Producer Edward Lewis Dies at 99
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Amid the Coronavirus Pandemic, Remember “Thanks for the Memory” Oscar-Winning
Back to Newsroom (/newsroom) Leo Robin Music Amid the Coronavirus Pandemic, Remember "Thanks for the Memory" Oscar-Winning Lyricist Leo Robin Who Served on The Hollywood Office of Music War Council During WWII - The Hollywood Walk of Fame Should Install #LeosLostStar" Awarded to Him 30 Years Ago Tuesday, April 28, 2020 3:18 PM SHERMAN OAKS, CA / ACCESSWIRE / April 28, 2020 / Turning on the radio back in 1944 you would have heard the most celebrated jazz musicians such as Louis Armstrong and Lionel Hampton and vocalists such as Frank Sinatra, Judy Garland, Dinah Washington and actress Marlene Dietrich singing the wartime song "No Love, No Nothin'." Lyricist Leo Robin wrote the heartfelt lyrics to this song during World War II when romantic and sentimental songs about the girls left behind captured the mood of the country. In The Great Jazz and Pop Vocal Albums, Will Friedwald gives his interpretation, "this no-frills love song is refreshingly straightforward. No frills, no love, no nothin', in fact -- it's all about the deprivation of the 'love-sick girl' on the home front is suffering; [...] there's an obvious parallel with wartime rationing and shortages. It was near impossible to get sugar, rubber, tires, or gasoline, among other goods and the same thing applied to love, she's not getting any of that either." Today's songwriters and musicians amid the Coronavirus pandemic follow in the footsteps of those during World War II in writing and performing songs that capture the mood of the country during this new war against what President Trump calls the "invisible enemy." For example, Alicia Keys, a 15-time Grammy winner, debuted her new powerful anthem "Good Job" to honor the unsung heroes in her own life during a CNN global town hall addressing the latest developments in the Covid-19 pandemic. -
Hollywood Hotel – the Hotel of Hollywood®
Hollywood Hotel – The Hotel of Hollywood® Media Contacts: Relevance PR Karen Gee-McAuley / 818-541-7724 [email protected] Hannah Hurdle 805-601-5331 [email protected] Address: 1160 North Vermont Avenue Los Angeles, CA 90029 Reservations: 323-746-1248 www.thehollywoodhotel.com Social Media: Facebook: https://www.facebook.com/thehollywoodhotel Twitter: https://twitter.com/hollywoodhotel1 Pinterest: http://www.pinterest.com/hollywoodhotel/ Instagram: hollywoodhotel Established: 1903 Introduction: Situated in the heart of Hollywood, Hollywood Hotel fuses old Hollywood glamour with a modern take on deluxe amenities and newly refreshed, comfortable rooms in a centrally-located urban setting. Hollywood Hotel pays homage to the City of Angels’ creative and artistic spirit, incorporating exquisite design elements and a sense of beauty and inspiration into every guest’s stay, with a nod to the hotel’s Hollywood roots. From elegant and contemporary décor to state-of-the-art extras, thoughtful amenities and unparalleled service, Hollywood Hotel makes each guest’s stay a masterpiece. Hollywood Hotel Fact Sheet Page 2 Location: Hollywood Hotel is located in the District of Hollywood in the City of Los Angeles and is the only Hollywood hotel located most closely to the world-famous Route 66. The hotel is steps away from shopping, world-class dining and cutting edge culture and nightlife. The hotel is only minutes away from the Greek Theater, Los Angeles Zoo, the world-famous Hollywood sign, Hollywood Walk of Fame, Griffith Park Observatory, Grauman’s Chinese Theater, Gene Autry National Center and Lake Hollywood. The hotel is also adjacent to the hip streets of Los Feliz, Silver Lake (voted “Best Hipster City” by Forbes) and Echo Park (backdrop for the film “The Kids Are All Right”), filled with restaurants, one-of-a-kind boutiques and nightclubs. -
6182 Rhodes & Singer.Indd
Consuming Images 6182_Rhodes & Singer.indd i 18/12/19 3:04 PM Robert Abel’s Bubbles (1974) 6182_Rhodes & Singer.indd ii 18/12/19 3:04 PM Consuming Images Film Art and the American Television Commercial Gary D. Rhodes and Robert Singer 6182_Rhodes & Singer.indd iii 18/12/19 3:04 PM Dedicated to Barry Salt and Gerald “Jerry” Schnitzer Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Gary D. Rhodes and Robert Singer, 2020 Edinburgh University Press Ltd The Tun—Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 6068 2 (hardback) ISBN 978 1 4744 6070 5 (webready PDF) ISBN 978 1 4744 6071 2 (epub) The right of Gary D. Rhodes and Robert Singer to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 6182_Rhodes & Singer.indd iv 18/12/19 3:04 PM Contents List of Figures vi Acknowledgments ix Introduction 1 1. Origins 16 2. Narrative 36 3. Mise-en-scène 62 4. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Download Issue 3 of Autitude
