DOCSLIB.ORG

Dale Chihuly Exhibition at Hallie Ford Artist’S Cylinders, Macchia, and Venetians from the George R

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dale Chihuly Exhibition at Hallie Ford Artist’S Cylinders, Macchia, and Venetians from the George R POPULATION 400,408 June 2021 VOL. 3, NO. 6 Dale Chihuly Exhibition AT Hallie Ford Artist’s Cylinders, Macchia, and Venetians from the George R. Stroemple Collection RECREATIONAL BOATING THIS SEASON JOY OF LIVING ASSISTANCE DOGS PAGE 10 PAGE 16 PAGE 13 Page 2 Salem Metro Area • Population 400,408 June 2021 Cover Photo Credits CLOCKWISE FROM UPPER LEFT Fresh, Local and Handmade Products Dale Chihuly (American, born 1941) at Salem Community Markets “Lavender Piccolo Venetian with Cerulean Lilies,” 1993, blown glass, 8 x 5 x 5 in., George R. Stroemple Collection, an S & S Collaboration, DC.152. “Light Violet Macchia Set with Black Lip Wrap,” 1983, blown glass, 13 x 13 x 8 in., George R. Stroemple Collection, DC.142. Photo: Jeff Freeman. “Ruby Red Putti Venetian with Gilt Ram and Twin-Headed Dragon,” 1994, blown glass, 20 x 12 x 12 in., George R. Stroemple Collection, an S & S Collaboration, DC.402. Photo: Claire Garoutte. “Fountain Green Putti Venetian with Gilt Leaves and Centaur,” 1994, blown glass, 18 x 17 x 17 in., George R. Stroemple Collection, an S & S Collaboration, DC.397. Photo: Claire Garoutte. “Fire Coral Macchia with Corsair Lip Wrap,” 1982, blown glass, 10 x 18 x 10 in., George R. Stroemple Collection, an S & S Collaboration, DC.115. Photo: Terry Rishel. “Silver over Starlight Blue Piccolo Venetian with Clear Prunts,” 1994, blown glass, 10 x 6 x 6 in., George R. Stroemple Collection, an S & S Collaboration, DC.210. Photo: Claire Garoutte. Photos Courtesy of The George R. Stroemple Collection. POPULATION 400,408 SBJ.NEWS PUBLISHER ART DIRECTOR Bruce Taylor P.K. Ireland CIRCULATION Patrik Dearden EXECUTIVE ASSISTANT Justin Lee Kimble ARTS & ENTERTAINMENT Tim Knight ADVERTISING The Salem Community Markets hosts 3 seasonal markets... the vendor is not setup to accept credit cards, we can still help you by Fawn Clark, Carly Taylor, Salem Saturday Market, the Monday Hospital Market and the running the transaction at the Information Booth (on their behalf). Jan Harris & Rob Conahey Thursday West Salem Farmers Market as well as the Salem Holiday Market Match is a program that stretches the benefits of EBT/SNAP Market at the Salem Fairgrounds the 2nd weekend in December. recipients. For every $10 spent with EBT/SNAP, guests will receive $5 Columnists & Editorial Contributors The Saturday Market is traditionally open the first Saturday in April in Market Match Bucks. There is a maximum benefit of $10 Market Mary Louise VanNatta Jolene Kelley through October 30th , however this season decided to open early in Match per day. Market Match bucks can be used on items like fruit, Alex Rhoten Robert C. Cannon an effort to bring local handmade, handcrafted or homegrown fresh vegetables, mushrooms, herbs, veggie starts, natural nuts, nut butter, Kevin Cameron Lloyd Spangenberg Anthony Smith Harvey Gail products to the public as well as help out vendors who have been meat, poultry, dairy, eggs and honey. Ray Sagner Rebecca Maitland affected by the pandemic. The Monday Hospital Market opened The Power of Produce Program (POP) Kid’s Club will be back to the Alex Casebeer Andrea Foust Gerry Frank on May 3rd and continues through September 27th. The Thursday Saturday Market in June, July and August. It will likely be a modified Patti Milne Keenan Emery West Salem Farmers Market opened May 6th and continues through “pickup and go” format similar to last season. There are a lot of Lisa Joyce Dick Hughes September 16th. Specific details like times and locations can be found activities in the works for the Thursday West Salem Farmers Market Jennifer Martin Dave Sweeney Emily Kerper Pamela Prosise on the market website at www.salemcommunitymarkets.com. to include bike repairs with The Hub, coffee with the Mayor and other Michael Patrick O’Connor Cindy Wyant The markets all offer a variety of the following items... fresh local constituents, cooking demonstrations and Gilbert House kits for kids. produce, baked goods, meat/poultry, dairy, cut flowers, garden/plant As events and programs are scheduled, they will be posted on the starts, artisan crafts, honey, coffee, bottled beverages and prepackaged market’s website calendar of events. Salem Business Journal™ is published monthly by the Salem Business Journal, P. O. Box 93, Salem, OR 97308, foods, bath and body items, furniture, artisan hot food and so much The Salem Community Markets is a member benefit non-profit 503-365-9544. The opinions expressed in columns are more! In addition to these vendors, non-profit organizations and organization. The special programs and activities at the markets are those of the authors, and do not necessarily reflect those of market sponsors join us throughout the season providing information made possible with the contributions of our partners and sponsors. the Salem Business Journal or its staff. ©2021 Salem Business Journal on their services/businesses. We are so very appreciative of their support!! In return, help us thank The market accepts EBT/SNAP as well as Farm Direct Nutrition and support these businesses by patronizing their businesses. Program (WIC) benefits for qualifying products. In addition, the Hope to have you join us... so grab the family and take a walk or majority of the vendors accept both cash and credit cards. If the bike ride to the markets and help us support these small businesses! June 2021 Salem Metro Area • Population 400,408 Page 3 Do you Recognize Virtue Signaling? 