February 10–April 28, 2019 William Shakespeare's
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Macbeth on Three Levels Wrap Around a Deep Thrust Stage—With Only Nine Rows Dramatis Personae 14 Separating the Farthest Seat from the Stage
Weird Sister, rendering by Mieka Van Der Ploeg, 2019 Table of Contents Barbara Gaines Preface 1 Artistic Director Art That Lives 2 Carl and Marilynn Thoma Bard’s Bio 3 Endowed Chair The First Folio 3 Shakespeare’s England 5 Criss Henderson The English Renaissance Theater 6 Executive Director Courtyard-Style Theater 7 Chicago Shakespeare Theater is Chicago’s professional theater A Brief History of Touring Shakespeare 9 Timeline 12 dedicated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style Courtyard Theater, 500 seats Shakespeare's Macbeth on three levels wrap around a deep thrust stage—with only nine rows Dramatis Personae 14 separating the farthest seat from the stage. Chicago Shakespeare also The Story 15 features a flexible 180-seat black box studio theater, a Teacher Resource Act by Act Synopsis 15 Center, and a Shakespeare specialty bookstall. In 2017, a new, innovative S omething Borrowed, Something New: performance venue, The Yard at Chicago Shakespeare, expanded CST's Shakespeare’s Sources 18 campus to include three theaters. The year-round, flexible venue can 1606 and All That 19 be configured in a variety of shapes and sizes with audience capacities Shakespeare, Tragedy, and Us 21 ranging from 150 to 850, defining the audience-artist relationship to best serve each production. Now in its thirty-second season, the Theater has Scholars' Perspectives produced nearly the entire Shakespeare canon: All’s Well That Ends -
Killing Shakespeare's Children: the Cases of Richard III and King John Joseph Campana
Campana, J. (2007). Killing Shakespeare’s Children: The Cases of Richard III and King John. Shakespeare, 3(1), 18–39. doi:10.1080/17450910701252271 Killing Shakespeare's Children: The Cases of Richard III and King John Joseph Campana This essay explores a series of affective, sexual and temporal disturbances that Shakespeare's child characters create on the early modern stage and that lead these characters often to their deaths. It does so by turning to the murdered princes of Richard III and the ultimately extinguished boy-king Arthur of King John. A pervasive sentimentality about childhood shapes the way audiences and critics have responded to Shakespeare's children by rendering invisible complex and discomfiting erotic and emotional investments in childhood innocence. While Richard III subjects such sentimentality to its analytic gaze, King John explores extreme modes of affect and sexuality associated with childhood. For all of the pragmatic political reasons to kill Arthur, he is much more than an inconvenient dynastic obstacle. Arthur functions as the central node of networks of seduction, the catalyst of morbid displays of affect, and the signifier of future promise as threateningly mutable. King John and Richard III typify Shakespeare's larger dramatic interrogation of emergent notions of childhood and of contradictory notions of temporality, an interrogation conducted by the staging of uncanny, precocious, and ill-fated child roles. Keywords: Children; childhood; seduction; sexuality; affect; temporality; Richard III; King John If it is fair to say that Shakespeare included in his plays more child roles than did his contemporaries (Ann Blake counts thirty; Mark Heberle counts thirty-nine), it is also fair to say Shakespeare provided a wide range of parts for those children: from pivotal roles in royal succession to trace presences as enigmatic markers of symbolic equations never perhaps to be solved. -
The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries
The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries by Luke Prodromou his essay is a response to the fascinating collection of articles on the Shakespeare Authorship Question that appeared in the Winter 2019 Tissue of the journal Critical Stages (critical-stages.org/18/). Read together, those articles not only confirm that there really is a case for rea- sonable doubt about the Stratford man as the author of the works; they also suggest that pursuing this question can actually be an effective critical tool for a better understanding of those works. As a graduate of the Shakespeare Institute, Birmingham, I have often won- dered, from a scholarly point of view, why the eddies under Clopton Bridge in Stratford have seemed to arouse more curiosity as evidence linking the man from Stratford to the plays and poems of “Shakespeare” than do the growing number of details of a historical or cultural nature, which seem to me more enlightening. Scrutinizing Shakespearean texts for evidence of the author’s possible links to glove-making has consumed more scholarly energy than the abundant indications that our elusive author seems to have actually known Italy and Italian culture at first-hand and Elizabethan court life with an insider’s confidence. Even Stratfordian scholars have noticed that “the extent and loudness of the documentary silence are startling” (Worden, 2006: 24). Indeed, the chal- lenge of teasing out an explanation for this startling silence has been left to non-Stratfordians like Diana Price (see her volume, excerpted in CS 18, THE OXFORDIAN Volume 21 2019 13 The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries Shakespeare’s Unorthodox Biography, 2012). -
