CBY 2018.Indd 1 11/1/2018 3:55:57 PM 2 Virgil Abloh

Total Page:16

File Type:pdf, Size:1020Kb

CBY 2018.Indd 1 11/1/2018 3:55:57 PM 2 Virgil Abloh urrent C ıography B ® Yearbook 2018 Virgil Abloh Date of birth: September 30, 1980 Occupation: Fashion designer In March 2018, the internationally recognized French fashion house Louis Vuitton made head- lines when it named American designer Virgil Abloh artistic director of its menswear line. The move was in some ways an unlikely one, as Abloh was both a relatively new designer and particu- larly active within the realm of streetwear, a seg- ment of fashion that differed signifi cantly from earlier incarnations of the Louis Vuitton brand in terms of its aesthetic, relative practicality, and appeal to young people and people of color. However, some in the fashion industry were less surprised by Abloh’s selection, which signaled a desire among Louis Vuitton’s leadership to tap into new trends and schools of thought and thereby ensure the longevity of the 164-year-old brand. “The fi rst thing I am going to do is de- fi ne new codes,” Abloh told Vanessa Friedman and Elizabeth Paton for the New York Times (26 GSAPPstudent, via Wikimedia Commons Mar. 2018) of his plans for the menswear line. “My muse has always been what people actually the Museum of Contemporary Art in Chicago in wear, and I am really excited to make a luxury June 2019. version of that.” Active within the fashion community since EARLY LIFE AND EDUCATION the early aughts, Abloh had no formal training Abloh was born on September 30, 1980, near in clothing design and instead entered the fi eld Chicago, Illinois, to parents who had immigrated after completing degrees in civil engineering and to the United States from Ghana. His mother architecture. Through his longtime creative part- worked as a seamstress, and Abloh would later nership with hip-hop artist and fashion devotee credit her with laying the foundation for his lat- Kanye West, Abloh made a name for himself in er work in fashion. His father managed a paint streetwear and went on to open his fi rst store, company. Abloh grew up with his parents and the streetwear boutique RSVP Gallery, in 2009. sister in Rockford, a town in north-central Illi- After designing a short-lived fashion line known nois, where he attended Boylan Catholic High as Pyrex Vision, Abloh established a new label, School. Off-White, in 2013 and worked extensively As a teenager, Abloh was interested in athlet- to explore and promote his design aesthetic ic pursuits, including soccer and skateboarding. through its men’s, women’s, and furniture collec- He also enjoyed music and developed an interest tions. “I don’t come from where I’m supposed to in deejaying, which he practiced on the week- come from,” he told Diane Solway for W mag- ends during his high school years. Despite such azine (20 Apr. 2017). “So I have to prove that interests, however, Abloh did not initially con- this is design, that this is art, that this is valid.” sider pursuing a career in the arts, and he would Indeed, the popularity of Off-White and Abloh’s later come to consider his teenage self’s skepti- hiring at Louis Vuitton have aptly demonstrated cism a source of inspiration. “I’m always trying his success in that endeavor, and an exhibition to prove to my 17-year-old self that I can do cre- dedicated to his work was scheduled to open at ative things I thought weren’t possible,” he told Solway. After graduating from Boylan Catholic in 1 CBY 2018.indd 1 11/1/2018 3:55:57 PM 2 Virgil Abloh 1998, Abloh enrolled in the University of Wis- can kill a brand on a whim, make it uncool if consin–Madison, where he earned his bachelor’s they want to.” degree in civil engineering in 2003. He went on to enroll in a graduate program in architecture at OFF-WHITE the Illinois Institute of Technology, completing Following the success of Pyrex Vision, Abloh his master’s degree in 2006. founded his next streetwear label, Off-White, in Milan, Italy, in 2013. As the label’s designer, EARLY CAREER he sought to continue to popularize high-end While living in Chicago after completing his streetwear as well as to emphasize the legiti- bachelor’s degree, Abloh began to explore the macy of that segment of the fashion industry, fi eld of design independently, creating his own which had long been dismissed by the indus- graphic T-shirts and launching his own website. try’s gatekeepers. “In a large part streetwear is A crucial point in Abloh’s career trajectory came seen as cheap,” Abloh opined to Christopher in 2002, when he began what would become