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The Berkeley Rep Magazine 2017–18 · Issues 5–6
aids in the United States today 25 · 4 questions for the cast 27 · The program for Angels in America: A Gay Fantasia on National Themes 33 THE BERKELEY REP MAGAZINE 2017–18 · ISSUES 5–6 AG_program.indd 1 4/4/18 3:54 PM Encore spread.indd 1 2/28/18 3:55 PM Encore spread.indd 1 2/28/18 3:55 PM AG_program.indd 4 4/4/18 3:54 PM IN THIS ISSUE 16 23 29 BERKELEY REP PRESENTS MEET THE CAST & CREW · 34 ANGELS IN AMERICA: A GAY FANTASIA ON NATIONAL THEMES · 33 PROLOGUE A letter from the artistic director · 7 Connect with us online! A letter from the managing director · 8 Visit our website berkeleyrep.org facebook.com/ @berkeleyrep You can buy tickets and plan your visit, berkeleyrep watch videos, sign up for classes, donate to vimeo.com/ @berkeleyrep REPORTS the Theatre, and explore Berkeley Rep. berkeleyrep The Messenger has arrived: berkeleyrep. berkeleyrep The art of theatrical flying ·13 We’re mobile! tumblr.com Crossing paths: Download our free iPhone or Google Play app —or visit our mobile site —to buy tickets, read An intergenerational conversation · 16 the buzz, watch videos, and plan your visit. June 2018, when 21 Ground Floor projects roam · 19 Considerations FEATURES Only beverages in cans, cartons, or cups with You are welcome to take a closer look, but The Origin Story · 20 lids are allowed in the house. Food is prohibited please don’t step onto the stage or touch in the house. the props. Tinkering and tinkering: An interview with Tony Kushner and Tony Taccone · 21 Smoking and the use of e-cigarettes is prohibited Any child who can quietly sit in their own by law on Berkeley Rep’s property. -
New Releases
2010 N E W RELEASES American Studies 3 Latin American Studies 3-5 African Diaspora 4-7 The Work of Jamika Ajalon 6 Maghrebi Immigration 7 Hip-Hop Media 8-9 Asian Pacific Diaspora 10 Korean Studies 11 World Geography 12 Muslim Diaspora 12 Indigenous Studies 13 2009 & 2008 Releases 14-15 A MERIC A N S TUDIE S /L A TIN A MERIC A N S TUDIE S . NEW2010 10% discount on 2010 DVD releases when you Our mission is to foster mention promo code the creation, appreciation and dissemination of social issue media made by or about people of color. The HOW TO ORDER: importance of the media Optical Revolution tells us how Website: www.twn.org promoted by the organization NEW YA N Q U I W ALKE R US political history relates to the is its ability to effect social A N D T H E O P T I C A L current political, social and econom- Email: [email protected] change, to encourage people REV O LUTI on ical context and how art can be a means to subvert and transcend to think critically about their Kathryn Ramey, 2009, 33 min. Phone: (212) 947-9277 ext. 11 This film explores a now-obscure even the most oppressive of narra- lives and the lives of others, American expansionist, William tives. Fax: (212) 594-6417 and to propel people into Walker, who through military force "The filmmaker raises compelling action. and coercion became president of questions about visual perception Mail: Third World Newsreel Nicaragua in 1856. -
CORRUPTION, COMMUNITY, and the URBAN PROJECT: An
CORRUPTION, COMMUNITY, AND THE URBAN PROJECT: An Anthropology of Gentrification in Prospect Heights, Brooklyn Sean Miller Under the Supervision of Dr. Meg Stalcup A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements For the Master of Arts in Anthropology School of Sociological and Anthropological Studies Faculty of Social Sciences University of Ottawa August 2016 © Sean Miller, Ottawa, Canada, 2016 Table of Contents List of Figures iv List of Acronyms v Abstract vi Acknowledgments vii Introduction 1 What is the ‘Atlantic Yards’/Pacific Park Project? 