Boston Symphony Orchestra Concert Programs, Season 122, 2002

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 122, 2002 2002-2003 SEASON JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE BOSTON SYMPHON ORCHESTRA Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. a/ L/isner Jiill BROOKLINE SOTHEBYS Hammondimtuain— International Realty E A L ESTATE iitfil erefore MAPPARIUIS/T • HALL OF IDEAS • QUEST GALLERY • MONITOR GALLERY Come visit our signature cafe "Quotes"™ serving lunch, dinner, and dessert Tuesday through Saturday 11:30am-8pm & Sunday 11:30am-5pm. The Mary Baker Eddy Library for the Betterment of Humanity" 200 MASSACHUSETTS AVENUE • WWW.MARYBAKEREDDYLIBRARY.ORG They created symphonies too. Only they used wood and &old paint. Not to mention silver, bronze, lapis lazuli and carnelian. Don't miss your chance to see The Quest for Immortality: Treasures of Ancient E&ypt, the largest collection ot Lgyptian artilacl ever seen in North America. lusive, iimited-nm exhibit features over 100 obiects that hold deep meaning. below trieir neai laces. For tickets or membership information visit an; quest or c t . t 2lQUE5TfbR- mmorTaliTy Museum of Science , Eastern The tor Quest linn ' x hi bits Group, Copenhagen, -md the National GaHei'V r igtan, m assoc: h the Supreme Council o1 Antiquities, Cain Audio lour lirovicK ,,i Audio. James Levine, Music Director Designate Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 122nd Season, 2002-2003 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Julian Cohen, Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice- Chairman Vincent M. O'Reilly, Treasurer Ed Linde, Vice-Chairman Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman Gabriella Beranek ex-officio George Krupp Hannah H. Schneider Jan Brett William R. Elfers R. Willis Leith, Jr. Roger T. Servison Paul Buttenwieser Nancy J. Fitzpatrick Richard P. Morse Thomas G. Sternberg James F. Cleary Charles K. Gifford Mrs. Robert B. Newman Stephen R. Weber John F. Cogan, Jr. Avram J. Goldberg Peter C. Read Stephen R. Weiner Eric D. Collins Thelma E. Goldberg Donna Riccardi, Dr. Nicholas T. Zervas Julian T. Houston ex-officio Life Trustees Vernon R. Alden Helene R. Cahners Dean W. Freed Mrs. George Lee David B. Arnold, Jr. Abram T. Collier George H. Kidder Sargentt J.P Barger Mrs. Edith L. Dabney Harvey Chet Krentzman Richard A. Smith Leo L. Beranek Nelson J. Darling, Jr. Mrs. August R. Meyer Ray Stata Deborah Davis Berman Archie C. Epps William J. Poorvu John Hoyt Stookey Jane C. Bradley Mrs. John H. Fitzpatrick Irving W. Rabb John L. Thorndike Other Officers of the Corporation Thomas D. May and John Ex Rodgers, Assistant Treasurers Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Diddy Cullinane, Chair Helaine B. Allen JoAnne Walton Steven E. Karol Patrick J. Purcell Joel B. Alvord Dickinson Stephen Kay Carol Reich Marjorie Arons-Barron Harry Ellis Dickson Douglas A. Kingsley Alan Rottenberg Diane M. Austin Francis A. Doyle Robert Kleinberg Michael Ruettgers Caroline Dwight Bain Alan Dynner Dr. Arthur R. Kravitz Kenan Sahin Maureen Scannell Jane C. Edmonds Mrs. William D. Arthur I. Segel Bateman George M. Elvin Larkin, Jr. Ross E. Sherbrooke George D. Behrakis John P. Eustis II Robert J. Lepofsky L. Scott Singleton Milton Benjamin Pamela D. Everhart Alexander M. Levine Gilda Slifka George W Berry Judith Moss Feingold Christopher J. Lindop Mrs. Micho Spring Mark G. Borden J. Richard Fennell Shari Loessberg Charles A. Stakeley