Fashioning the Executive (Look)
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Victorian Born Entertainer Kane Alexander Speaks with Q! About His Amazing Rise to Musical Fame
JUNE 2006 Inside this Issue: Q Culture, Generation Q, Introducing Q Art, Q Beauty, Q Dining, Q Cosmetic, Q Travel, Q Fashion, Q Wine, Introducing Q Money, Q Cabaret and more. Victorian born entertainer Kane Alexander speaks with Q! about his amazing rise to musical fame. Q Magazine - Made Locally! Enjoyed Nationally! JUNE 2006 Official Web Partner q comment: COMMUNITY NEWS Issue 25 Celebrating The ALSO Foundation’s 25th Anniversary, Publisher one of Melbourne’s most legendary gay and lesbian Netkey Pty Ltd dance parties – WINTERDAZE – is set to make a Managing Partner spectacular return. Brett Hayhoe 0422 632 690 An official event forming part of The ALSO [email protected] Foundation’s Silver Jubilee, all proceeds will benefit Editorial the ALSORTS youth housing project. Produced by [email protected] Steven Haby and Geoff Wood of Ice Productions, Sales and Marketing renowned as the former owners of Prahran’s popular [email protected] Ice Cafe/Bar, they’ll be ensuring this CHARITY EVENT Design is the biggest winter dance party on the Gay and UB Design Lesbian calendar. [email protected] Contributing Writers Winterdaze DEFROSTED takes over Inflation Nightclub Luke Huggard, Addam Stobbs, Morag, Ben Angel, – 60 King Street, Melbourne – on Saturday 10th Dr Paul Spano, Craig Michaels, George Alexander, June as part of the Queen’s Birthday long weekend. Pete Dillon, Dr Tiffany, Destiny, Shek Graham, Steven also tells me that particular care and attention Colin Paull, David Westlake, Lisa Parker. will be given to security before and after the party. Cover picture Compliments of Sony BMG. -
Read Ebook {PDF EPUB} My Life Is a Toilet by Gretel Killeen
Read Ebook {PDF EPUB} My Life is a Toilet by Gretel Killeen Killeen, Gretel 1963- Born 1963, in Turramurra, New South Wales, Australia; children: Zeke Morgan, Eppie Morgan. ADDRESSES: CAREER: Freelance writer. Worked as standup comedian, actress, singer, broadcast journalist and presenter, theatrical producer, and advertising copywriter. 9 Network, Sydney, Australia, reporter and writer for Midday Show for seven years; host of the Australian broadcast of the reality program Big Brother, 2003-06; guest on television programs related to the Big Brother series and to other Australian radio and television programs. Appeared as Rhonda Halliwell in the film Gettin' Square, 2003. UNICEF, Australian ambassador, 2001. AWARDS, HONORS: Penguin Award, 1989, for writing and performing "Oz Rap"; Mo Award, best female comic, 2001. WRITINGS: Baby on Board: A Beginner's Guide to Pregnancy, Mandarin (Port Melbourne, Victoria, Australia), 1991. How to Live with a Sausage in a Bonnet, illustrated by Craig Smith, Random House Australia (Milsons Point, New South Wales, Australia), 1991. The Every Girl's Geek Guide, Random House Australia (Milsons Point, New South Wales, Australia), 1992. My Life Is a Toilet, Random House Australia (Milsons Point, New South Wales, Australia), 1994. The My Life Is a Toilet Instruction Book: How to Make the Most of Your Pathetic Existence, Random House Australia (Milsons Point, New South Wales, Australia), 1995. My Sister's a Yo-yo, Random House Australia (Milsons Point, New South Wales, Australia), 1997, new edition, illustrated by Leigh Hobbs, Red Fox (London, England), 2002. My Sister's an Alien, illustrated by Leigh Hobbs, Red Fox (Milsons Point, New South Wales, Australia), 1998. -
Aretha Franklin Collections Mp3, Flac, Wma
