October 2018 NASFA Shuttle
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Why Hollywood Isn't As Liberal As We Think and Why It Matters
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically. -
Bcsfazine #425
The newsletter of the B.C. Science Fiction Association #425 $3.00 October 2008 Why doesn’t Hospitality look like this? Contents The Trouble with Belgium........................................................1 Letters....................................................................................2 Calendar.................................................................................5 News.....................................................................................10 Crossword (a new feature from Felicity Walker)......................19 Runes...................................................................................22 BCSFAzine (c) October 2008, Volume 36, #10, Issue #425 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organization. Please send comments, subscriptions, suggestions, and/or submissions to Garth Spencer (the Editor), at [email protected] or Box 74122, Hillcrest Park, 4101 Main St., Vancouver, BC, CANADA V5V 3P0. BCSFAzine solicits electronic submissions, and black and white line illustrations in JPG or GIF format, and offers contributor's copies. BCSFAzine is printed most excellently by the good people at Copies Plus, at 1950 West Broadway, Vancouver, BC, tel. 604-731-7868. BCSFAzine is distributed monthly at WHITE DWARF BOOKS, 3715 West 10th Avenue, Vancouver, BC, V6R 2G5, tel. 604-228-8223; email [email protected]. Single copies C$3.00/US$2.00 each. This Month in BCSFA Friday, Oct. 10 from 8 pm: BCSFAzine deadline - see Garth at FRED -
The City of Prague Philharmonic Orchestra and Chorus
WINTER 2017 - SPRING 2018 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE * PHILIP GLASS * BEAR McCREARY * JOE HISAISHI In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India PRAGUE HAS BECOME THE CENTRE OF WORLDWIDE SCORING AND ORCHESTRAL RECORDINGS BECAUSE BEING 100% TOTAL BUYOUT ON ALL RECORDINGS AND THE QUALITY OF FINE MUSICIANS AND RECORDING FACILITIES TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years. -
The National Fantasy Fan Produced by the National Fantasy Fan Federation
The National Fantasy Fan Produced by the National Fantasy Fan Federation Vol. 10, No. 2 June 2010 National Fantasy Fan Federation 2010 Officers President: Jon D. Swartz, 12115 Missel Thrush Court, Election Teller: Ruth R. Davidson, 4807 Capay Drive #2, Austin, TX 78750; [email protected] San Jose, CA 95118; [email protected] The Directorate Historian: Jon D. Swartz (see President) Chairman: Dennis Davis, 25549 Byron St., San The Editorial Cabal Bernardino, CA 92404-6403; [email protected] Editor: Heath Row (See Directorate) Vice Chairman: Sarah E. Harder, 1574 Notre Dame Ave., Online Editor: Ruth R. Davidson (see Election Teller) Belmont, CA 94002; [email protected] Reviews Editor: Heath Row (see Directorate) Heath Row, 438 N. Stanley Ave., Los Angeles, CA 90036; [email protected] Art Editor: Sarah E. Harder (see Directorate, Vice Chairman) David Speakman, 501 Moorpark Way #83, Mountain View, CA 94041; [email protected] Publisher: Craig Boyd, P.O. Box 25631, Little Rock, AR 72221-5631 Keith Walker, 6 Vine St., Lancaster, Lancashire LA1 4UF UK; [email protected] Distributor: Dennis Davis (see Directorate, Chairman) Secretary: Dennis Davis (see Directorate, Chairman) Advisor: Ruth R. Davidson (see Election Teller) Treasurer: William Center; [email protected] Bureaus and Activities Artists Bureau: Sarah E. Harder (see Directorate, Vice Neffer Amateur Press Alliance (N'APA): R-Laurraine Chairman) Tutihasi (see Birthday Cards) Birthday Cards: R-Laurraine Tutihasi, P.O. Box 5323, Neffy Awards: David Speakman (see Directorate) Oracle, AZ 85623-5323; [email protected] Round Robins: Patricia King, 510 Village Court, Nashville, Correspondence: Sarah E. Harder (See Directorate, Vice TN 37206 Chairman) Short Story Contest: Jefferson Swycaffer, P. -
NASFA 'Shuttle' Jun 2005