Alan Bressler Lawrence K. Fish Edwin N. London Jacquelynne M. Robin A. Brown Myrna H. Freedman Diane H. Lupean Stepanian Samuel B. Bruskin Dr. Arthur Gelb John A. MacLeod II Wilmer Thomas William Burgin Jack Gill Carmine Martignetti Samuel Thorne Dr. Edmund B. Cabot Robert P. Gittens Joseph B. Martin, M.D. Bill Van Faasen Rena F. Clarke Paula Groves Robert J. Mayer, M.D. Loet A. Velmans Mrs. James C. Collias Michael Halperson Barbara E. Maze Paul M. Verrochi Margot Connell Ellen T. Harris Thomas McCann Larry Weber Ranny Cooper Deborah M. Hauser Joseph C. McNay Robert S. Weil Martha H.W. Carol Henderson Dr. Martin C. Mihm, Jr. David C. Weinstein Crowninshield Richard Higginbotham Molly Beals Millman James Westra Joan P. Curhan Phyllis S. Hubbard Robert Mnookin Mrs. Joan D. Wheeler Robert W. Daly Roger Hunt Robert T. O'Connell Reginald H. White Tamara P. Davis Ernest Jacquet Norio Ohga Robin Wilson Mrs. Miguel de Mrs. Robert M. Jaffe Louis F. Orsatti Robert Winters Braganca Charles H. Jenkins, Jr. May H. Pierce Kathryn A. Wong Disque Deane Michael Joyce Dr. Tina Young Richard Wurtman, M.D. Betsy P. Demirjian Martin S. Kaplan Poussaint Paul F. Deninger William M. Karlyn Millard H. Pryor, Jr. tDeceased Overseers Emeriti Sandra Bakalar Jordan Golding David I. Kosowsky John Ex Rodgers William M. Bulger Mark R. Goldweitz Robert K. Kraft Mrs. Jerome Rosenfeld Mrs. Levin H. Campbell Mrs. Haskell R. Benjamin H. Lacy Roger A. Saunders Earle M. Chiles Gordon Hart D. Leavitt Lynda Anne Schubert Johns H. Congdon Susan D. Hall Frederick H. Francis P. Sears, Jr. Phyllis Curtin John Hamill Lovejoy, Jr. Mrs. Carl Shapiro Phyllis Dohanian Mrs. Richard D. Hill Mrs. Charles P. Lyman Mrs. Arthur I. Strang Goetz B. Eaton Glen H. Hiner Mrs. Harry L. Marks Robert A. Wells Harriett Eckstein Marilyn Brachman C. Charles Marran Mrs. Thomas H.P. Edward Eskandarian Hoffman Nathan R. Miller Whitney Peter H.B. Lola Jaffe Hanae Mori Margaret Williams- Frelinghuysen H. Eugene Jones Mrs. Hiroshi H. Nishino DeCelles Mrs. Thomas Leonard Kaplan John A. Perkins Mrs. Donald B. Wilson Galligan, Jr. Mrs. S. Charles Kasdon David R. Pokross Mrs. John J. Wilson Mrs. James Garivfltis Richard L. Kaye Daphne Brooks Prout Mrs. Kenneth J. Mrs. Gordon F. Robert E. Remis Germeshausen Kingsley Mrs. Peter van S. Rice Business Leadership Association Board of Directors Charles K. Gifford, Chairman Leo L. Beranek, James F. Cleary, and Michael J. Joyce, President Harvey Chet Krentzman, Chairmen Emeriti Robin A. Brown John P. Hamill Thomas J. May Roger T. Servison Michael J. Costello Ernest K. Jacquet J. Kent McHose Malcolm L. Sherman Robert W Daly Steven E. Karol Joseph C. McNay Ray Stata Francis A. Doyle Edmund F. Kelly Louis F Orsatti William C. Van Faasen William R. Elfers Christopher J. Lindop Patrick J. Purcell Paul M. Verrochi Lawrence K. Fish Carmine A. Martignetti Lynda A. Schubert Lawrence Weber Ex-Officio Peter A. Brooke • Diddy Cullinane • Nicholas T. Zervas Officers of the Boston Symphony Association of Volunteers Donna Riccardi, President Melvin R. Blieberg, Executive Vice-President/ Audley Fuller, Executive Vice-President/ Tanglewood Administration Olga Turcotte, Secretary Ann Philbin, Executive Vice-President/ William A. Along, Treasurer Fundraising Una Fleischmann, Nominating Committee Chairman Joyce Anagnos, Symphony Shop Howard Cutler, Resource Lisa Mafrici, Special Projects Staffing Development Ellen Mayo, Public Relations Judy Barr, Hall Services Ursula Ehret-Dichter, Patty