Brandon Molale
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
JWO Vol. 17 Corrected.Indd
28 Merlyn Q. Sell How Shakespeare Lost the American West Merlyn Q. Sell Independent Scholar hakespeare was among the first European settlers in the American West. He first hitched rides in the packs of fur S traders in the 1830’s and then stuck around, hanging out through the cattle drives of the 1890s. Considering Shakespeare’s large role in the Wild West of history, his absence from the Wild West of popular culture is glaring. While fictions of the Wild West are not beholden to the facts, the reasons a particular fictitious narrative has dominated the genre deserves interrogation—particularly when that narrative forms a cornerstone of national identity. A key reason for Shakespeare’s disappearance, or erasure, from the myth of the Wild West is his association with upper-class women and their civic reforms. As the “wildness” of the west became idealized, Shakespeare was remembered as a sign of refinement and his wilder and woollier past forgotten. In the mining camps of the West the same pattern emerged time and again. Shakespeare was an integrated part of these rough and rowdy communities from the start. His works were performed alongside variety acts, circuses, and boxing 1 matches for a mostly working class, mostly male audience. Journal of the Wooden O. Vol 16, 28-37 © Southern Utah University Press ISSN: 1539-5758 How Shakespeare Lost the American West 29 As railroads linked these once isolated communities to the trends of the East, Shakespeare’s place within the community transformed. Older versions of Shakespeare performance were not suitable for the changing demographics as cities once dominated by single males saw an influx of women and families.2 While women did not introduce Shakespeare to Western communities, they did employ him in different ways. -
DVD Langue Anglaise
Tableau 1 L’Affaire Chelsea Deardon Ivan Reitman 1986 L’Affaire CIA Michael Keusch 2006 Les Affranchis Martin Scorsese 1990 2 DVD Age difficile obscur Mike Mills 2005 L’Agence tous risques Joe Carnahan 2010 A God Year Ridley Scott 2006 L’Aigle de le 9ème légion Kevin Macdonald 2011 Alabama Monroe Felix Van Groeningen 2012 Alamo John Wayne 1960 Alatriste Capitaine Agustin Diaz Yanes Alice n0est plus ici Martin Scorsese 1974 Alien Resurrection Jean-Pierre Jeunet 1997 Amadeus Milos Formann 1984 American Beauty Sam Mendes 1999 American gangster Ridley Scott 2007 Amicalement votre Ange & Démons Ron Howard 2009 L’Ange et le mal James Edward Grant 1934 Un Ange à ma table Jane Campion 1990 Annie Hall Woody Allen 1977 L’Antre de la Folie John Carpenter 2007 Anzio Edward Dmytryk 1968 Appaloosa Ed Harris 2008 Apparence Robert Zemeckis 2000 Apocalypse la 2ème guerre mondiale - séries 6 films Guillaud, de Turème, Clarke et Costelle 2009 Apocalypse Now Francis Ford Coppola 1979 Apocalypto Mel Gibson 2006 L’Arme fatale Richard Donner 1987 L’Arme fatale 2 Richard Donner 1987 L’Arme fatale 3 Richard Donner 1992 L’Arme fatale 4 Richard Donner 1998 Assassins Richard Donner 1998 Arrête toi si tu peux Steven Spielberg 2002 Attraction fatale Matthew Parkhill 2003 Au nom de la loi, saison 1 épisodes 21 à 24 1958 Au nom du père Jim Sheridan 1993 Australia Bad Luhrmann 2008 Autant en emporte le vent Victor Flemming 1939 Avatar James Cameron 2009 A Very british gangster Donald Macintyre 2006 Bad comapny Joël Schumacher 2002 Bad Cop William Kaufman 2010 Le Bagarreur du Kentucky Georges Waggner 1968 Bagdad café Percy Adlon 1987 Balade entre les Tombes Scott Frank 2014 Ballistic Ecks vs. -
Communication and Culture Dissertation
“THIS IS FOR FIGHTING, THIS IS FOR FUN”: POPULAR HOLLYWOOD COMBAT (WAR) FILMS FROM THE FIRST GULF WAR TO THE PRESENT (1990-2015) by Andrea Marie Schofield Master of Arts, University of Western Ontario, London, Ontario, 2009 Master of Arts, University of Toronto, Toronto, Ontario, 2008 Honours Bachelor of Arts, University of Western Ontario, London, Ontario, 2007 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctorate of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2016 © Andrea Schofield 2016 Author’s Declaration for Electronic Submission of a Dissertation: I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract: “This is for Fighting, This is for Fun”: Popular Hollywood Combat (War) Films from the First Gulf War to the Present (1990-2015) Andrea Marie Schofield Doctor of Philosophy in Communication and Culture, 2016 Ryerson University and York University Hollywood has been making war movies since it began making movies. Widely credited as the first ‘Blockbuster,’ and one of the first films to establish Hollywood narrative techniques and conventions, D.W. -
"'Ce';;) .. ·· LES GARANTS D'achevement 'Toronto, John Ross, (416) 466-2760 (\\,\'0" ••• ' Pour Series De Television, Longs Metrages Telex: 055-62276 {'
