DOCSLIB.ORG

Vistasonthly Newsletter of the Eldorado Community Improvement Association Neighbors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vistasonthly Newsletter of the Eldorado Community Improvement Association Neighbors VOLUME XVIII, ISSUE 1 ELDORADO at SANTA FE January 2016 IN THIS ISSUE ­q ­ECIA New­s ..............­2 –3 ­­­­­­­­­­­­­­­­­­ In the Community ....4–5 EAWSD Update ........4–5 Library News ....................6 Rodents .......................7 Recycling .......................7 MVISTASonthly Newsletter of the Eldorado Community Improvement Association Neighbors ...................7 ECIA, 1 La Hacienda Loop, Santa Fe, New Mexico 87508 q (505) 466-4248 q www.eldoradosf.org New GM Brings Training, Experience, and Desire to Engage eet Brenda Leonard , Eldorado’s new Gen - shared Eldorado’s rich history and how it has evolved. eral Manager. Recruited by our manage - I’ve appreciated hearing about the process of moving Mment company, HOAMCO , in late September from a self-managed community to one under the di - on an interim basis, Brenda became our official GM rection of a professional management organization. on December 1. Besides her 17 years of hands-on V: How does Eldorado compare with the commu - HOA industry experience, she holds an Association nity you managed in Arizona? Manager Specialist (AMS) certification and a Certi - BL: Each community develops its own unique fied Manager Community Association (CMCA) cer - character through its history, its boards and its loca - tification. tion. That makes it hard to compare them. In lieu of A Massachusetts native, Brenda comes to New that, I look at the health of the community by its fi - Mexico after more than 20 years of Arizona residency. nancial condition and the willingness of the board to During her last 14 years in the Scottsdale area, she engage with both the general manager and the com - worked as the association manager for a 2,490-resi - munity as a whole. As with the community I managed dence master planned community. In March 2014 previously, this board is quite willing to engage, and she decided to hang up her managing spurs and retire. Eldorado’s financial health is good. However, she soon realized she was too young and V: Have you found particular challenges here? Brenda Leonard, the ECIA’s new threw her hat into the ring upon hearing that HOAM - BL: Nothing extraordinary—just the normal day- General Manager. Photo: Jack Arnold CO was searching for ECIA’s next GM. to-day challenges of being new and collaborating with Brenda is a mother of two grown boys, has a young my staff. granddaughter and is expecting another grandchild in V: Do you have a philosophy when it comes to early spring. Despite her crammed schedule of meet - community management? ings with staff and getting to know the community in BL: My philosophy for management is to let depth, she managed to answer a few of our questions. neighbors remain neighbors and to be reasonable and Vistas (V): You’ve only been on the job less than prudent when making decisions and providing guid - three months. What’s been your experience so far? ance. I always try to remember that I am a facilitator BL: During this brief time, the Board and staff have and a touchstone between homeowners and the board. CONTINUED ON PAGE 6 >> BYLAWS REVIEW he Election Committee was assigned the task We presented our Final Proposed Review to the of conducting the biannual review of the Board in November. With their approval, we are pre - TThird Amended and Restated Bylaws of El - senting this proposal to the Eldorado Community by dorado Community Improvement Association, Inc. posting it on the Eldorado website. Enter the follow - We started the process in January 2015 and finished ing link into your browser to find the 2016 Proposed in November. The 2013 review, headed by Jan Pietr - Bylaws Revision: eldoradosf.org/2016-proposed- qECIA Board zak , gave us a good base. We improved or simplified bylaws-revision.html . Printed copies will be available Meeting, some of the grammar and corrected capitalization for at the ECIA office at the Community Center. Community consistency. We reformatted some areas for clarity and/ We are holding a public forum on February 9, Center or reworded for the same purpose. 2016, 7–9 PM in the Railroad Room at the Commu - New portions were added for clarity, to delineate an nity Center, to provide opportunity for community in - Railroad Bldg. accepted process, or to address new issues. The appro - put. Bring your comments and concerns for discussion. Thurs., priate wording was researched by consulting other Voting on the 2016 Proposed Bylaws Review will be January 21, HOA bylaws, Internet references, and members’ expe - included on the ballot with the ECIA Board Election. 