Art of the Americas
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BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S
BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S. 4210 Rd., POB 1181 12659 Eckard Way Claremore, OK 74017 Roseville, CA 95678 Auburn,CA 95603 918-342-0710 916-783-6822 530-906-4705 No. 355 August 2014 by Mike Prero The hobby has produced a lot of covers over the last 75 years, and, perhaps not surprisingly, its share of bloopers...at the very least! To be fair, the manufacturers were responsible for most of them, but the designers had their share. In any event, we have a wide variety of offerings here—I‘ve left out all the miscuts and other production errors; these are all ‗somebody goofed‘ errors... No. 355 SIERRA-DIABLO BULLETIN-August 2014 Page 2 No. 355 SIERRA-DIABLO BULLETIN-August 2014 Page 3 In case you couldn’t find some of the errors... 1st page, 3rd cover: 7th Anniversary 2nd page, 1st cover: Schaumburg 2nd page, 2nd cover: wrong dates 2nd page, 3rd cover: Hotel 2nd page, 4th cover: congratulates 2nd page, 5th cover: Bitter 2nd page,6th cover: 1996 > 1997 2nd page, 7th cover: Congratulations 3rd page, 1st cover: it‘s > its 3rd page, 2nd cover: it‘s > its and Gouverneurs 3rd page, 3rd cover: Bob Lincoln 3rd Page, 4th cover: Heskett 3rd page, 5th cover: Cindy No. 355 SIERRA-DIABLO BULLETIN-August 2014 Page 4 Great Ships of the Seas: The Italia She began her life as the Swedish-American Line‘s Kungsholm, built in 1928. Even then,, she was a noted transatlantic liner. Later, beginning in the early thirties, she also developed a good reputation on luxury long-distance cruises. -
Press Release, P
MFA Boston, Museum to Launch First Online Catalogue, Press Release, p. 1 Contact: Karen Frascona 617.369.3442 [email protected] FOR IMMEDIATE RELEASE MUSEUM OF FINE ARTS, BOSTON, TO LAUNCH ITS FIRST ONLINE CATALOGUE, PAINTINGS OF THE AMERICAS BOSTON, MA (February 16, 2012)—Just in time for Presidents’ Day, the Museum of Fine Arts, Boston (MFA), will debut on February 20 its first online catalogue, Paintings of the Americas. The free digital publication, available at www.mfa.org/americanpaintings, will feature a selection of more than 400 paintings from its collection of nearly 2,000 (including new acquisitions) created by artists from the 17th through the 20th centuries. The online catalogue was produced to complement the Museum’s Art of the Americas Wing. This is the first publication in a generation to document the MFA’s world-renowned holdings of American paintings, along with those that represent the broader Paintings of the Americas is the MFA’s first online catalogue, which is offered for free at www.mfa.org/americanpaintings spectrum of the Americas. With its elegant design, ease of use, and access to a wide range of information, Paintings of the Americas tells a compelling story through a chronological exploration of diverse works from North, Central, and South America. It also showcases masterworks by John Singleton Copley, Mary Cassatt, John Singer Sargent, Thomas Eakins, Winslow Homer, Georgia O’Keeffe, and Wifredo Lam. Support for this publication was provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Ann and William Elfers Publication Fund, the Wyeth Foundation for American Art, and the Vance Wall Foundation. -
Contacts: Karen Frascona Amelia Kantrovitz 617.369.3442 617.369.3447 [email protected] [email protected]
Contacts: Karen Frascona Amelia Kantrovitz 617.369.3442 617.369.3447 [email protected] [email protected] FOR IMMEDIATE RELEASE NAGOYA/BOSTON MUSEUM OF FINE ARTS CELEBRATES 15th ANNIVERSARY WITH MILLET, BARBIZON AND FONTAINEBLEAU EXHIBITION BOSTON, MA—In April 2014, Japan’s Nagoya/Boston Museum of Fine Arts (N/BMFA) and the Museum of Fine Arts, Boston (MFA), celebrate the 15th anniversary of America’s first and only sister museum in Asia. Throughout the partnership, which has welcomed more than 4 million visitors to the N/BMFA since 1999, numerous exhibitions have brought Boston’s artistic treasures to Japan. To mark the anniversary, and celebrate the Museum’s historic relationship with Japan, the MFA has organized Millet, Barbizon and Fontainebleau, which is on view in Nagoya April 19–August 31, 2014. A highlight of the exhibition, Jean-François Millet’s masterpiece The Sower (1850), will travel to Japan along with a number of important works from the MFA’s renowned collection of French paintings from the mid-19th century. In Japan, Millet, Barbizon and The Sower, 1850, Fontainebleau also travels to the Museum of Art, Kochi, and the Mitsubishi Ichigokan Jean-François Millet Museum, Tokyo. Additionally, a series of special events and programs in Nagoya surrounding the 15-year anniversary includes a Directors' Dialogue with Dr. Shunkichi Baba, Director of the N/BMFA, and Malcolm Rogers, the MFA’s Ann and Graham Gund Director. This exhibition of 64 paintings displays one of the world’s premier collections of landscape art from 19th-century France, and features artists including Millet, Camille Corot, Narcisse Virgile Diaz de la Penã, Théodore Rousseau and Claude Monet. -
