Reference Manual for the Ada Programming Language
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FDA Visual Identity Guidelines September 27, 2016 Introduction: FDA, ITS VISUAL IDENTITY, and THIS STYLE GUIDE
FDA Visual Identity Guidelines September 27, 2016 Introduction: FDA, ITS VISUAL IDENTITY, AND THIS STYLE GUIDE The world in which the U.S. Food and Drug Administration Therefore, the agency embarked on a comprehensive (FDA) operates today is one of growing complexity, new examination of FDA’s communication materials, including an challenges, and increased risks. Thanks to revolutionary analysis of the FDA’s mission and key audiences, in order to advances in science, medicine, and technology, we have establish a more unified communications program using enormous opportunities that we can leverage to meet many consistent and more cost-effective pathways for creating and of these challenges and ultimately benefit the public health. disseminating information in a recognizable format. This has resulted in what you see here today: a standard and uniform As a public health and regulatory agency that makes its Visual Identity system. decisions based on the best available science, while maintaining its far-reaching mission to protect and promote This new Visual Identity program will improve the the public health, FDA is uniquely prepared and positioned to effectiveness of the FDA’s communication by making it much anticipate and successfully meet these challenges. easier to identify the FDA, an internationally recognized, trusted, and credible agency, as the source of the information Intrinsically tied to this is the agency’s crucial ability to being communicated. provide the public with clear, concise and accurate information on a wide range of important scientific, medical, The modern and accessible design will be used to inspire how regulatory, and public health matters. we look, how we speak, and what we say to the people we impact most. -
Copyrighted Material
INDEX A Bertsch, Fred, 16 Caslon Italic, 86 accents, 224 Best, Mark, 87 Caslon Openface, 68 Adobe Bickham Script Pro, 30, 208 Betz, Jennifer, 292 Cassandre, A. M., 87 Adobe Caslon Pro, 40 Bézier curve, 281 Cassidy, Brian, 268, 279 Adobe InDesign soft ware, 116, 128, 130, 163, Bible, 6–7 casual scripts typeface design, 44 168, 173, 175, 182, 188, 190, 195, 218 Bickham Script Pro, 43 cave drawing, type development, 3–4 Adobe Minion Pro, 195 Bilardello, Robin, 122 Caxton, 110 Adobe Systems, 20, 29 Binner Gothic, 92 centered type alignment Adobe Text Composer, 173 Birch, 95 formatting, 114–15, 116 Adobe Wood Type Ornaments, 229 bitmapped (screen) fonts, 28–29 horizontal alignment, 168–69 AIDS awareness, 79 Black, Kathleen, 233 Century, 189 Akuin, Vincent, 157 black letter typeface design, 45 Chan, Derek, 132 Alexander Isley, Inc., 138 Black Sabbath, 96 Chantry, Art, 84, 121, 140, 148 Alfon, 71 Blake, Marty, 90, 92, 95, 140, 204 character, glyph compared, 49 alignment block type project, 62–63 character parts, typeface design, 38–39 fi ne-tuning, 167–71 Blok Design, 141 character relationships, kerning, spacing formatting, 114–23 Bodoni, 95, 99 considerations, 187–89 alternate characters, refi nement, 208 Bodoni, Giambattista, 14, 15 Charlemagne, 206 American Type Founders (ATF), 16 boldface, hierarchy and emphasis technique, China, type development, 5 Amnesty International, 246 143 Cholla typeface family, 122 A N D, 150, 225 boustrophedon, Greek alphabet, 5 circle P (sound recording copyright And Atelier, 139 bowl symbol), 223 angled brackets, -
"B" Wing Renovations
