Hallie Ford Museum of Art, You Will Enjoyoutreach

Total Page:16

File Type:pdf, Size:1020Kb

Hallie Ford Museum of Art, You Will Enjoyoutreach Permanent Galleries Remodeled Docent Update Beginning in fall 2008, the permanent galleries The Hallie Ford Museum of Art is recruiting Michael Dailey: of the Hallie Ford Museum of Art will undergo a volunteers to become docents. The word docent major reinstallation, including new display cases; derives from the Latin verb docere, meaning “to Color, Light, Time, and Place improved lighting; new color schemes; revised teach” or “to lead.” Docents provide tours of the text panels, labels, photo murals and maps; and permanent collection and temporary exhibitions ichael Dailey is a highly regarded Seattle a number of new objects that have been donated for K–12 students, college students, adults and painter and professor emeritus at the since we opened our doors in October 1998. senior citizens. University of Washington. A major Mretrospective of Dailey’s work, Michael Dailey: Color, The Mark and Janeth Sponenburgh Gallery is scheduled to be completed in 2008, the Carl Hall The next class for docents begins in September Light, Time, and Place, continues through Aug. 31, Gallery in 2009 and the Confederated Tribes of 2008. Training for new and active docents is 2008, in the Melvin-Henderson Rubio Gallery and Grand Ronde Gallery in 2010. The Print Study ongoing and is held every Monday morning Print Study Center. Center was upgraded in 2007 as part of our from September through April. Training includes recent basement renovation. lectures and gallery sessions on the Hallie Ford Organized by Director John Olbrantz, the exhibition Museum of Art’s permanent collection and explores Dailey’s deconstruction of the landscape Free Days temporary exhibitions. Michael Dailey, Beach Drawing 90:4, 1990 over the past 45 years. It includes paintings and works on paper from public and private collections Trainees attend weekly classes for eight months, in Oregon, Washington and California and is accompanied by a full-color monograph written by In addition to free admission every Tuesday do occasional homework assignments, give guided Robin Updike, former art critic for the Seattle Times. throughout the year, the Hallie Ford Museum tours in the spring and are asked to make a two-year of Art will offer free admission Aug. 28–30 commitment once they graduate, although most for Opening Days, Sept. 19–21 for Reunion docents enjoy it so much that they often remain Weekend, Oct. 3–5 in celebration of our 10th active for many years. Adam Bacher: Earth, Water, and Sky t anniversary, Oct. 17–19 for Parent and Family rd Weekend and (tentatively) Oct. 11 and Nov. 8 If you have any questions or would like to receive dam Bacher is a Portland photographer who captures for Fall Open Houses. an information packet and application, call the the remote alpine regions and backcountry wilderness Fo Hallie Ford Museum of Art at 503-370-6855. of the western United States, including the Oregon Ar Hallie Ford Aand Washington Cascades, the Sierra Nevada of California, Museum of the Sawtooth Mountains of Idaho, the Wind River Mountains willamette university 97301 Art of Wyoming and the rugged terrain of Glacier National Park If You Like What We’re Doing, Become a Member! in Montana. A small exhibition of Bacher’s color photographs vice requested Membership income helps support collections, exhibitions, education and outreach. continues through July 27, 2008, in the Study Gallery. Hallie state street July–Dec., 2008, Vol. 10., No. 2 As a member of the Hallie Ford Museum of Art, you will enjoy the many benefits of membership, Brush Bacher was born, raised and educated in Michigan and came to illamette university w salem, oregon 900 return ser Museum of strokes including unlimited free admission, invitations to preview receptions, discounts on art books Oregon to work on a PhD degree at the University of Oregon and related merchandise, annual subscriptions to Brushstrokes and The Scene magazine, in international relations. He enrolled in a photography class at invitations to special lectures, films, concerts and tours, and more. Adam Bacher, Crater Lake the university just for fun and it literally transformed his life. and Wizard Island, 2002 If you are already a member, consider giving a gift membership to a friend or relative. He abandoned his graduate study, took additional classes and Memberships make wonderful gifts for birthdays, graduation or other special occasions. has worked as a professional photographer in Portland ever since. For further information, call 503-370-6855. Visit Our Bookstore The Collector’s Eye: Contemporary Art Visit our bookstore for a wide variety of art books and related merchandise. Remember, books make wonderful gifts for birthdays, graduation and other special occasions, and as a dual or gon. family level member, you receive a 10 percent discount! from the Leo Michelson Collection eo Michelson is a Portland resident and avid Giving Opportunities collector of contemporary art who donated a large . $2 A wide variety of giving opportunities are available at the Hallie Ford Museum of Art, from portion of his collection to the Hallie Ford Museum : $2 tools and equipment to exhibition sponsorship and beyond. : Lof Art. A small exhibition from the Michelson collection, : $3 For further information, call John Olbrantz at 503-370-6854. reflecting the collector’s impeccable taste and critical eye, Free Hours Location Adults Seniors will open Aug. 2 and continue through Oct. 5, 2008, in Admission 503-370-6855 Accessibility AAM members Mondays: Closed Sunday: 1–5 p.m. Salem, OR 97301 So You Want to Volunteer the Study Gallery. Students (13+) Willamette University Tuesday is a free Tuesday day Children 12 and under General Information The Hallie Ford Museum of Art is taking names of people who would like to volunteer. Hallie Ford Museum of Art to drop off and pick up visitors. Organized by Director John Olbrantz, the exhibition will Street address: 700 State Street Mailing address: 900 State Street Volunteer opportunities have been or will be developed for people who wish to work with 10 a.m.–5 p.m. Tuesday–Saturday: Email: [email protected] at Willamette University in Salem, Ore Hallie Ford Museum of Art members School groups (by prior appointment) is a biannual publication of the Hallie Ford Museum the permanent collection, install temporary exhibitions, provide tours for young people include works by artists such as Rick Bartow, Judy Cooke, A wheelchair is available for visitor use. Baba Wague Diakite, James Lavadour, D.E. May and Fay Jones, Rolling Gait, 1992 Website: www.willamette.edu/museum_of_art/ and adults, help with membership development and fundraising events and provide office Willamette University staff faculty, and students A loading zone is available in front of the building of Art assistance. James Thompson, among others. A reception to meet member of the American Association of Museums. The Hallie Ford Museum of Art is wheelchair accessible on both floors via an elevator at the front of the building. Michelson will be held Saturday, Aug. 30, from 3–5 p.m. in the lobby and Study Gallery. The Hallie Ford Museum of Art at Willamette University is a For further information, call 503-370-6855. For any special access needs such as interpreters, please call. Brushstrokes From the Director Reflector Installation July The Art of Ceremony: It’s hard to believe that in October of this year, the Hallie Ford Museum of Art will llensburg, Wash., mixed media artist Dick Elliott 27 Adam Bacher: Earth, Water, and Sky 5 The Collector’s Eye: Contemporary Art celebrate its tenth anniversary. It seems like yesterday that Willamette University has been commissioned to create a series of 45 closes from the Leo Michelson Collection closes Regalia of Native Oregon Study Gallery Study Gallery President Lee Pelton, benefactor Hallie Ford and I cut the ribbon to officially open reflector panels in the windows on the second Efloor of the Hallie Ford Museum of Art. Each reflector August 11 The Second Crow’s Shadow Institute rom Sept. 28, 2008, through Jan. 19, 2009, the Hallie the Hallie Ford Museum of Art. 2 The Collector’s Eye: Contemporary Art of the Arts Biennial opens Ford Museum of Art will present The Art of Ceremony: panel will measure 69 1/4" x 21 3/4" and will consist of Study Gallery As I reflect on the past 10 years, I think we can look back with a great deal of pride safety reflectors in amber, blue, clear, green and red. from the Leo Michelson Collection Regalia of Native Oregon, a major exhibition of regalia opens 16 Lecture and satisfaction at what we have accomplished. Elliott is at work on the project and hopes to complete it Ffrom the nine federally recognized tribes of Oregon. Included Study Gallery The Art of Ceremony: by the early fall. Regalia of Native Oregon in the exhibition will be objects made of buckskin and beadwork Over the past decade, we have acquired some significant artworks for the permanent Rebecca Dobkins from the Plateau region of eastern Oregon, items with condor collection, including superb examples of Egyptian sculpture, Greek pottery, Roman glass, Chinese and “Each individual panel will represent a unique geometric 30 Reception 7 p.m., Paulus Lecture Hall, Japanese ceramics, Meso-American art, Native American baskets and hundreds of examples of historic design, but when viewed as a whole, the panels will add The Collector’s Eye: Contemporary Art College of Law feathers from the Columbia River Gorge, and objects with and contemporary regional art. color and excitement to the second floor of our building,” from the Leo Michelson Collection Co-sponsored with the Salem Society, feather and abalone shell decoration from the Oregon Coast. Dick Elliott, Circle of Light, Sun Dome, 3–5 p.m., Lobby and Study Gallery Archaeological Institute of America Yakima, Wash., 1992 says Director John Olbrantz, who has known Elliott for 25 Organized by faculty curator Rebecca Dobkins in partnership We have mounted some major exhibitions of historical art, including exhibitions of classical art, Egyptian years.