CINEMA CAN •A D A BY JIM LEVESQUE George Wright, Helene Fournier, Philip he following is a list of current projects being produced in ATLANTIS p. Paul Saltzman lOp. p . Harold JacksDa.. (416)462-0246 THE WAY WE ARE TIchenor pelt. prod p. Paul Quigley Canada. Only TV series and films over one hour are An anrhok>gy series which showcases p. man. Gordon Mark eXK. 11 . con •. TNI! TWILIQNT ZON. ....KO FILMS LTD. a collection of regional dr8mas Ann MacNaughton d . Rex Bromfield, included. Projects are separated into four categories: On london Films snd AtlantiS Films are (416) 960.3228 T produced in Vancouver, Edmonton, Ken Jubenvill. Allan King, Alan collaborating with CBS BroAdcast THE LAIT fRONTll!R Location, Pre-production, Projects in Negotiation, and In the Can. Calgary. Winnipeg, Regina, Toronto, Simmonds, BradTurnerlI18. d. T. W. Intemational on 30 new 1/2h scl·fi The third season of tne 70 x 1/2h TV Ottawa, Montreal, Halifax, and St. PaacO(;~e, Mick MacKay d.o. p. Bob While films in the project stage are subject to change, only those episodes of the classic series series about the sea. This JOhn·s.ex8C.p. Robert Alten pub. Ennis loc. man. George Horie calt.. Shooting through '88 on location in ad\lenture/documentary series Is in active pre-production at the time of publication - those which Susan Procter wrtterl Peter Roberts, Trish Robinson extral. Annette T oronlo. Delivery at the shows is s1ated co-produced by Mako Films ltd. and Jona1han Campbell, David Pe1ersen, McCafferey art d. Jill Scott pub. -
Ben Salisbury
Craft / Geoff Barrow of Portishead with Ben Salisbury quite dry, quite traditional. I was expecting it might be like ‘The Kids from Fame’. But they weren’t, the vast majority of students wanted to be music teachers! The benefit was there was a brand new recording studio at Newcastle University, and there was only me and one other guy who were interested in using it, so we had the run of it. It was absolutely state-of-the- art, when samplers and digital stuff were just taking off. So that was really my introduction into composing. Music for Film and TV at Bournemouth in the early ’90s was a brilliant course, in that you had your own workstation. You were sat down, you had deadlines, and it was quite pressurised, so was actually quite similar to life as a commercial composer. Weirdly, that was probably exactly the same time Geoff [Barrow] was using samplers to make Portishead’s Dummy. What was your first real break? I came out of Bournemouth with a credit to my name, because I did music for a short film that went on to win an award, and was broadcast on Channel Four. It was directed by a guy called Ben Salisbury Miguel Sapochnik who I’ve worked with since on other short films. Now he directs episodes of DAVE ROBINSON meets the nature documentary composer Game of Thrones! One person, that’s all it took: one director who has his (laser) sights on sci-fi chose a bit of music I’d done for that film as temp music for his film about elephants and en Salisbury is a name you can expect Your father worked at the BBC Natural said, “Look, you’re very inexperienced, but to see more and more of on your History Unit: that must have been useful to we’ve got this music in there. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
Sydney Program Guide
5/15/2020 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_ELEVEN_Guide?psStartDate=17-May-20&psEndDate=30… SYDNEY PROGRAM GUIDE Sunday 17th May 2020 06:00 am Toasted TV G Toasted TV Sunday 2020 121 Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Dora The Explorer (Rpt) G Ribbon For Pinto, A When the train to the Big Horse Show breaks down, Dora, Boots, and Pinto the Pony need your help to get there with the ribbons, so Pinto can win his first blue prize ribbon! 06:25 am Toasted TV G Toasted TV Sunday 2020 122 Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:30 am Blaze And The Monster Machines (Rpt) G Dragon Island Duel It's the day of the Dragon Island Duel, a one-on-one race between Blaze & Crusher around tropical Dragon Island! When Crusher cheats & sends Blaze away before the race, AJ must rescue his best friend. 06:55 am Toasted TV G Toasted TV Sunday 2020 123 Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:00 am Random & Whacky CC C I Hate Surprises Random & Whacky is a secret agency that solves problems of kids from all over the world. -
Thomas Hardy: Scripting the Irrational
