Apple Music 1 0 1 CW 0 1 1 FX Networks 0 1 1 Oculus Store 1 0 1 Twitch 1 0 1 A complete list of all awards presented tonight is attached. -
The Fear of Adulthood in John Green's Paper Towns and J. M. Barrie's
Stephen F. Austin State University SFA ScholarWorks English 502: Research Methods English 12-8-2014 Running Away to Neverland: The Fear of Adulthood in John Green’s Paper Towns and J. M. Barrie’s Peter Pan Teri Klauser Stephen F Austin State University, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/english_research_methods Part of the Other English Language and Literature Commons Tell us how this article helped you. Repository Citation Klauser, Teri, "Running Away to Neverland: The Fear of Adulthood in John Green’s Paper Towns and J. M. Barrie’s Peter Pan" (2014). English 502: Research Methods. 6. https://scholarworks.sfasu.edu/english_research_methods/6 This Article is brought to you for free and open access by the English at SFA ScholarWorks. It has been accepted for inclusion in English 502: Research Methods by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Klauser / Fear of Adulthood / 1 Running Away to Neverland: The Fear of Adulthood in John Green’s Paper Towns and J. M. Barrie’s Peter Pan In the prologue of John Green’s young adult novel, Paper Towns, Margo Roth Spiegelman and Quintin Jacobsen discover a dead man’s body in the park as children. While Quintin flinches away, Margo seems keenly aware of it, as she physically steps towards it. After returning home, Margo visits Quintin outside his window, speaking intently about her investigation of the dead man. Yet, while Margo is interested in discovery, Quintin is not. He wants to just forget the entire matter, at his mother’s suggestion. -
Finding Neverland Coverpage
Discussion guide developed by Heartland Truly Moving Pictures to accompany Finding Neverland, a Truly Moving Picture Award-winning lm. A Truly Moving Picture Award winner is a lm that unlocks the vast potential of the human spirit and enables us to view stories that display courage, integrity and hope, taking entertainment to a higher level. www.TrulyMovingPictures.org One Film Can Heartland Truly Moving Pictures, a non-prot organization, recognizes and honors lms and lmmakers whose work explores the human journey by expressing hope and respect for the positive values of life. We believe that one lm can move us to laughter, to tears, or to make a dierence. Finding Neverland is a movie that demonstrates that One Film Can. Synopsis Award winners Johnny Depp, Kate Winslet, Dustin Homan and Julie Christie star in this magical tale about one of the world’s greatest storytellers and the people who inspired his masterwork, Peter Pan! Well-known playwrite James M. Barrie (Depp) nds his career at a crossroads when his latest pay ops and doubters question his future. Then by chance he met a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie’s greatest work! An enchanting big-screen treat with an acclaimed cast of stars, Finding Neverland has been hailed as one of the year’s best motion pictures. 1 To die will be an awfully big adventure. Peter Pan James Matthew (J.M.) Barrie’s life was impacted by death. The eects of these tragedies on Barrie seem to permeate his tale, Peter Pan, also known as The Boy Who Would Never Grow Up. -
Obsessive Love and Nostalgia for Neverland: the Dark Side Of
University of North Georgia Nighthawks Open Institutional Repository Department of English Capstone Abstracts Department of English Spring 2016 Obsessive Love and Nostalgia for Neverland: The Dark Side of Fantasy Fiction in John Logan's Peter and Alice Jansen Castleberry University of North Georgia, [email protected] Follow this and additional works at: http://digitalcommons.northgeorgia.edu/eng_capstone Part of the English Language and Literature Commons Recommended Citation Castleberry, Jansen, "Obsessive Love and Nostalgia for Neverland: The aD rk Side of Fantasy Fiction in John Logan's Peter and Alice" (2016). Department of English Capstone Abstracts. 