Recommended publications
  • Dale Chihuly Exhibition at Hallie Ford Artist’S Cylinders, Macchia, and Venetians from the George R
    POPULATION 400,408 June 2021 VOL. 3, NO. 6 Dale Chihuly Exhibition AT Hallie Ford Artist’s Cylinders, Macchia, and Venetians from the George R. Stroemple Collection RECREATIONAL BOATING THIS SEASON JOY OF LIVING ASSISTANCE DOGS PAGE 10 PAGE 16 PAGE 13 Page 2 Salem Metro Area • Population 400,408 June 2021 Cover Photo Credits CLOCKWISE FROM UPPER LEFT Fresh, Local and Handmade Products Dale Chihuly (American, born 1941) at Salem Community Markets “Lavender Piccolo Venetian with Cerulean Lilies,” 1993, blown glass, 8 x 5 x 5 in., George R. Stroemple Collection, an S & S Collaboration, DC.152. “Light Violet Macchia Set with Black Lip Wrap,” 1983, blown glass, 13 x 13 x 8 in., George R. Stroemple Collection, DC.142. Photo: Jeff Freeman. “Ruby Red Putti Venetian with Gilt Ram and Twin-Headed Dragon,” 1994, blown glass, 20 x 12 x 12 in., George R. Stroemple Collection, an S & S Collaboration, DC.402. Photo: Claire Garoutte. “Fountain Green Putti Venetian with Gilt Leaves and Centaur,” 1994, blown glass, 18 x 17 x 17 in., George R. Stroemple Collection, an S & S Collaboration, DC.397. Photo: Claire Garoutte. “Fire Coral Macchia with Corsair Lip Wrap,” 1982, blown glass, 10 x 18 x 10 in., George R. Stroemple Collection, an S & S Collaboration, DC.115. Photo: Terry Rishel. “Silver over Starlight Blue Piccolo Venetian with Clear Prunts,” 1994, blown glass, 10 x 6 x 6 in., George R. Stroemple Collection, an S & S Collaboration, DC.210. Photo: Claire Garoutte. Photos Courtesy of The George R. Stroemple Collection. POPULATION 400,408 SBJ.NEWS PUBLISHER ART DIRECTOR Bruce Taylor P.K.
    [Show full text]
  • Digital Commons @
    sALUMnotesALUMnotesALUMnotesALUMnotesALUMno Western Oregon University April 2007WOUMagazine 1 Alum n o tes Western Oregon University You watch your financesclosely . They do their best. The average education loan debt of many college students when they graduate exceeds the national average credit card debt of $9,000. Yesterday’s Western Oregon University student could work a summer job and earn enough money to pay their next year’s tuition and expenses. Over half of today’s WOU students work in the summer and during the school year to help pay for tuition and expenses. And still they graduate with an average education loan debt of nearly $20,000. Your contribution in support of student scholarships absolutely makes a difference! • Outright gifts • Gifts of appreciated assets such as property and securities • Charitable gift annuities Contact James Birken Director of Gift Planning Western Oregon University University Advancement The Cottage Monmouth, Oregon 97361 503-838-8145 [email protected] Western Oregon University Magazine © April 2007 • Volume 8, No. 2 What’s Inside PRESIDENT John P. Minahan Washington EXECUTIVE EDITOR Leta Edwards Vice President for University Advancement Envisioning the MANAGING EDITOR ‘06 Maria Austin future Coordinator of Alumni Programs 4 Oregon President discusses his three-year Idaho CONTRIBUTING WRITERS vision for WOU Maria Austin Russ Blunck Lori Jordan Brown Craig Coleman Leta Edwards Being prepared Lisa Pulliam WOU-based Homeland Security Nevada Alaska PHOTOGRAPHERS 6 grant assists Native Americans Lori
    [Show full text]
  • PAT BOAS Education 2000 MFA Painting, Portland State University