7 PM rience, knowledge of law, and Robert’s Rules of Order. –Kathie Graham, Chair, Election Committee © 2016, ECIA, Inc. All rights reserved. JANUARY 2016 1 qECIA: OUR HOMEOWNERS ASSOCIATION Share your Owner vs. Tenant Responsibilities comments ncreasingly, Eldorado homeowners are renting bors and within the requirements of these legal and with us! out their homes, and with this trend, the ECIA binding documents. Ihas noticed an increase in tenant violations of the It is the responsibility of any tenants in Eldorado For policy and Covenants and Guidelines. Violations range from to read and follow the Eldorado Covenants and Guide - barking or roaming dogs to uncovered RVs and trail - lines provided by the owner. This will ensure that they deadline, see ers. This increase, we believe, is due in part to the are not in violation of the Covenants and/or Guide - below many homeowners (often absentee landlords) who are lines. Should any tenant have specific questions about not doing an adequate job of screening their tenants these documents, we ask that they call us at the ECIA t t or informing them that Eldorado is a covenant-con - for clarification. Tenants should also keep in mind that trolled community and that they, like the home owner , they cannot make any kind of exterior changes to the Editorial are required to respect and follow the Eldorado property (such as adding a shed or building a fence) Policy Covenants as well as the Eldorado Guidelines for Pro - without the owner of the home first coming to the Vistas welcomes your tective Covenants and Building Restrictions. To clar - ECIA for architecture review. ideas, stories, photos, and ify the responsibilities of both parties with respect to These important documents can be found on our art. Please include full Eldorado’s governing documents, the following website at the following links: name and contact infor - should be read and understood: q http://eldoradosf.org/images/document/ mation. The newsletter It is the responsibility of homeowners who are Covenants.pdf will not publish material renting their home to properly screen prospective q http://eldoradosf.org/images/document/ deemed inflammatory, bi - renters to ensure that they will be responsible tenants Guidelines%20for%20Protective%20 ased, or inappropriate. and will respect and abide by the Eldorado Covenants Covenants%20October%2016th%202014% Submis sions will be se - and Guidelines. It is also imperative that homeown - 20Revised%20Version.pdf lected and edited at the ers provide tenants with a copy of the Eldorado Any homeowners or tenants who have questions discretion of the editor. Covenants and Guidelines before they rent out their about the ECIA are encouraged to call us at 466-4228 Community announce - home, to ensure that renters are aware of their respon - or visit our website at eldoradosf.org . ments are welcome as well, sibility as tenants to live in harmony with their neigh - –Mark Young, Covenant Compliance Representative along with accompanying photos. 2016 Assessment Increase The increased assessment is also an upper limit for DEADLINE : Newsletter he ECIA Board of Directors has adopted 2017, since the Association’s Bylaws permit an in - deadline is the 5th day of 2016 Operating and Maintenance Budgets as crease only once every two years. each month. Submis sions Tproposed by their Finance Committee. This The most rapidly rising component of the Associ - can be dropped off or includes an assessment increase for 2016 to $460 per ation’s expenses is maintenance of amenities, both mailed to the ECIA office year. Invoices to all lot owners incorporating this as - ongoing yearly upkeep and contributions to a reserve or e-mailed to diana@ sessment should be received by early January, with pay - for future replacement requirements. These amenities eldoradosf.org. Please ments due by March 1. Payments must be made to include a network of hike/bike paths; swimming pool; include “Attn: Vistas” in HOAMCO, our Association management, in accor - tennis, basketball, and volleyball courts; children’s your message. dance with instructions on each invoice. Please con - play areas; Community Preserve and greenbelts; and Mission tact the ECIA office for help or questions at 466-4248. the Community Center building, patio, and grounds. Statement The mission of Vistas , the 2016 ECIA Board Election monthly newsletter of the appy New Year, Eldorado! The Election There are two requisites that every petitioner must ECIA, is to inform the El - Committee wants to alert you that the 2016 satisfy. First, the petitioner must be a Member in dorado community about ECIA Board Election process is about to Good Standing (i.e., must have paid his or her 2015 issues before the ECIA H Board and the member - begin. There will be two Board of Director positions assessment) and second, can certify that she or he will ship at large. By so doing, open for election that will expire in 2019. As of Jan - be eligible to vote in the election (which requires the the publication seeks to uary 5, 2016, the Nomination Petition and its ac - 2016 assessment to be paid by the deadline). foster increased neighbor - companying Information and Instructions sheet are Each petition must have a minimum of 25 signa - hood pride and commu - available online at www.eldoradosf.org , under the tures of Members in Good Standing.
Load more

Recommended publications
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
    October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym.
    [Show full text]
  • Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
    Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career.