SCC - Jack A. Powers Building “B” Wing Renovation OSE # H59-6148-JM-B SPARTANBURG, SC SPARTANBURG COMMUNITY COLLEGE BID REVIEW 04.12.2021 MPS PROJECT #020041.00 2020 Edition TABLE OF CONTENTS PROJECT NAME: SCC Jack A. Powers Building "B" Wing Renovation PROJECT NUMBER: H59-6148-JM-B SECTION NUMBER OF PAGES Table of Contents .........................................................................................................................................2 SE-310, Invitation for Design-Bid-Build Construction Services..............................................................1 AIA Document A701 Instructions to Bidders South Carolina Division of Procurement Services, Office of State Engineer Version.........................13 Bid Bond (AIA A310 or reference) .............................................................................................................1 SE-330, Lump Sum Bid Form.....................................................................................................................6 AIA Document A101 Standard Form of Agreement between Owner and Contractor South Carolina Division of Procurement Services, Office of State Engineer Version...........................9 AIA Document A201 General Conditions of the Contract for Construction South Carolina Division of Procurement Services, Office of State Engineer Version.........................49 G702-1992 Application & Certification for Payment - Draft ..................................................................1 G703-1992 Continuation Sheet - Draft.......................................................................................................1 -
Vehicle Color Recognition Using Convolutional Neural Network
Vehicle Color Recognition using Convolutional Neural Network Reza Fuad Rachmadi∗ and I Ketut Eddy Purnamay Department of Multimedia and Networking Engineering Institut Teknologi Sepuluh Nopember, Surabaya, Indonesia 60111 Email: ∗[email protected], [email protected] Abstract—Vehicle color information is one of the important with some ROI configuration as features and neural network elements in ITS (Intelligent Traffic System). In this paper, we as classifier. Baek et al. [8] also use 2D histogram but without present a vehicle color recognition method using convolutional ROI configuration and SVM as classifier. Another approach neural network (CNN). Naturally, CNN is designed to learn is described by Son et al. [9] which using convolution kernel classification method based on shape information, but we proved to extract similarity between positive and negative images and that CNN can also learn classification based on color distribution. then feed up those similarity score to SVM classifier. In our method, we convert the input image to two different color spaces, HSV and CIE Lab, and run it to some CNN Color spaces are very important to color recognition ap- architecture. The training process follow procedure introduce by plications, like vehicle color recognition. The selection of Krizhevsky, that learning rate is decreasing by factor of 10 after color space will impact the recognition performance. The most some iterations. To test our method, we use publicly vehicle color usable color space in digital photography is RGB color space, recognition dataset provided by Chen. The results, our model outperform the original system provide by Chen with 2% higher but RGB color space has problem to color recognition because overall accuracy. -
General Assembly Presents: Visual Design Hacking Mini- Bootcamp
General Assembly Presents: Visual Design Hacking Mini- Bootcamp Design Principles: Layout Graphic Type Color Layout Graphic Typography Typefaces Everlane Facebook Color Color meaning Swarm Gilt Case studies Pintrest Dorkfood AirBnB Resources Design Principles: Layout Graphic Type Color Layout Contrast, alignment, repetition, proximity Hierarchy - up down, left right, size Pre-made grids help with alignment - eg. Sketch (good for UI Design) Grid, hierarchy, repetition, contrast, proximity, alignment Graphic Lines - pretty much about lines when grid - lines impact design hugely Shapes too - buttons ... Textures - faded background, blur look Icons Photography and illustration - visual interest for design. Stock photos a lot better - unsplash.com, depth of stock photo, ... Typography Graphic design in itself Font vs typeface - typeface the archetype, font - the kinds, eg. regular, medium, bold, ... Helvetica Neue - online version of helvetica proxima nova, open sans, avenir, lato good too futura, tahoma, myraid, arial a bit boxy but good online type connection - http://www.typeconnection.com/ Typefaces White/black or Grey - contrast