The SHUTTLE June 2005 The Next NASFA Meeting Will Be 18 June 2005 at the Regular Time and Location The Next Con Stellation ConCom Meeting Will Be 7 July 2005 at Marie McCormackÕs House { Oyez, Oyez { NASFA Calendar The next NASFA meeting will be 18 June 2005 at the JUNE regular time and location. 01 BD: Glenn Valentine. The June program is TBD at press time. The June after- 02 Concom Meeting: Marie McCormackÕs house. the-meeting meeting will be at Mike KennedyÕs house; 7907 02 BD: Lloyd Penney. Charlotte Drive SW, Huntsville. 03Ð05 ConCarolinas Ñ Charlotte NC. Due to space (and time!) limitations, the ongoing adven- 10Ð12 Sci-Fi Summer Con 2005 Ñ Atlanta GA. tures of PieEyedDragon will not appear in this issue. It is 14 Flag Day. scheduled to resume next month. (continued on page 2) Inside this issueÉ Minutes of the May Meeting ..........................................2 Time Magazine Top 100 Movie List ..............................5 Review of The Star Wars Saga .......................................3 Awards Roundup ............................................................5 NASFA Receivables .......................................................4 Letters of Comment ........................................................8 Deadline for the July 2005 issue of The NASFA Shuttle is Friday, 1 July 2005. th Our 25 Year of1 Publication! 17Ð19 HyperiCon Ñ Nashville TN. Committee meeting (if scheduled) is at 5P. The business 18* NASFA Meeting Ñ 6P Business, 7P Program, at meeting is at 6P. The program is at 7P. Anyone is welcome to BookMark. Program: TBD. ATMM: Mike Ken- attend any of the meetings. There is usually an after-the- nedyÕs house. meeting meeting with directions available at the program. 19 FathersÕ Day. 21 First Day of Summer. -
Danny Boyle Himesh Patel, Lily James
UNIVERSAL PICTURES présente En association avec PERFECT WORLD PICTURES Une production WORKING TITLE Un fi lm de DANNY BOYLE HIMESH PATEL, LILY JAMES, avec ED SHEERAN et KATE MCKINNON Producteurs délégués NICK ANGEL, LEE BRAZIER, LIZA CHASIN Produit par, TIM BEVAN, ERIC FELLNER, MATTHEW JAMES WILKINSON, BERNARD BELLEW, RICHARD CURTIS, DANNY BOYLE Sur une idée originale de JACK BARTH et RICHARD CURTIS Scénario RICHARD CURTIS SORTIE : 3 JUILLET Durée 1h56 Matériel disponible sur www.upimedia.com Yesterday-lefi lm.com @Yesterday.lefi lm @UniversalFR #Yesterday DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21, rue François 1er Giulia GIÉ 75008 Paris assistées de Sophie GRECH Tél. : 01 40 69 66 56 www.universalpictures.fr SYNOPSIS Hier tout le monde connaissait les Beatles, mais aujourd’hui seul Jack se souvient de leurs chansons. Il est sur le point de devenir extrêmement célèbre. Jack Malik (Himesh Patel) est un auteur-compositeur interprète en galère, dont les rêves sont en train de sombrer dans la mer qui borde le petit village où il habite en Angleterre, en dépit des encouragements d’Ellie (Lily James), sa meilleure amie d’enfance qui n’a jamais cessé de croire en lui. Après un accident avec un bus pendant une étrange panne d’électricité, Jack se réveille dans un monde où il découvre que les Beatles n’ont jamais existé… ce qui va le mettre face à un sérieux cas de conscience. Poussé par Debra (Kate McKinnon) son agent américain et secondé de son ami Rocky (Joel Fry), roadie improvisé sur le tas, aussi adorable qu’imprévisible, la popularité du jeune homme va vite exploser quand il se met à chanter les titres du groupe le plus connu du monde à un public qui ne les a jamais entendus. -
File 770:144
February 2005 1 144 2 File 770:144 Best Dramatic Presentation Retrospective Hugo Awards Long Form (363 ballots) for work done in 1953 The Lord of the Rings: The Return of the King (New Line Cinema). Directed by Peter Jackson; screenplay by Fran Walsh, Best Novel of 1953 (113 ballots) Philippa Boyens & Peter Jackson. Fahrenheit 451 — Ray Bradbury (Ballantine) Best Novella of 1953 (67 ballots) Best Dramatic Presentation “A Case of Conscience” — James Blish (If, Sept. 1953) Short Form (212 ballots) “Gollum’s Acceptance Speech at the 2003 Best Novelette of 1953 (66 ballots) MTV Movie Awards” (Wingnut 144 “Earthman, Come Home” — James Blish Films/New Line Cinema). Written and (Astounding, Nov. 1953) directed by Fran Walsh, Philippa Boyens File 770:144 is edited by Mike & Peter Jackson. Best Short Story of 1953 (96 ballots) Glyer at 705 Valley View Ave., “The Nine Billion Names of God” — Arthur Monrovia CA 91016. File 770 is Best Professional Editor C. Clarke (Star Science Fiction Stories #1, available for news, artwork, (319 ballots) Ballantine) arranged trades, or by subscription: Gardner Dozois $8 for 5 issues, $15 for 10 issues, Best Related Book of 1953 (21 ballots) air mail rate is $2.50. Best Professional Artist Conquest of the Moon — Wernher von Braun, Telephone: (626) 305-1004 Fred L. Whipple & Willy Ley (Viking E-Mail: [email protected] (241 ballots) Press) Art Credits Bob Eggleton Taral: Cover, Bacover Best Dramatic Presentation, Bill Rotsler: 2,3,9,22,23,27,37 Best Semi-Prozine (199 ballots) Short Form, of 1953 (96 ballots) Diana Glyer (photos): 4 Locus, ed. -
SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Gender, Society and Technology in Black Mirror
