Great Bardfield Conservation Area Character Appraisal and Management Plan
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Saffron Walden Blue Plaques
Born in Great Yarmouth in 1914, C:<D Jack Cardiff’s career spanned 1. GABRIEL HARVEY 4. GORDON JACOB John Newman <:K=B?? the development of cinema C 16th poet and scholar Composer and arranger , a pewterer *2*-&+))2 from silent film, through Saffron Walden Laundry Office 1 Audley Road CB11 3HW from Maidstone, was one HL<:KPBGGBG@ early experiments in 13-17 Gold Street CB10 1EN 5. EDWARD BAWDEN of many non-conformists <BG>F:MH@K:IA>K Technicolor to the production 2. HENRY WINSTANLEY who were persecuted and Blue Plaques in ebo^]a^k^*22,&+))) Designer, printmaker and illustrator sophistication of the late 20th killed during Queen Mary’s 2 Park Lane Studio CB10 1DA century. He was best known for Inventor and builder of the Eddystone Lighthouse reign. A follower of John Bradford, 6. JACK CARDIFF his visionary colour Former Conservative Club who preached in Saffron Walden, he was 5 Museum Street CB10 1JL Saffron Walden cinematography, while working with Oscar winning film Cinematographer and Director arrested in August 1555 on suspicion of being a 3. GEORGE STACEY GIBSON major directors such as Powell and Pressburger, 7a High Street CB10 1AT Protestant and, after a summary conviction, was Huston and Hitchcock, which was strongly Banker, philanthropist and botanist two existing plaques, see back cover burnt at the stake in the town influenced by his deep knowledge of Old Master Hill House, High Street CB10 1AA paintings. A. JOHN NEWMAN In the post war years, he made his reputation as the “A Matter of Life and Death” “The Red B. -
THE FRY ART GALLERY TOO When Bardfield Came to Walden Artists in Saffron Walden from the 1960S to the 1980S 2 December 2017 to 25 March 2018
THE FRY ART GALLERY TOO When Bardfield Came to Walden Artists in Saffron Walden from the 1960s to the 1980s 2 December 2017 to 25 March 2018 Welcome to our new display space - The Fry Art Gallery Too - which opens for the first time while our main gallery at 19a Castle Street undergoes its annual winter closure for maintenance and work on the Collection. The north west Essex village of Great Bardfield and its surrounding area became the home for a wide range of artists from the early 1930s until the 1980s. More than 3000 examples of their work are brought together in the North West Essex Collection, selections of which are displayed in exhibitions at The Fry Art Gallery. Our first display in our new supplementary space focuses on those artists who lived at various times in and around Saffron Walden in the later twentieth century. Edward and Charlotte Bawden were the first artists to arrive in Great Bardfield around 1930, along with Eric and Tirzah Ravilious. After 30 years at Brick House, Charlotte arranged in 1970 that she and Edward would move to Park Lane, Saffron Walden for their later years. Sadly, Charlotte died before the move, but Edward was welcomed into an established community of successful professional artists in and around the town. These included artists Paul Beck and John Bolam, and the stage designers Olga Lehmann and David Myerscough- Jones. Sheila Robinson had already moved to the town from Great Bardfield in 1968, with her daughter Chloë Cheese, while the writer and artist Olive Cook had been established here with her photographer and artist husband Edwin Smith for many years. -
Great Bardfield
The Hundred Parishes An introduction to GREAT BARDFIELD Location: 7 miles northeast of Great Dunmow. Ordnance Survey grid square: TL6730. Postcode: CM7 4SD. Access: B1057. Buses 9/10 to Braintree (Mon-Fri), 16 to Chelmsford (Mon-Sat), 17 to Saffron Walden (Tuesday and Friday only). County: Essex. District: Braintree. Population: 1,227 in 2011. The parish of Great Bardfield lies on the southern aspect of the River Pant, just a few miles upstream from Braintree where it becomes the River Blackwater. Great Bardfield is a place of considerable historic, architectural and cultural interest. Many have considered it the quintessential English village, not least the group known as the Bardfield Artists, many of whom chose to settle here in the period 1930s to1950s. Perhaps the best known of these artists, Edward Bawden, dedicated a series of 16 lithographs, ‘Life in an English Village’, to the shops and workplaces of local tradesmen and women, and in doing so has preserved a record of a now vanished way of village life. The war artist Eric Ravilious (whose wood engraving of Great Bardfield Church appears at the top of this page) spent some years here, as did the ‘Colonel Blimp’ cartoonist David Low who lived in Serjeant Bendlowe’s Cottage (seen here) and Marianne Straub, some of whose textiles are retained in the Warner Textile Archive in Braintree. There were numerous others, and a series of ‘open house’ exhibitions during the 1950s served to put Great Bardfield on the national cultural map. Much of the work of the Bardfield Artists can be viewed today at the Fry Art Gallery in Saffron Walden. -
Bardfield Walk
