DOCSLIB.ORG

NOTICE of MEETING the 22Nd DAA Board of Directors Meeting Is

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NOTICE of MEETING the 22Nd DAA Board of Directors Meeting Is NOTICE OF MEETING The 22nd DAA Board of Directors meeting is scheduled for Tuesday, October 9, 2018 at 1:30 p.m., in the Board Meeting Room, Del Mar Fairgrounds, 2260 Jimmy Durante Blvd., Del Mar, California, to consider the attached agenda. 22nd District Agricultural Association Board of Directors Steve Shewmaker, President Russ Penniman, Director Richard Valdez, Vice-President Frederick Schenk, Director Lisa Barkett, Director Pierre Sleiman, Director Lee Haydu, Director David Watson, Director Kathlyn Mead, Director *This notice is also available on the Internet at: www.delmarfairgrounds.com MISSION STATEMENT To manage and promote a world class, multi-use, public assembly facility with an emphasis on agriculture, education, entertainment, and recreation in a fiscally sound and environmentally conscientious manner for the benefit of all. BOARD OF DIRECTORS MEETING OCTOBER 9, 2018 @ 1:30 p.m. AGENDA Persons wishing to attend the meeting and who may require special accommodations pursuant to the provisions of the Americans with Disabilities Act are requested to contact the office of the General Manager, (858) 755-1161, at least five working days prior to the meeting to insure proper arrangements can be made. Items listed on this Agenda may be considered in any order, at the discretion of the chairperson. This Agenda, and all notices required by the California Bagley-Keene Open Meeting Act, are available on the internet at: www.delmarfairgrounds.com I. CALL TO ORDER – PRESIDENT STEVE SHEWMAKER II. ROLL CALL PAGE III. CONSENT CALENDAR 5 The items on the Consent Calendar will be enacted in accordance with recommended action under one motion unless trailed from the Consent Calendar by the Board. Any member wishing to trail an item from the Consent Calendar should notify the General Manager prior to the meeting. Trailed items will be considered after the motion to approve the Consent Calendar. A. Minutes, Regular Meeting, September 11, 2018 6-10 B. Out of State Travel Approval --- C. 22nd District Agricultural Association (DAA)/Sponsorship Contracts Approval 11 IV. MANAGERS REPORT 12 The Board may take approval action on the Manager’s Report: A. Employee Recognition for “Years of Service” (Informational) 13 B. Events Report (Informational) 14-16 C. Scream Zone Update (Informational) --- D. Don Diego Scholarship Foundation Report (Informational) --- E. Other (Informational) 17 V. COMMITTEE REPORTS 18 The Board may take approval action on Committee Reports and New Committee Assignments: A. Fair Operations Committee – Frederick Schenk, Chair 1. 2018 San Diego County Fair Wrap-Up (Informational) --- 2. 2019 San Diego County Fair Grandstand Entertainment Contracts Approval (Action) 19 3. 2019 San Diego Fair Proposed Theme Logo Approval (Informational/Action) 20 COMMITTEE REPORTS continued B. KAABOO Ad Hoc Committee – Richard Valdez, Chair --- 1. KAABOO Wrap Up Report (Informational) C. DMTC/Satellite Wagering Committee – Russ Penniman, Chair 1. DMTC Race Meet Report Wrap Up(Informational) 21-22 2. Satellite Wagering Report (Informational) 23-24 D. Finance Committee – Russ Penniman, Chair 1. Approval of NEW IBank Resolution for $15 million (Informational/Action) 25-26 E. Contracts Oversight Committee – Steve Shewmaker, Chair 1. Cirque du Soleil (Informational/Action) 27-63 2. Good Life Seminar Series Contract (Informational/Action) 64-73 F. Food & Beverage Committee – Lisa Barkett, Chair 1. Premier P&L Statement – August 2018 (Informational/Action) 74 G. SSRP Alternative Uses Committee – Steve Shewmaker, Chair 1. Surfside Race Place renovation update (Informational) --- H. Land Use/Environmental/Master Plan Committee – David Watson, Chair 1. Committee Report (Informational) --- I. Community Relations Committee – David Watson, Chair 1. Committee Report (Informational) --- J. Agriculture/Livestock Committee – Pierre Sleiman, Chair 