Welcome to the third thrill-packed edition of Autitude! Autitude is a magazine for the autistic community featuring an eclectic mix of articles, reviews, blogs, cartoons, photos and lots more. Illustrated and curated by the talented Ash Loydon, Autitude is shaped by what matters most to you. Thank you so much to everyone who has contributed to this edition, if you have something you would like to share please get in touch with us at [email protected]. To make sure you are updated when the latest edition is released sign up here – thank you! 4. Winter Connections update. 5. Reasonable Adjustment – A series by Lea B. 8. Taking Things Literally – An ongoing cartoon series by Peter Vermeulen. 10. Poems by C.D. 13. Hello Kitty! - Ash Loydon confesses all as teen hormones and cult horror collide. 18. Andrew Moodie casts a critical eye over Coming 2 America. 20. Artitude! Featuring Alistair Cowell. 22. Spectrum Superstars! 23. The Last Word. Email us at [email protected] 2. Fallen in Love, From a Chair December 2018. Dear Santa, think ble" it this #ear, a$ter all. %# too&good&to&be true 'ob no" "ill be devoured b# a bunch o$ unhel($ul $eelings acting in m# chest in coordinated "a#s. Santa, have tried to masks things, but #ou !no" ho" it is b# the time get home, get tired o$ it all. So last "ee! m# $ianc), aka elusive bo#$riend asked me i$ "as in love. said *#es+. ,hen he as!ed me i$ it "as someone at "ork and said *#es+. -
LIG. SUED 011ADS FORKENEDY Fl
practice MIMS at a. iu.L the desert. The film opened }LIG. SUED 011 ADS ,here yesterday at the Coronet 1, Titeitier. • FORKENEDY Fl Protest Explained Charles Boasberg, president of National General Pictures 'Makers of 'Executive Action' Corporation,' through which the film is being released, Ask Cancellation Damages said that if television stations ... were allowed to approve or disapprove of television com- By LOUIS CALTA mercials "no one will he able The distributor of "Execu, to make a motion picture • tive Action," the movie by without first clearing its sub- Dalton Trumbo about a "con- , ject matter with television , spiracy" to assassinate Pres- . executives." •. :ident Kennedy, filed a $1.5- Edward Lewis, producer of ' Million breach-of-agreement the film, which co-stars Burt suit yesterday morning in Lancaster, the. late. Robert - New York State Supreme Ryan and Will Geer, called , Court against the National • N.B.C,'s action television 'Broadcasting Company for censorship. canceling a television com- Ira Teller, director of ad- rnercial promoting the film. vertising and publicity for Arthur Watson, executive --, National General Pictures, ex- „Vice president of N.B.C. and plained that after N.B.C. had general manager of WNBC- turned down the commercial , TV, said that the spot adver- "We went to the American tisement was turned down Broadcasting Company and "on the basis of not meeting , the Columbia Broadcasting N.B.C.'s standards. The vio- System to seek available ,lence portrayed in the time, but were told that none commercial was excessive was available." • and was done in such detail The distributing Company, as to be instructional or to however, was successful in invite imitation," he said. -
Frankenheimer on Location in Canada
Frankenheimer on Location in Canada By Gerald Pratley Fall 1999 Issue of KINEMA THE DISTINGUISHED American filmmaker, John Frankenheimer, has returned to Canada and is making his fourth motion picture there called Reindeer Games presently filming in Vancouver, British Columbia, for Miramax. The main players are Gary Sinese, Charlize Theron, Ben Affleck and Clarence Williams III. Frankenheimer is working from a script by Ehren Kruger, the writer’s second screenplay following Arlington Way, released this summer. Frankenheimer first came to British Columbia twenty years ago tofilm Prophecy, a horror story rooted in the pollution of the environment by the logging industries. He returned ten years later to Calgary, Drumheller and High River, to film Dead Bang, a brilliant piece of work based on the true story of a vicious white supremacy movement. He was back a year later, to Bragg Creek, Canmore and Calgary, to make The Fourth War, set on the snowbound Czech-West German frontier during the Cold War and relating a thoughtful moral tale of two generals, one American the other Russian, and their conflicting ideological beliefs. Now he is snowbound once again high in the Cypress Bowl mountains of West Vancouver shooting all-night scenes in freezing-cold weather with the unit bathed in the eerie light of Musko location lamps raised high in the dark sky. Affleck plays a newly released prisoner who assumes another man’s identity and findshimself involved in a casino robbery at Christmas time. The script appealed to Frankenheimer as a thoughtfully written story concerning men who were born evil and have become a violent sore to plague a complaisant society. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