Blais, Education and Dorothyann M. Callahan, Tanglewood Outreach Membership Table of Contents On Display at Symphony Hall 6 This Week's Boston Symphony Orchestra Program 11 Featured Artists 37 Future Programs 60 Symphony Hall Information 63 This week's Pre-Concert Talks are given by John Daverio, Boston University School of Music. Programs copyright ©2003 Boston Symphony Orchestra, Inc. Cover design by Sametz Blackstone Associates, Boston/Cover photograph by Constantine Manos Administration Mark Volpe, Managing Director Eunice and Julian Cohen Managing Directorship, fullyfunded in perpetuity Tony Beadle, Manager, Boston Pops Kim Noltemy, Director of Sales and Marketing Anthony Fogg, Artistic Administrator Caroline Taylor, Senior Advisor to the Marion Gardner-Saxe, Director of Human Resources Managing Director Ellen Highstein, Director Tanglewood Music Center of Ray F. Wellbaum, Orchestra Manager Thomas D. May, Director of Finance and Business Affairs ADMINISTRATIVE STAFF/ARTISTIC Karen Leopardi, Artist Assistant/Secretary to the Music Director • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager of Board Administration • Alexander Stein- beis, Artistic Administration Coordinator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Operations Manager Felicia A. Burrey, Chorus Manager • H.R. Costa, Technical Supervisor • John Demick, Senior Stage Technician • Keith Elder, Production Coordinator • Stephanie Kluter, Assistant to the Orchestra Manager • Jake Moerschel, Stage Technician • Julie G. Moerschel, Assistant Chorus Manager • Mark C. Rawson, Stage Technician • Timothy TsukamotO, Orchestra Personnel Coordinator BOSTON POPS Dennis Alves, Director of Artistic Programming Jana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor • Julie Knippa, Administration Coordinator • Margo Saulnier, Artistic Coordinator BUSINESS OFFICE Sarah J. Harrington, Director of Planning and Budgeting Pam Wells, Controller Lamees Al-Noman, Cash Accountant • Shira Beckerman,
Recommended publications
  • Acknowledgments
    Albany Symphony | David Alan Miller, conductor Tessa Lark, violin | Peter Kolkay, bassoon Ryan Roberts, oboe | Weixiong Wang, clarinet ACKNOWLEDGMENTS Producer: Silas Brown, Michael Torke Session Producer for West, East, South: Doron Schachter Mastering: Silas Brown Recorded at the Troy Savings Bank Music Hall Michael Torke March 6, 2017 (West, South, and East) SKY January 7, 2019 (Sky) Publisher: Adjustable Music; Bill Holab Music, Modern Works Music Publishing, agents. West, South, and East commissioned by Paul Underwood. This recording was made possible by a generous gift from Marsha Nickerson, a former member of the Albany Symphony Photo of Michael Torke: Bryan Hainer WWW.ALBANYRECORDS.COM TROY1784 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. for less obvious solo instruments. This collection of concertos is my attempt to explore those THE COMPOSER options. Michael Torke’s music has been commissioned by such orchestras as For Sky, a concerto for violin, I took Bluegrass, a style I was not familiar with, studied its The Philadelphia Orchestra, the New York Philharmonic, and the San vernacular, and then imposed classical forms onto it. In the solo part, you hear banjo picking, Francisco Symphony; by such ballet companies as New York City Ballet, a slow Irish reel (harkening back to the music of those who settled Kentucky), and triple time Alvin Ailey, and the National Ballet of Canada; by such opera companies fiddle licks.