1. Committee Report (Informational) 75-76 K. Legal Committee – Richard Valdez, Chair 1. Committee Report (Informational/Action) --- VI. PUBLIC COMMENT Speakers are requested to sign in prior to the start of the meeting and are limited to three minutes. Speaker’s time may be modified based on the number of public speakers. Public comments on agenda items will be accepted during the meeting as items are addressed. Public comment on issues NOT on the current Agenda is allowed. However, no debate by the Board shall be permitted on such public comments and no action will be taken on such public comment items at this time, as law requires formal public notice prior to any action on a docket item. VII. DIRECTORS REQUEST A. Future Agenda Items VIII. CLOSED EXECUTIVE SESSIONS (NOT OPEN TO THE PUBLIC) Pursuant to the authority of Government Code section 11126(a), (b), and (e), the Board of Directors will meet in closed executive sessions. The purpose of these executive sessions is: CLOSED EXECUTIVE SESSIONS (NOT OPEN TO THE PUBLIC) continued A. To confer with and receive advice from legal counsel regarding potential litigation involving the 22nd DAA. Based on existing facts and circumstances, there is significant exposure to litigation against the 22nd DAA. B. To confer with and receive advice from legal counsel regarding potential litigation involving the 22nd DAA. Based on existing facts and circumstances, the Board of Directors will decide whether to initiate litigation. C. To confer with counsel, discuss, and consider the following pending litigation to which the 22nd DAA is a party. Guillermo Munoz v 22nd DAA, Claim No. 7030090048. D. To confer with counsel, discuss, and consider the following pending litigation to which the 22nd DAA is a party. Gillian Brown v 22nd DAA, United States District Court, Southern District of California, Case No. 15CV2578. E. To confer with counsel, discuss, and consider the following pending litigation to which the 22nd DAA is a party. Aegis Software, Inc. v 22nd DAA, United States District Court, Southern District of California, Case No. 15CV2956. F. To confer with counsel, discuss, and consider the following pending litigation to which the 22nd DAA is a party. Arthur Senteno v 22nd DAA, San Diego County Superior Court, Case No. 37-2016-00005557-CU-WT-CTL. G. To confer with counsel, discuss, and consider the following pending litigation to which the 22nd DAA is a party. Zweig v. 22nd DAA, San Diego County Superior Court, Case No. 37-2018-0024143 IX. RECONVENE TO OPEN SESSION A. Report on actions, if any, taken by the Board in closed executive session. X. DIRECTORS CLOSING COMMENTS XI. FOR YOUR INFORMATION 77 A. 22nd DAA Financial Statements 78-79 B. Satellite Wagering Operating Statement 80 C. RTA & RTLC Financial Reports 81-82 D. Correspondence 83-121 E. November Board Meeting will be held on Wednesday, November 14 due to the --- Veteran’s Day Holiday. F. Other 122-123 XII. ADJOURNMENT 10/3/2018 1:24 PM PAGE III. CONSENT CALENDAR 5 The items on the Consent Calendar will be enacted in accordance with recommended action under one motion unless trailed from the Consent Calendar by the Board. Any member wishing to trail an item from the Consent Calendar should notify the General Manager prior to the meeting. Trailed items will be considered after the motion to approve the Consent Calendar. A. Minutes, Regular Meeting, September 11, 2018 6-10 B. Out of State Travel --- No out of state travel this month C. 22nd DAA / Sponsorship Contracts Approval 11 Page 5 22nd DISTRICT AGRICULTURAL ASSOCIATION Board of Directors Meeting Del Mar Fairgrounds 2260 Jimmy Durante Blvd. Del Mar, Ca 92014 September 11, 2018 MINUTES The 22nd District Agricultural Association(DAA), Board of Directors met in the Sports Club at Surfside Race Place at the Del Mar Fairgrounds on September 11, 2018 at 10:00 a.m. OFFICERS PRESENT: Steve Shewmaker, President Richard Valdez, Vice President Tim Fennell, Manager, Secretary-Treasurer DIRECTORS PRESENT Lisa Barkett, Lee Haydu, Kathlyn Mead, Russ Penniman, Frederick Schenk, Pierre