BARDFIELD WALK GREAT BARDFIELD 5 STAR AWARD WINNING HOME BUILDER Croudace Homes is delighted to have been awarded an HBF 5 Star Home Builder Customer Satisfaction Award for the seventh year running. More than 9 out of 10 of our customers would recommend our homes to their friends. BARDFIELD WALK GREAT BARDFIELD A SUPERB DEVELOPMENT OF 2, 3, 4 & 5 BEDROOM HOMES IN GREAT BARDFIELD, ESSEX A WARM WELCOME We pride ourselves in providing you with the expert help and advice you may need at all stages of buying a new home, to enable you to bring that dream within your reach. We actively seek regular feedback from our customers once they have moved into a Croudace home and use this information, alongside our own research into lifestyle changes to constantly improve our designs. Environmental aspects are considered both during the construction process and when new homes are in use and are of ever increasing importance. Our homes are designed both to reduce energy demands and minimise their impact on their surroundings. Croudace recognises that the quality of the new homes we build is of vital importance to our customers. Our uncompromising commitment to quality extends to the first class service we offer customers when they have moved in and we have an experienced team dedicated to this task. We are proud of our excellent ratings in independent customer satisfaction surveys, which place us amongst the top echelon in the house building industry. Buying a new home is a big decision. I hope you decide to buy a Croudace home and that you have many happy years living in it. -
Minutes (Comprising Representatives Of
Minutes (Comprising representatives of:- Essex County Council Braintree Braintree District Council Local Highways Braintree Association of Local Councils) Panel 9th October 2014 Present:- Councillor R Walters (Chairman) Essex County Council Councillor J Abbott Braintree District Council Councillor J Bendall Braintree Association of Local Councils Councillor J Clark Braintree Association of Local Councils Councillor A Hayward Braintree Association of Local Councils Councillor M Lager Braintree District Council Councillor R Mitchell (from 6.25pm) Braintree District Council Councillor Lady Newton Essex County Council Councillor J Pike Essex County Council Councillor J Baugh (Braintree District Council) was also in attendance. Officers Alan Lindsay - Essex County Council Matt Valentine - Essex Highways Simon Walker - Essex Highways Paul Partridge – Braintree District Council Alison Webb – Braintree District Council Apologies for absence were received from Councillor M Banthorpe (Braintree District Council) and Councillor M Fincken (Braintree Association of Local Councils). 1 DECLARATIONS OF INTEREST The following interests were declared:- Councillor A Hayward declared a non-pecuniary interest in Agenda Item 10 - Schemes for Consideration by the Panel and specifically scheme ‘LBRA142082 Dunmow Road, Great Bardfield – Speed surveys’ as a Member of Great Bardfield Parish Council which had jointly requested the scheme. Councillor M Lager declared a non-pecuniary interest in Agenda Item 10 - Schemes for Consideration by the Panel and specifically an additional 1 scheme ‘LBRA142097 Chipping Hill, near to White Horse Lane, Witham – PV2 survey’ as he lived in Chipping Hill, Witham. In accordance with the Code of Conduct, Councillors Hayward and Lager remained in the meeting and took part in the discussion when the Item was considered. -
How to Get to Great Bardfield
How to get to Great Bardfield To Finchingfield To Thaxted P To Gt. Dunmow To Braintree From Braintree take the A120 towards Dunmow and take the Stebbing & Felsted turn off. Take the last exit at the roundabout at the top of the slip road and then left onto the B1256 . Take the first right to Bardfield at the Palm Trees Restaurant (you can’t miss it, trust me). Follow this road (Braintree Road) through Great Saling until you get to Great Bardfield. For parking at the Bardfield Centre, take the first left turn once in the village (immediately before the traffic calming chicane). Follow the road around to the right where parking is marshalled by the Youth Club. From Great Dunmow from the Thaxted road, turn at the big clock house down Lime Tree Hill and go past the Angel and Harp and St Mary’s Church then keep going on the B1057 into Great Bardfield. For parking at the Bardfield Centre, continue through the village turning right immediately before the war memorial (into Brook Street). Go past the green and primary school (on your left) and continue up the hill. Turn right directly after you have passed through the traffic calming chicane. Follow the road around to the right where parking is marshalled by the Youth Club. From Thaxted take “The Bardfields” road (going past the primary school) and keep driving out of the village. Continue on through Little Bardfield and at the end of the road is Great Bardfield. For parking at the Bardfield Centre, turn left into the High Street (B1057). -
Curwen 2017 Course Brochure