Aditya Hans Prasad WGSS 7 Professor Douglas Moody May 2018. Gender, Society and Technology in Black Mirror The anthology television show Black Mirror is critically acclaimed for the manner in which it examines and criticizes the relationship between human society and technology. Each episode focuses on a specifically unnerving aspect of technology, and the topics explored by it range from surveillance to mass media. These episodes may initially provide a cynical perspective of technology, but they are far more nuanced in that they provide a commentary on how human technology reflects the society it is produced for and by. With that in mind, it is evident that Black Mirror is an anthology series of speculative fiction episodes that scrutinizes the darker implications of these technologies. Often, these implications are products of particular social constructs such as race, socioeconomic class and gender. It is particularly interesting to analyze the way in which Black Mirror presents the interaction between gender and technology. Many of the television show’s episodes highlight the differences in the way women interact with technology as compared to men. These intricacies ultimately provide viewers with an understanding of the position women often hold in a modern, technologically driven society. Black Mirror is renowned for the unsettling way it presents the precarious situations that come up when technology begins to reflect the flaws of a society. The episode “Fifteen Million Merits” explores, among other things, the hyper-sexualized nature of modern mass media. The episode takes place in a simulated world, where humans exist inside a digital world where all they do is cycle to earn credits, spend credits on products of the media and sleep. -
Honors in Practice, Volume 16 (Complete)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors in Practice -- Online Archive National Collegiate Honors Council 2020 Honors in Practice, Volume 16 (complete) Follow this and additional works at: https://digitalcommons.unl.edu/nchchip Part of the Educational Leadership Commons, Higher Education Commons, Liberal Studies Commons, and the Other Education Commons This Article is brought to you for free and open access by the National Collegiate Honors Council at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors in Practice -- Online Archive by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. In This Issue Volume 16 | 2020 Honors In Practice 2019 PRESIDENTIAL ADDRESS Radical Honors: Pedagogical Troublemaking as a Model for Institutional Change Richard Badenhausen ESSAYS Music in the Holocaust as an Honors Colloquium Galit Gertsenzon HIP Brave New Worlds: Transcending the Humanities/STEM Divide through Creative Writing Adam Watkins and Zahra Tehrani Humanities-Driven STEM—Using History as a Foundation for HIP STEM Education in Honors Honors In Practice John Carrell, Hannah Keaty, and Aliza Wong A PUBLICATION OF THE NATIONAL COLLEGIATE HONORS COUNCIL Best Practices in Honors Pedagogy: Teaching Innovation and Community Engagement through Design Thinking Beth H. Chaney, Tim W. Christensen, Alleah Crawford, Katherine Ford, W. Wayne Godwin, Gerald Weckesser, Todd Fraley, and Volume 16 | 2020 Phoenix Little Teaching Critical University Studies: A First-Year Seminar to Cultivate Intentional Learners Elizabeth Bleicher A Potential for Improving Honors Retention with Degree Planning Teddi S. Deka A Meaningful and Useful Twofer: Enhancing Honors Students’ Research Experiences While Gathering Assessment Data Mary Scheuer Senter Statistics: A Cautionary Tale Len Zane Contracts for Honors Credit: Balancing Access, Equity, and Opportunities for Authentic Learning Patrick Bahls BRIEF IDEAS ABOUT WHAT WORKS IN 16 Volume HONORS Authors: Brent M. -
Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi
TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT DOÇ. DR. İNAN KALAYCIOĞULLARI Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ YÜKSEK LİSANS TEZİ SÜLEYMAN ERHARAT Tez Danışmanı DOÇ. DR. İNAN KALAYCIOĞULLARI TEZ JÜRİSİ ÜYELERİ Adı ve Soyadı İmzası 1. Prof. Dr. Remzi Demir 2. Prof. Dr. Ergi Deniz Özsoy 3. Doç. Dr. İnan Kalaycıoğulları Tez Savunması Tarihi 23 Haziran 2020 T.C. ANKARA ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü’ne, Doç. Dr. İnan KALAYCIOĞULLARI danışmanlığında hazırladığım “Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi (Ankara.2020)” adlı yüksek lisans tezimdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu, başka kaynaklardan aldığım bilgileri metinde ve kaynakçada eksiksiz olarak gösterdiğimi, çalışma sürecinde bilimsel araştırma ve etik kurallarına uygun olarak davrandığımı ve aksinin ortaya çıkması durumunda her türlü yasal sonucu kabul edeceğimi beyan ederim. 01 Haziran 2020 Süleyman ERHARAT İÇİNDEKİLER İÇİNDEKİLER ...................................................................................................