Sleiman, and David Watson DIRECTORS/OFFICERS ABSENCE NONE OTHERS PRESENT Josh Caplan, Deputy Attorney General Katie Mueller, Deputy General Manager - 22nd DAA Gary Reist, Deputy General Manager - 22nd DAA Rita Walz, Chief Financial Officer – 22nd DAA Donna O’Leary, Executive Assistant - 22nd DAA CALL TO ORDER President Steve Shewmaker called the meeting to order at 10:00 a.m. with a quorum present. ROLL CALL All Directors were present except for Frederick Schenk who arrived at 1 p.m. during the lunch break and Kathlyn Mead who arrived at 10:20 a.m. DIRECTORS REQUEST Future of Gun Shows at the Del Mar Fairgrounds President Shewmaker gave the ground rules for Public Comment. It was two minutes per speaker and no ceding of time. CEO Timothy Fennell stated in his opening remarks that the safety and security of the patrons and employees is the number one priority of the District. Mr. Fennell said that the security protocols continue to be evaluated in the every-changing event-security landscape. Vice President Valdez gave a detailed power point presentation that outlined the Board’s recommendation regarding Gun Shows at the Fairgrounds as listed on page 99 of the Board Packet. After the presentations Vice President Valdez moved to approve the recommendation from the Contracts Oversight Committee. Director Watson seconded. Page 6 22nd DAA Board Meeting Minutes September 11, 2018 Page 2 of 5 PUBLIC COMMENT – GUN SHOW RELATED The following people gave their public comment on Agenda item IV. A In Favor of Recommendation • Mayor Dwight Worden, Del Mar, Opposed to Recommendation Other presented City Council’s resolution. • Carl Geddes • William Espino, Carlsbad resident • Ellie Haviland, City of Del Mar. • Bill Knoff spoke about the shooting on Sunday, • Judy Hegenauer, representing the • Gary Brennan, SD County Wildlife September 9 before Ice Cube Solana Beach City Council. Federation president concert. • Catherine Blakespear, Mayor City of • Tracy Olcott, B&L Productions • Bob Macomber spoke on need for Encinitas president and Crossroads of the increased awareness of bullying in • Stephen Hill, representing Assembly West Gun Shows general manager schools. member Todd Gloria • Jim Riegelman • Seth Miller spoke on drugs being • Debra Schade, Solana Beach School • John Dupree cause of problems, not guns.
Load more

Recommended publications
  • 2019 MHSA Final Standings (Banquet Program)
    2019 MARYLAND HORSE SHOWS ASSOCIATION ANNUAL MEETING & AWARDS BANQUET “Creating horse show traditions since 1932” Horse & Pony of the Year • Horse Show of the Year John A. Wagner Jr. Award • Distinguished Service Award Elizabeth Solter Award • Perfect Parent Award Short Stop Award • Hall of Fame Induction Silent Auction Saturday • November 30 • 2019 Oriole Park at Camden Yards 333 W. Camden Street Baltimore, Maryland 21230 www.mdhsa.org Objectives of the MHSA The objectives of this Association, as set forth in the Certificate of Incorporation, are: To promote and/or conduct horse shows, forums, clinics and other special events To coordinate and cooperate with the show committees and exhibitors of horse shows To work in the interest of and for the improvement of horses And in furtherance of such objects To assign show dates to member shows and to make adequate and fair rules governing competitions and to enforce them for the common benefit To serve and promote the best interests of member shows and exhibitors who participate in them. To license horse show judges, stewards and other officials To otherwise assist in connection with the exhibition of horses and ponies To protect the health, safety, and well being of participants AGENDA 4:00-4:30 PM Horse Show Industry Open Forum 4:30 PM-5:00 PM MHSA Open Forum 5:00 PM-6:00 PM MHSA Annual Meeting 6:00 PM-7:00 PM Reception & Silent Auction 7:00 PM-11:00PM Buffet Dinner & Awards Ceremony 2019 MHSA BOARD OF DIRECTORS Officers President ...............Streett Moore 1st Vice President ............... Lara McPherson 2nd Vice President ...............Katie Petronelli Treasurer ..............