6. http://digitalcommons.northgeorgia.edu/eng_capstone/6 This Article is brought to you for free and open access by the Department of English at Nighthawks Open Institutional Repository. It has been accepted for inclusion in Department of English Capstone Abstracts by an authorized administrator of Nighthawks Open Institutional Repository. Jansen Castleberry Fall 2015 Abstract Obsessive Love and Nostalgia for Neverland: The Dark Side of Fantasy Fiction in John Logan’s Peter and Alice John Logan’s play Peter and Alice explores the relationships of the people behind Peter Pan and Alice in Wonderland. Peter Llewelyn Davies and Alice Hargreaves meet in a bookshop and reminisce about the authors and fictional characters that helped develop their identities. All characters in the play, J.M. Barrie, Lewis Carroll, Peter Pan, and Alice in Wonderland help expose dark secrets about Peter and Alice while helping them connect to one another. Throughout his play, Logan shows the reality and repercussions of fantasy fiction. Peter and Alice illustrates how the biographical backgrounds of Peter and Alice have woven together with Peter Pan and Alice in Wonderland to create a darker legacy for once lighthearted children’s stories. -
Oregon Ballet Theatre's Student Performance Series 2018-2019
OREGON BALLET THEATRE’S STUDENT PERFORMANCE SERIES 2018-2019 THE AMERICANS June 7, 2019 Show starts at 12:00 Doors open at 11:30 Newmark Theater 1111 SW Broadway Portland, OR 97205 THE AMERICANS OREGON BALLET THEATRE’S STUDENT PERFORMANCE SERIES 2018-2019 Photo by Chris Peddecord Photo by Blaine Truitt Covert Katherine Monogue Michael Linsmeier and Xuan Cheng in Robust and Teddy Watler in TABLE OF CONTENTS American Love. Night Creature. What to know on the day of the show ....... 3 Robust American Love Night Creature Playbill ........................................................ 9 Playbill ........................................................ 4 The Choreographer .................................. 10 The Choreographer .................................... 5 The Cast .................................................... 11 The Composer ............................................ 6 The Music or Poetry? ............................... 12 The Stager .................................................. 7 Words to Know ......................................... 13 Try Some Moves ......................................... 8 Frequently Asked Questions ..................... 14 Learn More ................................................. 8 THANK YOU TO OUR FOUNDATION AND GOVERNMENT PARTNERS! Oregon Ballet Theatre receives support from the Oregon Arts Commission, The Regional Arts & Culture Council, including support from the City of a state agency funded by the State of Oregon and the National Endowment Portland, Multnomah County, and the Arts Education -
Project Faust
PUBLISHER FEARLESS DESIGNS, INC. March 2018 EDITOR KAY TULL MANAGING EDITOR AGGIE KEEFE CREATIVE DIRECTOR FROM THE DIRECTOR ................................................................... 4 JEFF TULL PROGRAM HE EYOND DESIGN T B ........................................................................ 7 KAY & JEFF TULL REQUIEM .......................................................................... 8 PROJECT FAUST .................................................................. 9 PRODUCTION BIOGRAPHIES ....................................................................... 21 AGGIE KEEFE ARTISTS OF THE COMPANY...................................................... 34 STAFF & SUPPORT ................................................................ 38 SALES MANAGER MICHELLE BAIR THEATRE SERVICES ..................................................................... 54 PRINTING CLARK & RIGGS PRINTING THEATRE INFORMATION The Kentucky Center (Whitney Hall, Bomhard Theater, Clark-Todd Hall, MeX Theater, 501 West Main Street; and Brown Theatre, 315 W. Broadway). Tickets: The Kentucky Center Box Office, 502.584.7777 or 1.800.775.7777. Reserve wheelchair seating or hearing devices at time of ticket purchase. © COPYRIGHT 2018 LOOK AROUND YOU RIGHT NOW. IF THE PEOPLE YOU SEE LOOK LIKE POTENTIAL FEARLESS DESIGNS, INC. CUSTOMERS AND CLIENTS, YOU SHOULD BE ADVERTISING IN OUR PROGRAM REPRODUCTION IN GUIDES! OUR ADVERTISERS NOT ONLY GET THE BENEFIT OF REACHING A LARGE, WHOLE OR PART CAPTIVE, AFFLUENT AND EDUCATED DEMOGRAPHIC, BUT THEY ALSO SUPPORT