Aretha Franklin Collections mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Collections Country: Europe Released: 2005 Style: Soul-Jazz, Soul MP3 version RAR size: 1201 mb FLAC version RAR size: 1442 mb WMA version RAR size: 1800 mb Rating: 4.4 Votes: 365 Other Formats: MPC AHX TTA MIDI VOC AU MMF Tracklist Hide Credits This Could Be The Start Of Something Big 1 1:26 Written-By – Steve Allen What A Difference A Day Makes 2 3:32 Written-By – Maria Grever, Stanley Adams Misty 3 3:38 Written-By – Erroll Garner, Johnny Burke Mockingbird 4 2:48 Written-By – Charlie Foxx / Inez Foxx* Love For Sale 5 2:31 Written-By – Cole Porter God Bless The Child 6 3:03 Written-By – Arthur Herzog, Jr., Billie Holiday You'll Lose A Good Thing 7 2:38 Written-By – Barbara Lynn Ozen Every Little Bit Hurts 8 2:50 Written-By – Ed Cobb Unforgettable 9 3:41 Written-By – Irving Gordon Walk On By 10 2:49 Written-By – Burt Bacharach / Hal David* Companies, etc. Distributed By – Sony BMG Music Entertainment Phonographic Copyright (p) – Sony BMG Music Entertainment Copyright (c) – Sony BMG Music Entertainment Pressed By – Sony Music Credits Producer – Clyde Otis (tracks: 1, 3 to 5, 7, 8, 10), Robert Mersey (tracks: 2, 6, 9) Notes Track 1 published by Meadowlane Music Inc. (ASCAP) ℗ Originally released 1965. All rights reserved by Sony Music Entertainment Inc. Track 2 published by Stanley Adams Music (ASCAP)/Zomba Golden Sands Enterprises Inc. (ASCAP) ℗ 1992 Sony Music Entertainment Inc. Track 3 published by Marke Music Publishing Co. -
OMC | Data Export
Amanda Potter, "Entry on: The Sarah Jane Adventures (Series): Eye of the Gorgon by Phil Ford", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/550. Entry version as of September 25, 2021. Phil Ford The Sarah Jane Adventures (Series): Eye of the Gorgon United Kingdom (2007) TAGS: Gorgons Greek mythology Medusa Perseus We are still trying to obtain permission for posting the original cover. General information Title of the work The Sarah Jane Adventures (Series): Eye of the Gorgon Country of the First Edition United Kingdom Country/countries of popularity United Kingdom Original Language English First Edition Date 2007 Phil Ford. The Sarah Jane Adventures: Eye of the Gorgon. First Edition Details London: Penguin, 2007. ISBN 978-1-40590-399-8 Official Website Official BBC website (accessed: October 17, 2018) Genre Adaptations, Fantasy fiction, Illustrated works, Novels Children (Children’s Science Fiction television novelization, with Target Audience large print and colour photographs from the television episodes) Amanda Potter, Open University, Author of the Entry [email protected] Susan Deacy, University of Roehampton, [email protected] Peer-reviewer of the Entry Elżbieta Olechowska, University of Warsaw, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. -
UC Merced UC Merced Undergraduate Research Journal
UC Merced UC Merced Undergraduate Research Journal Title Gender, Sexuality, and Inter-Generational Differences in Hmong and Hmong Americans Permalink https://escholarship.org/uc/item/29q2t238 Journal UC Merced Undergraduate Research Journal, 8(2) Author Abidia, Layla Publication Date 2016 DOI 10.5070/M482030778 Undergraduate eScholarship.org Powered by the California Digital Library University of California Differences in Hmong and Hmong Americans Gender, Sexuality, and Inter-Generational Differences in Hmong and Hmong Americans Layla Abidia University of California, Merced Author Notes: Questions and comments can be address to [email protected] 1 Differences in Hmong and Hmong Americans Abstract Hmong American men and women face social and cultural struggles where they are expected to adhere to Hmong requirements of gender handed down to them by their parents, and the expectations of the country they were born in. The consequence of these two expectations of contrasting values results in stress for everyone involved. Hmong parents are stressed from not having a secure hold on their children in a foreign environment, with no guarantee that their children will follow a “traditional” route. Hmong American men are stressed from growing up in a home environment that grooms them to be a focal point of familial attention based on gender, with the expectation that they will eventually be responsible for an entire family; meanwhile, they are living in this American national environment that stresses that the ideal is that gender is irrelevant in the modern world. Hmong American women are stressed and in turn hold feelings of resentment that they are expected to adhere to traditional familial roles by their parents in addition to following a path to financial success the same as men. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Bad Girls to the Rescue an Exhibition of Feminist Art from the 1990S Has Much to Teach Us Today