    [Show full text]
  • 1270637 Depeche Mode 1255282 Coldplay 1222948 Ed Shee
    1 2,244,721 Guns N’ Roses 51 387,237 Cirque du Soleil - “Amaluna” 2 2,138,160 U2 52 379,648 Def Leppard 3 1,511,953 “Disney On Ice” 53 372,249 Cirque du Soleil - “Kooza” 4 1,270,637 Depeche Mode 54 358,517 Jason Aldean 5 1,255,282 Coldplay 55 357,451 Journey 6 1,222,948 Ed Sheeran 56 352,006 Chance The Rapper 7 1,007,839 Justin Bieber 57 346,231 The Chainsmokers 8 949,255 Bruno Mars 58 345,422 The Lumineers 9 886,858 Metallica 59 335,490 J. Cole 10 875,862 Eric Church 60 327,635 Kings Of Leon 11 841,242 Florida Georgia Line 61 313,708 Olly Murs 12 839,142 Ringling Bros. and Barnum & Bailey Circus 62 310,974 “Paw Patrol Live!” 13 769,649 Tim McGraw / Faith Hill 63 304,448 Cirque du Soleil - “Volta” 14 757,153 “World Wrestling Entertainment” 64 299,609 Kendrick Lamar 15 751,940 Red Hot Chili Peppers 65 296,057 Elton John 16 723,280 John Mayer 66 295,675 “The Illusionists” 17 699,990 Ariana Grande 67 291,252 Bryan Adams 18 649,504 Future 68 290,198 Train 19 625,477 Dierks Bentley 69 287,732 Jeff Dunham 20 617,344 Celine Dion 70 283,135 Little Mix 21 608,973 Shawn Mendes 71 280,753 Micky Flanagan 22 594,944 Tom Petty & The Heartbreakers 72 280,447 Jerry Seinfeld 23 587,206 The Weeknd 73 278,482 Chris Rock 24 573,099 Sting 74 275,671 “Marvel Universe Live!” 25 556,773 Green Day 75 267,785 “Riverdance” 26 555,522 Sam Hunt 76 261,184 Bruce Springsteen & The E Street Band 27 545,687 Iron Maiden 77 258,130 Chris Brown 28 518,003 The Harlem Globetrotters 78 252,669 Robbie Williams 29 517,013 Cirque du Soleil - “Varekai” 79 252,479 Jack Johnson
    [Show full text]
  • The Mars Volta and the Symbolic Boundaries of Progressive Rock
    GENRE AND/AS DISTINCTION: THE MARS VOLTA AND THE SYMBOLIC BOUNDARIES OF PROGRESSIVE ROCK R. Justin Frankeny A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in Musicology in the School of Music. Chapel Hill 2020 Approved by: Aaron Harcus Michael A. Figueroa David F. Garcia © 2020 R. Justin Frankeny ALL RIGHTS RESERVED ii ABSTRACT R. Justin Frankeny: Genre and/as Distinction: The Mars Volta and the Symbolic Boundaries of Progressive Rock (Under the direction of Dr. Aaron Harcus) In the early 2000’s, The Mars Volta’s popularity among prog(ressive) rock fandom was, in many ways, a conundrum. Unlike 1970s prog rock that drew heavily on Western classical music, TMV members Omar Rodriguez-Lopez and Cedric Bixler-Zavala routinely insisted on the integral importance of salsa music to their style and asserted an ambivalent relationship to classic prog rock. This thesis builds on existing scholarship on cultural omnivorousness to assert that an increase in omnivorous musical tastes since prog rock’s inception in the 1970s not only explains The Mars Volta’s affiliation with the genre in the early 2000s, but also explains their mixed reception within a divided prog rock fanbase. Contrary to existing scholarship that suggests that the omnivore had largely supplanted the highbrow snob, this study suggests that the snob persisted in the prog rock fanbase during progressive rock’s resurgence (ca. 1997-2012), as distinguished by their assertion of the superiority of prog rock through discourses of musical complexity adapted from classical music.