3 Publications I’m so generous! I’m Price is a signal. Consumers understand company that supports human rights may All in 1 Place so socially conscious! I that an expensive product on Amazon is sell products manufactured in horrendous recycle! I have a diverse generally higher quality than the cheaper conditions outside of the USA. Beware, team! I changed my option. Brand name is another example. consumers are savvy, have easy access to Facebook profile picture Luxury brand names signal superior quality information, and love to point out hypocrisy. for “awareness”! Check to generic brands. In an economically perfect Simply put, you can’t fool people forever. out any business or world, signals would accurately reflect a MARY LOUISE organization’s social product's qualities. Sadly, this isn't the case. So how do you avoid virtual signaling? VANNATTA media or website, and you If signs of high quality are easy to copy, TELLING may see them expounding • Pick causes that matter to you and YOUR STORY their "virtues." These be engaged. Donate time, talent, and can include claims treasure to the cause. There’s nothing of environmental In An Economically wrong with showing your involvement to friendliness, anti-racism, or COVID-19 safety your customers. protocols. Some groups can genuinely make Perfect World, • Learn and teach. Learn about the these claims, while other groups are all talk. Signals Would challenges and opportunities to create Without a clear connection between what a diverse workforce or a sustainable they say and what they do, "virtue signaling" Accurately Reflect a product, and then do it. is poor form at best and a reputation ruiner Product's Qualities. • Watch your advertising, messages, and at worst. Signaling without doing the work marketing collateral. Make sure they are weakens your involvement in the change representative of your actual company. If process. This lazy way of engaging, often you’re working toward a change—own it. called “slacktivism,” can obfuscate the cause sellers of low-quality products will use them. it is intended to highlight. If it's easy for people to virtue signal, they Living up to your values isn't easy, but What is virtue signaling? Most people know will likely do so. customers will notice if you put in the hard that a virtue is a demonstration of high moral Unfortunately, whether unintentional or work. standards (e.g., honesty). A signal, however, malicious, some may highlight virtues that is a more complicated concept. Economists don't align with actual business practices or Mary Louise VanNatta, APR, CAE is the describe a signal as anything that conveys company culture. A TV host who promotes CEO of VanNatta Public Relations, a PR, "When it's happening in information about a product's qualities to a kindness, diversity, and inclusivity may event planning, and consulting firm in Salem, Salem, It's on SBJ.news!" consumer. not demonstrate that to staff off-camera. A Oregon. PRSalem.com Page 4 Salem Metro Area • Population 400,408 June 2021 Sustainable Gardening Practices Bonique Hollinrake works at Green Acres Landscape, a full-service, residential, and commercial landscaping business and nursery in Salem, Oregon. www.GreenAcresLandscapeInc.com Sustainable gardening is “the concept of They generally won’t bother you if you don’t using gardening practices that cause no step on them or swat them. They provide harm to the earth and its inhabitants while useful pollination services to your plants. attempting to actually enhance it.” While it Some ways to preserve these precious would make sense for most people to want helpers are to eliminate harmful pesticides a sustainable garden, it might be more and fertilizers and add lots of flowers to difficult than you think. As you ramp up your garden. If you do end up as a home your gardening efforts, put a few of these for a honey bee swarm, make sure to call a practices in place to make your garden qualified beekeeper who will gladly relocate natural and healthy. the bees to a suitable hive. Soil: Full of delicious microorganisms, The right plants for the right season this is what forms the top layer of the and region. You’ll enjoy your sustainable earth. This is where your plants get their gardening experience more if you choose nutrients.