1 No Sleep ‘til Brooklyn 3 Methodology 7 Thesis Outline 10 Chapter 1 The ‘Atlantic Yards’/Pacific Park Project: “Corruption” on the Ground 14 Welcome to New York 15 “Simple Case of Government Corruption”? 16 The ‘Atlantic Yards’/Pacific Park Project: A Timeline 21 “The Ends Justify the Means” 26 The People and the Project 32 A Problem for the Developer 41 Conclusion: Two Basic Types of “Corrupted Solidarity Networks” 43 Chapter 2 An Anthropology of Gentrification: Predatory Authority and Power 45 The “G” Word 45 Experiencing Gentrification 47 Displacement and the Politics of Discouragement 50 The Promises of the ‘Atlantic Yards’/Pacific Park Project 57 The “Winners” and the “Losers” 59 Comfort 63 ii Conceptualizing Gentrification Through Experience 68 Conclusion: The Ripple Effects of Gentrification 71 Chapter 3 Prospect Heights: An Anthropology of Community in Lieu of Gentrification 73 A New York State of Mind 73 How Does Gentrification Work? 74 Shaping Your Community 76 Fighting for Your Right to Community 77 10 Murals, 1 Day – A “Block Party-style” Event 81 #ConquerAllCourts 85 Palpable Indifference 87 The Developer-Government Alliance 89 Community as a Mechanism 91 Conclusion: The Complexities and Contradictions of Community 93 Conclusion 95 Experiencing the Project 95 Urban Space, Social Relations, and Private Development 98 The Future of Cities 100 Bibliography 102 iii List of Figures Figure 1: Barclays Center in the Rain. -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies. -
Cabico:Layout 1 18/12/10 11:57 AM Page 1
Cabico:Layout 1 18/12/10 11:57 AM Page 1 Regie Cabico egie Cabico is a poet and spoken word pioneer, having won the Nuyorican Poets Café Grand Slam in 1993 and Rtaking top prizes in the 1993, 1994 & 1997 National Po- etry Slams. Television appearances include 2 seasons on HBO’s Def Poetry Jam. His work appears in over 30 anthologies in- cluding Aloud: Voices from the Nuyorican Poets Café, Spoken Word Revolution & The Outlaw Bible of American Poetry. He co-edited Poetry Nation: A North American Anthology of Fu- sion Poetry (Vehicule Press, 1998). He is a recipient of a 2008 Future Aesthetics Arts Award Regrant from The Ford Founda- tion/Hip Hop Theater Festival, 3 New York Foundation for the Arts Fellowships for Poetry and Multidisciplinary Perform- ance, Larry Neal Awards for Poetry 2007 (3rd Place) and 2008 (1st Place), a 2008 DC Commission for the Arts Poetry Fellow- ship. He received the 2006 Writers for Writers Award from Poets & Writers for his work teaching at-risk youth at Bellevue Hospital in New York. He is a former Artist-In-Residence at NYU's Asian Pacific American Studies Program and has served as faculty at The Banff Centre's Spoken Word Program and Kundiman, an Asian American Writers Retreat. As a theater artist he has directed 2 plays for the 2007 & 2008 Hip Hop Theater Festi- val, Elegies in the Key of Funk and The Other Side. He received 3 New York Innovative Theater Award Nomi- nations for his work in Too Much Light Makes the Baby Go Blind. -
To Read the Program Online
The Artistic Director’s Circle Season Sponsors Gail & Ralph Bryan Una K. Davis Brian & Silvija Devine Joan & Irwin Jacobs Sheri L. Jamieson Frank Marshall & Kathy Kennedy Becky Moores Jordan Ressler Charitable Fund of the The William Hall Tippett and Ruth Rathell Tippett Foundation, Jewish Community Foundation David C. Copley Foundation, Mandell Weiss Charitable Trust, Gary & Marlene Cohen, The Rich Family Foundation The Dow Divas, Foster Family Fund of the Jewish Community Foundation, The Fredman Family, Wendy Gillespie & Karen Tanz, Lynn Gorguze & The Honorable Dr. Seuss Fund at The San Diego Scott Peters, Kay & Bill Gurtin, Debby & Hal Jacobs, Lynelle & William Lynch, Foundation and Molli Wagner Steven Strauss & Lise Wilson SEPTEMBER 3 – OCTOBER 13 