    [Show full text]
  • Directions to Cirque Du Soleil Miami
    Directions To Cirque Du Soleil Miami Acuminate and caressive Mohammad undermanning, but Ignacio cattishly interfered her Dahomey. Bryce arraigners.forerun stammeringly. Seborrheic and connecting Dyson never quiesces mezzo when Bay unshrouds his At hard rock stadium gates, and film and every sense of creativity to ensure proper social and refresh this game at ticketmaster to be creating new york Let me know about whether cookies and directions to teach on cruise the course, at hard rock stadium. For the to time Cirque du Soleil's creative front-line staffers seem concerned. The new YVE Hotel Miami offers trapeze classes at possible school across. Get driving directions from Miami to Newport News about distance 03 miles The ahead line distance. Alumni Benefits Nova Southeastern University. Book your feet do not available parking lot of these dates or lime garage is offering a talented cast! You will update your reset link in response to reach their point of madelyn miller working three decades, directions to cirque miami has everything is working. J-Milton Divisions Property Management. Mar 16 6 PM 10 PM 212 Northeast 59th Street Miami FL USA Directions. Florida Department public Health Guidelines Miami-Dade Broward Palm Beach Monroe St Lucie Public Access. Prices include keywords taken directly. Private Party Takeout Water View Serving Dinner Parking Valet Parking. The directions to ensure that. Hard Rock Stadium Homepage. Disney's West Side opened in 1997 and is the freight to Cirque du Soleil DisneyQuest and said of Blues. Cirque du Soleil first staged Alegria 25 years ago being the Canada-based human circus producer has charm the tower a makeover that you.
    [Show full text]
  • Final Degree Dissertation
    UNIVERSIDAD PONTIFICIA COMILLAS Facultad de Ciencias Humanas y Sociales Bachelor’s Degree in International Relations Final Degree Dissertation A LOCATION ANALYSIS FOR CIRQUE DU SOLEIL’S ESTABLISHMENT OF RESIDENT SHOWS Student: María Domínguez Pérez Supervisor: Santiago Urío Rodríguez Madrid, April 2018 “They can do anything, from a permanent location on Broadway, to a traveling show that pops into towns for two to three weeks, to a show that just appears for a day on a football field. That is easy to say and very hard to execute” - Dawn Hudson (cited in Rastello, 2017) - ACKNOWLEDGEMENTS First of all, I would like to thank Santiago Urío for his constant support and guidance, not only throughout the elaboration of this dissertation, but also during the past couple of years. Through his lessons and expertise, I have been able to discover my passion for International Strategy and Business Management, which I hope to develop further during my professional career. In addition, a special thanks to Jesús Méndez for always lending an ear and for encouraging me to strive for excellence and pursue my dreams of working for a major entertainment firm such as Cirque du Soleil. Finally, to my family for their words of encouragement and unconditional support. Thank you for helping me find my way out of the most stressful moments during the year. Abstract With the development of the international business field, the study of location gained importance. It began to distinguish between firms that initiated their internationalisation process to reduce production costs and those that did it in order to access new markets.
    [Show full text]
  • Homemaking, Making Home, and Femininity in Contemporary Women’S Filmmaking and Literature of the Métropol and the Maghreb
    THERE’S NO PLACE LIKE HOME: HOMEMAKING, MAKING HOME, AND FEMININITY IN CONTEMPORARY WOMEN’S FILMMAKING AND LITERATURE OF THE MÉTROPOL AND THE MAGHREB DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stacey Weber-Fève, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Judith Mayne, Advisor Professor Danielle Marx-Scouras _________________________________ Advisor Professor Jennifer Willging Graduate Program in French and Italian Copyright by Stacey Weber-Fève 2006 ABSTRACT This dissertation examines the problematic location of home, the traditional female activity of homemaking, and the representation of female subjectivity in contemporary cinematic, (auto)biographical, and fictional texts by several contemporary French and Francophone women artists. These writers and filmmakers question the home as a female interior space in which female protagonists traditionally become objects or accessories. They also bring to the fore multiple representations of contemporary French, Algerian, and Tunisian femininity. In these texts, the artists embrace and foreground domestic space, female housekeeping activities, and women’s ideological roles in order to (re)appropriate the normative gender discourses of their homelands. They accomplish these goals by revealing how the home within each society functions subversively as a space of socio-political-historical contention. Using Assia Djebar’s work as a source of theoretical departure, this study illustrates the representation of women in body, by voice, and through the gaze in a collection of narratives created by French-speaking women artists from the Métropol and the Maghreb. Using feminist film theoretical and lifewriting critical perspectives, I examine the functions of the gaze and the effects of voicing the personal for women of France and North Africa.
