DOCSLIB.ORG

Simone Lahbib

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Simone Lahbib Simone Lahbib Theatre Title Role Director Producer The Golden Hour Rachel Femi Elufowoju Jr Almeida Theatre Summer Festival The Homecoming Ruth Greg Hersov Manchester Royal Exchange The Millenium Showcase Lady Macbeth / Phaedra Kenny Ireland / Tony Cownie Royal Lyceum, Edinburgh Playboy of The Western World Pegeen Paul Kerryson Leicester Haymarket The Measles Mellie Rufus Norris The Gate Theatre, London Lady Chatterley Lady Chatterley Claire Davidson Cockpit Theatre The Gowk Storm Julia Kenny Ireland Royal Lyceum, Edinburgh Oh What a Lovely War Lady Haig John Bett 7:84 Theatre Co. Film Title Role Director Producer Supervized Alicia Steve Baron Great Point Media Fantastic Beasts: The Crimes of DavidGrindelwald Yates Warner Bros As He Lay Falling (short) Bronte Jim Webster Middlefish Films Philomena Kate Sixsmith Stephen Frears BBC Films Other Side of My Sleep (short) Maria Rafaello Degruttolla Contro Ventro Films Zip N Zoo Marion Rami Bennett Blue Planet Films Ark (short) Mal Woolford Brick & Pin Films The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Red Mercury Rising Janet Roy Battersby Inspired Movies Bird House Carol Joss Bennathan Comedy Rep / Present Moment Long Haul (short) Lucy Johnston Bob Blagdon Maverick TV Witches Daughters Zelda Alan McMillan Hallmark The Girl in The Picture The Girl Cary Parker Antoine Prods. Television Title Role Director Producer Vera - Series 11 Rose Swann Waris Islam ITV Eastenders Katy (regular) Various BBC A Confession Debbie Paul Andrew Williams ITV The Loch Mhari Voss Brian Kelly ITV Studios Da Vinci's Demons (Season 3) Laura Cereta (reg) David Hoar BBC Worldwide / Starz Crossing Lines (Season 3) Emma Pacetti Susan Tully NBC New Tricks (Series 9) Rachel Power Phil John Wall to Wall / BBC 1 Downton Abbey (Christmas SpecialWilkins - Series 3) Andy Goddard ITV Singlehanded (Series 2) Gemma (regular) Thaddeus O'Sullivan RTE / ITV Wire In The Blood (Series VI) Alex (regular) Sandra Jobling ITV Wire In The Blood (Series V) Alex (regular) Sandra Jobling ITV Wire In The Blood (Series IV) Alex (regular) Sandra Jobling ITV Heartless Amanda (co-lead) Nick Laughland ITV Fallen (2 x 90 min) DCI Kate Gunning Omar Madha ITV Monarch of The Glen VI Isobel (regular) Rob Knights BBC1 Family (6 part series) Jacqueline Cutler David Drury ITV Judge John Deed II (2 eps) Carol David Kew ITV Bad Girls III Helen Stewart Jim O'Hanlon Shed Prod. / Carlton TV Bad Girls II Helen Stewart Brian Park Shed Prod. / Carlton TV Bad Girls Helen Stewart Mike Adams Shed Prod. / Carlton TV The Young Person's Guide to BecomingFiona (series) A Rock Star Sheree Folkson / Kieron Walsh Channel 4 London Bridge II (series) Mary O' Connor Joanna Hogg / Tania Diez Carlton TV Thief Takers III DC Lucy McCarthy (series regular)Colin McKeown Carlton TV The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 London Bridge Mary O' Connor David Skinner / Crispin Rees Carlton TV Dangerfield III Joanne Rob Walker BBC Taggart (Prayer for the Dead) Sarah Richard Holthouse STV Crime Story Monica Alan McMillan STV The Doubles The Wife Tom Tyrant Greenwich Films The Trevor & Simon Show Betty Caroline Roberts BBC (Pilot) Taggart (Nest of Vipers) Caroline Graham Theakston STV The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456.
Load more

Recommended publications
  • Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
    e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding.