3.7 CULTURAL RESOURCES 3. 7 .1 Existing Conditions
3.7 CULTURAL RESOURCES 3. 7 .1 Existing Conditions Information provided within the cultural resource overview of the Salton Sea Anomaly area has been obtained from: record search data (Imperial Valley College Museum and San Diego Museum of Man); survey/excavation reports (Rogers 1966; Mccown 1953-1957; Gallegos 1980); and personal communication (Gallegos 1981). A detailed cultural resource overview is located in Appendix 3. 7 of this report. The liter ature search survey encompasses a 111,444 acre (45,119 ha) study region. Moreover, approximately 54 percent of the study area is covered by the Salton Sea. The entire project area contains recorded evidence of historic and prehistoric occupation/land use. At various times in the prehistoric past the study region was covered by a large inter mittent body of water referred to as Lake Cahuilla. The anthropological implications of the former lake are outstanding. Lake Cahuilla created a rich environment for fish, shellfish, birds, mammals and man during the past 2000 years. This data as pertains to the Salton Sea Anomaly area is best preserved along the relict 40-foot MSL (12 m) shoreline. The studies of Malcolm Rogers and B.E. Mccowan stand out as being the most interesting for the amount and kinds of materials encountered. Radiocarbon dates identify these areas as post AD 1400. Sites contain .a range of materials, including midden, bone, shell, pottery, lithics, milling tools and charcoal. Rogers reports one resource located within the study area as a four-mile long occupation site. During the J past four decades much has passed to change the character of cultural resources along the relict shoreline; natural agencies, gravel quarries, water conveyances and access roads, plus recreational activities have all disturbed a large share of archaeological sites. -
Propaganda Found in the Museum of Fine Arts, Boston, Massachusetts
RIVIER ACADEMIC JOURNAL, VOLUME 3, NUMBER 2, FALL 2007 PROPAGANDA FOUND IN THE MUSEUM OF FINE ARTS, BOSTON, MASSACHUSETTS Christina Caruso* Undergraduate Student, B.A. in Communications Program, Rivier College In today’s society, propaganda is visible in every direction we turn. It floods the television, Internet and radio. It is disseminated through the government, opinion leaders, and our friends. It is hard to determine the difference between propaganda and persuasion; however, there is a fine line between the two. I pose the question: Is it typical for an art museum to employ propaganda? This could be the case with the Museum of Fine Arts in Boston, Massachusetts. Through a discussion of propaganda and its features, the Boston Museum of Fine Arts will be analyzed to prove if propaganda is present in their architecture and the way it is guided by its current director, Malcolm Rogers. And, even if propagandistic, is the museum sticking to their mission statement which is to “[house] and [preserve] preeminent collections and [aspire] to serve a wide variety of people through direct encounters with works of art” (mfa.org). This paper will discuss what propaganda is, and if the MFA Boston is trying to employ propaganda. The Museum of Fine Arts in Boston, Massachusetts, is one of the largest museums in the United States. The original museum was founded in 1870 and was located in a Gothic Revival building on Copley Square, in the Back Bay neighborhood of Boston. It moved to its current location on Huntington Avenue, in 1909. It is a significantly imposing structure, with its modern, yet Romanesque concrete columns located and facing the colleges, businesses and residences in the surrounding areas. -
Chrysler Building: Race to the Sky
