TOP 100 Albums
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E HUT Hutchins, Pat, 1942-. the Doorbell Rang. 1St Ed. New York : Greenwillow Books, C1986
E HUT Hutchins, Pat, 1942-. The doorbell rang. 1st ed. New York : Greenwillow Books, c1986. FIC HUT Hutton, Clare. Midnight howl. New York : Scholastic, c2011. E HYD Hyde, Judith Jensen, 1947-. Rainy-day music. New York : Children's Press, c2006. 974.9 HYM Hyman, Teresa L. New Jersey. San Diego : Detroit : Kidhaven Press : Thomson/Gale, c2004. TR HYS Hysom, Dennis Joe, 1949-. Wooleycat's musical theater. Santa Rosa, CA : Tortuga Press, c2003. FIC IBB Ibbotson, Eva. The great ghost rescue. 1st American ed. New York : Dutton Children's Books, 2002. FIC IBB Ibbotson, Eva. The haunting of Granite Falls. New York : Puffin, 2005, c1987. FIC IBB Mission Valley Elementary Bibliography Report 12/6/2011 @ 2:55pm Page 326 ------------------------------------------------------------------------------ Ibbotson, Eva. Island of the aunts. New York : Puffin, 2001. FIC IBB Ibbotson, Eva. Dial-a-ghost. New York : Puffin Books, 2003, c1996. FIC IBB Ibbotson, Eva. The beasts of Clawstone Castle. New York : Puffin Books, 2007. FIC IBB Ibbotson, Eva. The Star of Kazan. New York : Puffin Books, 2006, c2004. FIC IBB Ibbotson, Eva. The dragonfly pool. New York : Puffin Books, 2009, c2008. FIC IBB Ibbotson, Eva. Journey to the river sea. New York : Puffin, 2003. FIC IBB Ibbotson, Eva. Not just a witch. New York : Puffin Books, 2004. FIC IBB Ibbotson, Eva. The Ogre of Oglefort. 1st American ed. New York : Dutton Children's Books, c2011. E ICH Ichikawa, Satomi. My pig Amarillo. 1st American ed. New York : Philomel Books, 2003. 641.597 ICH Ichord, Loretta Frances. Skillet bread, sourdough, and vinegar pie : cooking in pioneer days. Brookfield, Conn. : Millbrook Press, c2003. -
Peter, Paul & Mary See What Tomorrow Brings Mp3
Peter, Paul & Mary See What Tomorrow Brings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: See What Tomorrow Brings Country: UK Released: 1965 Style: Folk MP3 version RAR size: 1500 mb FLAC version RAR size: 1813 mb WMA version RAR size: 1898 mb Rating: 4.5 Votes: 315 Other Formats: WAV MOD XM AAC FLAC MP2 ASF Tracklist Hide Credits If I Were Free A1 2:43 Written-By – Travis Edmonson Betty & Dupree A2 Adapted By – Travers*, Okun*, Stookey*, Yarrow*Arranged By – Travers*, Okun*, Stookey*, 3:13 Yarrow* The Rising Of The Moon A3 Adapted By – Travers*, Okun*, Stookey*, Yarrow*Arranged By – Travers*, Okun*, Stookey*, 3:36 Yarrow* Early Mornin' Rain A4 3:13 Written-By – Gordon Lightfoot Jane, Jane A5 Adapted By – Travers*, Okun*, Stookey*, Yarrow*Arranged By – Travers*, Okun*, Stookey*, 2:57 Yarrow* Because All Men Are Brothers A6 2:17 Written-By – Bach*, Glazer* Hangman B1 Adapted By – Hendler*, Travers*, Okun*, Stookey*, Yarrow*Arranged By – Hendler*, 2:51 Travers*, Okun*, Stookey*, Yarrow* Brother, (Buddy) Can You Spare A Dime? B2 2:29 Written-By – Harburg*, Gornay* The First Time Ever I Saw Your Face B3 3:06 Written-By – Ewan McColl* Tryin' To Win B4 2:33 Written-By – McGee*, Terry* On A Desert Island (With You In My Dreams) B5 1:46 Written-By – Kniss*, Stookey* The Last Thing On My Mind B6 2:43 Written-By – Tom Paxton Companies, etc. Recorded At – Bell Sound Studios Printed By – Garrod & Lofthouse Made By – Garrod & Lofthouse Distributed By – Pye Records Lacquer Cut At – Pye Studios Credits Design [Jacket Design] – Push Pin Studios Directed By [Musical Director] – Milton Okun Engineer – Harry Yarmark Lacquer Cut By – T* Photography By – Barry Feinstein Producer – Albert B. -
Peter, Paul and Mary See What Tomorrow Brings Mp3, Flac, Wma