PRODUCTION SPONSOR Una K. Davis Dear Friends, LA JOLLA PLAYHOUSE PRESENTS Christopher Ashley Debby Buchholz There’s a moment in tonight’s musical The Rich Family Artistic Director of La Jolla Playhouse Managing Director of La Jolla Playhouse – don’t worry, no spoilers here – where IN ASSOCIATION WITH a power-mad viceroy, overseeing BERKELEY REPERTORY THEATRE Spain’s colonization of the Americas, MISSION STATEMENT: envisions a glorious future in which most of the towns along the western La Jolla Playhouse advances coast of North America will eventually theatre as an art form and as a vital be named after Catholic saints. San Diego, regardless of the social, moral and political platform thoughts or opinions of our area’s Native population at the by providing unfettered creative time, would indeed become one of those towns; the Spanish opportunities for the leading artists explorer Juan Rodríguez Cabrillo christened it San Miguel in BOOK BY of today and tomorrow. -
Sanaa Lathan Is Vera Stark in Pulitzer Prize Winner Lynn Nottage’S West Coast Premiere
SANAA LATHAN IS VERA STARK IN PULITZER PRIZE WINNER LYNN NOTTAGE’S WEST COAST PREMIERE Acclaimed Cast Also Features Kevin Carroll, Merle Dandridge, Amanda Detmer, Spencer Garrett, Kimberly Hébert Gregory and Mather Zickel Helmed by Obie Award Winner Jo Bonney Opening Night September 26, 2012 LOS ANGELES, July 26, 2012 — Stage and screen star Sanaa Lathan (A Raisin in the Sun, Contagion) returns to the title role in Pulitzer Prize winner Lynn Nottage’s By the Way, Meet Vera Stark for its West Coast premiere at the Geffen Playhouse. Lathan, who originated the character of Vera Stark in the critically acclaimed New York run, will once again take the stage as the 1930’s era maid turned movie star, reunited with original cast member Kimberly Hébert Gregory (Spike Lee’s Red Hook Summer) reprising her role as fellow aspiring African American actress Lottie. Broadway vet and Geffen alum Merle Dandridge (Spamalot, Rent, Aida) will take on the spicy role of Anna Mae, who fakes a Brazilian accent for a slice of fame, and former leading lady of ABC’s Man Up, Amanda Detmer, will portray Gloria Mitchell, the white starlet dubbed “America’s little sweetie pie” and Vera’s first employer. Helmed by award-winning director Jo Bonney, the West Coast premiere cast also features Kevin Carroll (Paid in Full, Being John Malkovich), Spencer Garrett (Iron Man 3, Air Force One) and Geffen alum Mather Zickel (Extraordinary Chambers, Rachel Getting Married). It’s Hollywood’s heyday and the streets of Los Angeles are filled with glitz, glamour and the chance at stardom — that is as long as you have the “right” look. -
Opening Theatrically & on Demand on February 21, 2020 in New York
presents 2019 | USA | 88 minutes | 1.78:1 Opening Theatrically & On Demand on February 21, 2020 In New York, Los Angeles, Chicago, Dallas/Ft. Worth Washington D.C., Boston, Atlanta, Seattle, Detroit & Denver PRESS CONTACT Michael Krause | Foundry Communications (212) 586-7967 | [email protected] Synopsis Not even the vibrant streets of the Bronx can contain Goldie (Slick Woods), a street- wise 18-year-old whose intoxicating dreams of fame – and the better life she believes it will bring for herself and her family – are all but contagious. But it’s only when Goldie’s dreams collide with the harsh realities of her world that she discovers her true strength in writer/director Sam de Jong’s bittersweet coming-of-age story. Though she may live in a shelter, sharing a single room with her mother, Carol (Marsha Stephanie Blake), her partner Frank (Danny Hoch) and kid-sisters Sherrie, 8, and Supreme, 12 (Alanna Renee Tyler-Tompkins and Jazmyn C. Dorsey), Goldie’s dream of a better life is not only palatable, but seems to sustain those closest