PDHonline Course S255 (4 PDH) Chrysler Building: Race to the Sky Instructor: Jeffrey Syken 2012 PDH Online | PDH Center 5272 Meadow Estates Drive Fairfax, VA 22030-6658 Phone & Fax: 703-988-0088 www.PDHonline.org www.PDHcenter.com An Approved Continuing Education Provider Race to the Sky 1 Table of Contents Slide/s Part Title/Description 1 N/A Title 2 N/A Table of Contents 3~22 1 THE 1925 PARIS EXPOSITION 23~53 2 ART DECO 54~111 3 EVER HIGHER 112~157 4 RACE FOR THE SKY 158~177 5 OLD BULLET HEAD 178~234 6 THE DESIGN 235~252 7 THE LOBBY 253~262 8 THE CLOUD CLUB 263~273 9 CONSTRUCTION 274~300 10 LEGACY 2 Part 1 THE 1925 PARIS EXPOSITION 3 Away with the architraves, pillars and antiquated temples of the aristocratic past. The universal human community will produce its own style, appropriate for its own age here in the twentieth century! 4 5 6 “French taste was law… Why? Because all around us the English, Germans, Belgians, Italians, Scandinavians and even the Americans themselves reacted and sought to create for themselves – for better or worse – an original art, a novel style corresponding to the changing needs manifested by an international clientele…” Lucien Dior – French Minister of Commerce 7 8 9 10 “All that clearly distinguished the older ways of life was rigorously excluded from the exposition of 1925” Waldemar George 11 12 13 “A cabinet maker is an architect…In designing a piece of furniture, it is essential to study conscientiously the balance of volume, the silhouette and the proportion in accordance with the chosen material and the technique imposed by this material” RE: Excerpt from: Arts Decoratifs: A Personal Recollection of the Paris Exhibition 14 15 “In 1900, we saw the triumph of noodling ornamentation. -
FINAL.Fountain of the Pioneers NR
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _Fountain of the Pioneers _______________________________ Other names/site number: Fountain of the Pioneers complex, Iannelli Fountain Name of related multiple property listing: Kalamazoo MRA; reference number 64000327___________________________________ (Enter "N/A" if property is not part of a multiple property listing ___________________________________________________________________________ 2. Location Street & number: _in Bronson Park, bounded by Academy, Rose, South and Park Streets_ City or town: _Kalamazoo___ State: _Michigan_ County: _Kalamazoo__ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation -
The Pueblo in the Mojave Sink: an Archaeological Myth
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 The pueblo in the Mojave Sink: An archaeological myth Barbara Ann Loren-Webb Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Archaeological Anthropology Commons Recommended Citation Loren-Webb, Barbara Ann, "The pueblo in the Mojave Sink: An archaeological myth" (2002). Theses Digitization Project. 2107. https://scholarworks.lib.csusb.edu/etd-project/2107 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE PUEBLO IN THE MOJAVE SINK: AN ARCHAEOLOGICAL MYTH A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Masters of Arts in Interdisciplinary Studies by Barbara Ann Loren-Webb March 2003 THE PUEBLO IN THE MOJAVE SINK: AN ARCHAEOLOGICAL MYTH A Thesis Presented to the Faculty of California State University, San Bernardino by Barbara Ann Loren-Webb March 2003 Approved by: Russell Barber, Chair, Anthropology Date Pete Robertshesw, Anthropology ABSTRACT In 1929 Malcolm Rogers published a paper in which he stated that there was evidence of an Anasazi or Puebloan settlement or pueblo, in the Mojave Sink Region of the Mojave Desert. Since then, archaeologists have cited Rogers' publication and repeated his claim that such a pueblo was located in the Western Mojave Desert. The purpose of this thesis started out as a review of the existing evidence and to locate this pueblo. -
Director Sta";E Depa Rtrent of Librar Y and Arc: I Ves
I'!i-..:~Glt2l:.I'!"..s B. COCiL.t:, Director Sta";e Depa rtRent of Librar y and Arc:_i ves OOaOTEY B. ~"GIL.E.."1 =xtensio~ Liorarian VOLi.. HJ V - NUl·iB:D 4, !lEUL, 1962 There are all sorts and con:! itions of "conventions" and eaci1 one of us has our opinion of thel;}. Usually you can decide just what type of convention you want to attend and pick that one . Our I,rizona State Library lissociation annua 1 conventions are rather unique in that they offer something of most all you would want. The meeting in Tucson teis year proved that statement . I know that a number of you l'[ere there because I either saw you at a distance and could do no more than wave to you or I was fortuna te and had a chance to talk a bit with you. f. number of you I met for the first t ir.le and did enjoy it so r.lUch. It was quite an accomplishment if everYO£le got to see all tile exhi!:>its and look over the new items on the narket, r,1eet a 11 our old friends and wake a nur.lber of new ones, attend tile neetings so that \'Ie know the worki nGS of our iissociation and get in three meals a day. Then in addition we had all t he very fine panels to listen to and meet the outstanding guests and visit with teem for a few r.linutes. Then, just to put a bit of icing on the cake, we tad excellent "e£ltertainnent" both Friday and Saturday. -
Chrysler Building: Race to the Sky