Morency for the Business of Fashion (29 Sept. a long-term affi liation with the hip-hop artist 2016). “What my goal has been is to add an in- Kanye West. A Chicago native, West had been tellectual layer to it and make it credible.” Hav- working as a music producer since the 1990s ing demonstrated an affi nity for repurposing and and by 2002 was beginning to establish him- reinterpreting existing clothing and imagery with self as a rapper in his own right. After captur- Pyrex Vision, Abloh continued in that vein with ing West’s attention with his design work, Abloh Off-White and also went on to collaborate with formed a productive creative partnership with established brands such as Nike, Levi’s, and the artist, for whom he would create album art, Jimmy Choo. Abloh cites a wide range of infl u- set designs, and merchandise. Abloh was named ences—from Renaissance painter Caravaggio to creative director of West’s agency, Donda, in luxury brand Balenciaga to skateboarder brand 2010 and was nominated for a 2011 Grammy Supreme to the Women’s March on Washing- Award for art direction on West and fellow rap- ton—and freely mixes the images and ideas in- per Jay-Z’s album Watch the Throne. spired by them. Abloh and West particularly connected over After launching with menswear, Off-White their shared interest in fashion and made head- introduced its fi rst women’s collection in 2014 lines with their appearances at major fashion- and made its Paris Fashion Week debut that industry events such as Paris Fashion Week. “We year. For Abloh, selling both men’s and women’s were a generation that was interested in fashion lines better enabled Off-White to reach its core and weren’t supposed to be there,” he told Sol- audience, which included “girls wearing Céline way. “We saw this as our chance to participate and their boyfriend’s [Nike] Air Force Ones,” as and make current culture. In a lot of ways, it felt he explained to Matthew Schneier for the New like we were bringing more excitement than the York Times (5 Nov. 2014). “My premise is to cre- industry was.” Not content to be solely consum- ate a brand that’s immersed in this young fashion ers of fashion, Abloh and West both completed a customer,” he told Schneier. “Me, as a designer, six-month internship at the Italian fashion com- that’s what I draw from, that’s the culture that pany Fendi in 2009. I’m a part of: the music, the restaurants, the The year 2009 also saw the opening of RSVP Chateau [Marmont] to the Mercer. That sort of Gallery, a store in Chicago’s Wicker Park neighbor- premise, that’s where I’m at.” Abloh launched a hood owned by Abloh, Marc Moran, and Don C. furniture collection under the Off-White brand, Specializing in streetwear, RSVP Gallery was Grey Area, in 2016. quickly established as a venue for high-profi le As Abloh established Off-White as an infl u- fashion-related events and as the launching ential force in the streetwear sphere, the label point for products designed or inspired by hip- earned extensive acclaim from both streetwear hop artists and other cultural infl uencers. The afi cionados and the fashion-industry establish- store also introduced some of Abloh’s early fash- ment: Abloh was named a fi nalist for the presti- ion designs, including his Pyrex Vision collection gious LVMH Young Designers Prize in 2015, and of screen-printed shirts in 2012. For Abloh, the Off-White won the British Fashion Award in the continued success of RSVP Gallery and his own urban luxe category in 2017. design projects represent part of a shift in the fashion industry, which was transitioning from LOUIS VUITTON an industry of which trends set and controlled Although Abloh enjoyed running his own label, by established companies, publications, and ce- he long aspired one day to helm one of the fash- lebrities to one in which young consumers and ion industry’s large companies. “We’ve all got our online infl uencers could alter the fashion land- little pontoon boats or whatever. Some might scape overnight. The industry’s gatekeepers “lost be bigger than others. The fashion house is the their footing,” he told Zach Baron for GQ maga- ocean cruise,” he told Baron. He added, “It’s zine (1 Aug. 2016). “It’s raining. Kids can push got 7,000 people on it. You’re steering it. That’s them over. I know kids who are half my age who my goal. I want to do that.” A turning point in CBY 2018.indd 2 11/1/2018 3:55:58 PM Joshua Abrams 3 Abloh’s career came in March 2018, when he business/louis-vuitton-virgil-abloh.html. Ac- was selected to replace designer Kim Jones as cessed 13 July 2018.