Curwen Print Study Centre Curwen Print Study Centre Fine Art Registered Charity Number1048580 Print For more information Contact 892380 [email protected] Courses Curwen Print Study Centre Chilford Hall Linton CB21 4LE www.curwenprintstudy.co.uk 2017 INTRODUCTION Who we are The Curwen Print Study Centre was established as an educational Fine Art Printmaking charity in the late 1990s by Master Printer Stanley Jones MBE and local entrepreneur and art lover Sam Alper OBE. Since its formation, the Curwen Print Study Centre has established a reputation for excellence in its field. The adult course programme offers something for everyone, from those who are new to printmaking to those who have previous experience and are looking for advanced or Masterclass tuition. Open access is available to artists who have successfully completed the relevant course. We welcome artists of all abilities and all ages. Our highly successful education programme involves school students from Cambridgeshire, Essex, Norfolk, Suffolk, Berkshire, Buckinghamshire and Hertfordshire. The majority of schools re-book each year, encouraged by the higher grades that they subsequently achieve at GCSE, AVCE, IB, AS and A2. The content can be adapted to suit all ability levels, from the least able to the most talented students looking for enrichment and extension. Why choose Curwen? • Experienced tutors • Well-equipped, light and airy studio • Small class sizes • High level of individual support • Welcoming and friendly atmosphere • Tranquil location with plenty -
Coggeshall Ward Revised May 2020
Braintree District Ward Profiles Coggeshall Ward Revised May 2020 1 2 Contents Introduction ...................................................................................................................................................................... 4 About Coggeshall Ward .................................................................................................................................................... 5 Local Governance .............................................................................................................................................................. 5 Community Facilities ......................................................................................................................................................... 5 Major Businesses, Industrial Estates & Commercial Developments ................................................................................ 5 Development Sites ............................................................................................................. Error! Bookmark not defined. People ............................................................................................................................................................................... 6 Population ..................................................................................................................................................................... 7 Age ............................................................................................................................................................................... -
Valley of Vision
21 January to 19 March 2017 Saturdays and Sundays 3 to 5pm Wolfson Fine Arts in collaboration with the University of South Wales Valley Valley of Vision www.wolfson.cam.ac.uk/fine-arts Foreword - Painting the Valleys is the subject matter. Apart from a scattering of small mines and a few huge, opencast sites on the rim of the coalfield, there is no longer a coal industry. There For over two hundred years, the Valleys of South Wales have inspired are memories and ruins, books, photographs and articles, industrial museums painters and printmakers. J M W Turner, Richard Wilson and Julius Caesar and visitors’ centres. And there are ghosts and paintings. Ibbetson were among the early visitors, drawn to the coalfield by the promise of extraordinary images – the visual combination of burgeoning I know for certain that the ghosts are still out there, haunting abandoned heavy industry and dramatic landscapes. mineshafts, winding-sheds and chapels where the physical evidence of an industry that once employed a quarter of a million miners in these Valleys has They came to witness the fiery spectacle of iron furnaces giving birth to a new almost disappeared. Even the scarred hillsides have been blanketed in new industrial age. Here was the cutting edge of Britain’s pioneering technologies. forests as the Valleys continue to be greened. Yet they discovered, within a stone’s throw of the blast furnaces and pit shafts, a landscape of waterfalls, precipitous forests and wild, romantic moorland. Thankfully, the paintings have survived. Some of them are gathered here, at this exhibition. -
Peter White Bardfield Artist