PDHonline Course S255 (4 PDH) Chrysler Building: Race to the Sky Instructor: Jeffrey Syken 2012 PDH Online | PDH Center 5272 Meadow Estates Drive Fairfax, VA 22030-6658 Phone & Fax: 703-988-0088 www.PDHonline.org www.PDHcenter.com An Approved Continuing Education Provider www.PDHonline.org www.PDHcenter.com Table of Contents Slide/s Part Title/Description 1N/ATitle 2 N/A Table of Contents 3~22 1 THE 1925 PARIS EXPOSITION 23~53 2 ART DECO 54~111 3 EVER HIGHER 112~157 4 RACE FOR THE SKY 158~177 5 OLD BULLET HEAD 178~234 6 THE DESIGN 235~252 7 THE LOBBY 253~262 8 THE CLOUD CLUB 263~273 9 CONSTRUCTION 274~300 10 LEGACY Race to the Sky 1 2 Away with the architraves, pillars and antiquated Part 1 temples of the aristocratic past. The universal human community will produce THE 1925 PARIS EXPOSITION its own style, appropriate for its own age here in the twentieth century! 3 4 5 6 S255 Chrysler Building: Race to the Sky 1 www.PDHonline.org www.PDHcenter.com “French taste was law… Why? Because all around us the English, Germans, Belgians, Italians, Scandinavians and even the Americans themselves reacted and sought to create for themselves – for better or worse – an original art, a novel style corresponding to the changing needs manifested by an international clientele…” Lucien Dior – French Minister of Commerce 7 8 9 10 “All that clearly distinguished the older ways of life was rigorously excluded from the exposition of 1925” Waldemar George 11 12 S255 Chrysler Building: Race to the Sky 2 www.PDHonline.org www.PDHcenter.com “A cabinet maker is an architect…In designing a piece of furniture, it is essential to study conscientiously the balance of volume, the silhouette and the proportion in accordance with the chosen material and the technique imposed by this material” RE: Excerpt from: Arts Decoratifs: A Personal Recollection of the Paris Exhibition 13 14 “In 1900, we saw the triumph of noodling ornamentation. -
Freedom in Middle French Enlightenment : Interpreted Through a Picturesque Garden
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2010 Freedom in middle French Enlightenment : interpreted through a picturesque garden. Ning Jia 1977- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Jia, Ning 1977-, "Freedom in middle French Enlightenment : interpreted through a picturesque garden." (2010). Electronic Theses and Dissertations. Paper 687. https://doi.org/10.18297/etd/687 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. FREEDOM IN MIDDLE FRENCH ENLIGHTENMENT: INTERPRETED THROUGH A PICTURESQUE GARDEN By Ning Jia B.A., Shandong University, 2000 M.A., Beijing Foreign Studies University, 2003 A Dissertation Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Humanities University of Louisville Louisville, Kentucky August 2010 ------- Copyright 2010 by Ning Jia All rights reserved FREEDOM IN MIDDLE FRENCH ENLIGHTENMENT: INTERPRETED THROUGH A PICTURESQUE GARDEN By NingJia B.A., Shandong University, 2000 M.A., Beijing Foreign Studies University, 2003 A Dissertation Approved on July 27, 2010 by the following Dissertation Committee: Dissertation Director ii DEDICATION This dissertation is dedicated to my family, the handsome and the lovely. -
Differentkindswater Jaquecat.Pdf
DIFFERENT KINDS of WATER POURING This book was published by the Roy and Edna Disney / CalArts Theater (REDCAT) on the occasion of INTO a SWIMMING POOL the exhibition Different Kinds of Waters Pouring into a Swimming Pool, Andrés Jaque / Office for Political Innovation, curated by Ruth Estévez and on view from September 21 through November 24, 2013 at REDCAT. Texts: Andrés Jaque Editor: Ruth Estévez Translation: Sarah Demeuse Book Design: Jessica Fleischmann / still room Cover Image: Andrés Jaque / Office for Political Innovation Andrés Jaque/ Water Illustrations: Florian Brozek Proofreading: Sohrab Mohebbi and Ruth Estévez Office for Political Innovation Printed and bound in the United States by Maskell Graphics REDCAT 631 West 2nd Street Los Angeles, California 90012 ISBN: 9780982539040 Copyright ©2013 by the California Institute of the Arts, 24700 McBean Parkway, Valencia, California 91355. All rights reserved. No part of this publication may be produced in any matter without permission. INDEX Prologue 7 PART I I. Urbanisms of the Common 12 II. Small Laboratories of Desire 17 III. Jacuzzi Riots in Pasadena 24 IV. The Mental Life of Objects 32 V. The Politics of the Bancal (Parcel) 38 VI. Four Kids in a Tree House 45 VII. Pan Am at the End of the Garden 50 VIII. Suddenly we are here immersed in a beach community 56 PART II I. The Interior and the Polemic: Re-Arranging the Tele-Urbanism of Some Moderns 67 Biography 90 P ROLOGUE Different Kind of Water Pouring into a Swimming Pool is the book that accompanies the exhibition of the same name that opened on September 20, 2013 in REDCAT.