Peter, Paul And Mary See What Tomorrow Brings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: See What Tomorrow Brings Country: Japan Released: 1966 Style: Folk MP3 version RAR size: 1474 mb FLAC version RAR size: 1681 mb WMA version RAR size: 1567 mb Rating: 4.8 Votes: 473 Other Formats: ASF DXD AU WAV VOC AC3 VQF Tracklist Hide Credits If I Were Free A1 2:43 Written-By – Travis Edmonson Betty & Dupree A2 3:13 Arranged By, Adapted By – Travers*, Okun*, Stookey*, Yarrow* The Rising Of The Moon A3 3:36 Arranged By, Adapted By – Travers*, Okun*, Stookey*, Yarrow* Early Mornin' Rain A4 3:13 Written-By – Gordon Lightfoot Jane, Jane A5 2:57 Arranged By, Adapted By – Travers*, Okun*, Stookey*, Yarrow* Because All Men Are Brothers A6 2:17 Composed By – Bach*Songwriter – Glazer* Hangman B1 2:51 Arranged By, Adapted By – Hendler*, Travers*, Okun*, Stookey*, Yarrow* Brother, (Buddy) Can You Spare A Dime? B2 2:29 Written-By – Harburg*, Gorney* The First Time Ever I Saw Your Face B3 3:06 Written-By – Ewan McColl* Tryin' To Win B4 2:33 Written-By – McGee*, Terry* On A Desert Island (With You In My Dreams) B5 1:46 Written-By – Kniss*, Stookey* The Last Thing On My Mind B6 2:43 Written-By – Tom Paxton Companies, etc. Recorded At – Bell Sound Studios Credits Design [Jacket] – Push Pin Studios Directed By [Music] – Milton Okun Photography By – Barry Feinstein Producer – Albert B. Grossman Recorded By, Engineer – Harry Yarmark Notes 1965 gold label second press of grey label original issued the same year. -
Peter, Paul and Mary See What Tomorrow Brings Mp3, Flac, Wma
Peter, Paul And Mary See What Tomorrow Brings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: See What Tomorrow Brings Country: Japan Released: 1965 Style: Folk MP3 version RAR size: 1796 mb FLAC version RAR size: 1656 mb WMA version RAR size: 1256 mb Rating: 4.2 Votes: 452 Other Formats: MP2 RA ADX AUD XM AIFF MP4 Tracklist Hide Credits If I Were Free A1 2:43 Written-By – Travis Edmonson Betty & Dupree A2 3:13 Adapted By, Arranged By – Travers*, Okun*, Stookey*, Yarrow* The Rising Of The Moon A3 3:36 Adapted By, Arranged By – Travers*, Okun*, Stookey*, Yarrow* Early Mornin' Rain A4 3:13 Written-By – Gordon Lightfoot Jane, Jane A5 2:57 Adapted By, Arranged By – Travers*, Okun*, Stookey*, Yarrow* Because All Men Are Brothers A6 2:17 Written-By – Bach*, Glazer* Hangman B1 2:51 Adapted By, Arranged By – Hendler*, Travers*, Okun*, Stookey*, Yarrow* Brother, (Buddy) Can You Spare A Dime? B2 2:29 Written-By – Harburg*, Gorney* The First Time Ever I Saw Your Face B3 3:06 Written-By – Ewan McColl* Tryin' To Win B4 2:33 Written-By – McGee*, Terry* On A Desert Island (With You In My Dreams) B5 1:46 Written-By – Kniss*, Stookey* The Last Thing On My Mind B6 2:43 Written-By – Tom Paxton Companies, etc. Recorded At – Bell Sound Studios Designed At – Push Pin Studios Mastered At – Customatrix Credits Design [Jacket Design] – Push Pin Studios Directed By [Musical Director] – Milton Okun Photography By – Barry Feinstein Producer – Albert B. Grossman Recorded By, Engineer – Harry Yarmark Notes Recorded at Bell Sound Studios, Inc., N.Y.C., N.Y. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Insight Out: Making Creativity Visible Frédéric Vallée-Tourangeau Kingston University and Paul March University of Oxford
INSIGHT OUT 1 Insight Out: Making Creativity Visible Frédéric Vallée-Tourangeau Kingston University and Paul March University of Oxford Author Note Address correspondence to either Frédéric Vallée-Tourangeau, Department of Psychology, Kingston University, Kingston upon Thames, Surrey, UNITED KINGDOM, KT1 2EE, [email protected] or Paul March, Keble College, University of Oxford, Oxford, UNITED KINGDOM, OX1 3PG, [email protected]. We thank Wendy Ross, Gaëlle Vallée-Tourangeau and three anonymous reviewers for their thoughtful comments on a previous version of this manuscript. INSIGHT OUT 2 Abstract Models of creative problem solving are predicated upon mental states to explain everything from the outcome of problem-solving experiments to the emergence of artistic creativity. We present two converging perspectives that describe a profoundly different ontological description of creativity. Our analysis proceeds from a distinction between first- order problem solving, where the agent interacts with a physical model of the problem and second-order problem solving, where the agent must cogitate a solution to a problem that is presented as a verbal description of a state of the world but where the agent does not or cannot transform physical elements of a problem. We acknowledge the recent evidence that foregrounds the importance of working memory in problem solving, including insight problem solving. However, we stress that the impressive psychometric success is obtained with a methodology that only measures second-order problem solving; we question whether first-order problem solving is equally well predicted by measures of cognitive or dispositional capacities. We propose that if mental simulation is replaced by the opportunity to engage with a physical model of a problem then the environment can provide affordances that help the participant to solve problems. -
