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Journal of Mennonite Writing Mennonite Experience | Many Voices
Journal of Mennonite Writing Mennonite Experience | Many Voices VOLUME 9 JANUARY 2016 ISSUE 2 Journal of Mennonite Writing Mennonite Experience | Many Voices About The Journal of Mennonite Writing is a quarterly online journal devoted to literary, artistic, and cultural production. Each issue focuses on a particular theme, author, or genre within Mennonite Writing, and includes poetry, fiction, essays, and criticism. The Journal of Mennonite Writing is published by the Center for Men- nonite Writing, an online community hosted at MennoniteWriting.org. The Center (CMW) provides resources for the study of Anabaptist and Mennonite-related artistic, cultural, and intellectual thought. It also houses Ervin Beck’s bibliogra- phies of Mennonite literature—one for U.S. authors, and one, with Hildi Froese Tiessen, for Canadian authors—updated annually. Co-Editors Ann Hostetler, Professor of English, Goshen College, Goshen, IN Ervin Beck, Goshen College Professor Emeritus, Goshen, IN Advisory Board Beth Martin Birky, Goshen College, Indiana Jeff Gundy, Bluffton University, Ohio Julia Spicher Kasdorf, The Pennsylvania State University Robert J. Meyer-Lee, Agnes Scott College, Atlanta Paul Meyer Reimer, Goshen College Maurice Mierau, author, Winnipeg, Manitoba Barbara Nickel, author, Fraser Valley, BC John D. Roth, Goshen College Kyle Schlabach, Goshen College Duane Stoltzfus, Goshen College Hildi Froese Tiessen, Professor Emerita Conrad Grebel University College Submission Guidelines Address inquiries to Editor at [email protected] and include a biography that describes your connection to Mennonite faith, culture, heritage, or identity. Work should be submitted as a Word attachment. Our issues are thematic, as announced through the Center for Mennonite Writing at www.mennonitewriting. org, but we also accept submissions of poetry, fiction, memoir, and critical essays year round. -
Globalism, Humanitarianism, and the Body in Postcolonial Literature
Globalism, Humanitarianism, and the Body in Postcolonial Literature By Derek M. Ettensohn M.A., Brown University, 2012 B.A., Haverford College, 2006 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in English at Brown University PROVIDENCE, RHODE ISLAND MAY 2014 © Copyright 2014 by Derek M. Ettensohn This dissertation by Derek M. Ettensohn is accepted in its present form by the Department of English as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ___________________ _________________________ Olakunle George, Advisor Recommended to the Graduate Council Date ___________________ _________________________ Timothy Bewes, Reader Date ___________________ _________________________ Ravit Reichman, Reader Approved by the Graduate Council Date ___________________ __________________________________ Peter Weber, Dean of the Graduate School iii Abstract of “Globalism, Humanitarianism, and the Body in Postcolonial Literature” by Derek M. Ettensohn, Ph.D., Brown University, May 2014. This project evaluates the twinned discourses of globalism and humanitarianism through an analysis of the body in the postcolonial novel. In offering celebratory accounts of the promises of globalization, recent movements in critical theory have privileged the cosmopolitan, transnational, and global over the postcolonial. Recognizing the potential pitfalls of globalism, these theorists have often turned to transnational fiction as supplying a corrective dose of humanitarian sentiment that guards a global affective community against the potential exploitations and excesses of neoliberalism. While authors such as Amitav Ghosh, Nuruddin Farah, and Rohinton Mistry have been read in a transnational, cosmopolitan framework––which they have often courted and constructed––I argue that their theorizations of the body contain a critical, postcolonial rejoinder to the liberal humanist tradition that they seek to critique from within. -
Necessary Fictions”: Authorship and Transethnic Identity in Contemporary American Narratives
MILNE, LEAH A., PhD. “Necessary Fictions”: Authorship and Transethnic Identity in Contemporary American Narratives. (2015) Directed by Dr. Christian Moraru. 