    [Show full text]
  • Exhibitionein Film Von Joanna Hogg Mit Viv Albertine, Liam Gillick & Tom Hiddleston
    EXHIBITION ein Film von Joanna Hogg mit Viv Albertine, Liam Gillick & Tom Hiddleston | UK 2013 | 104 Minuten | englische Originalfassung mit deutschen Untertiteln | Fugu Filmverleih | Deutscher Kinostart: 11. Dezember 2014 “It’s in the Walls!” D in EXHIBITION SYNOPSIS Zwei Künstler, ein Haus, eine unkonventionelle Ehe. H und D leben in einem extravaganten Bau im Londoner Stadtteil Kensington. Sie arbeiten parallel an ihren Projekten, geben Telefoninterviews, lassen die Außenwelt nur gedämpft herein und verabreden sich über die Haussprechanlage zu Sex oder Abendessen. H. hat das Gefühl, schon zu lange an einem Ort zu leben. Er überzeugt D, das Haus zu verkaufen. Im Prozess der Ablösung gerät die Beziehung in eine Krise. Plötzlich erhält D, die Angst vor Veränderungen hat, das Angebot einer großen Einzelausstellung. Wird die Ehe zerbrechen oder ein Neuanfang gelingen? Stellt sich heraus, dass ihr Traumhaus die ganze Zeit schon ein Gefängnis war? PRESSENOTIZ EXHIBITION, der dritte Film der „einzigartig begabten Filmemacherin“ (Martin Scorsese) Joanna Hogg, ist ein großstädtisches Kammerspiel mit drei Darstellern: der Ex-Slits-Gitarristin Viv Albertine, dem Maler und Objektkünstler Liam Gillick und dem „H-House“ des Architekten James Melvin. PRODUKTIONSNOTIZEN EXHIBITION ist der dritte Spielfilm von Joanna Hogg, einer vor allem von der britischen Filmkritik umjubelten Filmregisseurin und –autorin, die 2007 mit UNRELATED auf sich aufmerksam machte und deren zweiter Spielfilm ARCHIPELAGO (2010) auch in Deutschland ins Kino kam. Beide Filme zeigten Hoggs Talent für Ensemblechoreografien, für einen analytisch- beobachtenden Stil und einen scharfen Blick auf die englische Mittelklasse – deren Verhaltensweisen, Ängste, Tabus und Verletzlichkeiten sie sehr genau kennt. UNRELATED und ARCHIPELAGO sind raue emotionale Dramen und spröde Sozialkomödien gleichermaßen, die ihre Autorin als originelle neue Stimme im britischen Kino ausweisen.
    [Show full text]
  • Helle Le Fevre Editor
    HELLE LE FEVRE EDITOR FILM & TELEVISION THE ETERNAL DAUGHTER Director: Joanna Hogg Production Company: Element Pictures THE SOUVENIR PART II Director: Joanna Hogg Production Company: JWH Films, Element Pictures, A24 Official Selection, Cannes Film Festival (2021) THE SOUVENIR Director: Joanna Hogg Production Company: JWH Films, A24 Winner, World Cinema Dramatic Grand Jury Prize, Sundance Film Festival (2019) Nominated, Best Editing, British Independent Awards (2019) Official Selection, Berlin Film Festival (2019) ALL THE BEAUTY Director: Aasne Vaa Greibrokk Production Company: Motlys Nominated, Best Editing, Amanda Awards (2016) EXHIBITION Director: Joanna Hogg Production Company: Wild Horses Film Company, BBC Films Official Selection, Locarno Film Festival (2013) Official Selection, London Film Festival (2013) Official Selection, New York Film Festival (2013) ARCHIPELAGO Director: Joanna Hogg Production Company: Wild Horses Film Company Nominated, Best Film, London Film Festival (2010) LUX ARTISTS | 1 THE ENGLISHMAN Director: Ian Sellar Production Company: Mechanical Films UNRELATED Director: Joanna Hogg Production Company: Raw Siena Winner, Fipresci Prize, London Film Festival (2013) LITTLE SCARS Director: Jan Bauer Production Company: NFTS Winner, Student TV Award, Royal Television Society (2004) SHORT FILM HÆSTKUK/BEAST Director: Aasne Vaa Greibrokk Production Company: MER Film Nominated, Best Short, Amanda Awards (2019) AMASONE Director: Marianne O. Ulrichsen Production Company: MER Film Winner, Gold Hugo for Best Short Film, Chicago
    [Show full text]
  • Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
    ''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek.