Dancing in My Underwear
Dancing in My Underwear The Soundtrack of My Life By Mike Morsch Copyright© 2012 Mike Morsch i Dancing in My Underwear With love for Judy, Kiley, Lexi, Kaitie and Kevin. And for Mom and Dad. Thanks for introducing me to some great music. Published by The Educational Publisher www.EduPublisher.com ISBN: 978-1-62249-005-9 ii Contents Foreword By Frank D. Quattrone 1 Chapters: The Association Larry Ramos Dancing in my underwear 3 The Monkees Micky Dolenz The freakiest cool “Purple Haze” 9 The Lawrence Welk Show Ken Delo The secret family chip dip 17 Olivia Newton-John Girls are for more than pelting with apples 25 Cheech and Chong Tommy Chong The Eighth-Grade Stupid Shit Hall of Fame 33 iii Dancing in My Underwear The Doobie Brothers Tom Johnston Rush the stage and risk breaking a hip? 41 America Dewey Bunnell Wardrobe malfunction: Right guy, right spot, right time 45 Three Dog Night Chuck Negron Elvis sideburns and a puka shell necklace 51 The Beach Boys Mike Love Washing one’s hair in a toilet with Comet in the middle of Nowhere, Minnesota 55 Hawaii Five-0 Al Harrington Learning the proper way to stretch a single into a double 61 KISS Paul Stanley Pinball wizard in a Mark Twain town 71 The Beach Boys Bruce Johnston Face down in the fields of dreams 79 iv Dancing in My Underwear Roy Clark Grinnin’ with the ole picker and grinner 85 The Boston Pops Keith Lockhart They sound just like the movie 93 The Beach Boys Brian Wilson Little one who made my heart come all undone 101 The Bellamy Brothers Howard Bellamy I could be perquaded 127 The Beach Boys Al Jardine The right shirt at the wrong time 135 Law & Order Jill Hennessy I didn’t know she could sing 143 Barry Manilow I right the wrongs, I right the wrongs 151 v Dancing in My Underwear A Bronx Tale Chazz Palminteri How lucky can one guy be? 159 Hall & Oates Daryl Hall The smile that lives forever 167 Wynonna Judd I’m smelling good for you and not her 173 The Beach Boys Jeffrey Foskett McGuinn and McGuire couldn’t get no higher . -
Peter Paul and Mary.Pptx
Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village. -
In These Days of Dying Media, Is the CBC Next?
ISSUE 22 2009/03/05 VOLUME 63 Is nostalgia alone reason In these days enough to save the CBC? My horse English is a virus of dying media, comments page 9 understands me that breeds zombies is the CBC next? Is our national broadcaster's news page 4 A & c page 15 website facilitating hatred? news page 5 02 ThE Uniter March 5, 2009 www.Uniter.ca Feeling sick? Kiteboarding: you “in our culture, we’ve been lead to believe Maybe it's your think racing across that we should all be continuously home's fault snow is a good idea? embarked on a self-help program. Sometimes I wonder if that’s smart.” news page 4 sports & fitness page 21 Arts & culture page 14 news UNITER STAFF ManaGinG EDitor Stacy Cardigan Smith » [email protected] BUSiness ManaGEr No bailouts for the charities James D. Patterson » [email protected] mark PrODUcTiOn ManaGEr reimer Melody Morrissette » [email protected] Copy anD style EDitor Ashley Holmes » [email protected] Photo EDitor Mark Reimer » [email protected] nEwS assiGnMEnT EDitor Toban Dyck » [email protected] nEwS PrODUcTiOn EDitor Ksenia Prints » [email protected] arts anD culturE EDitor Aaron Epp » [email protected] Comments EDitor Devin Morrow » [email protected] SPOrts & FiTness EDitor Jo Villaverde » [email protected] Listings cO-OrDinator Curran Faris » [email protected] BEaT rEPOrTEr Dan Huyghebaert » [email protected] BEaT rEPOrTEr Joe Kornelsen » [email protected] BEaT rEPOrTEr Sandy Klowak » [email protected] BEaT rEPOrTEr Andrew McMonagle » [email protected] Bruce Michalski of winnipeg harvest hopes that people will give back to the community in ways other than donating money during the recession. -
Yamaha – Pianosoft Solo 29
YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4. -
Goldsmith 1929-2004
Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.