"Popish Tricks" and "A Ruinous Monastery" : Titus Andronicus and the Question of Shakespeare's Catholicism
"Popish Tricks" and "a Ruinous Monastery" : Titus Andronicus and the Question of Shakespeare's catholicism Autor(en): Erne, Lukas Objekttyp: Article Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 13 (2000) PDF erstellt am: 06.10.2021 Persistenter Link: http://doi.org/10.5169/seals-99979 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch "Popish Tricks" and "a Ruinous Monastery": Titus Andronicus and the Question of Shakespeare's Catholicism Lukas Erne The earliest readers of Defoe's Shortest Way with the Dissenters, published anonymously in 1702, believed that its advocacy of the death penalty for dissenting preachers was serious. -
Shakespeares Life Ebook
SHAKESPEARES LIFE PDF, EPUB, EBOOK Brett Foster | 256 pages | 01 May 2012 | Facts on File Inc | 9781604135220 | English | New York, United States Shakespeares Life PDF Book Only a scattering of anecdotes hint at what he was like; if they agree on anything, it is that Shakespeare kept out of the limelight. The couple had to get married in a hurry, and their first child, Susanna, was christened on 26 May Historical Context Read about Shakespeare's relationship with the church, the government, his peers and rivals, and discover how those ideas are reflected in his work. The family subsequently died out, leaving no direct descendants of Shakespeare. William Tecumseh Sherman was a Union general during the Civil War, playing a crucial role in the victory over the Confederate States and becoming one of the most famous military leaders in U. Item Title:. He was schooled there between the ages of 7 and 14, where he would have been introduced to the classic texts that later informed his playwriting. He died within a month of signing his will, a document which he begins by describing himself as being in "perfect health". William Shakespeare. His father, John Shakespeare, was a burgess of the borough , who in was chosen an alderman and in bailiff the position corresponding to mayor , before the grant of a further charter to Stratford in He was born on 26 April in Stratford-upon-Avon. Learn English the fun way Quotes Lyrics Jokes. For example, we know that he was baptized in Stratford-upon-Avon, miles northwest of London, on April 26, But actual documentation of his life is pitifully scarce: little more than several signatures, At 18 Shakespeare married Anne Hathaway , a woman eight years his senior, in a ceremony thought to have been hastily arranged due to her pregnancy. -
Shakespeare's Birthplace
Language Learners “Words, words, words.” (Hamlet, Act II, scene 2) Advanced shakespeare.org.uk glove – a piece of clothing that covers your hands and fingers apprentice – somebody who is learning a trade, training for a job furniture – chairs, tables, beds, etc., that are used to make a room ready for use advantage – a good or desirable quality or feature saying – an old and well-known phrase that expresses an idea that most people believe is true tight – flat or firm from being pulled or stretched Shakespeare’s urine – pee Birthplace in the meantime – while something else is being done to earn – to get money for work that you have done Pupil’s booklet This resource was created by Lisa Peter for the Shakespeare Birthplace Trust Learning Department www.shakespeare.org.uk This booklet will help with images by Mya Gosling www.goodticklebrain.com © Mya Gosling you understand your visit to the home where Shakespeare was born. @SBTeducation Registered Charity Number 209302 Shakespeare’s family Shakespeare Statistics William Shakespeare was the eldest son of John and Mary Shakespeare. He was born in Stratford-upon-Avon in 1564, travelled to They had seven other children but only four of them survived childhood: London in the late 1580s and became an actor and eventually Gilbert, Joan, Richard and Edmund. They were probably all born in their started writing his own plays. parents’ bedroom, the Birthroom on the first floor, because there were no He died on his birthday in 1616 at the age of 52 and is buried hospitals in Shakespeare’s time, where people could have their babies. -
THE PROBLEM of the HERO in SHAKESPEARE's KING JOHN APPROVED: R Professor Suiting Professor Minor Professor Partment of English