    [Show full text]
  • REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
    Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph.
    [Show full text]
  • Friday 14 February 2020, London. BFI Southbank's TILDA SWINTON
    Friday 14 February 2020, London. BFI Southbank’s TILDA SWINTON season, programmed in partnership with the performer and filmmaker herself, will run from 1 – 18 March 2020, celebrating the extraordinary, convention-defying career of one of cinema’s finest and most deft chameleons. The BFI today announce that a number of Swinton’s closest collaborators will join her on stage during the season to speak about their work together including Wes Anderson (Isle of Dogs, The French Dispatch, The Grand Budapest Hotel, Moonrise Kingdom), Bong Joon-ho (Snowpiercer, Okja), Sally Potter (Orlando) and Joanna Hogg (The Souvenir, Caprice). Also announced today is Tilda Swinton’s Film Equipment (28 February – 26 April) a free exhibit to accompany the season which has been curated in close collaboration with BFI and Swinton’s personal archive. Alongside a programme of feature film screenings, shorts and personal favourites, the season will include Tilda Swinton in Conversation with host Mark Kermode on 3 March, during which Swinton will look back on her wide- reaching career as a performer across independent and Hollywood cinema, as well as producer, director and general ally of maverick free spirits everywhere. On the same evening will be Tilda Swinton and Wes Anderson on stage: A Magical Tour of Cinema – a unique chance to hear from two of the most fervent disciples of the church of make believe, as Swinton and Anderson take to the BFI stage to discuss their many collaborations and their film passions. The event will offer a glimpse into their intimate partnership as the two long-time co-conspirators and voracious cinephiles select and explore personal favourite gems from throughout cinema’s history.
    [Show full text]
  • Convent Slave Laundries? Magdalen Asylums in Australia
    Convent slave laundries? Magdalen asylums in Australia James Franklin* A staple of extreme Protestant propaganda in the first half of the twentieth century was the accusation of ‘convent slave laundries’. Anti-Catholic organs like The Watchman and The Rock regularly alleged extremely harsh conditions in Roman Catholic convent laundries and reported stories of abductions into them and escapes from them.1 In Ireland, the scandal of Magdalen laundries has been the subject of extensive official inquiries.2 Allegations of widespread near-slave conditions and harsh punishments turned out to be substantially true.3 The Irish state has apologized,4 memoirs have been written, compensation paid, a movie made.5 Something similar occurred in England.6 1 ‘Attack on convents’, Argus 21/1/1907, http://trove.nla.gov.au/ndp/del/article/10610696; ‘Abbotsford convent again: another girl abducted’, The Watchman 22/7/1915, http:// trove.nla.gov.au/ndp/del/article/111806210; ‘Protestant Federation: Why it is needed: Charge of slavery in convents’, Maitland Daily Mercury 23/4/1921, http://trove.nla.gov. au/ndp/del/article/123726627; ‘Founder of “The Rock” at U.P.A. rally’, Northern Star 2/4/1947, http://trove.nla.gov.au/ndp/del/article/99154812. 2 Commission to Inquire into Child Abuse (Ireland, 2009), ch. 18, http://www. childabusecommission.ie/rpt/pdfs/CICA-VOL3-18.pdf; Report of the Inter-Departmental Committee to establish the facts of State involvement with the Magdalen Laundries (McAleese Report, 2013), http://www.justice.ie/en/ JELR/Pages/MagdalenRpt2013; summary at http://www.theguardian.com/world/2013/feb/05/magdalene-laundries-ireland-state- guilt 3 J.M.