Recommended publications
  • Future Food Fix Carter: Smollet Causes Chick-Fil-A, Heirloom Taco Approved for Jacksonville Immeasurable Damage Page 3 Quadarius Whitson by Lying Staff Reporter
    Jacksonville, AL JSU’s Student-Published Newspaper Since 1934 February 28, 2019 in ARTS & ENTERTAINMENT The Academy is playing things too safe Page 5 in VIEWPOINTS COMMUNITY Future food fix Carter: Smollet causes Chick-fil-a, Heirloom Taco approved for Jacksonville immeasurable damage Page 3 Quadarius Whitson by lying Staff Reporter Incoming Jacksonville “Hybrid” restaurant Heirloom Taco took a big step toward opening in SPORTS last week. On Thursday night, building plans for the new restaurant as well as a full-service Chick- fil-A were approved by the Jacksonville Plan- ning Commission at their meeting. Renovation of the old Jacksonville Fire Sta- tion into Heirloom Taco began in October and is still vigorously being worked on by the own- ers, Shane & Aurella Gowens. Although the opening date isn’t set in stone, ABOVE TOP: Heirloom Taco’s “hybrid” food truck under construction (@HeirloomTaco/Instagram). the owners are now aiming for some time in Gamecocks win in 2OT on ABOVE BOTTOM: Jacksonville resients will soon no lon- Senior Day see RESTAURANTS page 2 ger have to visit JSU’s campus to get their fill of Chick- Page 8 fil-A (Matt Reynolds/JSU). CAMPUS & COMMUNITY on CAMPUS Jacksonville leaders speak for the trees at Arbor Day celebration International Scott Young House Staff Writer Presentation: Community leaders and Nigeria Jacksonville residents Thursday, gathered in front of JSU’s February 28, International House last 11:00 a.m. Thursday to celebrate Ar- International bor Day. House The overcast skies and windy weather overshad- owed the event with a Come learn more solemn reminder of the about Nigeria from devastating March 19 tor- one of our JSU nadoes which destroyed students! “over 2,000 trees,” per President John Beehler.
    [Show full text]
  • Remembering Robert Venturi, a Modern Mannerist
    The Plan Journal 4 (1): 253-259, 2019 doi: 10.15274/tpj.2019.04.01.1 Remembering Robert Venturi, a Modern Mannerist In Memoriam / THEORY Maurizio Sabini After the generation of the “founders” of the Modern Movement, very few architects had the same impact that Robert Venturi had on architecture and the way we understand it in our post-modern era. Aptly so and with a virtually universal consensus, Vincent Scully called Complexity and Contradiction in Architecture (1966) “probably the most important writing on the making of architecture since Le Corbusier’s Vers une architecture, of 1923.” 1 And I would submit that no other book has had an equally consequential impact ever since, even though Learning from Las Vegas (published by Venturi with Denise Scott Brown and Steven Izenour in 1972) has come quite close. As Aaron Betsky has observed: Like the Modernism that Venturi sought to nuance and enrich, many of the elements for which he argued were present in even the most reduced forms of high Modernism. Venturi was trying to save Modernism from its own pronouncements more than from its practices. To a large extent, he won, to the point now that we cannot think of architecture since 1966 without reference to Robert Venturi.2 253 The Plan Journal 4 (1): 253-259, 2019 - doi: 10.15274/tpj.2019.04.01.1 www.theplanjournal.com Figure 1. Robert Venturi, Complexity and Contradiction in Architecture (London: The Architectural Press, with the Museum of Modern Art, New York, 1977; or. ed., New York: The Museum of Art, 1966).
    [Show full text]
  • Allen Memorial Art Museum Teacher Resource Packet - AMAM 1977 Addition
    Allen Memorial Art Museum Teacher Resource Packet - AMAM 1977 Addition Robert Venturi (American, 1925 – 2018) Allen Memorial Art Museum Addition¸ 1977 Sandstone façade, glass, brick. Robert Venturi was an American architect born in 1925. Best known for being an innovator of postmodern architecture, he and his wife Denise Scott Brown worked on a number of notable museum projects including the 1977 Oberlin addition, the Seattle Museum of Art, and the Sainsbury addition to the National Gallery in London. His architecture is characterized by a sensitive and thoughtful attempt to reconcile the work to its surroundings and function. Biography Robert Venturi was born in 1925 in Philadelphia, PA, and was considered to be one of the foremost postmodern architects of his time. He attended Princeton University in the 1940s, graduating in 1950 summa cum laude. His early experiences were under Eero Saarinen, who designed the famous Gateway Arch in St. Louis, and Louis Kahn, famous for his museum design at the Kimbell Art Museum in Texas and at Yale University. The AMAM addition represents one of Venturi’s first forays into museum design, and was intended to serve as a functional addition to increase gallery and classroom space. Allen Memorial Art Museum, Oberlin College For Educational Use Only 1 Venturi was also very well known for his theoretical work in architecture, including Complexity and Contradictions in Architecture (1966), and Learning from Las Vegas (1972). The second book presented the idea of the “decorated shed” and the “duck” as opposing forms of architecture. The Vanna Venturi house was designed for Venturi’s mother in Philadelphia, and is considered one of his masterworks.