Painting En Abyme: Tracing the Uses of Painting in New Hollywood Cinema
PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA By MICHELLE LYNN RINARD Bachelor of Arts in Art History Southern Illinois University Carbondale, Illinois 2010 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2015 PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Jeff Menne Dr. Rebecca Brienen ii Name: MICHELLE L. RINARD Date of Degree: MAY 2015 Title of Study: PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Major Field: ART HISTORY Abstract: In the period of the New Hollywood in cinema, four directors created films that incorporated paintings and artworks within their scenes: Mike Nichols’ The Graduate (1967); John Frankenheimer’s Seconds (1966); Stanley Kubrick’s A Clockwork Orange (1971); and Paul Mazursky’s An Unmarried Woman (1978). In four close readings, I demonstrate that these filmmakers incorporated painting to contribute to the emotions and narrative, to reflect the institutional power or ideological positions of characters and organizations, and as cultural or anti-cultural capital. The incorporation of painting in film creates a mise en abyme, doubling the forms and meanings of art within the film medium. The use of painting in cinema in the period between 1966 and 1978 is characteristic of an artistic trend in New Hollywood filmmaking. Earlier uses of art in film were overwhelmingly narrative and diegetic, while in New Hollywood film it becomes a mode of editorializing and extra diegetic commentary. -
Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo). -
Amazon.Com, Inc
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 _________________________ FORM 8-K _________________________ CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 February 2, 2021 Date of Report (Date of earliest event reported) _________________________ AMAZON.COM, INC. (Exact name of registrant as specified in its charter) _________________________ Delaware 000-22513 91-1646860 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification No.) incorporation) 410 Terry Avenue North, Seattle, Washington 98109-5210 (Address of principal executive offices, including Zip Code) (206) 266-1000 (Registrant’s telephone number, including area code) _________________________ Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions: ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Trading Symbol(s) Name of Each Exchange on Which Registered Common Stock, par value $.01 per share AMZN Nasdaq Global Select Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). -
Vistasonthly Newsletter of the Eldorado Community Improvement Association Neighbors
VOLUME XVIII, ISSUE 1 ELDORADO at SANTA FE January 2016 IN THIS ISSUE q ECIA News ..............2 –3 In the Community ....4–5 EAWSD Update ........4–5 Library News ....................6 Rodents .......................7 Recycling .......................7 MVISTASonthly Newsletter of the Eldorado Community Improvement Association Neighbors ...................7 ECIA, 1 La Hacienda Loop, Santa Fe, New Mexico 87508 q (505) 466-4248 q www.eldoradosf.org New GM Brings Training, Experience, and Desire to Engage eet Brenda Leonard , Eldorado’s new Gen - shared Eldorado’s rich history and how it has evolved. eral Manager. Recruited by our manage - I’ve appreciated hearing about the process of moving Mment company, HOAMCO , in late September from a self-managed community to one under the di - on an interim basis, Brenda became our official GM rection of a professional management organization. on December 1. Besides her 17 years of hands-on V: How does Eldorado compare with the commu - HOA industry experience, she holds an Association nity you managed in Arizona? Manager Specialist (AMS) certification and a Certi - BL: Each community develops its own unique fied Manager Community Association (CMCA) cer - character through its history, its boards and its loca - tification. tion. That makes it hard to compare them. In lieu of A Massachusetts native, Brenda comes to New that, I look at the health of the community by its fi - Mexico after more than 20 years of Arizona residency. nancial condition and the willingness of the board to During her last 14 years in the Scottsdale area, she engage with both the general manager and the com - worked as the association manager for a 2,490-resi - munity as a whole.