    [Show full text]
  • LIU Post Chamber Music Festival 2014 33Rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL with the PIERROT CONSORT July 14 to July August 1, 2014
    LIU Post Chamber Music Festival 2014 33rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL WITH THE PIERROT CONSORT July 14 to July August 1, 2014 SUSAN DEAVER & MAUREEN HYNES, FESTIVAL FOUNDERS SUSAN DEAVER, FESTIVAL DIRECTOR DALE STUCKENBRUCK, ASSISTANT DIRECTOR chamber ensembles ♦ chamber orchestras festival artists & participants concert series ♦ conducting program concerto competition ♦ master classes DEPARTMENT OF MUSIC LIU Post 720 Northern Blvd., Brookville, New York 11548-1300 www.liu.edu/post/chambermusic Phone: (516) 299-2103 • Fax: (516) 299-2884 e-mail: [email protected] TABLE OF CONTENTS Mission Statement & History of the LIU Post Chamber Music Festival 3 Descriptions of Festival Programs 4-5 Credit Programs – Undergraduate, Graduate & High School Enrichment Artistry Program for young professionals & preformed chamber ensembles Performance Program for college & conservatory musicians Music Educator’s Program for Advancement of Chamber Music Advanced Program for students ages 15 to 18 Seminar Program for students ages 9 to 14 Conducting Program Classes Offered at the Festival 5 Musicianship Classes, Individual Master Classes, Chamber Music Performance Classes, Master Classes with Special Guest Artists and Educational Residencies Chamber Orchestras and Larger Ensembles 6-7 Concerto Competition 7 Festival Concerts 8 General Information 9 Facilities, Housing, Transportation, Food Service, Student and Faculty ID, Distribution of Orchestral and Chamber Music, Orientation and the Festival Office Tuition and Program
    [Show full text]
  • Richard O'neill
    Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society
    [Show full text]
  • Interview with David Alan Miller
    The Classical Beat By Stephen Dankner INTERVIEW WITH MAESTRO DAVID ALAN MILLER Looking as if a few choice, slightly seedy blocks were snatched up from Greenwich Village and plunked down in Albany’s central city district, Lark Street is a fascinating, hip place. With a row of laid-back watering holes, eateries and latte dens, it was a good place to sit down for awhile with David Alan Miller, the conductor and Music Director of the Albany Symphony Orchestra over a cup of coffee. Miller is a young and energetic man, charming and likeable, irrepressible and ardent. He has the same messianic zeal that Leonard Bernstein had – a mission to convince you of his love for music – all kinds of it – and to prove to you, through the force of his high strung but always cheerful personality, that classical music is really important – it’s not just entertainment or an indulgence for an elite class of sedate listeners. No, it’s absolutely necessary. Listen to him for just a few minutes and you’ll be convinced; I have rarely encountered a more articulate spokesman for the cause. Miller has a talent for speaking off the cuff; his knowledge of music history and the full repertoire of classical music enable him to fire off facts, figures and opinions at his popular pre-concert conversations. It’s clear that audiences love him, judging by the filled seats for the talks one hour before the ASO concerts. Right about now he’s thinking seriously about next season. All orchestras have to schedule their programs at least a year in advance.
    [Show full text]
  • Woodbridge, Boydell Press, 2017 Gaëlle Loisel
    Compte rendu de Music in Goethe’s Faust. Goethe’s Faust in Music, Lorraine Byrne Bodley (dir.), Woodbridge, Boydell Press, 2017 Gaëlle Loisel To cite this version: Gaëlle Loisel. Compte rendu de Music in Goethe’s Faust. Goethe’s Faust in Music, Lorraine Byrne Bodley (dir.), Woodbridge, Boydell Press, 2017. 2019. halshs-02344793 HAL Id: halshs-02344793 https://halshs.archives-ouvertes.fr/halshs-02344793 Submitted on 4 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Compte rendu de Lorraine Byrne Bodley (ed.), Music in Goethe’s Faust. Goethe’s Faust in music, Woodbridge, Boydell, 2017, 336 p. Paru dans la Revue de musicologie, t. 105, no 2, 2019, p. 454-458. L’ouvrage dirigé par Lorraine Byrne Bodley s’inscrit dans la continuité de ses travaux sur Goethe et son rapport à la musique (Goethe: Musical Poet, Musical Catalyst, Pater Lang, 2004 ; Proserpina: Goethe’s Melodrama with Music by Carl Eberwein, Peter Lang, 2009) ou à des compositeurs tels que Schubert (Schubert’s Goethe Settings, Routledge, 2003 ; Goethe and Schubert Across the Divide, Carysfort Press, 2003) et Zelter (Goethe and Zelter: Musical Dialogues, Ashgate, 2009).
    [Show full text]
  • Program Book Final 1-16-15.Pdf
    4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries.