    PAT BOAS Education 2000 MFA Painting, Portland State University 1998 BFA Printmaking, Pacific Northwest College of Art 1976 Drawing & Painting, University of Akron Solo Exhibitions 2019 Memo, Elizabeth Leach Gallery, Portland, OR 2017 Cipher, Art in the Governor’s Office, Oregon Arts Commission, Salem, OR 2016 Logo(s), Elizabeth Leach Gallery, Portland, OR 2015 Encryption Machine, The Arlington Club, Portland, OR 2014 The Word Hand (Collaborative drawing performance and exhibition with visual artist Linda Hutchins and choreographer Linda Austin), Performance Works Northwest, Portland, OR The Word Hand: Research/Rehearse (Three-person collaborative drawing performance and exhibition), Weiden & Kennedy Gallery, Portland, OR 2009 Record Record, The Art Gym, Marylhurst University, Marylhurst, OR 2008 Idiomsyncretic, Emily Davis Gallery, University of Akron, Akron, OH 2007 Idiom, Fairbanks Gallery, Oregon State University, Corvallis, OR 2006 You haven no companion but Night, Nine Gallery, Portland, OR 2005 Mutatis Mutandis, Northview Gallery, Portland, OR Against Nature, Window Project, PDX Contemporary Art, Portland, OR 2001 Reading & Writing #5, Metropolitan Center for Public Art, Portland, OR Word Work, IMAG, Pacific Northwest College of Art, Portland OR 2000 Textuaries, Autzen Gallery, Portland State University, Portland, OR 1997 Breath, Kathrin Cawein Gallery, Pacific University, Forest Grove, OR Selected Group Exhibitions 2019 Crow’s Shadow Institute of the Arts at 25, Boise Art Museum, Boise, ID 2018 Assemblage & Collage, Elizabeth Leach
    [Show full text]
  • CASA Annual Report 2020
    Fall 08 The Center for Ancient Studies and Archaeology Willamette University The Stones of Stenness at the Ness of Brodgar Report 2019-2020 1 Table of Contents Notes from Director Ortwin Knorr ............................................................................................................... page 3 CASA’S MISSION ........................................................................................................................................... Page 4 Student Programs ........................................................................................................................................ Page 4 Willamette University Archaeological Field School .............................................................................. Page 5 Student Archaeological Field School Scholarships ............................................................................... Page 7 Community Archaeology ...................................................................................................................... Page 8 Student Internship in Museology at the HFMA .................................................................................... Page 9 The Carl S. Knopf Award ....................................................................................................................... Page 10 Student Scholarship Recognition Day and Undergraduate Conference .............................................. Page 11 The Archaeology Program at Willamette University ...........................................................................
    [Show full text]
  • Sherrie Wolf
    SHERRIE WOLF Born: 1952, Portland, OR EDUCATION Chelsea College of Art, London, England; M.A. Printmaking 1975 Museum Art School, Pacific Northwest College of Art, Portland, OR; B.F.A. Painting 1974 ONE-PERSON EXHIBITIONS “Found,” Russo Lee Gallery, Portland, OR 2019 “Juxtapositions,” Russo Lee Gallery, Portland, OR 2018 “Postcards from Paris,” Russo Lee Gallery, Portland, OR 2017 “The Flower Paintings: A Tribute to Manet’s Last Paintings,” Arden Gallery, Boston, MA 2017 “Stage,” The Laura Russo Gallery, Portland, OR 2016 “Sherrie Wolf: Object Lessons,” Hallie Ford Museum of Art, Willamette University, Salem, OR 2015 “Tulips: A History,” Woodside/Braseth Gallery, Seattle, WA 2015 “Museum,” The Laura Russo Gallery, Portland, OR 2014 “Baroque Sensibilities: Sherrie Wolf,” Long Beach Museum of Art, Long Beach, CA 2014 “Stills,” The Laura Russo Gallery, Portland, OR 2013 “Looking Back,” The Laura Russo Gallery, Portland, OR 2012 “Sherrie Wolf: Historyonics,” Northern Arizona University Art Museum Gallery, Flagstaff, AZ 2012 “Sherrie Wolf: Vessels,” Arden Gallery, Boston, MA 2011 “Transmissions,” The Laura Russo Gallery, Portland, OR 2011 “Sherrie Wolf: Paintings,” Arden Gallery, Boston, MA 2011 “Faces,” The Laura Russo Gallery, Portland, OR 2010 “New Paintings,” Arden Gallery, Boston, MA 2010 Gordon Woodside / John Braseth Gallery, Seattle, WA 2008, 2010 “Counterpoint,” The Laura Russo Gallery, Portland, OR 2009 “Animal Life,” Jenkins Johnson Gallery, San Francisco, CA 2009 The Laura Russo Gallery, Portland, OR 2004, 2006, 2007, 2008 “Virtue,
