Fear and Trembling
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Søren Kierkegaard's View of Faith Found in Fear And
SØREN KIERKEGAARD’S VIEW OF FAITH FOUND IN FEAR AND TREMBLING AND PRACTICE IN CHRISTIANITY David Pulliam Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of Philosophy Indiana University September 2016 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Dr. Samuel J.M. Khan, PhD __________________________________ Dr. Cornelis de Waal, PhD __________________________________ Dr. David Pfeifer, PhD iii David Pulliam Søren Kierkegaard’s view of Faith found in Fear and Trembling and Practice in Christianity In this paper I discuss two key works written by Søren Kierkegaard, Fear and Trembling and Practice in Christianity, under the pseudonyms Johannes de Silentio and Anti-Climacus respectively. I focus on three questions: what is Johannes view of faith, what is Anti-Climacus’ view of faith and how are these Kierkegaard’s conclusions? I argue that stemming from Johannes’ and Anti-Climacus’ points of view, Kierkegaard’s view of faith is the aligning of the self in a trusting relationship with the God-man. One outside of faith can perceive faith to be a paradox or find faith offensive; one must have faith to avoid offense and overcome the paradox. Chapter 1 focuses on the connection between Kierkegaard and his pseudonyms using his work The Point of View. In this chapter I map out Kierkegaard’s method of communication and the purpose for his use of pseudonyms. Chapter 2 focuses on Johannes’ view of faith in Fear and Trembling. -
The Authenticity of Faith in Kierkegaard's Philosophy
The Authenticity of Faith in Kierkegaard’s Philosophy The Authenticity of Faith in Kierkegaard’s Philosophy Edited by Tamar Aylat-Yaguri and Jon Stewart The Authenticity of Faith in Kierkegaard’s Philosophy, Edited by Tamar Aylat-Yaguri and Jon Stewart This book first published 2013 Cambridge Scholars Publishing Layout and cover design by K.Nun Design, Denmark 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Tamar Aylat-Yaguri, Jon Stewart and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4990-1, ISBN (13): 978-1-4438-4990-6 TABLE OF CONTENTS List of Contributors vi Introduction vii Acknowledgements xvi List of Abbreviations xvii Chapter One Jacob Golomb: Was Kierkegaard an Authentic Believer? 1 Chapter Two Shai Frogel: Acoustical Illusion as Self-Deception 12 Chapter Three Roi Benbassat: Faith as a Struggle against Ethical Self-Deception 18 Chapter Four Edward F. Mooney: A Faith that Defies Self-Deception 27 Chapter Five Darío González: Faith and the Uncertainty of Historical Experience 38 Chapter Six Jerome (Yehuda) Gellman: Constancy of Faith? Symmetry and Asymmetry in Kierkegaard’s Leap of Faith 49 Chapter Seven Peter Šajda: Does Anti-Climacus’ Ethical-Religious Theory of Selfhood Imply a Discontinuity of the Self? 60 Chapter Eight Tamar Aylat-Yaguri: Being in Truth and Being a Jew: Kierkegaard’s View of Judaism 68 Chapter Nine Jon Stewart, Kierkegaard and Hegel on Faith and Knowledge 77 Notes 93 CONTRIBUTORS Tamar Aylat-Yaguri, Department of Philosophy, Tel-Aviv University, Ramat-Aviv, P.O.B 39040, Tel-Aviv 61390, Israel. -
Fear and Trembling, Translated and Introduced by Alastair Hannay (Penguin Classics, 1985)
Table of Contents Title Page Copyright Page Preface Attunement Speech in Praise of Abraham Problemata Preamble from the Heart Problema I Problema II Problema III Epilogue FOR THE BEST IN PAPERBACKS, LOOK FOR THE Søren Kierkegaard 1813-1855 PENGUIN BOOKS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0745, Auckland, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England This edition published in Penguin Books (UK) 2005 Published in Penguin Books (USA) 2006 Translation copyright © Alastair Hannay, 1985 All rights reserved Reprinted from Fear and Trembling, translated and introduced by Alastair Hannay (Penguin Classics, 1985). Library of Congress Cataloging-in-Publication Data Kierkegaard, Søren, 1813-1855. [Frygt og bæven. English] Fear and trembling / Søren Kierkegaard; translated by Alastair Hannay. p. cm. — (Penguin great ideas) eISBN : 978-1-101-00714-3 1. Christianity — Philosophy. I. Hannay, Alastair. -
The Use of Tactical Absurdity in (Post-)Conceptual Art Practice