    [Show full text]
  • A Argumentação Do Circo Contemporâneo: Estratégias Argumentativas No Release Do Espetáculo Varekai Do Cirque Du Soleil
    A ARGUMENTAÇÃO DO CIRCO CONTEMPORÂNEO: ESTRATÉGIAS ARGUMENTATIVAS NO RELEASE DO ESPETÁCULO VAREKAI DO CIRQUE DU SOLEIL Cristina Alves de Macedo Jaciara Ornélia Nogueira de Oliveira RESUMO O presente artigo discute sobre a argumentação do circo, focando o estudo no release do espetáculo Va- rekai apresentado pelo Cirque du Soleil. Busca-se trazer indicações sobre o auditório ao qual se dirige o espetáculo Varekai e discutir sobre as técnicas argumentativas utilizadas no release, com base na classi- ficação disponibilizada por Perelman e Tyteca (2005). Inicialmente, o artigo descreve a história do circo, mostrando sua evolução desde o Circo Moderno ao Circo Contemporâneo, e a classificação dos circos, em pequeno, médio e grande, destacando que o Cirque du Soleil é um circo de grande porte. Discute-se sobre o auditório do espetáculo Varekai e por fim, abordam-se as técnicas argumentativas presentes no release. Palavras-chave: Argumentação; Auditório; Técnicas argumentativas; Circo. RESUMÉ Cet article veut discuter l’argumentation du cirque, Il essaie d’apporter des indications sur l’auditoire 27 vers lequel le spectacle Varekai se dirige et discuter les techniques argumentatives utilisées au release, à partir de préssuposés théoriques développés par Perelman et Tyteca (2005). D’abord, l’article décrit l’histoire du cirque, et montre son évolution dês le Cirque Moderne jusqu’au Cirque Contemporain, et le classement des cirques, comme petit, moyen et grand, Il souligne que le Cirque du Soleil est un cirque de grande dimension Il discute à propos de l’auditoire du spectacle Varekai et finalement, aborde les techniques argumentatives présentées dans le release. Mots-Clés: Argumentation; Auditoire; Techniques argumentatives; Cirque.
    [Show full text]
  • AMAZING OFFERS Ticketsatwork Saves Your Employees Money on the Top Attractions and Shows Across the Country!