Slight grey or off-white may be less start and easier on the eye fontsquirrel - free fonts fontfox - game to guess typefaces Everlane Example - less copy on mobile - everlane custom font like blair mtv - a sans serif as logo type and a serif as body but works well Facebook Only helvetica Neue - keep it simple, focus on content not type With font, use same family, weights, opacity ... on site Color Color theory - combining colors that work well together on the color wheel Complementary colors are opposite on the color wheel Analogous colors - close adobe kulor https://color.adobe.com/create/color-wheel/ Use RGB when seeing online, emails - CYMK better for print Color meaning look into colors and how perceived in different cultures warm colors, cool colors, red strong, more of an accent color - subconscious effect red - anger, passion, love, .. -
Computer Conservation Society
Computer Conservation Society Aims and objectives The Computer Conservation Society (CCS) is a co-operative venture between the British Computer Society, the Science Museum of London and the Museum of Science and Industry in Manchester. The CCS was constituted in September 1989 as a Specialist Group of the British Computer Society (BCS). It is thus covered by the Royal Charter and charitable status of the BCS. The aims of the CCS are to Promote the conservation of historic computers and to identify existing computers which may need to be archived in the future Develop awareness of the importance of historic computers Encourage research on historic computers and their impact on society Membership is open to anyone interested in computer conservation and the history of computing. The CCS is funded and supported by voluntary subscriptions from members, a grant from the BCS, fees from corporate membership, do- nations, and by the free use of Science Museum facilities. Some charges may be made for publications and attendance at seminars and conferences. There are a number of active Working Parties on specific computer restorations and early computer technologies and software. Younger peo- ple are especially encouraged to take part in order to achieve skills transfer. Resurrection The Bulletin of the Computer Conservation Society ISSN 0958 - 7403 Number 30 Spring 2003 Contents Generous BCS Support for Bombe Rebuild Project Ernest Morris, Chairman 2 AGM 2 News Round-Up 3 Society Activity 6 CCS Collection Policy 11 DAP snippets Brian M Russell 12 CCS Web Site Information 12 British Computer Corporation | a 1956 Venture Hugh McGregor Ross 13 Edsger Dijkstra remembered Brian Shearing 22 Deciphering Ancient Floppy Discs Kevin Murrell 26 The ICL Archive Hamish Carmichael 28 Forthcoming Events 31 Generous BCS Support for Bombe Rebuild Project Ernest Morris, Chairman CCS members will be familiar with the good progress of the Bombe re- build from the regular reports in Resurrection by John Harper, the project manager. -
Design & Brand Guidelines
Design & Brand Guidelines VERSION 3.0 | NOVEMBER 2017 We Mean Business Brand Guidelines 2 // 18 Introduction THE DESIGN GUIDELINES As with many organizations with a worldwide audience, The following pages describe the visual elements that multiple contributors from around the globe provide represent the We Mean Business brand identity. This includes information for the online and print communications of our name, logo and other elements such as color, type We Mean Business. graphics and imagery. This guide serves as a resource for contributors, to ensure Sending a consistent, visual message of who we are is that the multiple voices of coalition representatives essential to presenting a strong, unified coalition. communicate with visual cohesion. CONTACT Address Phone & Email Online 1201 Connecticut Ave., NW Email 1: [email protected] Website: www.wemeanbusinesscoalition.org Suite 300 Email 2: [email protected] Twitter: www.twitter.com/WMBtweets | #wemeanit Washington, DC 20036 LinkedIn: www.linkedin.com/company/wemeanbusiness YouTube: https://www.youtube.com/channel/ UCZj1URWtaVRN83-HRZbcIAg WE MEAN BUSINESS Table of Contents SECTION 1 | LOGO MARK AND PLACEMENT SECTION 2 | TYPOGRAPHY AND TEXT HIERARCHY SECTION 3 | COLOR SYSTEM SECTION 4 | IMAGERY & GRAPHICS SECTION 5 | SUMMARY AND CONTACT Logo Mark 01 and placement Our logo is the key building block of our identity, the primary visual element that identifies us. The logo mark is a combination of the green triangle symbol and our company name – they have a fixed relationship that should never be changed in any way. We Mean Business Brand Guidelines 5 // 18 LOGO MARK 1) The Logo Symbol The We Mean Business logo comprises two elements, the The green triangle pointing up suggests logo symbol and logo typeface. -