THE PROBLEM OF THE HERO IN SHAKESPEARE'S KING JOHN APPROVED: r Professor / suiting Professor Minor Professor l-Q [Ifrector of partment of English Dean or the Graduate School THE PROBLEM OF THE HERO IN SHAKESPEARE'S KING JOHN THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Wilbert Harold Ratledge, Jr., B. A. Denton, Texas June, 1970 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. THE MILIEU OF KING JOHN 7 III. TUDOR HISTORIOGRAPHY 12 IV. THE ENGLISH CHRONICLE PLAY 22 V. THE SOURCES OF KING JOHN 39 VI. JOHN AS HERO 54 VII. FAULCONBRIDGE AS HERO 67 VIII. ENGLAND AS HERO 82 IX. WHO IS THE VILLAIN? 102 X. CONCLUSION BIBLIOGRAPHY 118 in CHAPTER I INTRODUCTION During the last twenty-five years Shakespeare scholars have puolished at least five major works which deal extensively with Shakespeare's history plays. In addition, many critical articles concerning various aspects of the histories have been published. Some of this new material reinforces traditional interpretations of the history plays; some offers new avenues of approach and differs radically in its consideration of various elements in these dramas. King John is probably the most controversial of Shakespeare's history plays. Indeed, almost everything touching the play is in dis- pute. Anyone attempting to investigate this drama must be wary of losing his way among the labyrinths of critical argument. Critical opinion is amazingly divided even over the worth of King John. Hardin Craig calls it "a great historical play,"^ and John Masefield finds it to be "a truly noble play . -
Post-Shakespeare 1900-2010 Chronology
1 Post-Shakespeare Chronology 1900-2010 History of Shakespeare-Catholic/Protestant interpretations, with chart of significant events in Protestant/Catholic relations (small print). Including American Contexts Continental Contexts Irish Contexts Asian, South American Contexts Home Page: Shakespeare and Religion Chronology by Dennis Taylor, Boston College Unedited notes, Revised March, 2013 **1900** William Gildea, “The Religion of Shakespeare” (American Catholic Quarterly Review), cites Bowden, on grace, King John, Catholic clerics, Henry VIII, Henry V’s piety. Mrs. Humphrey Ward’s Eleanor, redoing Helbeck plot, this time Puritan Lucy marries Lord Manisty (a disbeliever who argues for Catholicism, reflecting Chateaubriand), while Eleanor, Manisty’s soul mate, performs the ultimate self-sacrifice, a Catholic Pauline equivalent, of surrendering her own claim (forecast James’s Wings of the Dove). Chateaubriand praised for “re- creating a church, and regenerating a literature.” Gasquet, The Eve of the Reformation: Erasmus regretted Lutheranism as blocking reform within Catholic church; “part of the price paid [for the Reformation] was the destruction of a sense of corporate unity and common brotherhood, which was fostered by the religious unanimity of belief and practice in every village in the country, and which, as in the mainspring of its life and the very central point of its being, centred in the Church with its rites and ceremonies” (“if it is perilous to accept Gasquet noncritically, it is foolish utterly to neglect or despise him” -- David Knowles) (“now seems remarkably prescient,” N. Tyacke 1998). Wilfrid Ward letter to wife: “I have been reading a great deal of Dante ... I feel in him that independence of thought combined with reverence for the Church which the habits fostered by post-reformation Scholasticism have done much to destroy.” Sinn Fein (Ourselves Alone) founded by Arthur Griffiths (Catholic) (in 1905 started United Irishman newspaper), replacing Home Rule movement with Independence movement, signaling nationalist revival, i.e. -
Read Book Mr William Shakespeares Plays Ebook
MR WILLIAM SHAKESPEARES PLAYS PDF, EPUB, EBOOK Marcia Williams | 40 pages | 17 Sep 2009 | Walker Books Ltd | 9781406323344 | English | London, United Kingdom Mr William Shakespeares Plays PDF Book Bevington, David William Shakespeare. Sign up here to see what happened On This Day , every day in your inbox! Blayney, Peter W. See Article History. The next date of interest is found in the records of the Stratford church, where a daughter, named Susanna, born to William Shakespeare, was baptized on May 26, First Folio , first published edition of the collected works of William Shakespeare , originally published as Mr. Oxford: Clarendon Press. The New York Times. The parish register of Holy Trinity Church in Stratford-upon-Avon , Warwickshire , shows that he was baptized there on April 26, ; his birthday is traditionally celebrated on April Learn More in these related Britannica articles:. Walker, Alice Oxford: Oxford University Press. Shakespeare: A Life. New York: W. First might I chuse I would be bound to wipe, Where he discharged last his Glister- pipe. The Folio was typeset and bound in "sixes" — 3 sheets of paper, taken together, were folded into a booklet-like quire or gathering of 6 leaves, 12 pages. The first Shakespeare play to be published Titus Andronicus , was printed by a notorious pirate, John Danter, who also brought out, anonymously, a defective Romeo and Juliet , largely from shorthand notes made during performance. The Riverside Shakespeare. John Heminge and Henry Condell, fellow actors and theatre owners with Shakespeare, signed the dedication and a foreword to the First Folio and described their methods as editors. -