    [Show full text]
  • ROSITA MISSONI MARCH 2015 MARCH 116 ISSUE SPRING FASHION SPRING $15 USD 7 2527401533 7 10 03 > > IDEAS in DESIGN Ideas in Design in Ideas
    ISSUE 116 SPRING FASHION $15 USD 10> MARCH 2015 03> 7 2527401533 7 ROSITA MISSONI ROSITA IDEAS IN DESIGN Ideas in Design in Ideas STUDIO VISIT My parents are from Ghana in West Africa. Getting to the States was Virgil Abloh an achievement, so my dad wanted me to be an engineer. But I was much more into hip-hop and street culture. At the end of that engi- The multidisciplinary talent and Kanye West creative director speaks neering degree, I took an art-history class. I learned about the Italian with us about hip-hop, Modernism, Martha Stewart, and the Internet Renaissance and started thinking about creativity as a profession. I got from his Milan design studio. a master’s in architecture and was particularly influenced by Modernism and the International Style, but I applied my skill set to other projects. INTERVIEW BY SHIRINE SAAD I was more drawn to cultural projects and graphic design because I found that the architectural process took too long and involved too many PHOTOS BY DELFINO SISTO LEGNANI people. Rather than the design of buildings, I found myself interested in what happens inside of them—in culture. You’re wearing a Sterling Ruby for Raf Simons shirt. What happens when art and fashion come together? Then you started working with Kanye West as his creative director. There’s a synergy that happens when you cross-pollinate. When you use We’re both from Chicago, so we naturally started working together. an artist’s work in a deeper conceptual context, something greater than It takes doers to push the culture forward, so I resonate with anyone fashion or art comes out.
    [Show full text]
  • Tenure Divides UR Faculty
    TUESDAY, FEBRUARY 25, 2020 / VOLUME 147, ISSUE 2 Campus Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Tenure Divides UR Faculty By AN NGUYEN biology could work in could stop my contract,” that there won’t be back- But even the possibility PUBLISHER business, in a biotech a non-tenured professor lash from administra- of security is not open to company for example, from the social sciences tion, departments, and all faculty. While many students rather than here. And told the Campus Times. colleagues. At UR, faculty can be view UR as an academ- you would make more That social sciences According to the social divided into two tracks: ic pressure-cooker, the money working in the professor and other non- sciences professor, the one for professors who pressure extends to fac- private sector. But the tenured faculty will be repercussions “can be as do research and teach, ulty as well. and one for professors But when students look who focus on teaching. to grad school admis- Only the researchers can sions, many professors get tenure. have their eyes on ten- The social sciences pro- ure: the ultimate promise fessor, who is on the non- of security and prestige tenured instructional that is a make-or-break track, views their job as moment for their careers. taking care of students in Tenure guarantees a a “holistic” way — know- faculty member perma- ing, helping, and caring nent UR employment about them. to pursue their scholar- The wall next to their ship, which can mean desk is covered with let- research, publications, ters and thank-you cards or artwork.
    [Show full text]
  • Annual Report 2013.Pdf
    ATOMIC HERITAGE FOUNDATION Preserving & Interpreting Manhattan Project History & Legacy preserving history ANNUAL REPORT 2013 WHY WE SHOULD PRESERVE THE MANHATTAN PROJECT “The factories and bombs that Manhattan Project scientists, engineers, and workers built were physical objects that depended for their operation on physics, chemistry, metallurgy, and other nat- ural sciences, but their social reality - their meaning, if you will - was human, social, political....We preserve what we value of the physical past because it specifically embodies our social past....When we lose parts of our physical past, we lose parts of our common social past as well.” “The new knowledge of nuclear energy has undoubtedly limited national sovereignty and scaled down the destructiveness of war. If that’s not a good enough reason to work for and contribute to the Manhattan Project’s historic preservation, what would be? It’s certainly good enough for me.” ~Richard Rhodes, “Why We Should Preserve the Manhattan Project,” Bulletin of the Atomic Scientists, May/June 2006 Photographs clockwise from top: J. Robert Oppenheimer, General Leslie R. Groves pinning an award on Enrico Fermi, Leona Woods Marshall, the Alpha Racetrack at the Y-12 Plant, and the Bethe House on Bathtub Row. Front cover: A Bruggeman Ranch property. Back cover: Bronze statues by Susanne Vertel of J. Robert Oppenheimer and General Leslie Groves at Los Alamos. Table of Contents BOARD MEMBERS & ADVISORY COMMITTEE........3 Cindy Kelly, Dorothy and Clay Per- Letter from the President..........................................4
    [Show full text]
  • Movie Tv Sho Audio Radio
    70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Download the Dior: from Paris to the World Program Guide
    PROGRAM GUIDE Since his debut collection, art gallerist turned legendary couturier Christian Dior has generated an epic movement in fashion history. With lavish embroidery, luxurious fabrics, and elegant silhouettes, his designs were a revolutionary celebration of modern femininity when they emerged in Paris after World War II. Today, Dior’s global influence is as enduring and iconic as ever. Dior: From Paris to the World surveys more than 70 years of the House of Dior’s legacy, featuring a dynamic selection of almost 200 haute couture dresses, as well as accessories, photographs, original sketches, runway videos, and other archival material. MAY Free Youth and Student Sundays The Heart of Neiman Marcus Foundation will sponsor a day Exhibition Talk: Dior on June 2 to allow youth and students (with valid ID) free Thursday, May 23, 7:00 p.m. access to Dior: From Paris to the World. Students under 16 must be $10 public, $5 DMA Members accompanied by an adult with a paid ticket. Exhibition tickets and students with valid ID are timed with capacity restrictions. A second day will occur before the exhibition closes. Fashion historian Amber Butchart will talk about the ways in which fashion designers past and present have taken inspira- tion from the world around them. Drawing on fashion history, art, nature, and pop culture, Butchart will explore the nature of innovation and reveal threads that connect decades of fash- ion design. JUNE Toddler Art: Fabric Frenzy June 4, 7, or 14, 11:00 a.m.–noon Open Studio Art Making $8 public, $5 DMA Members June 1, 2, 15, & 16, noon–4:00 p.m.