    [Show full text]
  • Stageoflife.Com Writing Contest Survey - Teens and TV
    StageofLife.com Writing Contest Survey - Teens and TV 1. What grade are you in? Response Response Percent Count Junior High 14.3% 81 9th Grade 23.3% 132 10th Grade 22.1% 125 11th Grade 23.3% 132 12th Grade 10.6% 60 College 6.2% 35 Recent College Graduate 0.2% 1 answered question 566 skipped question 0 1 of 35 2. How many TV shows (30 - 60 minutes) do you watch in an average week during the school year? Response Response Percent Count 20+ (approx 3 shows per day) 21.7% 123 14 (approx 2 shows per day) 11.3% 64 10 (approx 1.5 shows per day) 9.0% 51 7 (approx. 1 show per day) 15.7% 89 3 (approx. 1 show every other 25.8% 146 day) 1 (you watch one show a week) 14.5% 82 0 (you never watch TV) 1.9% 11 answered question 566 skipped question 0 3. Do you watch TV before you leave for school in the morning? Response Response Percent Count Yes 15.7% 89 No 84.3% 477 answered question 566 skipped question 0 2 of 35 4. Do you have a TV in your bedroom? Response Response Percent Count Yes 38.7% 219 No 61.3% 347 answered question 566 skipped question 0 5. Do you watch TV with your parents? Response Response Percent Count Yes 60.6% 343 No 39.4% 223 If yes, which show(s) do you watch as a family? 302 answered question 566 skipped question 0 6. Overall, do you think TV is too violent? Response Response Percent Count Yes 28.3% 160 No 71.7% 406 answered question 566 skipped question 0 3 of 35 7.
    [Show full text]
  • A Film by Joanna Hogg
    presents EXHIBITION A FILM BY JOANNA HOGG UK / COLOUR / 104 MINUTES / 2013 A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contacts: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SHORT SYNOPSIS When D and H decide to sell the home they have loved and lived in for two decades, they begin a process of saying goodbye to their shared history under the same roof. The upheaval causes anxieties to surface, and wife and performance artist D, struggles to control the personal and creative aspects of her life with H. Dreams, memories, fears, have all imprinted themselves on their home, which exists as a container for their lives and has played such an important role in their relationship. LONG SYNOPSIS Artists D (Viv Albertine) and H (Liam Gillick) are a married couple who have lived together in a West London house for nearly 20 years. It is a modernist house - all verticals, reflecting windows and sliding partitions – and seemingly the ideal residence for two artists who each work independently at home in their separate spaces, occasionally communicating briefly by intercom. Throughout EXHIBITION we see D and H living together, working separately, communicating or failing to communicate – in a series of moments depicting a long-term relationship that sometimes seems to be in meltdown, at other times extremely strong. It’s autumn. H suggests to D that she’s unwilling to discuss her work with him; she says she’s reluctant to expose herself to his criticism.
    [Show full text]
  • Andrew Scarborough
    www.cam.co.uk Email [email protected] Address Andrew 55-59 Shaftesbury Avenue London Scarborough W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production EMMERDALE Graham Various ITV WOLFBLOOD Hartington Jonathan Dower BBC VICTORIA Captain Childers Various Mammoth Screen JAMAICA INN Magistrate Bassatt Phillipa Lowthorne BBC Television DOWNTON ABBEY Tim Drewe Philip John Carnival for ITV Lightworkers Media for The THE BIBLE Joshua Tony Mitchell History Channel OUR GIRL Sergeant Peters David Drury BBC SILENT WITNESS DI Jeff Hart Richard Clark BBC Television SILK DS Adam Lambert Jeremy Webb BBC Television EASTENDERS Carter Dan Wilson BBC Television HIDDEN Ben Lander Niall McCormick BBC Television DOCTORS Martin Venning Sean Gleeson BBC Television HOLBY CITY Tim Campbell Paul Gibson BBC Television SPOOKS Stephen Hillier Alrick Riley BBC Television DOCTORS DS Vince Blackwell Piotr Szkopiak BBC Television Dr Jonathan Ormerod THE ROYAL TODAY - ITV (Regular) HOLBY CITY - - BBC TELEVISION ROMAN MYTHS Jo Sephus - BBC Television Stuart Diamond (Regular SURBURBIAN SHOOT OUT - Channel 5 series 2) BAD GIRLS (Series 7) Kevin Spears (Regular) Shed Productions for ITV - Stuart Diamond (Regular SUBURBIAN SHOOT OUT - Channel 5 series 1) ROME Milo - BBC Television/ HBO EYES DOWN Philip - BBC TELEVISION HEARTS AND BONES SERIES 2 Michael OWen (Regular) - BBC Television CORONATION STREET Harvey - ITV HEARTS AND BONES SERIES 1 Michael Owen (Regular) - BBC Television THE INNOCENT Mark - Yorkshire Television HEARTBEAT Martin Weller -