352 pp. As a theory and political movement of the late 20th century, multiculturalism has emphasized recognition, tolerance, and the peaceful coexistence of cultures, while providing the groundwork for social justice and the expansion of the American literary canon. However, its sometimes uncomplicated celebrations of diversity and its focus on static, discrete ethnic identities have been seen by many as restrictive. As my project argues, contemporary ethnic American novelists are pushing against these restrictions by promoting what I call transethnicity, the process by which one formulates a dynamic conception of ethnicity that cuts across different categories of identity. Through the use of self-conscious or metafictional narratives, authors such as Louise Erdrich, Junot Díaz, and Percival Everett mobilize metafiction to expand definitions of ethnicity and to acknowledge those who have been left out of the multicultural picture. I further argue that, while metafiction is often considered the realm of white male novelists, ethnic American authors have galvanized self-conscious fiction—particularly stories depicting characters in the act of writing—to defy multiculturalism’s embrace of coherent, reducible ethnic groups who are best represented by their most exceptional members and by writing that is itself correct and “authentic.” Instead, under the transethnic model, ethnicity is self-conflicted, forged through ongoing revision and contestation and in ever- fluid responses to political, economic, and social changes. “NECESSARY FICTIONS”: AUTHORSHIP AND TRANSETHNIC IDENTITY IN CONTEMPORARY AMERICAN NARRATIVES by Leah A. Milne A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2015 Approved by _____________________ Committee Chair ©2015 Leah A. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Descargar Descargar
Opción, Año 35, Especial No.22 (2019): 1122-1134 ISSN 1012-1587/ISSNe: 2477-9385 Percival Everett’s creativity in the context of contemporary american literature Inna V. Shchepacheva¹, Olga B. Karasik¹ ¹Kazan Federal University [email protected], [email protected] Yuri V. Stulov² ²Minsk State Linguistic University [email protected] Abstract The article deals with the literary creativity of Percival Everett who is considered to be one of the most accomplished and prolific American writers nowadays via comparative qualitative research methods. As a result, the main peculiarity of Percival Everett’s novels is that the author presents his own vision of American and African American literatures and this way of interpretation is based on postmodernist aesthetics mostly. In conclusion, the creativity of Percival Everett is diverse and it presents itself a combination of new and traditional approaches to the themes of American and African American literatures. Key words: Percival, Everett, novels, American, literature. La creatividad de Percival Everett en el contexto de la literatura estadounidense contemporánea Resumen El artículo trata de la creatividad literaria de Percival Everett, considerado uno de los escritores estadounidenses más exitosos y prolíficos en la actualidad a través de métodos comparativos de investigación cualitativa. Como resultado, la peculiaridad principal de las novelas de Percival Everett es que el autor presenta su propia visión de la literatura estadounidense y afroamericana y esta forma de interpretación se basa principalmente en la estética posmoderna. En Recibido: 10-12-2018 Aceptado: 15-03-2018 1123 Inna V. Shchepacheva et al. Opción, Año 35, Especial No.22 (2019): 1122-1134 conclusión, la creatividad de Percival Everett es diversa y presenta una combinación de enfoques nuevos y tradicionales a los temas de la literatura estadounidense y afroamericana. -
COMPARATIVE LITERATURE (Div
COMPARATIVE LITERATURE (Div. I) Chair, Associate Professor CHRISTOPHER NUGENT Professors: BELL-VILLADA, CASSIDAY, DRUXES, S. FOX, FRENCH, KAGAYA**, NEWMAN***, ROUHI, VAN DE STADT. Associate Professors: C. BOLTON***, DEKEL, S. FOX, HOLZAPFEL, MARTIN, NUGENT, PIEPRZAK***, THORNE, WANG**. Assistant Professors: BRAGGS*, VARGAS. Visiting Assistant Professor: EQEIQ. Students motivated by a desire to study literary art in the broadest sense of the term will find an intellectual home in the Program in Comparative Literature. The Program in Comparative Literature gives students the opportunity to develop their critical faculties through the analysis of literature across cultures, and through the exploration of literary and critical theory. By crossing national, linguistic, historical, and disciplinary boundaries, students of Comparative Literature learn to read texts for the ways they make meaning, the assumptions that underlie that meaning, and the aesthetic elements evinced in the making. Students of Comparative Literature are encouraged to examine the widest possible range of literary communication, including the metamorphosis of media, genres, forms, and themes. Whereas specific literature programs allow the student to trace the development of one literature in a particular culture over a period of time, Comparative Literature juxtaposes the writings of different cultures and epochs in a variety of ways. Because interpretive methods from other disciplines play a crucial role in investigating literature’s larger context, the Program offers courses intended for students in all divisions of the college and of all interests. These include courses that introduce students to the comparative study of world literature and courses designed to enhance any foreign language major in the Williams curriculum. In addition, the Program offers courses in literary theory that illuminate the study of texts of all sorts. -