{Dоwnlоаd/Rеаd PDF Bооk} Cliffsnotes on Shakespeares Othello
CLIFFSNOTES ON SHAKESPEARES OTHELLO PDF, EPUB, EBOOK Helen McCulloch,Gary Carey | 112 pages | 03 Jul 2000 | Houghton Mifflin Harcourt Publishing Company | 9780764585876 | English | New York, NY, United States CliffsNotes on Shakespeares Othello PDF Book Since John Shakespeare had suffered financial reverses prior to this date, William must have achieved success for himself. Critical Essays Major Themes. One of the most impressive of all proofs of Shakespeare's authorship of his plays is the First Folio of , with the dedicatory verse that appeared in it. The ensign now plots to ruin the Moor. Court records show that in , William Shakespeare began rooming in the household of Christopher Mountjoy in London. Good Friend, for Jesus' sake, forbear To dig the dust enclosed here; Blest be the man that spares these bones And curst be he who moves my bones. This was possibly the most important and successful investment of his lifetime, and it paid a steady income for many years. Themes are central to understanding Othello as a play and identifying Shakespeare's social and political commentary. About Othello. Roderigo provides Iago with a useful dupe; his existence allows Iago to outline his wicked plans in conversation rather than soliloquy and to demonstrate his capacity for ruthless manipulation. My Preferences My Reading List. Next Scene 2. Our study guide has summaries, insightful analyses, and everything else you need to understand Othello. Taken as a whole, these materials give a rather comprehensive picture of England's foremost dramatic poet. In , Shakespeare acted before Queen Elizabeth, and in , his name appeared as one of the shareholders of the Lord Chamberlain's Company. -
Chivalry in Shakespeare: How the Great Playwright Reveals the Code of Conduct
Running head: CHIVALRY IN SHAKESPEARE Goldsmith 1 Chivalry in Shakespeare: How the Great Playwright Reveals the Code of Conduct Anna Goldsmith A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2012 CHIVALRY IN SHAKESPEARE Goldsmith 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Carl Curtis, Ph.D. Thesis Chair ______________________________ Donald Fowler, Th.D. Committee Member ______________________________ Carolyn Towles, M.Ed. Committee Member ______________________________ James H. Nutter, D.A. Honors Director ______________________________ Date CHIVALRY IN SHAKESPEARE Goldsmith 3 Abstract Today’s society understands chivalry in a vastly different context than how chivalry was originally understood in the 14 th and 15 th centuries. For this reason, it is crucial to turn to literature concerning the time period and people that were expected to uphold the code of chivalry at all times. This thesis will research, in depth, William Shakespeare’s The Tragedy of King Richard the Second (1597), the first of the four history plays in the second tetralogy. Studying this work will enable the reader to gain a more full understanding of how seriously the noblemen of those days took this code of conduct. Chivalry originally began as a code of conduct for knights and nobility and was not simply a set of actions and characteristics to be performed, but a lifestyle of honor, courage, and selflessness. Rather than studying a work that exemplifies chivalry in action, Richard II reveals the severity of the consequences that will affect an entire nation if chivalry is abandoned. -
William Shakespeare 1 William Shakespeare
William Shakespeare 1 William Shakespeare William Shakespeare The Chandos portrait, artist and authenticity unconfirmed. National Portrait Gallery, London. Born Baptised 26 April 1564 (birth date unknown) Stratford-upon-Avon, Warwickshire, England Died 23 April 1616 (aged 52) Stratford-upon-Avon, Warwickshire, England Occupation Playwright, poet, actor Nationality English Period English Renaissance Spouse(s) Anne Hathaway (m. 1582–1616) Children • Susanna Hall • Hamnet Shakespeare • Judith Quiney Relative(s) • John Shakespeare (father) • Mary Shakespeare (mother) Signature William Shakespeare (26 April 1564 (baptised) – 23 April 1616)[1] was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.[2] He is often called England's national poet and the "Bard of Avon".[3][4] His extant works, including some collaborations, consist of about 38 plays,[5] 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright.[6] Shakespeare was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later.