to her. An enthusiastic dancer who enjoys performing on the community center’s makeshift stage, she is offered a chance by the well-connected Jay (Khris Davis) to submit an audition tape to local-legend, Tiny (A$AP Ferg), a rapper planning to shoot a music video that weekend. Inspired by the prospect, bristling with attitude and a winsome gap-toothed style all her own (and now pocketing $300 she’s lifted from the shady, Frank), Goldie’s plan is simple – get the additional $300 needed to purchase the canary yellow fur coat on display at a local store to complete her look for her screen debut, and fulfill her destiny. -
Appendix: the Timepiece Hip-Hop Timeline
APPENDIX: THE TIMEPIECE HIP-HOP TIMELINE 1967 Clive Campbell aka DJ Kool Herc (hip-hop’s first DJ) immi- grates to the West Bronx in New York City from Jamaica. 1968 Rucker Park is a must stop for top college and pro- basketball stars eager to prove themselves. Julius Erving, Wilt Chamberlain, and Kareem Abdul Jabar establish the legacy maintained by the likes of Allen Iverson, Stephon Marbury, Ron Artest, and Elton Brand. The Rucker Tournament, the Rucker Pro League, and the Entertainer’s Basketball Classic are legendary touchstones for hip-hop’s love affair with athletics. 1968–9 James Brown records and releases “Funky Drummer” (one of the most sampled drum tracks in hip-hop history) and “Say It Loud (I’m Black and I’m Proud).” 1969 Greek-born Demetrius from 183 Street in the Bronx makes himself famous by “tagging” Taki 183 throughout the five boroughs of New York City. 1973 DJ Kool Herc DJs his first party. 1974 Afrika Bambaataa leaves the Black Spades (one of the largest and most violent gangs in New York) to form hip-hop’s first organization, the ZULU Nation. 1974 Busy Bee Starski, DJ Hollywood, and/or Afrika Bambaataa coin the term “hip-hop.” 1975 Grand Wizard Theodore discovers the scratch. 1976 The first pieces (i.e., graf-like murals) appear on New York City subway trains. 1977 Bronx B. Boys, Jimmy D., and Jojo establish the legendary Rock Steady Crew (joined by Crazy Legs and Lenny Len in 1979). 1979 Sugarhill Gang’s “Rapper’s Delight” spends 12 weeks on the Billboard pop chart, ushering in the era of the emcee with all of its lyrical battles and authorial challenges. -
Marc Bamuthi Joseph the Break/S: a Mixtape for the Stage Thursday–Saturday, March 26–28, 2009
Marc BaMuthi Joseph the break/s: a mixtape for the stage Thursday–Saturday, March 26–28, 2009 Photo by Bethanie Hines mcachicago.org Marc Bamuthi JOseph— ThE Break/S: A Mixtape for ThE stagE By Marc Bamuthi Joseph World premiere productions of the break/s: a mixtape for the stage: 2008 Humana Festival of New American Plays at Actors for the Living Word Project Theatre of Louisville, Kentucky (March 11–29, 2008) and Walker Directed by Michael John Garcés Art Center, Minneapolis, Minnesota (April 10–12, 2008) Lead commissioning and development support: Actors Theatre performed by of Louisville; the Walker Art Center, with support from a Joyce Award; National Black Arts Festival; and Yerba Buena Center Marc Bamuthi Joseph for the Arts. DJ Excess the break/s was developed during residencies at Actors Tommy Shepherd (aka Soulati) Theatre of Louisville; Painted Bride Art Center in Philadelphia, Pennsylvania; University of Wisconsin at Madison; Walker Art Center; and Z Space in San Francisco, California. Dramaturgy by Brian Freeman The project has received generous support from The Wallace Video and co-set design by David Szlasa Alexander Gerbode Foundation and The William and Flora Lighting and co-set design by Hewlett Foundation Emerging Playwrights 2006 Initiative; The National Endowment for the Arts; Zellerbach Family James Clotfelter Foundation; Creative Capital; The James Irvine Foundation; Choreography by Stacey Printz Rockefeller MAP Fund; and Association of Performing Arts Documentary >lms by Eli Jacobs-Fantauzzi Presenters Ensemble Theatre Collaborations Grant Program, a component of the Doris Duke Charitable Foundation Theatre Musical score composed by Initiative. It was commissioned by Youth Speaks through the Ajayi Lumumba Jackson East Bay Fund for Artists (EBFA) at the East Bay Community Foundation. -