    [Show full text]
  • Are We Green Yet? Sustainability Takes Root in Our Intellectual Culture P
    University Magazine Spring 2015 ST.LAWRENCE Are We Green Yet? SUSTAINABILITY TAKES ROOT IN OUR INTELLECTUAL CULTURE P. 16 ST. LAWRENCE UNIVERSITY | SPRING 2015 Spring,15 Features Nowadays, when we ask ourselves “Are We Green Yet?” we’re 16 talking about a lot more than just energy consumption. SLU Connect-DC may be “One Small Step Inside the Beltway” 24 for our students, but we’re betting it will lead to many giant leaps. As her graduation looms, a stellar student-athlete probes what makes 26 her think “There’s Something About This Place.” He’s an actor, a philanthropist and a distinguished Laurentian. 30 That’s what we say when “Introducing Kirk Douglas Hall.” Departments In Every Issue 4 On Campus 2 A Word from the President You might say these are 12 Sports 3 Letters St. Lawrence’s representatives in Congress. They’re the 32 Philanthropy in Action 41 First-Person students who participated in 37 Laurentian Portraits 42 Class Notes the University’s inaugural SLU 40 On Social Media 81 From the Archives Connect-DC program in January. One of them, Mariah Dignan ’15, On the Cover: Sustainability at St. Lawrence is a work in progress, and illustrator Edmon de Haro far right, tells us more on page JEFF MAURITZEN © demonstrates that it’s becoming part of our cerebral DNA—as well as part of our pipes and groundskeeping. 24. And if what she predicts : Above: Alexander Kusak ’12 captured this shot of a trio of Denmark Program students in Copenhagen. proves true, you may see her SITE Margot Nitschke ’16, center, describes how Denmark incorporates sustainability into its national life; page 20.
    [Show full text]
  • Goldsmith 1929-2004
    Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True.
    [Show full text]
  • CUSHION GRIP Baseball Makes 1978Petersellers,Dyancannon
    SAT., MARCH, 29, 1SS3 THE CAROLINA TIMES 3 O JAPAN: THE CHANGING 10:00 TRADITION O O TRAPPER JOHN M.D. A ABC NEWS brilliant neurosurgeon. Trapper tS PRINCESS John, Gonzo, Ripples andJackpot 9 FOCUS ON THE FAMILY are all involved in of a " CITY IN FEAR the case girl AMERICA LIFESTYLES who la going blind due to a brain 7:00 tumor. (60 mins.) . When a psychotic killer of OO 60 MINUTES PREVIN AND THE PITTS- Q women terrifies a city, an ambi- UPSTAIRS, DOWNSTAIRS BURGH 'Brahms' Requiem' tious columnist played by David 'On Trial' This episode focuses on Brahma ia said to have begun J Jahssen (pictured) in his last the arrival of a strange new parlor- working on hia Requiem with his great television role capitalizes maid and her shattering effect on mother'sdeath.Yet.theaeedsfor on the panic, under orders from the Bellamy houaehold. that composition were allegedly his circulation-hungr- y publisher, OO GALACTICA 1980 sown with the madness and and turns the murderer into a (X) HEE HAW Guests: Joe Stam-ple- premature deeth of hia brilliant Moe page-one celebrity in 'City of Bandy and Clarence and deaf friend, Robert Fear' on 'The ABC Sunday Night GATEMOUTH Brown. (Repeat; 60 Schumann. Previn conducts the Movie.' SUNDAY, MARCH 30. mins.) Pittsburgh Symphony, the Men- Perry King and Pepe Serna HOCKEY Atlanta Flames vs delssohn Choir and soloists as and Zavala, Philadelphia Flyers , Barbara Hendricks and Ryan appear Armstrong PANORAMA respectively, a team of young Edwards. and Susan "DISNEY'S WONDERFUL (X) NEWS police detectives, WORLD 'The D.A.' A Sullivan stars as Crawford's wife, Shaggy VALIANT YEARS 'The Final Madeleine.
    [Show full text]
  • John Cassavetes
    Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Neglected Masterpieces of Cinema
    Class, Race and Corporate Power Volume 3 Issue 1 Article 3 2015 Neglected Masterpieces of Cinema Louis Proyect [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/classracecorporatepower Part of the Film and Media Studies Commons, and the Political Science Commons Recommended Citation Proyect, Louis (2015) "Neglected Masterpieces of Cinema," Class, Race and Corporate Power: Vol. 3 : Iss. 1 , Article 3. DOI: 10.25148/CRCP.3.1.16092133 Available at: https://digitalcommons.fiu.edu/classracecorporatepower/vol3/iss1/3 This work is brought to you for free and open access by the College of Arts, Sciences & Education at FIU Digital Commons. It has been accepted for inclusion in Class, Race and Corporate Power by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Neglected Masterpieces of Cinema Abstract This article will acquaint you with ten of the more important leftwing films I have reviewed over the past sixteen years as a member of New York Film Critics Online. You will not see listed familiar works such as “The Battle of Algiers” but instead those that deserve wider attention, the proverbial neglected masterpieces. They originate from different countries and are available through Internet streaming, either freely from Youtube or through Netflix or Amazon rental. In several instances you will be referred to film club websites that like the films under discussion deserve wider attention since they are the counterparts to the small, independent theaters where such films get premiered. The country of origin, date and director will be identified next ot the title, followed by a summary of the film, and finally by its availability.