Fianl Request for Proposals Design-Build Project Tip I
-- STATE OF NORTH CAROLINA-- DEPARTMENT OF TRANSPORTATION RALEIGH, N.C. FIANL REQUEST FOR PROPOSALS DESIGN-BUILD PROJECT TIP I-5507 / R-0211EC / U-4714AB May 7, 2018 VOID FOR BIDDING DATE AND TIME OF TECHNICAL AND PRICE PROPOSAL SUBMISSION: July 25, 2018 BY 4:00 PM DATE AND TIME OF PRICE PROPOSAL OPENING: August 21, 2018 AT 2:00 PM CONTRACT ID: C203970 WBS ELEMENT NO. 43609.3.2 FEDERAL-AID NO. N/A COUNTY: Mecklenburg ROUTE NO. I-485 (Charlotte Outer Loop) MILES: 16.6 LOCATION: I-485 from I-77 to US 74 (Independence Boulevard); I-485 / Weddington Road Interchange; and I-485 / East John Street – Old Monroe Road Interchange TYPE OF WORK: DESIGN-BUILD AS SPECIFIED IN THE SCOPE OF WORK CONTAINED IN THE REQUEST FOR PROPOSALS NOTICE: ALL PROPOSERS SHALL COMPLY WITH ALL APPLICABLE LAWS REGULATING THE PRACTICE OF GENERAL CONTRACTING AS CONTAINED IN CHAPTER 87 OF THE GENERAL STATUTES OF NORTH CAROLINA WHICH REQUIRES THE PROPOSER TO BE LICENSED BY THE N.C. LICENSING BOARD FOR CONTRACTORS WHEN BIDDING ON ANY NON-FEDERAL AID PROJECT WHERE THE BID IS $30,000 OR MORE, EXCEPT FOR CERTAIN SPECIALTY WORK AS DETERMINED BY THE LICENSING BOARD. PROPOSERS SHALL ALSO COMPLY WITH ALL OTHER APPLICABLE LAWS REGULATING THE PRACTICES OF ELECTRICAL, PLUMBING, HEATING AND AIR CONDITIONING AND REFRIGERATION CONTRACTING AS CONTAINED IN CHAPTER 87 OF THE GENERAL STATUTES OF NORTH CAROLINA. NOT WITHSTANDING THESE LIMITATIONS ON BIDDING, THE PROPOSER WHO IS AWARDED ANY PROJECT SHALL COMPLY WITH CHAPTER 87 OF THE GENERAL STATUTES OF NORTH CAROLINA FOR LICENSING REQUIREMENTS WITHIN 60 CALENDAR DAYS OF BID OPENING, REGARDLESS OF FUNDING SOURCES. -
Working with Vivadesigner a Short Introduction
WE PUBLISH THE WORLD Working with VivaDesigner A short introduction Contents Chapter 1 Chapter 5 1 Program start .....................................................1 1 Creating Text objects .......................................20 2 Create new document .......................................1 2 Selecting Text Objects ......................................21 3 Save document ..................................................1 3 Activating Text Content ...................................22 4 Objects ................................................................2 4 The Module Palette (Text) ...............................22 5 Toolbar ...............................................................3 5 Text entry and corrections ...............................24 6 Drawing objects .................................................4 6 The cursor .........................................................24 7 Creating and placing objects precisely .............5 7 Text Entry and Text Selection ..........................25 8 Moving objects interactively .............................6 8 Selecting Text elements ...................................25 9 Changing object size interactively ....................6 9 Simple Text Linking ..........................................26 10 Assigning attributes ..........................................7 10 Break text chain ...............................................26 10.1 Assigning colors .................................................7 Chapter 6 10.2 Assign color density ...........................................7 -
A Peek Inside the Tent Overview