PERSPECTIVES Bad Girls to the Rescue An exhibition of feminist art from the 1990s has much to teach us today By Maura Reilly n my new book Curatorial Activism: Towards an Ethics did just that—and within a lineage worth revisiting as the present of Curating (Thames & Hudson), I devoted a chapter to adjusts for oversights of the past. I exhibitions that have lingered in the historical record for their Though most commonly associated with a notorious run at the commitment to “Resisting Masculinism and Sexism.” As what New Museum in 1994—in a tradition that would directly influence constitutes sexual prejudice continues to evolve, it’s imperative “Trigger” decades later—the first iteration of a series of shows titled that curators continually query and challenge the gender norms “Bad Girls” was organized separately the year before for the Institute by which we are all confined. “Trigger: Gender as a Tool and a of Contemporary Arts in London (followed by a presentation at the Weapon,” a recent exhibition at the New Museum in New York, Centre for Contemporary Arts in Glasgow). Curated by Kate Bush, NEW YORK. ART, NEW MUSEUM OF CONTEMPORARY FRED SCRUTON/COURTESY THIS PAGE: RIGHTS SOCIETY/ARS ARTIST OPPOSITE: ©DEBORAH KASS/PHOTO COURTESY 32 ARTNEWS Perspectives.indd 1 2/16/18 5:12 PM Emma Dexter, and Nicola White, the exhibition celebrated a new spirit of playfulness, tactility, and perverse humor in the work of six British and American women artists: Helen Chadwick, Dorothy Cross, Nicole Eisenman, Rachel Evans, Nan Goldin, and Sue Williams—each of whom was represented by several works. -
![Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory](https://docslib.b-cdn.net/cover/4839/sexuality-is-fluid-1-a-close-reading-of-the-first-two-seasons-of-the-series-analysing-them-from-the-perspectives-of-both-feminist-theory-and-queer-theory-264839.webp)
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Spring 2017 • May 7, 2017 • 12 P.M
THE OHIO STATE UNIVERSITY 415TH COMMENCEMENT SPRING 2017 • MAY 7, 2017 • 12 P.M. • OHIO STADIUM Presiding Officer Commencement Address Conferring of Degrees in Course Michael V. Drake Abigail S. Wexner Colleges presented by President Bruce A. McPheron Student Speaker Executive Vice President and Provost Prelude—11:30 a.m. Gerard C. Basalla to 12 p.m. Class of 2017 Welcome to New Alumni The Ohio State University James E. Smith Wind Symphony Conferring of Senior Vice President of Alumni Relations Russel C. Mikkelson, Conductor Honorary Degrees President and CEO Recipients presented by The Ohio State University Alumni Association, Inc. Welcome Alex Shumate, Chair Javaune Adams-Gaston Board of Trustees Senior Vice President for Student Life Alma Mater—Carmen Ohio Charles F. Bolden Jr. Graduates and guests led by Doctor of Public Administration Processional Daina A. Robinson Abigail S. Wexner Oh! Come let’s sing Ohio’s praise, Doctor of Public Service National Anthem And songs to Alma Mater raise; Graduates and guests led by While our hearts rebounding thrill, Daina A. Robinson Conferring of Distinguished Class of 2017 Service Awards With joy which death alone can still. Recipients presented by Summer’s heat or winter’s cold, Invocation Alex Shumate The seasons pass, the years will roll; Imani Jones Lucy Shelton Caswell Time and change will surely show Manager How firm thy friendship—O-hi-o! Department of Chaplaincy and Clinical Richard S. Stoddard Pastoral Education Awarding of Diplomas Wexner Medical Center Excerpts from the commencement ceremony will be broadcast on WOSU-TV, Channel 34, on Monday, May 8, at 5:30 p.m.