    [Show full text]
  • James Lavadour
    ! JAMES LAVADOUR BORN Pendleton, Oregon (1951) SELECTED SOLO EXHIBITIONS 2018 All that I can see from here, PDX CONTEMPORARY ART, Portland, OR 2017 Recent Findings, Cumberland Gallery, Nashville, TN 2016 Ledger of Days, PDX CONTEMPORARY ART, Portland, OR 2015 James Lavadour: Land of Origin, MAC Gallery, Wenatchee Valley College, Wenatchee, WA 2014 Fingering Instabilities, PDX CONTEMPORARY ART, Portland, OR 2012 The Interior, PDX CONTEMPORARY ART, Portland, OR 2011 Paintings, Grover/Thurston Gallery, Seattle, WA 2010 Geographies of the Same Stone: for TT, PDX CONTEMPORARY ART, Portland, OR 2009 Grover/Thurston Gallery, Seattle, WA 2008 The Properties of Paint, Hallie Ford Museum, Willamette University, Salem, OR; (traveled): Schneider Museum of Art, Southern Washington University, Ashland, OR; Tamastslikt Cultural Institute, Pendleton, OR Close to the Ground, PDX CONTEMPORARY ART, Portland, OR 2006 Sun Spots, PDX CONTEMPORARY ART, Portland, OR Rain, Cumberland Gallery, Nashville, TN Magic Valley, Gail Severn Gallery, Ketchum, ID 2005 Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN Grover/Thurston Gallery, Seattle,WA Walk, PDX CONTEMPORARY ART, Portland, OR (shown at 219 NW 12th) 2004 Cumberland Gallery, Nashville, TN 2003 Romantic Landscape, PDX CONTEMPORARY ART, Portland, OR New Camp, Grover Thurston, Seattle, WA Gail Severn Gallery, Ketchum, ID 2002 Intersections II, PDX CONTEMPORARY ART, Portland, OR Intersections, Maryhill Museum of Art, Goldendale, WA 2001 Retrospective, Northwest Museum of Arts & Culture, Spokane,
    [Show full text]
  • Roger Shimomura: While Donations Have Played an Important Role in the Development of Our of Law 21 Film Tuesday, Sept
    A Contemporary Bestiary If You Like What We Visit Our Museum Store AID Are Doing, Become Visit our museum store for a wide 52 a Member variety of art books and related merchandise. Remember, art Membership revenue helps support mit No.1 books and art-related gift items Salem, OR collections, exhibitions, education Per US Postage P make wonderful gifts for birthdays, NONPROFIT ORG and outreach, so if you like what we graduations and other special are doing, become a Hallie Ford occasions, and as a family or dual- Museum of Art member. level member, you receive a 10 As a member, you will enjoy the percent discount. many benefits we have to offer, Right: including unlimited free admission; Facility Rentals Robert invitations to previews and special McCauley, Located in the heart of downtown Edge of members’ receptions; discounts on Salem, the Hallie Ford Museum Town II art books and related merchandise; (detail), of Art is an elegant and unique annual subscriptions to Brush- 2012 setting for your next special strokes and Willamette University’s event, from cocktail receptions Below: magazine, The Scene; invitations to Deborah and dinners to business special lectures, films, concerts and Butterfield, meetings and presentations. For Red Forest tours; and more. further information on capacity, (detail), And, if you are already a member, availability, rental rates and 2013 consider giving a gift membership restrictions, call Carolyn Harcourt A Contemporary Bestiary features work by artists from Oregon, Washington, Idaho, to a friend or relative. Memberships at 503-370-6856 or visit Montana, and British Columbia who incorporate animal imagery in their artwork as make wonderful gifts for birthdays, willamette.edu/go/rent_hfma.