    [Show full text]
  • 559188 Bk Harbison US
    559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 8 John CORIGLIANO Conjurer Vocalise Evelyn Glennie, Percussion Hila Plitmann, Soprano Albany Symphony Bronze mask, Benin, David Alan Miller from the collection of John Corigliano Photo: Richard Howe 559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 2 John Corigliano (b. 1938) David Alan Miller Conjurer • Vocalise David Alan Miller has established a reputation as one of the leading The American John Corigliano continues to add to one of American conductors of his generation. Frequently in demand as a guest the richest, most unusual, and most widely celebrated conductor, he has conducted the orchestras of Baltimore, Detroit, bodies of work any composer has created over the last forty Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh, years. Corigliano’s numerous scores, including three San Francisco, Minnesota and Chicago as well as the New World symphonies and eight concertos among over one hundred Symphony and the New York City Ballet. He is also founder and Artistic chamber, vocal, choral, and orchestral works, have been Director of New Paths in Music, a festival in New York City dedicated to performed and recorded by many of the most prominent presenting the works of significant non-American composers who are not orchestras, soloists, and chamber musicians in the world. yet well known in the United States. As Music Director of the Albany Recent scores include One Sweet Morning (2011) written Symphony, a position he has held since 1992, David Alan Miller has for the tenth anniversary of 9/11 and performed by mezzo- proven himself a creative and compelling orchestra builder.
    [Show full text]
  • Orchestra Personnel
    FROM SUFFRAGE TO STONEWALL 2019 DAVID ALAN MILLER HEINRICH MEDICUS MUSIC DIRECTOR DAVID ALAN MILLER, HEINRICH MEDICUS MUSIC DIRECTOR Grammy®Award-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. Music Director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. He and the orchestra have twice appeared at “Spring For Music,” an annual festival of America’s most creative orchestras at New York City’s Carnegie Hall. Other accolades include Columbia University’s 2003 Ditson Conductor’s Award, the oldest award honoring conductors for their commitment to American music, the 2001 ASCAP Morton Gould Award for Innovative Programming and, in 1999, ASCAP’s first-ever Leonard Bernstein Award for Outstanding Educational Programming. Frequently in demand as a guest conductor, Mr. Miller has worked with most of America’s major orchestras, including the orchestras of Baltimore, Chicago, Cleveland, Detroit, Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh and San Francisco, as well as the New World Symphony, the Boston Pops and the New York City Ballet. In addition, he has appeared frequently throughout Europe, Australia and the Far East as guest conductor. He made his first guest appearance with the BBC Scottish Symphony in March, 2014. Mr. Miller received his Grammy Award in January, 2014 for his Naxos recording of John Corigliano’s “Conjurer,” with the Albany Symphony and Dame Evelyn Glennie.
    [Show full text]
  • This Land Sings: Inspired by the Life and Times of Woody Guthrie
    This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F.
    [Show full text]
  • Gunter E. Grimm
    GUNTER E. GRIMM Faust-Opern Eine Skizze Vorblatt Publikation Erstpublikation Autor Prof. Dr. Gunter E. Grimm Universität Duisburg-Essen Fachbereich Geisteswissenschaften, Germanistik Lotharstr. 65 47057 Duisburg Emailadresse: [email protected] Homepage: <http://www.uni-duisburg-essen.de/germanistik/mitarbeiterdaten.php?pid=799> Empfohlene Zitierweise Beim Zitieren empfehlen wir hinter den Titel das Datum der Einstellung oder des letzten Updates und nach der URL-Angabe das Datum Ihres letzten Besuchs die- ser Online-Adresse anzugeben: Gunter E. Grimm: Faust Opern. Eine Skizze. In: Goethezeitportal. URL: http://www.goethezeitportal.de/fileadmin/PDF/db/wiss/goethe/faust-musikalisch_grimm.pdf GUNTER E. GRIMM: Faust-Opern. Eine Skizze. S. 2 von 20 Gunter E. Grimm Faust-Opern Eine Skizze Das Faust-Thema stellt ein hervorragendes Beispiel dar, wie ein Stoff, der den dominanten Normen seines Entstehungszeitalters entspricht, bei seiner Wande- rung durch verschiedene Epochen sich den jeweils herrschenden mentalen Para- digmen anpasst. Dabei verändert der ursprüngliche Stoff sowohl seinen Charakter als auch seine Aussage. Schaubild der Faust-Opern Die „Historia von Dr. Faust“ von 1587 entspricht ganz dem christlichen Geist der Epoche. Doktor Faust gilt als Inbegriff eines hybriden Gelehrten, der über das dem Menschen zugestandene Maß an Gelehrsamkeit und Erkenntnis hinausstrebt und zu diesem Zweck einen Pakt mit dem Teufel abschließt. Er wollte, wie es im Volksbuch heißt, „alle Gründ am Himmel vnd Erden erforschen / dann sein Für- GUNTER E. GRIMM: Faust-Opern. Eine Skizze. S. 3 von 20 witz / Freyheit vnd Leichtfertigkeit stache vnnd reitzte jhn also / daß er auff eine zeit etliche zäuberische vocabula / figuras / characteres vnd coniurationes / damit er den Teufel vor sich möchte fordern / ins Werck zusetzen / vnd zu probiern jm fürname.”1 Die „Historia“ mit ihrem schrecklichen Ende stellte eine dezidierte Warnung an diejenigen dar, die sich frevelhaft über die Religion erhoben.