Load more

Recommended publications
  • Digital Commons @
    sALUMnotesALUMnotesALUMnotesALUMnotesALUMno Western Oregon University April 2007WOUMagazine 1 Alum n o tes Western Oregon University You watch your financesclosely . They do their best. The average education loan debt of many college students when they graduate exceeds the national average credit card debt of $9,000. Yesterday’s Western Oregon University student could work a summer job and earn enough money to pay their next year’s tuition and expenses. Over half of today’s WOU students work in the summer and during the school year to help pay for tuition and expenses. And still they graduate with an average education loan debt of nearly $20,000. Your contribution in support of student scholarships absolutely makes a difference! • Outright gifts • Gifts of appreciated assets such as property and securities • Charitable gift annuities Contact James Birken Director of Gift Planning Western Oregon University University Advancement The Cottage Monmouth, Oregon 97361 503-838-8145 [email protected] Western Oregon University Magazine © April 2007 • Volume 8, No. 2 What’s Inside PRESIDENT John P. Minahan Washington EXECUTIVE EDITOR Leta Edwards Vice President for University Advancement Envisioning the MANAGING EDITOR ‘06 Maria Austin future Coordinator of Alumni Programs 4 Oregon President discusses his three-year Idaho CONTRIBUTING WRITERS vision for WOU Maria Austin Russ Blunck Lori Jordan Brown Craig Coleman Leta Edwards Being prepared Lisa Pulliam WOU-based Homeland Security Nevada Alaska PHOTOGRAPHERS 6 grant assists Native Americans Lori
    [Show full text]
  • PAT BOAS Education 2000 MFA Painting, Portland State University
    PAT BOAS Education 2000 MFA Painting, Portland State University 1998 BFA Printmaking, Pacific Northwest College of Art 1976 Drawing & Painting, University of Akron Solo Exhibitions 2019 Memo, Elizabeth Leach Gallery, Portland, OR 2017 Cipher, Art in the Governor’s Office, Oregon Arts Commission, Salem, OR 2016 Logo(s), Elizabeth Leach Gallery, Portland, OR 2015 Encryption Machine, The Arlington Club, Portland, OR 2014 The Word Hand (Collaborative drawing performance and exhibition with visual artist Linda Hutchins and choreographer Linda Austin), Performance Works Northwest, Portland, OR The Word Hand: Research/Rehearse (Three-person collaborative drawing performance and exhibition), Weiden & Kennedy Gallery, Portland, OR 2009 Record Record, The Art Gym, Marylhurst University, Marylhurst, OR 2008 Idiomsyncretic, Emily Davis Gallery, University of Akron, Akron, OH 2007 Idiom, Fairbanks Gallery, Oregon State University, Corvallis, OR 2006 You haven no companion but Night, Nine Gallery, Portland, OR 2005 Mutatis Mutandis, Northview Gallery, Portland, OR Against Nature, Window Project, PDX Contemporary Art, Portland, OR 2001 Reading & Writing #5, Metropolitan Center for Public Art, Portland, OR Word Work, IMAG, Pacific Northwest College of Art, Portland OR 2000 Textuaries, Autzen Gallery, Portland State University, Portland, OR 1997 Breath, Kathrin Cawein Gallery, Pacific University, Forest Grove, OR Selected Group Exhibitions 2019 Crow’s Shadow Institute of the Arts at 25, Boise Art Museum, Boise, ID 2018 Assemblage & Collage, Elizabeth Leach
    [Show full text]
  • CASA Annual Report 2020
    Fall 08 The Center for Ancient Studies and Archaeology Willamette University The Stones of Stenness at the Ness of Brodgar Report 2019-2020 1 Table of Contents Notes from Director Ortwin Knorr ............................................................................................................... page 3 CASA’S MISSION ........................................................................................................................................... Page 4 Student Programs ........................................................................................................................................ Page 4 Willamette University Archaeological Field School .............................................................................. Page 5 Student Archaeological Field School Scholarships ............................................................................... Page 7 Community Archaeology ...................................................................................................................... Page 8 Student Internship in Museology at the HFMA .................................................................................... Page 9 The Carl S. Knopf Award ....................................................................................................................... Page 10 Student Scholarship Recognition Day and Undergraduate Conference .............................................. Page 11 The Archaeology Program at Willamette University ...........................................................................