    [Show full text]
  • Mark and Janeth Sponenburgh Gallery
    COLLECTION GUIDE Mark and Janeth Sponenburgh Gallery Hallie Ford Museum ofArt1 2 Across Continents, Through Time SELECTIONS FROM THE PERMANENT COLLECTION THE MARK AND JANETH SPONENBURGH Gallery’s installation, Across Continents, Through Time: Selections from the Permanent Collection, features a range of artworks from the Hallie Ford Museum of Art’s permanent collections of European, Asian, and American art. The collections span 4,500 years of Western and Eastern art history and encompass four continents: Europe, Asia, Africa, and North America. The collections have been assembled over the years to support the liberal arts curriculum of Willamette University and to introduce Hallie Ford Museum of Art visitors to some of the major themes and styles in the history of Western and Eastern art. Far from comprehensive or complete, the collections are instead made up of small, unassuming art treasures that are meant to be studied, savored, appreciated, and enjoyed. The first university art museum in the United States was founded at Yale University in 1832 by the Revolutionary War hero and American history painter John Trumbull. By the end of the nineteenth century, a number of colleges and universities had established art museums on their campuses, including Vassar College in 1864, Princeton University in 1882, Bowdoin College in 1894, and Harvard University in 1896, among others. From the very beginning, these institutions were founded to help support the liberal arts curriculums of their respective universities, to provide a vehicle for introducing their students to the history of art, and, in the words of Edward W. Forbes of Harvard University, to build collections that “tell the story of the artistic and imaginative possibilities of man .
    [Show full text]
  • 2017 Oregon Governor's Arts Awards Program
    GOVERNOR’S ARTS AWARDS FRIDAY, OCTOBER , MESSAGE FROM THE GOVERNOR KATE BROWN Governor Dear Arts Supporters, I am honored to welcome you to the 2017 Governor’s Arts Awards. The Oregon Arts Commission has made sure art is a part of our daily lives for the past 50 years. In honor of this historic anniversary, I am proud to reinstate the Governor’s Arts Awards and to once again honor artists and organizations that make outstanding contributions to the arts in Oregon. Art is a fundamental ingredient of any thriving and vibrant community. Art sparks connections between people, movements and new ideas. Here in Oregon, the arts enrich our quality of life and local economies, helping form our great state’s unique identity. Not only that, art education is key in fostering a spirit of creativity and innovation in our youth. I want to thank each of you for being a part of this community, making Oregon more beautiful, more alive every day. Each of today’s Arts Awards recipients has touched the lives of thousands of Oregonians in meaningful ways. They were selected through a highly competitive process from a field of 110 worthy nominees and are extremely deserving of this honor. I thank them for making Oregon a better and more beautiful place and ask you to join with me in celebrating their achievements. Sincerely, Governor Kate Brown PROGRAM WELCOME Christopher Acebo • Chair, Oregon Arts Commission PERFORMANCE BRAVO Youth Orchestras & Darrell Grant AWARDS Presented by Governor Kate Brown COMMUNITY AWARD Crow’s Shadow Institute of the Arts LIFETIME ACHIEVEMENT AWARD Arvie Smith PHILANTHROPY AWARD The James F.
    [Show full text]
  • Northwest Impressionism, 1910-1935
    Hidden in Plain Sight: Northwest Impressionism, 1910-1935 John E. Impert A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Susan Casteras, Chair René Bravmann Douglas Collins Program authorized to Offer Degree: Art History University of Washington Abstract Hidden in Plain Sight: Northwest Impressionism, 1910-1935 John E. Impert Chair of the Supervisory Committee: Professor Susan Casteras Art History Northwest Impressionist artists are among the forgotten figures in American art history. Responsible for bringing Modernism to Washington and Oregon, they dominated the art communities in Seattle and Portland from about 1910 to 1928, remaining influential until the mid 1930’s. After describing the artists briefly, this dissertation summarizes and evaluates the slim historiography of Northwest Impressionism. Impressionism and Tonalism are contrasted in order to situate these artists within the broad currents of American art history. Six important artists who have not been studied in the past are each accorded a chapter that summarizes their educations, careers, and artistic developments. In Seattle, Paul Gustin, the early leader of the Seattle art community, was most closely associated with images of Mount Rainier. Edgar Forkner, a well established Indiana artist, moved to Seattle and painted numerous canvases of old boats at rest and still lifes of flowers. Dorothy Dolph Jensen, a latecomer, emphasized shoreline and harbor scenes in her work. In Portland, Charles McKim traded complete anonymity in Portland, Maine for the leadership of the Oregon art community, creating a variety of landscapes and seascapes. Clyde Keller produced an enormous output of landscapes over a long career that extended to California as well as Oregon.