University of Southampton Faculty of Arts and Humanities Winchester School of Art The Use of Tactical Absurdity in (Post-)Conceptual Art Practice by Dave Ball Thesis for the degree of Doctor of Philosophy Sep 2020 1 University of Southampton Abstract Faculty of Arts and Humanities, Winchester School of Art The Use of Tactical Absurdity in (Post-)Conceptual Art Practice by Dave Ball The ‘tactical absurdity’ forwarded in this research emerged out of my own practice. I, like many other artists working in a conceptual tradition, was producing work that appeared to operate through some sort of absurdity, and with some sort of intentionality. There was, however, almost nothing in the literature that could account for this approach. The term ‘absurdity’ is deployed by artists, critics, and curators alike with little precision or consistency; usages borrowed from literature or existential philosophy sit alongside everyday understandings, and frequently fail to discriminate between absurdity as a formal device and absurdity as a subject-matter. Its meaning is treated as self-evident. Adopting an emergent and autoethnographic practice-based methodology, this research furnishes a practical and theoretical understanding of the operation of tactical absurdity deployed as a device in (post-)conceptual art practice. Over the course of the research, five objectives are achieved: (i) to define the concept of absurdity; (ii) to establish a context for the use of tactical absurdity in contemporary (post-)conceptual art practice; (iii) to develop a body of work that operates through tactical absurdity; (iv) to account for its emergence within a practice; and (v) to forward a theoretical analysis of its functionality and value modelled through notions of relativity, generativity, and criticality. -
Kierkegaard's Top Ten Hits #1 Fear and Trembling Do You Remember
Kierkegaard’s Top Ten Hits #1 Fear and Trembling Do you remember the Biblical story of Abraham taking his son Isaac to be sacrificed to God? Isn’t it shocking to think that God commanded his most faithful servant to commit filicide? And have you ever wondered why Abraham never let Sarah in on his intention to kill their son or why he even obeyed God in the first place? According to Johannes de silentio (John of Silence), the pseudonym under which the book was published, Abraham can be seen either as a delusional murderer or the father of faith. This text extrapolates on the ethical issues of the story, tackling whether Abraham’s actions can be justified and whether there is an Absolute Duty to God. #2 Concept of Anxiety Every human being has experienced what is commonly referred to as anxiety. The word anxiety acts as an umbrella term, referring to a certain state of being. Whether one is experiencing PTSD, a panic attack, or insomnia, these are all anxious states. In this book, Kierkegaard does not go into the specific forms of anxiety, but rather tackles the concept as a whole. He defines it as the actualization of freedom as the possibility for possibility. Although it is treated as a mental illness in modern medicine, the Danish philosopher believed that “pills and powders” cannot erase this fundamental aspect of the human condition. “Anxiety is the dizziness of freedom,” he writes. “Whoever has learned to be anxious in the right way has learned the ultimate.” #3 The Sickness Unto Death Death can be defined, in biological terms, as the moment in which the electrical activity of the brain ceases. -
Durham E-Theses
Durham E-Theses Existentialist themes in the interpretation of faith: by Bultmann and Tillich Rees, Anthony John How to cite: Rees, Anthony John (1976) Existentialist themes in the interpretation of faith: by Bultmann and Tillich, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9886/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk EXISTENTIALIST THEMES IN THE INTERPRETATION OF "FAITH" BY BULTMANN AND TILLICH ABSTRACT The aim of this thesis is to assess the influence of existentialism on the interpretation of faith presented by Bultmann and Tillich and evaluate their use of this existentialist thought. First, we show that the general character of existentialism may be classified into two broad themes: the Place of the Individual, which shows his concern for his understanding of himself and his relation to others; and Existentialia, which describe the various modes of existence of the individual, his feelings and experiences. -
(Updated: 12/01/2020) Department of Philosophy SO