    [Show full text]
  • Sherrie Wolf
    SHERRIE WOLF Born: 1952, Portland, OR EDUCATION Chelsea College of Art, London, England; M.A. Printmaking 1975 Museum Art School, Pacific Northwest College of Art, Portland, OR; B.F.A. Painting 1974 ONE-PERSON EXHIBITIONS “Found,” Russo Lee Gallery, Portland, OR 2019 “Juxtapositions,” Russo Lee Gallery, Portland, OR 2018 “Postcards from Paris,” Russo Lee Gallery, Portland, OR 2017 “The Flower Paintings: A Tribute to Manet’s Last Paintings,” Arden Gallery, Boston, MA 2017 “Stage,” The Laura Russo Gallery, Portland, OR 2016 “Sherrie Wolf: Object Lessons,” Hallie Ford Museum of Art, Willamette University, Salem, OR 2015 “Tulips: A History,” Woodside/Braseth Gallery, Seattle, WA 2015 “Museum,” The Laura Russo Gallery, Portland, OR 2014 “Baroque Sensibilities: Sherrie Wolf,” Long Beach Museum of Art, Long Beach, CA 2014 “Stills,” The Laura Russo Gallery, Portland, OR 2013 “Looking Back,” The Laura Russo Gallery, Portland, OR 2012 “Sherrie Wolf: Historyonics,” Northern Arizona University Art Museum Gallery, Flagstaff, AZ 2012 “Sherrie Wolf: Vessels,” Arden Gallery, Boston, MA 2011 “Transmissions,” The Laura Russo Gallery, Portland, OR 2011 “Sherrie Wolf: Paintings,” Arden Gallery, Boston, MA 2011 “Faces,” The Laura Russo Gallery, Portland, OR 2010 “New Paintings,” Arden Gallery, Boston, MA 2010 Gordon Woodside / John Braseth Gallery, Seattle, WA 2008, 2010 “Counterpoint,” The Laura Russo Gallery, Portland, OR 2009 “Animal Life,” Jenkins Johnson Gallery, San Francisco, CA 2009 The Laura Russo Gallery, Portland, OR 2004, 2006, 2007, 2008 “Virtue,
    [Show full text]
  • James Lavadour
    ! JAMES LAVADOUR BORN Pendleton, Oregon (1951) SELECTED SOLO EXHIBITIONS 2018 All that I can see from here, PDX CONTEMPORARY ART, Portland, OR 2017 Recent Findings, Cumberland Gallery, Nashville, TN 2016 Ledger of Days, PDX CONTEMPORARY ART, Portland, OR 2015 James Lavadour: Land of Origin, MAC Gallery, Wenatchee Valley College, Wenatchee, WA 2014 Fingering Instabilities, PDX CONTEMPORARY ART, Portland, OR 2012 The Interior, PDX CONTEMPORARY ART, Portland, OR 2011 Paintings, Grover/Thurston Gallery, Seattle, WA 2010 Geographies of the Same Stone: for TT, PDX CONTEMPORARY ART, Portland, OR 2009 Grover/Thurston Gallery, Seattle, WA 2008 The Properties of Paint, Hallie Ford Museum, Willamette University, Salem, OR; (traveled): Schneider Museum of Art, Southern Washington University, Ashland, OR; Tamastslikt Cultural Institute, Pendleton, OR Close to the Ground, PDX CONTEMPORARY ART, Portland, OR 2006 Sun Spots, PDX CONTEMPORARY ART, Portland, OR Rain, Cumberland Gallery, Nashville, TN Magic Valley, Gail Severn Gallery, Ketchum, ID 2005 Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN Grover/Thurston Gallery, Seattle,WA Walk, PDX CONTEMPORARY ART, Portland, OR (shown at 219 NW 12th) 2004 Cumberland Gallery, Nashville, TN 2003 Romantic Landscape, PDX CONTEMPORARY ART, Portland, OR New Camp, Grover Thurston, Seattle, WA Gail Severn Gallery, Ketchum, ID 2002 Intersections II, PDX CONTEMPORARY ART, Portland, OR Intersections, Maryhill Museum of Art, Goldendale, WA 2001 Retrospective, Northwest Museum of Arts & Culture, Spokane,
    [Show full text]
  • Roger Shimomura: While Donations Have Played an Important Role in the Development of Our of Law 21 Film Tuesday, Sept