    [Show full text]
  • Christy Wyckoff 2402 SE Main Portland OR 97214 USA [email protected]
    Christy Wyckoff 2402 SE Main Portland OR 97214 USA [email protected] www.christywyckoff.com PUBLIC AND CORPORATE COLLECTIONS Anchorage Museum Museu Nacional del Grabado, Buenos Aires, Argentina Art Coll Trust, Bellevue New York Public Library, NYC Arthur Anderson Company, Portland Northwest Acceptance, Portland Boise Art Museum, Boise, ID Northwest Power Council, Portland Bonneville Power Administration, Portland Oregon Health Sciences University, Portland Beaverton School District, Beaverton, Oregon Ore St. Capitol Building, Salem Central Oregon Community College Library, Bend Ore St. Employment Office, Salem China National Academy of Art, Beijing, PRC Ore St. Revenue Building, Salem City of Denver, Red Rocks Amphitheater Ore St. Corrections Division City of Seattle Portland Art Museum, Vivian & Gordon Gilkey Collection Eugene Water and Electric Board, Eugene, Oregon Portland School District, Portland Evergreen State College, Olympia, Washington Portland State University, Portland First National Bank, Atlanta Qingdao Art Gallery, Qingdao, People’s Republic of China Hallie Ford Museum of Art, Willamette U, Salem, Oregon Salishan Lodge, Gleneden Beach, Oregon Hawai’i State Portable Collection, Honolulu Seattle Art Museum, Seattle Heathman Hotel, Portland Seattle Public Utilities Portable Works Collection Hoffman Construction, Portland Security Pacific Bank, Portland IBM, Houston Southern Oregon State University Intel Corporation, Portland Tacoma Art Museum, Tacoma, Washington Jordan Schnitzer Art Museum at University of Oregon, Tonken, Torp and Galen, Portland Haseltine Collection, Eugene United First Federal Savings, Boise Kaiser Permanente, Portland United States Information Service Kerns Art Center, Eugene University of Applied Sciences, Amman, Jordan Mentor Graphics, Portland Veteran's Affairs Building, Salem Metropolitan Museum of Art, NYC Visual Arts Chronicle, Portland Minnesota Museum of Art, St.
    [Show full text]
  • Curator and Critic Tours Connective Conversations
    CURATOR AND CRITIC TOURS CONNECTIVE CONVERSATIONS: INSIDE OREGON ART 2011–2014 THE FORD FAMILY FOUNDATION AND UNIVERSITY OF OREGON 2 3 The Ford Family Foundation’s Visual Arts program honors the interests in the visual arts by Mrs. Hallie Ford, a co-founder of The Foundation. The principal goals are to help enhance the quality of artistic endeavor and body of work by Oregon’s most promising visual artists and to improve Oregon’s visual arts ecology by making strategic investments in Oregon visual arts institutions. The program was launched in 2010, and in 2014 it was extended through TABLE OF CONTENTS 2019. The Foundation supports a range of program components, among them Connective Conversations as part of the Curator and Critic Tours and Lectures Series during which it partners with regionally-based institutions to invite professionals from outside the Northwest to conduct one-on-one studio visits and to join in community conversations. The Ford Family Foundation has collaborated with the University of Oregon School of Architecture and Allied Arts to conduct the Connec- o6 o7 o8 tive Conversations | Inside Oregon Art Series since its launch in 2011. THE FORD FAMILY INTRODUCTION IN THE STUDIO Kate Wagle, Director, George Baker, Curator Critic The Curator and Critic Tours and Lectures Series is the seventh and final FOUNDATION element of The Ford Family Foundation’s Visual Arts Program’s investment in VISUAL ARTS PROGRAM UO School of Architecture Professor of Art History Oregon visual arts institutions. Anne C Kubisch, President, and Allied Arts in Portland University of California This publication is made possible by The Ford Family Foundation and the University of Oregon.
    [Show full text]