99 Essential African Books: the Geoff Wisner Interview
99 ESSENTIAL AFRICAN BOOKS: THE GEOFF WISNER INTERVIEW Interview by Scott Esposito Tags: African literature, interviews Discussed in this interview: • A Basket of Leaves: 99 Books that Capture the Spirit of Africa, Geoff Wisner. Jacana Media. $25.95. 292 pp. Although it is certain to one day be outmoded by Africa’s ever-changing national boundaries, for now Geoff Wisner’s book A Basket of Leaves offers a guide to literature from every country in the African continent. Wisner reviews 99 books total, covering the biggest homegrown authors (Achebe, Coetzee, Ngugi), some notable foreigners (Kapuscinski, Chatwin, Bowles), and a host of lesser-knowns. The books were selected from hundreds of works of African literature that Wisner has read: how to whittle hundreds down to just 99 books to represent an entire continent? Wisner says reading widely was key, as was developing a “bullshit detector” for the “false” and “fraudulent” in African lit by living there and working with the legal defense of political prisoners in South Africa and Nambia. Full of sharp opinions and oft-overlooked gems, A Basket of Leaves offers a compelling overview of a continent and its literature—an overview one that Wisner is eager to supplement and discuss in person. —Scott Esposito Scott Esposito: To start, how did you conceive and develop A Basket of Leaves? Geoff Wisner: The idea developed rather slowly. For several years I was raising money for political prisoners in South Africa and Namibia. I edited a newsletter on Southern Africa and started to read authors like Nadine Gordimer and J.M. -
Last Call Online
GTaCU (Download pdf ebook) Last Call Online [GTaCU.ebook] Last Call Pdf Free Tim Powers DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #4119200 in Books 2010-12-01Formats: Audiobook, UnabridgedOriginal language:EnglishPDF # 16 5.90 x 2.00 x 5.30l, .92 Running time: 70200 secondsBinding: Audio CD | File size: 19.Mb Tim Powers : Last Call before purchasing it in order to gage whether or not it would be worth my time, and all praised Last Call: 0 of 0 people found the following review helpful. I have loved this since I first read it shortly after it ...By Edith RudyI have loved this since I first read it shortly after it was published. (Powers is one of those authors whose books I buy immediately.) The chance to get it for my Kindle was delightful...I am slowly trying to get my favorites on my e- reader.It can be a bit complex to figure out...the protagonist is both a "fish" and a "candidate for the crown". He's a fish because he ignored good advice and got into a poker game where he lost his soul...but he's also the natural son of the current Fisher King...though nobody knows it except the old man who adopted him after his natural father tried to kill him.As is the case with most of Powers' writing, the book deals with resurrection. (In this case, it's even the name of the variety of poker he plays.) Scott decides that he will attempt to take the crown rather than giving up his soul. -
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave. S., Minneapolis, MN 55407 Newsletter #103 September — November, 2013 Hours: M-F 10 am to 8 pm RECENTLY RECEIVED AND FORTHCOMING SCIENCE FICTION Sat. 10 am to 6 pm; Sun. Noon to 5 pm ALREADY RECEIVED Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Doctor Who Magazine #460 (DWM heads to Trenzalore to find out the name of Fax 612-827-6394 the Doctor; tribute to the man who designed the Daleks; more).. $9.99 E-mail: [email protected] Doctor Who Magazine #461 (Doctor Who & the Daleks: what playing the Doctor Website: www.UncleHugo.com meant to Peter Cushing; more)......................................... $9.99 Doctor Who Magazine #462 (Regeneration: Who will be the twelfth Doctor? How’s Business? more)............................................................ $9.99 Fantasy & Science Fiction July / August 2013 (New fiction, reviews, more) By Don Blyly ................................................................. $7.99 Fantasy & Science Fiction May / June 2013 (New fiction, reviews, more) As many of our older customers ................................................................. $7.99 retire, they often move from a large old Locus #629 June 2013 (Interviews with Rudy Rucker and Sofia Samatar; Nebula house with lots of space to store books to winners; awards info; forthcoming books; industry news, reviews, more). $7.50 a smaller place with a lot less room for Locus #630 July 2013 (Interviews with Maria Dahvana Headley and Neil Gaiman; in books, resulting in many bags or boxes of books being brought to the Uncles. memoriam: Jack Vance and Iain Banks; Locus Award winners; industry news, reviews, more) This has been going on for many years, ................................................................ -