    A Contemporary Bestiary If You Like What We Visit Our Museum Store AID Are Doing, Become Visit our museum store for a wide 52 a Member variety of art books and related merchandise. Remember, art Membership revenue helps support mit No.1 books and art-related gift items Salem, OR collections, exhibitions, education Per US Postage P make wonderful gifts for birthdays, NONPROFIT ORG and outreach, so if you like what we graduations and other special are doing, become a Hallie Ford occasions, and as a family or dual- Museum of Art member. level member, you receive a 10 As a member, you will enjoy the percent discount. many benefits we have to offer, Right: including unlimited free admission; Facility Rentals Robert invitations to previews and special McCauley, Located in the heart of downtown Edge of members’ receptions; discounts on Salem, the Hallie Ford Museum Town II art books and related merchandise; (detail), of Art is an elegant and unique annual subscriptions to Brush- 2012 setting for your next special strokes and Willamette University’s event, from cocktail receptions Below: magazine, The Scene; invitations to Deborah and dinners to business special lectures, films, concerts and Butterfield, meetings and presentations. For Red Forest tours; and more. further information on capacity, (detail), And, if you are already a member, availability, rental rates and 2013 consider giving a gift membership restrictions, call Carolyn Harcourt A Contemporary Bestiary features work by artists from Oregon, Washington, Idaho, to a friend or relative. Memberships at 503-370-6856 or visit Montana, and British Columbia who incorporate animal imagery in their artwork as make wonderful gifts for birthdays, willamette.edu/go/rent_hfma.
    [Show full text]
  • Mark and Janeth Sponenburgh Gallery
    COLLECTION GUIDE Mark and Janeth Sponenburgh Gallery Hallie Ford Museum ofArt1 2 Across Continents, Through Time SELECTIONS FROM THE PERMANENT COLLECTION THE MARK AND JANETH SPONENBURGH Gallery’s installation, Across Continents, Through Time: Selections from the Permanent Collection, features a range of artworks from the Hallie Ford Museum of Art’s permanent collections of European, Asian, and American art. The collections span 4,500 years of Western and Eastern art history and encompass four continents: Europe, Asia, Africa, and North America. The collections have been assembled over the years to support the liberal arts curriculum of Willamette University and to introduce Hallie Ford Museum of Art visitors to some of the major themes and styles in the history of Western and Eastern art. Far from comprehensive or complete, the collections are instead made up of small, unassuming art treasures that are meant to be studied, savored, appreciated, and enjoyed. The first university art museum in the United States was founded at Yale University in 1832 by the Revolutionary War hero and American history painter John Trumbull. By the end of the nineteenth century, a number of colleges and universities had established art museums on their campuses, including Vassar College in 1864, Princeton University in 1882, Bowdoin College in 1894, and Harvard University in 1896, among others. From the very beginning, these institutions were founded to help support the liberal arts curriculums of their respective universities, to provide a vehicle for introducing their students to the history of art, and, in the words of Edward W. Forbes of Harvard University, to build collections that “tell the story of the artistic and imaginative possibilities of man .