    [Show full text]
  • Monarch of the Glen Series 6
    Monarch of the Glen Series 6 Homecomings bring surprises for the MacDonald clan This sixth series opens with Paul The new laird of Glenbogle has had Starring newly installed as the master of to learn to some lessons, and fast. He Susan Hampshire has to prove his worth to the family, plays Molly MacDonald Glenbogle. However the path to the community and more importantly The Grand leadership is a rocky one. himself. On top of this he is coming to Dawn Steele realise just how strong his feelings for plays Lexie MacDonald Lexie are. The Key, Tinsel Town Lloyd Owen After spending the summer with Archie plays Paul Bowman at their vineyard in New Zealand, Lexie Hearts & Bones has returned to Glenbogle to tie up Hamish Clarke some loose ends. However, a heart-to- plays Duncan DID YOU KNOW? heart with her brother-in-law reveals My Wonderful Life her doubts about leaving the estate. Tom Baker Monarch of the Glen is now Their relationship begins to grow more plays Donald MacDonald sold to over 24 countries intimate and they are forced to make a Doctor Who, Little Britain around the world. decision that may rock Glenbogle to its Simone Lahbib very foundations. plays Isobel Anderson Monarch is fi lmed in the Bad Girls, Family Cairngorms in the north of Meanwhile, Molly and Golly find new Anthony Head Scotland. According to the opportunities, for Golly it’s a chance plays Isobel Anderson local Chamber of Commerce to find love. And Hector’s flamboyant Bad Girls, Family the series generates, on younger brother Donald (Tom Baker) average, £2 million a year for returns to the family home after a 40 the area.
    [Show full text]
  • Teachers' Responsibilities for Responding to Bullying
    Journal of Instruct ional Pedagogies Making a difference for the bullied: teachers’ responsibilities for responding to bullying Janet F. McCarra Mississippi State University —Meridian Campus Jeanne Forrester Albuquerque Public Schools, NM Abstract Bullying continues to be a challenging issue for classroom teachers. The authors provide seven recommendations to prevent bullying and for intervention if bullying occurs: (a) know the forms of bullying and recognize the effects, (b) promote a positive classroom environment, (c) teach a variety of conflict resolution strategies, (d) use bibliotherapy, (e) respond to incidents of bullying, (f) help student s develop new roles, and (g) provide positive role modeling. Keywords: bullying, cyberbullying, teachers’ roles, conflict resolution, bibliotherapy Making a difference, Page 1 Journal of Instruct ional Pedagogies Another child has died —not due to a deadly disease or a horrible car accident but by his own hand. He committed suicide because of bullying ( Tresniowski, A., Egan, N. W., Herbst, D., Triggs, C., Messer, L., Fowler, J., Levy, D. S., & Shabeeb, N., 2010). Bullying is certainly not a new issue (Graham, 20 10). Perhaps everyone can think of a time or man y times when he/she was bullied (or was the bully). Education Week (2010) reported these statistics released by the Josephson Institute of Ethics: (a) 435 of 43,000 high school students said they had been bu llied, and (b) 50% admitted to bullying. Bullying is “a chronic institutional problem leading to psychological impairment, depression and suicide” (Olson, 2008, p. 9). The United States Department of Education held a bullying summit in August 2010 an d encouraged school leaders to take action against bullying (Da vis, 2011).
    [Show full text]