1 Thomas Hardy: Scripting the Irrational Alan Gordon Smith Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds York St John University School of Humanities, Religion and Philosophy April 2019 2 3 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Alan Gordon Smith to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 4 5 Acknowledgements I am extremely grateful to have been in receipt of the valuable support, creative inspiration and patience of my principal supervisor Rob Edgar throughout my period of study. This has been aided by Jo Waugh’s meticulous attention to detail and vast knowledge of nineteenth-century literature and the early assistance of big Zimmerman fan JT. I am grateful to the NHS for still being on this planet, long may its existence also continue. Much thought and thanks must also go to my late, great Mother, who in the early stages of my life pushed me onwards, initially arguing with the education department of Birmingham City Council when they said that I was not promising enough to do ‘O’ levels. Tim Moore, stepson and good friend must also be thanked for his digital wizardry. Finally, I am immensely grateful to my wife Joyce for her valued help in checking all my final drafts and the manner in which she has encouraged me along the years of my research; standing right beside me as she has always done when I have faced other challenging issues. -
Resume | Actors Access
7/15/2017 JAY ACOVONE - Resume | Actors Access www.actorsaccess.com Breakdown Services, Ltd. JAY ACOVONE - AEA, - SAG-AFTRA Resume Contact Info: Rachel Kuchar (Assistant) 412-913-6278 [email protected] Official Website with demo reels: http://www.jayacovone.com/ TELEVISION-SERIES (Partial List) NCIS Guest Star CBS / d. James Whitmore Jr. VEGAS Guest Star CBS / d. Rob Corn CSI - CRIME SCENE INVESTIGATION Guest Star CBS / d. Frank Wardlock LEVERAGE Guest Star TNT / d. John Rogers THE MENTALIST Guest Star CBS / d. David Von Ancken PRIME SUSPECT Guest Star NBC / d. Michael Waxman HOW I MET YOUR MOTHER Guest Star CBS / d. Pamela Fryman http://resumes.actorsaccess.com/jayacovone 1/4 7/15/2017 JAY ACOVONE - Resume | Actors Access MONK Guest Star USA / d. Jerry Levine COLD CASE Guest Star CBS / d. Bill Eagles GENERAL HOSPITAL Recurring (9 Episodes) ABC / p. Jill Phelps CSI: NY Guest Star CBS / d. Greg Yaitanes 24 Guest Star FOX / d. Jon Cassar STARGATE SG-1 Recurring (5 Episodes) MGM / p. Brad Wright CRIMINAL MINDS Guest Star CBS / d. Kevin Bray LAS VEGAS Guest Star NBC / d. Robert Duncan McNeill JAG Recurring (2 Episodes) CBS/ p. Donald P. Bellisario PROVIDENCE Recurring (4 Episodes) NBC / p. John Masius THE X-FILES Recurring (3 Episodes) FOX / d. Kim Manners NYPD BLUE Recurring (3 Episodes) ABC / p. Steven Bochco LOCALS Series Regular (Pilot) Prod. Rich/Pollack FAST FORWARD Series Regular (Pilot) Prod. Bilson/De Meo BEAUTY AND THE BEAST Series Regular (55 Episodes) CBS / p. Ron Koslow HOLLYWOOD BEAT Series Regular (14 Episodes) ABC / p. Aaron Spelling FILM GUN Supporting Entelechy Films / Sam Upton A STRANGER IN PARADISE Supporting Hillin Entertainment / Corrado THE HILLS HAVE EYES 2 Supporting Fox Atomic / Martin Weisz PAVED WITH GOOD INTENTIONS Supporting JDC Multimedia / J.D. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Social Psychology
Social Psychology OUTLINE OF RESOURCES Introducing Social Psychology Lecture/Discussion Topic: Social Psychology’s Most Important Lessons (p. 853) Social Thinking The Fundamental Attribution Error Lecture/Discussion Topic: Attribution and Models of Helping (p. 856) Classroom Exercises: The Fundamental Attribution Error (p. 854) Students’ Perceptions of You (p. 855) Classroom Exercise/Critical Thinking Break: Biases in Explaining Events (p. 855) NEW Feature (Short) Film: The Lunch Date (p. 856) Worth Video Anthology: The Actor-Observer Difference in Attribution: Observe a Riot in Action* Attitudes and Actions Lecture/Discussion Topics: The Looking Glass Effect (p. 856) The Theory of Reasoned Action (p. 857) Actions Influence Attitudes (p. 857) The Justification of Effort (p. 858) Self-Persuasion (p. 859) Revisiting the Stanford Prison Experiment (p. 859) Abu Ghraib Prison and Social Psychology (p. 860) Classroom Exercise: Introducing Cognitive Dissonance Theory (p. 858) Worth Video Anthology: Zimbardo’s Stanford Prison Experiment* The Stanford Prison Experiment: The Power of the Situation* Social Influence Conformity: Complying With Social Pressures Lecture/Discussion Topics: Mimicry and Prosocial Behavior (p. 861) Social Exclusion and Mimicry (p. 861) The Seattle Windshield Pitting Epidemic (p. 862) Classroom Exercises: Suggestibility (p. 862) Social Influence (p. 863) Student Project: Violating a Social Norm (p. 863) Worth Video Anthology: Social Influence* NEW Liking and Imitation: The Sincerest Form of Flattery* Obedience: Following Orders Lecture/Discussion Topic: Obedience in Everyday Life (p. 865) Classroom Exercises: Obedience and Conformity (p. 864) Would You Obey? (p. 864) Wolves or Sheep? (p. 866) * Titles in the Worth Video Anthology are not described within the core resource unit.