    [Show full text]
  • 2017 Oregon Governor's Arts Awards Program
    GOVERNOR’S ARTS AWARDS FRIDAY, OCTOBER , MESSAGE FROM THE GOVERNOR KATE BROWN Governor Dear Arts Supporters, I am honored to welcome you to the 2017 Governor’s Arts Awards. The Oregon Arts Commission has made sure art is a part of our daily lives for the past 50 years. In honor of this historic anniversary, I am proud to reinstate the Governor’s Arts Awards and to once again honor artists and organizations that make outstanding contributions to the arts in Oregon. Art is a fundamental ingredient of any thriving and vibrant community. Art sparks connections between people, movements and new ideas. Here in Oregon, the arts enrich our quality of life and local economies, helping form our great state’s unique identity. Not only that, art education is key in fostering a spirit of creativity and innovation in our youth. I want to thank each of you for being a part of this community, making Oregon more beautiful, more alive every day. Each of today’s Arts Awards recipients has touched the lives of thousands of Oregonians in meaningful ways. They were selected through a highly competitive process from a field of 110 worthy nominees and are extremely deserving of this honor. I thank them for making Oregon a better and more beautiful place and ask you to join with me in celebrating their achievements. Sincerely, Governor Kate Brown PROGRAM WELCOME Christopher Acebo • Chair, Oregon Arts Commission PERFORMANCE BRAVO Youth Orchestras & Darrell Grant AWARDS Presented by Governor Kate Brown COMMUNITY AWARD Crow’s Shadow Institute of the Arts LIFETIME ACHIEVEMENT AWARD Arvie Smith PHILANTHROPY AWARD The James F.
    [Show full text]
  • Northwest Impressionism, 1910-1935
    Hidden in Plain Sight: Northwest Impressionism, 1910-1935 John E. Impert A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Susan Casteras, Chair René Bravmann Douglas Collins Program authorized to Offer Degree: Art History University of Washington Abstract Hidden in Plain Sight: Northwest Impressionism, 1910-1935 John E. Impert Chair of the Supervisory Committee: Professor Susan Casteras Art History Northwest Impressionist artists are among the forgotten figures in American art history. Responsible for bringing Modernism to Washington and Oregon, they dominated the art communities in Seattle and Portland from about 1910 to 1928, remaining influential until the mid 1930’s. After describing the artists briefly, this dissertation summarizes and evaluates the slim historiography of Northwest Impressionism. Impressionism and Tonalism are contrasted in order to situate these artists within the broad currents of American art history. Six important artists who have not been studied in the past are each accorded a chapter that summarizes their educations, careers, and artistic developments. In Seattle, Paul Gustin, the early leader of the Seattle art community, was most closely associated with images of Mount Rainier. Edgar Forkner, a well established Indiana artist, moved to Seattle and painted numerous canvases of old boats at rest and still lifes of flowers. Dorothy Dolph Jensen, a latecomer, emphasized shoreline and harbor scenes in her work. In Portland, Charles McKim traded complete anonymity in Portland, Maine for the leadership of the Oregon art community, creating a variety of landscapes and seascapes. Clyde Keller produced an enormous output of landscapes over a long career that extended to California as well as Oregon.
    [Show full text]
  • Christy Wyckoff 2402 SE Main Portland OR 97214 USA [email protected]
    Christy Wyckoff 2402 SE Main Portland OR 97214 USA [email protected] www.christywyckoff.com PUBLIC AND CORPORATE COLLECTIONS Anchorage Museum Museu Nacional del Grabado, Buenos Aires, Argentina Art Coll Trust, Bellevue New York Public Library, NYC Arthur Anderson Company, Portland Northwest Acceptance, Portland Boise Art Museum, Boise, ID Northwest Power Council, Portland Bonneville Power Administration, Portland Oregon Health Sciences University, Portland Beaverton School District, Beaverton, Oregon Ore St. Capitol Building, Salem Central Oregon Community College Library, Bend Ore St. Employment Office, Salem China National Academy of Art, Beijing, PRC Ore St. Revenue Building, Salem City of Denver, Red Rocks Amphitheater Ore St. Corrections Division City of Seattle Portland Art Museum, Vivian & Gordon Gilkey Collection Eugene Water and Electric Board, Eugene, Oregon Portland School District, Portland Evergreen State College, Olympia, Washington Portland State University, Portland First National Bank, Atlanta Qingdao Art Gallery, Qingdao, People’s Republic of China Hallie Ford Museum of Art, Willamette U, Salem, Oregon Salishan Lodge, Gleneden Beach, Oregon Hawai’i State Portable Collection, Honolulu Seattle Art Museum, Seattle Heathman Hotel, Portland Seattle Public Utilities Portable Works Collection Hoffman Construction, Portland Security Pacific Bank, Portland IBM, Houston Southern Oregon State University Intel Corporation, Portland Tacoma Art Museum, Tacoma, Washington Jordan Schnitzer Art Museum at University of Oregon, Tonken, Torp and Galen, Portland Haseltine Collection, Eugene United First Federal Savings, Boise Kaiser Permanente, Portland United States Information Service Kerns Art Center, Eugene University of Applied Sciences, Amman, Jordan Mentor Graphics, Portland Veteran's Affairs Building, Salem Metropolitan Museum of Art, NYC Visual Arts Chronicle, Portland Minnesota Museum of Art, St.