MARINA PAOLA BANCHETTI CURRICULUM VITAE (Updated: 12/01/2020) Department of Philosophy SO 283 – P.O. Box 3091 Florida Atlantic University 777 Glades Road Boca Raton, Florida 33431-0991 [email protected] ________________________________________________________________________ EDUCATION Ph.D. Philosophy (1991) University of Miami Dissertation: “Edmund Husserl: Intentionality and Meaning” Master of Arts Philosophy (1990) University of Miami Bachelor of Arts English, Philosophy (1985) Minors: History, Chemistry University of Miami MAJOR FIELDS • Phenomenology • Philosophy of Science • Philosophy of Language • Philosophy of Mind • Philosophical Orientation: Analytico-Phenomenological 2 LANGUAGES • Italian (Native/bilingual speaking, reading, and writing proficiency) • French (Native/bilingual speaking, reading, and writing proficiency) • Spanish (Native/bilingual speaking, reading, and writing proficiency) • Portuguese (Full reading proficiency) PROFESSIONAL EXPERIENCE 2001- Associate Professor Present Department of Philosophy Florida Atlantic University 1995- Assistant Professor 2001 Department of Philosophy Florida Atlantic University 1993- Visiting Assistant Professor 1995 Department of Philosophy Florida Atlantic University Summer Adjunct Professor of Humanities 1993 Miami-Dade Community College 1992- Adjunct Professor of Philosophy 1993 Florida A&M University 1990- Instructor, Dept. of Philosophy 1991 University of Miami 1986- Teaching Assistant, Dept. of Philosophy 1989 University of Miami ADMINISTRATIVE EXPERIENCE 2017- Chair 2019 Department -
The Reader and the Poet
THE READER AND THE POET THE TRANSFORMATION OF LATIN POETRY IN THE FOURTH CENTURY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aaron David Pelttari August 2012 i © 2012 Aaron David Pelttari ii The Reader and the Poet: The Transformation of Latin Poetry in the Fourth Century Aaron Pelttari, Ph.D. Cornell University 2012 In Late Antiquity, the figure of the reader came to play a central role in mediating the presence of the text. And, within the tradition of Latin poetry, the fourth century marks a turn towards writing that privileges the reader’s involvement in shaping the meaning of the text. Therefore, this dissertation addresses a set of problems related to the aesthetics of Late Antiquity, the reception of Classical Roman poetry, and the relation between author and reader. I begin with a chapter on contemporary methods of reading, in order to show the ways in which Late Antique authors draw attention to their own interpretations of authoritative texts and to their own creation of supplemental meaning. I show how such disparate authors as Jerome, Augustine, Servius, and Macrobius each privileges the work of secondary authorship. The second chapter considers the use of prefaces in Late Antique poetry. The imposition of paratextual borders dramatized the reader’s involvement in the text. In the third chapter, I apply Umberto Eco’s idea of the open text to the figural poetry of Optatianus Porphyrius, to the Psychomachia of Prudentius, and to the centos from Late Antiquity. -
The Knight of Faith
Faith and Philosophy: Journal of the Society of Christian Philosophers Volume 7 Issue 4 Article 1 10-1-1990 The Knight of Faith Robert Merrihew Adams Follow this and additional works at: https://place.asburyseminary.edu/faithandphilosophy Recommended Citation Adams, Robert Merrihew (1990) "The Knight of Faith," Faith and Philosophy: Journal of the Society of Christian Philosophers: Vol. 7 : Iss. 4 , Article 1. DOI: 10.5840/faithphil19907433 Available at: https://place.asburyseminary.edu/faithandphilosophy/vol7/iss4/1 This Article is brought to you for free and open access by the Journals at ePLACE: preserving, learning, and creative exchange. It has been accepted for inclusion in Faith and Philosophy: Journal of the Society of Christian Philosophers by an authorized editor of ePLACE: preserving, learning, and creative exchange. THE KNIGHT OF FAITH Robert Merrihew Adams The essay is about the "Preliminary Expectoration" of Kierkegaard's Fear and Trembling. It argues that "the absurd" there refers primarily to the prac tical paradox that in faith (so it is claimed) one must simultaneously renounce and gladly accept a loved object. In other words it is about a problem of detachment as a feature of religious life. The paper goes on to interpret, and discuss critically, the views expressed in the book about both renunciation (infinite resignation) and the nature of faith. One of the many attractions of Kierkegaard's Fear and Trembling is its tan talizing talk of "the absurd." "The movement of faith," we are told, "must continually be made by virtue of the absurd" (p. 37).1 The knight of faith "does not do even the slightest thing except by virtue of the absurd" (p. -