    [Show full text]
  • Producer Edward Lewis Dies at 99
    8/13/19, 949 PM Page 1 of 1 Discover New Rock PLAY SONG Listen to Saturn Run now EDITION United States INTRODUCING Variety Intelligence Platform Got a News Tip? Newsletters Subscribe to Variety LOGIN FILM TV MUSIC TECH THEATER REAL ESTATE AWARDS VIDEO PODCASTS V500 HOME > FILM > OBITUARIES AUGUST 12, 2019 6:31PM PT Most Viewed Barstool Sports ‘Spartacus’ Producer Edward Founder Threatens to Fire Employees Lewis Dies at 99 Engaged in Greta Gerwig's 'Little Women' Debuts First By BREANNA BELL Trailer A Reunited CBS and Viacom Will Mark the End of a Four-Year Battle for Shari ADVERTISEMENT Discover New Rock CREDIT: COURTESY LEWIS FAMILY Edward Lewis, an independent producer best known for “Spartacus” and “Missing,” died at the age of 99 in his Los Angeles home on July 27. He produced 33 films, which garnered 15 Oscars and Golden Globe awards as well as 90 nominations. Additionally, he co-wrote musicals, works of fiction, and screenplays with the his partner and wife, Mildred, who died April 7. A passionate opposer of the Hollywood blacklist, Lewis was given credit for clearing the name of screenwriter Dalton Trumbo by hiring him for “Spartacus.” Lewis went on to produce “The Last Sunset,” “Lonely Are The Brave,” and “Executive Action,” all films written by Trumbo. Lewis and his wife were nominated for a best picture Oscar for Costa-Gavras’ 1982 drama “Missing.” They worked together on a number of other projects including, “Harold and Maude” and “Brothers.” He and his wife also co-wrote the books “Heads You Lose” Must Read and “Masquerade.” ADVERTISEMENT FILM Fox Feels the Pressure From Disney As Film Flops Mount Born Dec.
    [Show full text]
  • The Guy Mckone Collection at the TIFF Film Reference Library
    CATALOGUING A MAN’S LOVE OF MID TO LATE 20th CENTURY POSTERS The Guy McKone Collection at the TIFF Film Reference Library By Sasha Danielle Blais, Honours BA Near Eastern and Classical Archaeology, Wilfrid Laurier University, 2014 A Thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2016 © Sasha Danielle Blais 2016 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii Cataloguing a Man’s Love of Mid to Late 20th Century Posters: The Guy McKone Collection at the TIFF Film Reference Library Sasha Danielle Blais Master of Arts, Film & Photographic Preservation and Collections Management, Fall 2016 Ryerson University, Toronto, Ontario, Canada Abstract Despite the renewed interest in ephemera, there is limited research available on film ephemera. A survey of current literature shows there is a clear lack of work being done to study and preserve this material in public institutions. This thesis looked at the management and care of ephemera collections, specifically poster collections.
    [Show full text]
  • Ebook Download the Brave Cowboy
    THE BRAVE COWBOY PDF, EPUB, EBOOK Joan Walsh Anglund | 40 pages | 01 Jan 2001 | Andrews McMeel Publishing | 9780740706493 | English | Kansas City, United States The Brave Cowboy PDF Book You must be a registered user to use the IMDb rating plugin. First edition. I enjoyed the story, but there was too much emphasis on descriptions and not enough on the actual building of the character. No recommendations. A: Don't have none. My first Abbey but I plan to read more of his works in the future. Writers: Dalton Trumbo screenplay , Edward Abbey novel. To ask other readers questions about The Brave Cowboy , please sign up. Jack has read that Paul was sentenced to two years in prison for refusing to regist Planes, trains and automobiles. I'd recommend this book for anyone who enjoys a cowboy novel or at least good character development; particularly if you can stomach not having much closure. I really like Edward Abbey, for both his environmental politics and his formidable writing on the American West, both fiction and nonfiction. Many casual fans of Abbey might consider George Washington Hayduke as the author's favorite character, but it was John W. Full Cast and Crew. The United States Of America. Read the book and see the movie. A fiercely independent cowboy gets himself locked up in prison to escape with an old friend. The anarchist, Paul Bondi, and the cowboy,Jack Burns. Title: Lonely Are the Brave Kirk Douglas wrote that this was his favorite film, ever. This does not translate into "legal" or "law abiding" when his code comes into conflict with the latter.
    [Show full text]