    [Show full text]
  • Curator and Critic Tours Connective Conversations
    CURATOR AND CRITIC TOURS CONNECTIVE CONVERSATIONS: INSIDE OREGON ART 2011–2014 THE FORD FAMILY FOUNDATION AND UNIVERSITY OF OREGON 2 3 The Ford Family Foundation’s Visual Arts program honors the interests in the visual arts by Mrs. Hallie Ford, a co-founder of The Foundation. The principal goals are to help enhance the quality of artistic endeavor and body of work by Oregon’s most promising visual artists and to improve Oregon’s visual arts ecology by making strategic investments in Oregon visual arts institutions. The program was launched in 2010, and in 2014 it was extended through TABLE OF CONTENTS 2019. The Foundation supports a range of program components, among them Connective Conversations as part of the Curator and Critic Tours and Lectures Series during which it partners with regionally-based institutions to invite professionals from outside the Northwest to conduct one-on-one studio visits and to join in community conversations. The Ford Family Foundation has collaborated with the University of Oregon School of Architecture and Allied Arts to conduct the Connec- o6 o7 o8 tive Conversations | Inside Oregon Art Series since its launch in 2011. THE FORD FAMILY INTRODUCTION IN THE STUDIO Kate Wagle, Director, George Baker, Curator Critic The Curator and Critic Tours and Lectures Series is the seventh and final FOUNDATION element of The Ford Family Foundation’s Visual Arts Program’s investment in VISUAL ARTS PROGRAM UO School of Architecture Professor of Art History Oregon visual arts institutions. Anne C Kubisch, President, and Allied Arts in Portland University of California This publication is made possible by The Ford Family Foundation and the University of Oregon.
    [Show full text]
  • For Immediate Release: August 22, 2017 Media Contact: Andrea Foust Membership and Public Relations Manager Hallie Ford Museum Of
    For immediate release: August 22, 2017 Media contact: Andrea Foust Membership and Public Relations Manager Hallie Ford Museum of Art at Willamette University | 503-370-6867 Public contact: 503-370-6855 | [email protected] Exhibition website: http://willamette.edu/go/crows-shadow-25 Exhibition Celebrates the 25th Anniversary of Crow's Shadow Institute of the Arts Organized by the Hallie Ford Museum of Art in partnership with the Crow’s Shadow Institute of the Arts (CSIA), a new exhibition chronicles the history of Crow’s Shadow over the past 25 years as it has emerged as a nationally recognized printmaking studio located on the Confederated Tribes of the Umatilla Indian Reservation near Pendleton, Oregon. "Crow's Shadow Institute of the Arts at 25" opens September 16 in the Melvin Henderson-Rubio Gallery and continues through December 22. The exhibition features 75 prints drawn from the Crow’s Shadow Print Archive and focuses on themes of landscape, abstraction, portraiture, word and images, and media and process. Included in the exhibition are works by 50 Native and non-Native artists who have worked at CSIA, including Rick Bartow, Pat Boas, Joe Feddersen, Edgar Heap of Birds, James Lavadour, Truman Lowe, Lillian Pitt, Wendy Red Star, Storm Tharp, and Marie Watt, among others. The CSIA was founded by Oregon painter and printmaker James Lavadour (Walla Walla), who envisioned a traditional arts studio focused on printmaking. Art historian Prudence Roberts says of Lavadour, "He wanted to contribute to the Tribes’ new sense of direction and self-sufficiency, and also to give emerging artists opportunities and a sense of community that had eluded him as he taught himself his craft." Today, CSIA is perhaps the only professional printmaking studio located on a reservation community in the United States.
    [Show full text]