    [Show full text]
  • New on Naxos | September 2013
    NEW ON The World’s Leading ClassicalNAXO Music LabelS SEPTEMBER 2013 © Grant Leighton This Month’s Other Highlights © 2013 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | SEPTEMBER 2013 8.572996 Playing Time: 64:13 7 47313 29967 6 Johannes BRAHMS (1833–1897) Ein deutsches Requiem (A German Requiem), Op. 45 Anna Lucia Richter, soprano • Stephan Genz, baritone MDR Leipzig Radio Choir and Symphony Orchestra Marin Alsop Brahms’s A German Requiem, almost certainly triggered by the death of his mother in 1865, is one of his greatest and most popular works, quite unlike any previous Requiem. With texts taken from Luther’s translation of the Bible and an emphasis on comforting the living for their loss and on hope of the Resurrection, the work is deeply rooted in the tradition of Bach and Schütz, but is vastly different in character from the Latin Requiem of Catholic tradition with its evocation of the Day of Judgement and prayers for mercy on the souls of the dead. The success of Marin Alsop as Music Director of the Baltimore Symphony Orchestra was recognized when, in 2009, her tenure was extended to 2015. In 2012 she took up the post of Chief Conductor of the São Paulo Symphony Orchestra, where she steers the orchestra in its artistic and creative programming, recording ventures and its education and outreach activities. Marin Alsop © Grant Leighton Companion Titles 8.557428 8.557429 8.557430 8.570233 © Christiane Höhne © Peter Rigaud MDR Leipzig Radio Choir MDR Leipzig Radio Symphony Orchestra © Jessylee Anna Lucia Richter Stephan Genz 2 NEW ON NAXOS | SEPTEMBER 2013 © Victor Mangona © Victor Leonard Slatkin Sergey RACHMANINOV (1873–1943) Symphony No.
    [Show full text]
  • Goethe's Faust Essay Prize for Sixth-Formers Further Resources
    A German Classic: Goethe’s Faust Essay Prize for Sixth-Formers Further Resources Urfaust and Faust, Part II Johann Wolfgang von Goethe: Urfaust (1775) Johann Wolfgang von Goethe: Faust. Der Tragödie zweiter Teil (1832) Faust before Goethe Johann Spies: Historia von D. Johann Fausten (1587) Christopher Marlowe: Doctor Faustus (1592) Faust after Goethe Thomas Mann: Doktor Faustus (1947) Faust as film Faust, dir. by F.W. Murnau, with Gösta Ekman, Emil Jannings and Camilla Horn(silent film, 1926) Faust, dir. by Alexander Sokurov, with Johannes Zeiler, Anton Adasinsky and Isolda Dychauk (Russian film, 2011) Faust and music Franz Schubert: Gretchen am Spinnrade (Lied, 1814) Hear Kiri Te Kanawa sing Gretchen’s love song ‘Meine Ruh ist hin’ (‘My peace has gone’) (https://www.youtube.com/watch?v=MY0eeotSDi8). You may also wish to have a look at – and listen to – this course on Schubert’s settings of Goethe’s poems: http://www.open.edu/openlearn/history-the-arts/history/history-art/schuberts-lieder- settings-goethes-poems/content-section-0 Hector Berlioz, La damnation de Faust (opera, 1846) – see the production by Monty Python’s Terry Gilliam (http://www.bbc.co.uk/programmes/b010xwhh) Charles Gounod: Faust (opera, 1859) Ferruccio Busoni: Doktor Faust (opera, 1924) Faust to go In case you’re in need of some light inspiration, here is a summary of Faust I. Don’t worry if you can’t even begin to keep up with Michael Sommer’s German – he speaks extraordinarily fast and uses slang and rather specialised allusions. But you should be able to work out
    [Show full text]