Søren Kierkegaard Newsletter 47
CONTENTS Page NEWS AND ANNOUNCEMENTS ARTICLE The Joy of Kierkegaard By Hugh S. Pyper REVIEWS 1st Glauben wiederholbar? Derrida liest Kierkegaard by Tilman Bey rich By Heiko Schuiz Upbuilding Discourses: Philosophy, Literature, and Theology by George Pattison Reviewed by David D. Possen Editor: Gordon Marino Number 47 Associate Editors: Jamie Lorentzen, John Poling and February, 2004 David Possen Assistant Editor: Cynthia Wales Lund Managing Editor: Cleo N. Granneman , SPECIAL ANNOUNCEMENTS DANISH COURSE, SUMMER 2004 The Kierkegaard Library will offer a month-long intensive Danish course this summer June 28 - July 23. Sinead Ladegaard Knox from Copenhagen will be the instructor. If you are interested, please email Gordon Marino immediately at marino@,stolaf.edu. Class size is limited to the first scholars who apply. SUMMER FELLOWSHIP PROGRAM 2004 Summer fellowships for research in residence are offered to scholars for use of the collection between June 1 and November 15. The awards include campus housing and a $250 per month stipend. Scholarships are available at other times of year also. Please contact Gordon Marino immediately if you are interested in the 2004 program. 5"' International Kierkegaard Conference June 11-15,2005 CALL FOR PAPERS The Hong Kierkegaard Library will host its 5thInternational Conference June 11-15,2005 at St. Olaf College. The theme of the conference will be "Kierkegaard's Journals and Notebooks." Professor George Pattison of Oxford University will offer the keynote address. Papers are to have a reading length, which will be strictly applied, of 20 minutes. We are also planning to hold a dissertation panel discussion in which scholars who are in the process of writing or who have just completed their dissertations will summarize their research. -
The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and Drama Criticism Sheila O'brien Mcguckin University of New Hampshire, Durham
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1996 The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism Sheila O'Brien McGuckin University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation McGuckin, Sheila O'Brien, "The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism" (1996). Doctoral Dissertations. 1895. https://scholars.unh.edu/dissertation/1895 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Kierkegaard, Literature, and the Arts
Kierke gaard, Literature, and the Arts Engraving, ca. 1837, by Carl Strahlheim showing the Gendarmenmarkt in Berlin, with what was then the Schauspielhaus, or Theater (center)— now the concert house of the Konzerthausorchester Berlin— flanked by the German Cathedral (left) and the French Cathedral (right). Pictured in the background to the immediate right of the theater is the building, still standing today, in which Kierkegaard lodged during his four stays in Berlin, in 1841– 42, 1843, 1845, and 1846. It was there, as noted by a plaque outside, that Kierkegaard wrote the first drafts of Either/Or, Repetition, and Fear and Trembling. Kierkegaard, Literature, and the Arts Edited by Eric Ziolkowski northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2018 by Northwestern University Press. Published 2018. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Ziolkowski, Eric Jozef, 1958– editor. Title: Kierkegaard, literature, and the arts / edited by Eric Ziolkowski. Description: Evanston, Illinois : Northwestern University Press, 2018. | Includes index. Identifiers: LCCN 2017029795 | ISBN 9780810135970 (cloth : alk. paper) | ISBN 9780810135963 (pbk. : alk. paper) | ISBN 9780810135987 (e-book) Subjects: LCSH: Kierkegaard, Søren, 1813–1855. | Kierkegaard, Søren, 1813– 1855—Aesthetics. | Literature—Philosophy. | Music and philosophy. | Art and philosophy. | Performing arts—Philosophy. Classification: LCC B4377 .K4558 2018 | DDC 198.9—dc23 LC record available at https://lccn.loc.gov/2017029795 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/.