    AMAZING OFFERS TicketsatWork Saves Your Employees Money on the Top Attractions and Shows Across the Country! TM Universal Orlando Resort Universal Studios Blue Man Group Islands of Adventure CityWalk Universal’s Volcano BayTM Walt Disney World ® Resort Disney’s Hollywood Studios Typhoon Lagoon Animal Kingdom Blizzard Beach Magic Kingdom Epcot Cirque du Soleil® Corteo CRISS ANGEL: MindFreak Live Crystal KA LOVE LUZIA Mystere Volta MJ One O Varekai Zumanity SeaWorld® Parks & Entertainment SeaWorld Orlando SeaWorld San Diego SeaWorld San Antonio Discovery Cove Water Country USA Adventure Island Busch Gardens Tampa Busch Gardens Williamsburg Aquatica Orlando Aquatica San Diego Sesame Place Dine with Shamu San Diego Dine with Shamu Orlando Cedar Fair® Parks California’s Great America Dorney Park Kings Island Valleyfair Carowinds Gilroy Gardens Knott’s Berry Farm & Soak City Worlds of Fun Cedar Point Kings Dominion Michigan’s Adventure Orlando & Tampa Attractions Coca-Cola Orlando Eye Crayola Experience Orlando Clearwater Marine Aquarium Kennedy Space Center Madame Tussauds Tampa’s Lowry Park Zoo CoCo Key WonderWorks Orlando Sleuth’s Mystery Dinner Show The Florida Aquarium Fun Spot America LEGOLAND Florida Resort Orlando Magic Ripley’s Believe It or Not! Skeletons: Animals Unveiled Tampa’s Lowry Park Zoo Treasure Tavern California Theme Parks & Attractions Disneyland Disney’s California Adventure Knott’s Berry Farm Pirate’s Dinner Adventure LEGOLAND California Medieval Times Universal Studios Hollywood San Diego Zoo Six Flags California’s
    [Show full text]
  • Entertainment Discounts for Employees! Company Code Orlando: 407-393-5862 Toll Free: 866-273-5825
    Entertainment Discounts for Employees! Company Code Orlando: 407-393-5862 Toll Free: 866-273-5825 October 2017-National *Save Money *Avoid Admission Lines *Have Your Tickets Before You Go *Convenient Delivery Options ORLANDO & TAMPA ATTRACTIONS Walt Disney World ® Resort – Buy 4 Days, Get an Extra Day Free! Ripley’s Believe It or Not! – Save 30%! Coca-Cola Orlando Eye – Save up to 35%! Mickey’s Very Merry Christmas Party– Save over 15% on Select Nights! Tampa’s Lowry Park Zoo – Pay for a day - Come back all year for free! Madame Tussauds – Save up to 35%! Universal Orlando ResortTM Halloween Horror Nights™ Gatorland – Save over 25%! ZooQuarium – Save over 30% on Combo Ticket! – Save up to 55% on Select Nights! Buena Vista Watersports – Save over 20%! Wild Florida Airboats and Gator Park – Save over 25% on a Legoland FL – Limited Time! Kids Go FREE! Sammy Duvall’s Watersports – Buy Now and Save over 25%! 1-Hour Night Tour! SeaWorld Spooktacular – Save up to 35% on SeaWorld La Nouba by CDS – Last Show 12/31/17- Save over 60%! Orlando Tree Trek Adventure Park – Save over 25%! Orlando Plus All Day Dine! The Florida Aquarium – Save over 30% with our Exclusive Machine Gun America – Save over 25% ! Aquatica Orlando – Save over 35%! Combo Ticket! Orlando Dinner Shows Busch Gardens Serengeti Safari – Save over 10% on Safari Experience! TreeUmph! Adventure Course – Save over 20%! Mango’s Tropical Cafe Orlando – Save up to 50% on Orlando’s Busch Gardens Tampa Bay – Buy Now and Save on Annual Passes! Escape Room Entertainment – Halloween Savings
    [Show full text]
  • OFFERS Memberdeals Saves Your Members Money on the Top Attractions and Shows Across the Country!