Recorded Picture Company Presents in Association with Hanway Films, Participant Productions and BBC Films a Jeremy Thomas Produc
Recorded Picture Company Presents In Association with Hanway Films, Participant Productions and BBC Films A Jeremy Thomas Production A Richard Linklater Film Fast Food Nation FOR FURTHER INFORMATION PLEASE CONTACT IN CANNES: International Press French Press Richard Lormand Jean-Pierre Vincent Cannes Croisette Prestige Hotel Carlton 87 Rue d'Antibes 58 La Croisette Cannes 06400 Cannes 06414 Tel. 04 93 06 27 72 Tel: 04 93 06 43 98 Tel. 06 24 24 16 54 Tel: 04 93 06 43 99 Tel. 06 24 16 37 31 Fax. 04 93 68 30 84 Fax: 04 93 06 40 40 A full set of photographs are available to download free of charge at highest resolution www.filmpressplus.com 1 Patricia Arquette Bobby Cannavale Paul Dano Luis Guzman Ethan Hawke Ashley Johnson Greg Kinnear Kris Kristofferson Avril Lavigne Esai Morales Catalina Sandino Moreno Lou Taylor Pucci Ana Claudia Talancón Wilmer Valderrama Bruce Willis Screenplay by Eric Schlosser & Richard Linklater Based on the book by Eric Schlosser Produced by Jeremy Thomas Producer Malcolm MacLaren Co-Produced by Ann Carli Executive Producers Jeff Skoll, Ricky Strauss, Chris Salvaterra, Ed Saxon Executive Producers Peter Watson, Eric Schlosser, David M. Thompson Director of Photography Lee Daniel Production Designer Bruce Curtis Edited by Sandra Adair, A.C.E. Associate Producers Alexandra Stone, Sara Greene Music by Friends of Dean Martinez Costume Designers Kari Perkins and Lee Hunsaker 2 Fast Food Nation Production Information Don Henderson (Greg Kinnear)—a marketing executive at Mickey’s Fast Food Restaurant chain, home of “The Big One”—has a problem. Contaminated meat is getting into the frozen patties of the company’s best-selling burger. -
The Berkeley Rep Magazine 2014–15 · Issue 2
Community stories 11 · Create the story with us 12 · A revolution and its legacy 14 · The program for Party People 23 THE BERKELEY REP MAGAZINE 2014–15 · ISSUE 2 ILLUSTRATIONS © 2014 EMORY DOUGLAS / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK PHOTOS COURTESY OF IT’S ABOUT TIME/BPP ALUMNI COMMITTEE ILLUSTRATIONS © 2014 EMORY DOUGLAS / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK PHOTOS COURTESY OF IT’S ABOUT TIME/BPP ALUMNI COMMITTEE Dr. Wade and Virginia Sherwood, joined in 2012 They Want To EXPLORE Now They Can. When a former physician serving St. Paul’s Towers decides to move here that is high praise. The Sherwoods enjoy our community of spacious, maintenance-free apartment homes, wonderfully prepared menu options in our lovely dining room, Wi-Fi, and an expanding host of amenities. All of which offer Wade and Virginia the freedom to do it all—hiking, volunteering, gardening, baking, traveling, photography, and discussing their favorite books with neighbors. We invite you to meet people like the Sherwoods and see why 94% of our residents recommend living here. To learn more, or for your personal visit, please call 510.891.8542. 100 Bay Place Oakland, CA 94610 stpaulstowers-esc.org A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP694-01OI 090114 2 · THE BERKELEY REP MAGAZINE · 2014–15 · ISSUE 2 IN THIS ISSUE BERKELEY REP PRESENTS PARTY PEOPLE · 23 MEET THE CAST & CREW · 24 PROLOGUE CONTRIBUTORS A letter from the artistic director · 5 Foundation, corporate, and in-kind sponsors · 33