PeterPeter WhiteWhite BardfieldBardfield ArtistArtist A POSTHUMOUS EXHIBITION OF THE WORK OF PETER WHITE CURATED BY SARA HAYES & ANNE WHITE INTRODUCTION BY ANNE WHITE, PETER’S DAUGHTER THE BARDFIELD COMMUNITY Back in the UK, Peter took up a position as Head of Art at Saffron Walden’s Friends PETER WHITE - BORN 25/03/1929 - DIED 09/08/2016 School, 1958 - 1959, following which he became involved in the creative community of Great Bardfi eld. He lived there and assisted the print maker Michael Rothenstein. Peter White was my father. He lectured part time and did his art work at home, so he was a very He then went on to work for artist Edward Bawden, 1961 - 1963 assisting in print ‘present’ father. I remember being in his studio making and mural painting. Richard remembers that Edward found Peter to be an in the cottage in Felsted. There would be lino cut excellent printmaker, trained to Michael’s exacting standards. He joined Edward at a time chippings on the fl oor, the smell or turpentine, a when he was working on huge linocuts of Brighton Pier and Liverpool Street station that box of stained glass shards in the corner and a were so large they had to be printed on the fl oor by stamping on them. He formed great home brewed elderberry wine fermenting in the friendships with Michael and Edward. He also knew the weaver Marianne Straub, artists airing cupboard. Bernard Cheese and Sheila Robinson, Walter Hoyle, Stanley Clifford-Smith and Joan Glass. I never asked dad why he chose to be an artist Friendships with Edward and his son Richard (who became a colleague at Braintree college - it was just what he was. -
After Palmer: a Pastoral Miscellany Trained Originally As an Art Historian, Sculptress and Graphic Illustrator at St
After Palmer: A Pastoral Miscellany Trained originally as an art historian, sculptress and graphic illustrator at St. Martin’s and at Cambridge, Julia Korner, L.S.I.A.D., left Christie’s auctioneers in 1997 after nearly 20 years in the field as a paintings specialist, with extensive knowledge of Old Masters, of British and Victorian and of European and American paintings of the 18th, 19th and 20th Century. In 1987 she set up the Maritime Department, the Frame sales, the Aeronautical Department and finally the Polar Sales and Exploration & Travel. At the same time, she was involved in the conservation of paintings, and the production and conservation of classic gilt and gesso frames and sculpture, all in her own studios. She set up her own business in 1997 to assist clients with all aspects of their collections. She also advises museums and private clients on conservation. She lectures for NADFAS, Christie’s Education, The Sotheby’s Institute, The National Maritime Museum and to Art Societies and has acted as a valuer for antiques’ road shows both at home and abroad. Julia Korner is an elected member of the British Antique Dealers’ Association and LAPADA - the Association of Professional Art and Antiques Dealers; the British Association of Paintings Conservator-Restorers, the Company of Arts Scholars, Dealers and Collectors, the Institute of Conservation, the International Institute for Conservation, the Fine Art Trade Guild, the Maritime Information Association, the Museums Association, and the Conservation Consortium Cover illustration: No. 7. Samuel Palmer, R.W.S (1805-1881), ‘The Forester’s Horn’ Fine Art Consultant, Maritime Specialist & Lecturer Conservation of Paintings, Frames and Sculpture After Palmer: A Pastoral Miscellany Julia Korner The River House, 52 Strand on the Green, London W4 3PD, United Kingdom (By appointment only) Tel: +44 (0)20 8747 1652 Mob: 07771 713980 Fax: +44 (0)20 8742 7419 E-mail: [email protected] www.juliakorner.com ARTISTS’ INDEX 1 Joshua Cristall, P.O.W.S. -
British Figurative Painters of the 20Th Century Whose Development Can Be Adequately Discussed Without Reference to Sickert's Subject-Matter Or Innovative Techniques
• Question from last week • Where is the Fry Art Gallery that has Eric Ravilious Tea at Furlongs (1939)? The Fry Art Gallery is an art gallery in Saffron Walden, Essex that is best known for its displays of work by the Great Bardfield Artists, including Edward Bawden and Eric Ravilious. The Great Bardfield Artists were a community of artists living in Great Bardfield, north west Essex. They were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives School of artists in St Ives, Cornwall, who, after the war, were chiefly dominated by abstractionists. • Figurative art runs as a theme through all British art. The extremes of modernism—Fauvism, Dada, Surrealism and even abstraction—never took hold in Britain but there was a continued interest in the human body, psychological insights and representing the full range of emotions. This means that most of the artists we have dealt with have been figurative, that is not abstract, artists. • This means it has been difficult to choose a small number of artists to represent the tradition and I have selected painters who stayed with the figurative tradition throughout their lives with the exception of Victor Pasmore as I use his work to create a link with British art of the 1950s and 60s. 1 Notes • Figurative art is a term used to describe paintings and sculptures that are derived from real objects. Figurative art is therefore representational. Note that human figures are often shown in figurative art but the term does not mean figures painting.