    AMAZING OFFERS MemberDeals Saves Your Members Money on the Top Attractions and Shows Across the Country! TM Universal Orlando Resort Universal Studios Blue Man Group Islands of Adventure CityWalk Universal’s Volcano Bay Walt Disney World ® Resort Disney’s Hollywood Studios Typhoon Lagoon Animal Kingdom Blizzard Beach Magic Kingdom Epcot Cirque du Soleil® Amaluna Corteo O Mystere Volta LOVE Crystal KA MJ One Zumanity SeaWorld® Parks & Entertainment SeaWorld Orlando SeaWorld San Diego SeaWorld San Antonio Discovery Cove Water Country USA Adventure Island Busch Gardens Tampa Busch Gardens Williamsburg Aquatica Orlando Aquatica San Diego Sesame Place Cedar Fair® Parks California’s Great America Dorney Park Kings Island Valleyfair Carowinds Gilroy Gardens Knott’s Berry Farm & Soak City Worlds of Fun Cedar Point & Cedar Point Shores Kings Dominion Michigan’s Adventure Orlando & Tampa Attractions ICON ORLANDOTM Crayola Experience Orlando Clearwater Marine Aquarium Kennedy Space Center Madame Tussauds CoCo Key WonderWorks Orlando Sleuth’s Mystery Dinner Show The Florida Aquarium Fun Spot America LEGOLAND Florida Resort Orlando Magic Tampa’s Lowry Park Zoo Screamin’ Gator Zip Line Skeletons: Animals Unveiled Andretti Indoor Karting & Games Gator World Parks IFLY Indoor Skydiving - Orlando/Tampa Revolution Off Road Mango’s Tropical Café California Theme Parks & Attractions Universal Studios Hollywood® Disneyland® Resort Hornblower Cruises Knott’s Berry Farm Pirate’s Dinner Adventure LEGOLAND® California Medieval Times San Diego Zoo Six Flags California’s
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Courtship, Violence, and the Formation of Marriage in the Early Modern Italian Novella Tradition Permalink https://escholarship.org/uc/item/3nb1w9mn Author Russell, Sara E. Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Courtship, Violence, and the Formation of Marriage in the Early Modern Italian Novella Tradition By Sara Elizabeth Christina Russell A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Albert R. Ascoli, Chair Professor Barbara G. Spackman Professor Maureen C. Miller Spring 2010 Abstract Courtship, Violence, and the Formation of Marriage in the Early modern Italian Novella Tradition by Sara Elizabeth Christina Russell Doctor of Philosophy in Italian Studies University of California, Berkeley Professor Albert R. Ascoli, Chair This dissertation examines the intersection of courtship, violence, and the formation of marriage in early modern Italian legal and fictional narratives. My investigation begins with the marriage causae of Gratian’s Concordia discordantium canonum, more commonly known as the Decretum, then moves on to a selection of novellas from Giovanni Boccaccio’s Decameron and culminates in a series of close readings from Bandello’s Novelle. My analysis of these texts reveals complexity and ambiguity in the representation of all stages of courtship and marriage formation in addition to depicting conflict between parents and offspring in the formation of marriage. Emphasizing the role of storytelling within canon law and the intrusion of legal systems (both real and fictional) into storytelling, my reading of coercion and violence is grounded in the broader historical context of courtship and marriage formation.
    [Show full text]
  • «Così Ho Dato Luce Al Cirque Du Soleil»
    L’ECO DI BERGAMO SABATO 9 FEBBRAIO 2013 57 A Laura Pausini Spettacoli è diventata mamma Laura Pausini e Paolo Carta hanno annun- ciato la nascita della piccola Paola. I geni- tori hanno scelto di condividere la loro [email protected] www.ecodibergamo.it gioia con una foto nel sito della cantante. a «Così ho dato luce al Cirque du Soleil» Lunedì a Bergamo Luc Lafortune, per 25 anni lighting designer degli spettacoli del gruppo «La poesia mi ha sempre ispirato, ma anche una sola parola, una foto, una persona per strada» MARIELLA RADAELLI per la facoltà di teatro, con di- te emozionale». Con quale me- a I suoi occhi percepisco- spiacere dei miei genitori preoc- todo si avvicina a un progetto? no gradazioni di luce in modo par- cupati per il mio futuro. E quan- «Ogni volta come fosse il primo. ticolare. Luc Lafortune coglie an- do trovai lavoro col Cirque i miei Va fatta tabula rasa. Non devi che «le sottili progressioni di luce si fecero ancora più impensieri- portare il bagaglio delle esperien- nella tessitura di una foglia», per- ti. Lavorare al Cirque non costi- ze precedenti». Come sceglie i ché è nato per lavorare con la luce. tuiva una buona reputazione...». colori? «Con attenzione, visto Tra i più noti lighting designer Ma è lì che è cresciuto: «Col regi- che sono accompagnati da un al mondo, il pluripremiato arti- sta italiano Franco Dragone. Al profondo simbolismo. Il rosso sta concettuale canadese (Mon- Cirque ho imparato tutto». C’era per esempio può connotare sen- treal, 1958) ha legato il suo nome libertà assoluta.
    [Show full text]