Frontier Re-Imagined: the Mythic West in the Twentieth Century
University of South Carolina Scholar Commons Theses and Dissertations 2018 Frontier Re-Imagined: The yM thic West In The Twentieth Century Michael Craig Gibbs University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Gibbs, M.(2018). Frontier Re-Imagined: The Mythic West In The Twentieth Century. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5009 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. FRONTIER RE-IMAGINED : THE MYTHIC WEST IN THE TWENTIETH CENTURY by Michael Craig Gibbs Bachelor of Arts University of South Carolina-Aiken, 1998 Master of Arts Winthrop University, 2003 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2018 Accepted by: David Cowart, Major Professor Brian Glavey, Committee Member Tara Powell, Committee Member Bradford Collins, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Michael Craig Gibbs All Rights Reserved. ii DEDICATION To my mother, Lisa Waller: thank you for believing in me. iii ACKNOWLEDGEMENTS I wish to thank the following people. Without their support, I would not have completed this project. Professor Emeritus David Cowart served as my dissertation director for the last four years. He graciously agreed to continue working with me even after his retirement. -
Read Transcript
ARAB INTELLECTUALS SERIES LUNCHTIME EVENT Introduction: Terje Rød-Larsen, President, International Peace Institute Moderator: Ambassador Abdullah M. Alsaidi, Senior Fellow, International Peace Institute Speakers: Hisham Matar, Libyan novelist Ali Al-Muqri, Yemeni novelist September 15, 2011 International Peace Institute 777 United Nations Plaza Transcript edited by IPI T RANSCRIPTION Terje Rød-Larsen: A warm welcome to the International Peace Institute, and to this first lunchtime event in our new Arab Intellectuals Series. The purpose of this new series is to offer a platform for Arab writers and intellectuals, and we have two of them— actually three, I would say—with us here this afternoon. We will ask them to share their own interpretations, their views and analysis on the dramatic changes which are unfolding in the Arab world in this current period of transition, and most importantly, to discuss the way ahead. Indeed, we've heard lately many interpretations and many explanations of the root causes of the Arab Spring. Every day when we open the newspapers, switch on the television or the radio, a new piece of analysis seems to appear. Our new series aims to offer an opportunity for the diplomatic community here in New York to hear unfiltered and fresh perspectives on the events of the Arab uprising from people who have witnessed it first-hand. Therefore I'm very happy to welcome our two speakers today, Hisham Matar from Libya on my right-hand side here, and Ali Al-Muqri from Yemen on the extreme right there, not politically-speaking. For those of you who didn't see it, Hisham Matar was featured very prominently in Sunday's New York Times book review. -
The Cambridge Companion to Twenty-First Century American Fiction Edited by Joshua Miller Frontmatter More Information
Cambridge University Press 978-1-108-83827-6 — The Cambridge Companion to Twenty-First Century American Fiction Edited by Joshua Miller Frontmatter More Information -- Reading lists, course syllabi, and prizes include the phrase “twenty-first-century American literature,” but no critical consensus exists regarding when the period began, which works typify it, how to conceptualize its aesthetic priorities, and where its geographical boundaries lie. Considerable criticism has been published on this extraordinary era, but little programmatic analysis has assessed comprehensively the literary and critical/theoretical output to help readers navigate the labyrinth of critical pathways. In addition to ensuring broad coverage of many essential texts, The Cambridge Companion to Twenty-First- Century American Fiction offers state-of-the-field analyses of contemporary narrative studies that set the terms of current and future research and teaching. Individual chapters illuminate critical engagements with emergent genres and concepts, including flash fiction, speculative fiction, digital fiction, alternative temporalities, Afro-Futurism, ecocriticism, transgender/queer studies, anti- carceral fiction, precarity, and post-9/11 fiction. . is Associate Professor of English at the University of Michigan. He is the author of Accented America: The Cultural Politics of Multilingual Modernism (2011), editor of The Cambridge Companion to the American Modernist Novel (2015), and coeditor of Languages of Modern Jewish Cultures: Comparative Perspectives (2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-83827-6 — The Cambridge Companion to Twenty-First Century American Fiction Edited by Joshua Miller Frontmatter More Information THE CAMBRIDGE COMPANION TO TWENTY-FIRST- CENTURY AMERICAN FICTION EDITED BY JOSHUA L.