    [Show full text]
  • 2006Spring.Pdf
    − X8 PROTEUM THE ULTIMATE STRUCTURAL BIOLOGY SYSTEM When you need the best system for Structural Biology, the Bruker X8 PROTEUM offers high-throughput screening AND superb high resolution data in one uncompromising package. With our MICROSTAR family of generators, you can rely on the extremely intense micro-focus X-ray beam coupled with the ultra-bright HELIOS optics to handle everything from small crystals to large unit cells With over 700135 detector CCD detectors for speed, installed, sensitivity, we know size and how dynamic to optimize range the to give PLATINUM you the best data possible in the home lab Our KAPPA goniometer’s high precision mechanics allow you to orient the sample along any axis in reciprocal space, while having easy access to mount, cool or anneal your crystals Get the best data, get the fastest system, get the power to solve your structures – X8 PROTEUM. BRUKER ADVANCED X-RAY SOLUTIONS North America: BRUKER AXS INC Tel. (+1) (608) 276-3000 Fax (+1) (608) 276-3006 www.bruker-axs.com [email protected] Germany: BRUKER AXS GMBH Tel. (+49) (721) 595- 2888 Fax (+49) (721) 595-4587 www.bruker-axs.de [email protected] Netherlands: BRUKER AXS BV Tel. (+31) (15) 215-2400 Fax (+31) (15) 215-2500 www.bruker-axs.nl [email protected] American Crystallographic Association * REFLECTIONS *see page 9 for notes on our new name and for new logo possibilities Cover: Images from Warren Award Recipient Charles Majkrazk and his colleagues; see page 25. ACA HOME PAGE: hwi.buffalo.edu/ACA/ Table of Contents 3 President’s
    [Show full text]
  • Virgil Abloh, Ghanaian-American As Louis Vuitton New Menswear Designer
    Virgil Abloh, Ghanaian-American As Louis Vuitton New Menswear Designer Please note that this post contains affiliate links and any sales made through such links will reward me a small commission – at no extra cost for you. Print PDF eBook First Edward Enninful was appointed Editor of Vogue UK and now the Ghanaian-American, Virgil Abloh, who launched his Off-White label not too long ago, was named the new men’s artistic director for Louis Vuitton in March, 2018. It is a great time for diversity in fashion. In a statement shared on Instagram, Michael Burke, Louis Vuitton Chairman and CEO said: “Having followed with great interest Virgil’s ascent since he worked with me at Fendi in 2006, I am thrilled to see how his innate creativity and disruptive approach have made him so relevant, not just in the world of fashion but in popular culture today…His sensibility towards luxury and savoir-faire will be instrumental in taking Louis Vuitton menswear into the future”. Virgil Abloh, Ghanaian-American As Louis Vuitton New Menswear Designer Virgil Abloh, Ghanaian-American As Louis Vuitton New Menswear Designer Abloh, who said it was an honour for him to accept the position of men’s artistic director for Louis Vuitton, stated that the heritage and creative integrity of the house were key inspirations, which he intended to reference while drawing parallels to modern times. Described by Enninful, as “…one of the few designers who truly marries street culture with high fashion,” the Vogue editor also mentioned that his appointment was a step in the right direction for diversity, as well as a particularly exciting creative moment for the industry.
    [Show full text]
  • Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
    DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]