A Peek Inside the Tent Overview All about you Cost and Resources Overview of The Circus Recommendation Career Services Admissions Requirements Program Curriculum The Tour Our Mission The mission of The Creative Circus is to graduate the best prepared, most avidly sought after creatives in the industry. The 411 2 Year Certificate Program 210+ Students Founded in 1995 Fully Accredited by C.O.E. Bridge Gap Between Education and Industry Location/Environment What Employers Say How We’re Different Learn By Doing Integrated, Collaborative Programs Individual Attention/Class Size Student Competitions 7 Full-Time Dedicated Faculty Members Scheduling/Homework Part-Time Industry Pros The ‘Nice School’ Career Services Placement Statistics Graduates and Completers working in their field of study within six months of graduation: Forums Program 09-10 10-11 11-12 Mentors Art Direction 96% 100% 96% Portfolio Reviews Design 88.57% 100% 90% Copywriting 96.55% 100% 98% Local and National Networking Image 91.67% 100% 88% Interactive Development N/A N/A 100% Interactive Design N/A N/A N/A Average 93.07% 100% 94.53% Creative Circus Portfolio Review Industry Salaries 2013 The Creative Group 2013 Salary Guide INTERACTIVE STARTING SALARIES CREATIVE & PRODUCTION STARTING SALARIES TITLE LOW HIGH TITLE LOW HIGH Informaon Architect $80,500 $120,750 Copywriter (1 to 3yrs) $40,000 $55,000 User Experience Designer $55,000 $110,000 Copywriter (3 to 5yrs) $56,500 $73,250 Junior Interac0ve Designer $40,000 $55,000 Copywriter (5+ yrs) $72,750 $102,750 Senior Interac0ve Designer -
The Essential Turing: Seminal Writings in Computing, Logic, Philosophy, Artificial Intelligence, and Artificial Life: Plus the Secrets of Enigma
The Essential Turing: Seminal Writings in Computing, Logic, Philosophy, Artificial Intelligence, and Artificial Life: Plus The Secrets of Enigma B. Jack Copeland, Editor OXFORD UNIVERSITY PRESS The Essential Turing Alan M. Turing The Essential Turing Seminal Writings in Computing, Logic, Philosophy, Artificial Intelligence, and Artificial Life plus The Secrets of Enigma Edited by B. Jack Copeland CLARENDON PRESS OXFORD Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Taipei Toronto Shanghai With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan South Korea Poland Portugal Singapore Switzerland Thailand Turkey Ukraine Vietnam Published in the United States by Oxford University Press Inc., New York © In this volume the Estate of Alan Turing 2004 Supplementary Material © the several contributors 2004 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. -
HIS20-04 Decision February 26, 2020 Page 2
Si necesita ayuda para comprender esta informacion, por favor llame 503-588-6173 DECISION OF THE PLANNING ADMINISTRATOR HISTORIC DESIGN REVIEW CASE NO.: HIS20-04 APPLICATION NO.: 20-101459-DR NOTICE OF DECISION DATE: FEBRUARY 26, 2020 SUMMARY: A proposal to replace a retaining wall and relocate a door on the exterior of the Pemberton House (1914). REQUEST: Minor Administrative Historic Design Review of a proposal to replace a retaining wall abutting Commercial Street SE and relocate a door in order to provide an ADA accessible entrance at the rear of the Dr. Ray Pemberton House(1914) , a Salem Historic Landmark, zoned CO (Commercial Office) zone, and located at 1455 Commercial Street SE, 97302 (Marion County Assessorfts Map and tax lot number: 073W27CD09000). APPLICANT: Matthew Johnson, Studio 3 Architecture, on behalf of KTL Law LOCATION: 1455 Commercial St NE CRITERIA: Salem Revised Code (SRC) SRC 230.040(h) and (a) – Standards for Historic Contributing Buildings in Commercial Districts FINDINGS: The findings are in the attached Decision dated February 26, 2020. DECISION: The Historic Preservation Officer, a Planning Administrator Designee, APPROVED Historic Design Review HIS20-04 based upon the application materials deemed complete on February 26, 2020 and the findings as presented in this report. This Decision becomes effective on March 13, 2020. No work associated with this Decision shall start prior to this date unless expressly authorized by a separate permit, land use decision, or provision of the Salem Revised Code (SRC). The rights granted by the attached decision must be exercised, or an extension granted, by March 13, 2022 or this approval shall be null and void.