English Language Arts %% Science and Engineering Practices
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Diet of Draco Spilopterus from Ilocos Norte Province and Laguna Province, Philippines
SEAVR 2018: 074‐075 ISSN: 2424‐8525 Date of publication: 30 September 2018 Hosted online by ecologyasia.com Diet of Draco spilopterus from Ilocos Norte Province and Laguna Province, Philippines Michael A. TABUG, Levy V. NECESITO, David Emmanuel M. GENERAL & Arvin C. DIESMOS [email protected] (Tabug), [email protected] (Necesito), [email protected] (General), [email protected] (Diesmos) Observers: Michael A. Tabug, Levy V. Necesito. Photographs by: Michael A. Tabug, Levy V. Necesito. Subjects identified by: Michael A. Tabug, David Emmanuel M. General, Arvin C. Diesmos. Location: Ilocos Norte Metro Watershed and Forest Reserve, Pasuquin, Ilocos Norte Province, Philippines (18.37167°N, 120.64682°E); and Mount Banahaw in Barangay Bukal, Municipality of Majayjay, Laguna Province, Philippines (14.12292°N, 121.469°E). Habitat: Trunks of mango, lanzone (langsat), and coconut trees. Date and time: 12‐15 June 2017, 09:00‐ 16:30 hrs; 14‐17 September 2017, 08:15‐16:00 hrs. Identity of subject: Philippine Spotted Flying Lizard, Draco spilopterus (Reptilia: Squamata: Agamidae). Description of record: We collected samples of Draco spilopterus (Fig. 1U) on July and September 2017 at Ilocos Norte Metro Watershed and Forest Reserve, Pasuquin, Ilocos Norte Province (18.37167°N, 120.64682°E) under the Philippine Wildlife Gratuitous Permit #265 issued by the Philippine Department of Environment and Natural Resources; and at Mount Banahaw in Barangay Bukal, Municipality of Majayjay, Laguna Province (14.12292°N, 121.469°E) under the research permit of the National Museum of the Philippines with the approval of the Municipal Environment and Natural Resources. Collected specimens were immersed in dissolved chloretone to anaesthetize (McDiarmid et al., 2011) and to halt digestion. -
Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
Sparrow Records Discography
Sparrow Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Sparrow Records Discography Sparrow is a Contemporary Christian label founded in 1976 by Billy Ray Hearn. Hearn was the A&R Director for Word Records’ Myrrh label, founded a few years earlier also as a Contemporary Christian label. Sparrow also released records under their Birdwing subsidiary. Hearn’s Sparrow label was in competition with Hearn’s old boss, Word Records, and was quite successful. Even today, Sparrow is among the top Christian labels. Hearn sold the label to EMI in 1992, and it was placed under the Capitol Christian Music Group. Sparrow signed a distribution agreement with MCA in April, 1981 to release their product in the secular market while the regular Sparrow issues were distributed to Christian stores and Christian radio stations. The arrangement with MCA lasted until October, 1986, when Sparrow switched distribution to Capitol. Sparrow SPR-1001 Main Series: SPR-1001 - Through a Child’s Eyes - Annie Herring [1976] Learn A Curtsey/Where Is The Time/Wild Child/Death After Life/Grinding Stone/Hand On Me//Dance With You/Love Drops/Days Like These/First Love/Some Days/Liberty Bird/Fly Away Burden SPR-1002 - SPR-1003 - John Michael Talbot - John Michael Talbot [1976] He Is Risen/Jerusalem/How Long/Would You Crucify Him//Woman/Greewood Suite/Hallelu SPR-1004 - Firewind - Various Artists [1976] Artists include Anne Herring, Barry McGuire, John Talbot, Keith Green, Matthew Ward, Nelly Ward, and Terry Talbot (In other words, Barry McGuire, The Talbot Brothers, Keith Green, and The 2nd Chapter of Acts). -
Stable Structural Color Patterns Displayed on Transparent Insect Wings
Stable structural color patterns displayed on transparent insect wings Ekaterina Shevtsovaa,1, Christer Hanssona,b,1, Daniel H. Janzenc,1, and Jostein Kjærandsend,1 aDepartment of Biology, Lund University, Sölvegatan 35, SE-22362 Lund, Sweden; bScientific Associate of the Entomology Department, Natural History Museum, London SW7 5BD, United Kingdom; cDepartment of Biology, University of Pennsylvania, Philadelphia, PA 19104-6018; and dDepartment of Biology, Museum of Zoology, Lund University, Helgonavägen 3, SE-22362 Lund, Sweden Contributed by Daniel H. Janzen, November 24, 2010 (sent for review October 5, 2010) Color patterns play central roles in the behavior of insects, and are and F). In laboratory conditions most wings are studied against a important traits for taxonomic studies. Here we report striking and white background (Fig. 1 G, H, and J), or the wings are embedded stable structural color patterns—wing interference patterns (WIPs) in a medium with a refractive index close to that of chitin (e.g., —in the transparent wings of small Hymenoptera and Diptera, ref. 19). In both cases the color reflections will be faint or in- patterns that have been largely overlooked by biologists. These ex- visible. tremely thin wings reflect vivid color patterns caused by thin film Insects are an exceedingly diverse and ancient group and interference. The visibility of these patterns is affected by the way their signal-receiver architecture of thin membranous wings the insects display their wings against various backgrounds with and color vision was apparently in place before their huge radia- different light properties. The specific color sequence displayed tion (20–22). The evolution of functional wings (Pterygota) that lacks pure red and matches the color vision of most insects, strongly can be freely operated in multidirections (Neoptera), coupled suggesting that the biological significance of WIPs lies in visual with small body size, has long been viewed as associated with their signaling. -
Consequences of Evolutionary Transitions in Changing Photic Environments
bs_bs_banner Austral Entomology (2017) 56,23–46 Review Consequences of evolutionary transitions in changing photic environments Simon M Tierney,1* Markus Friedrich,2,3 William F Humphreys,1,4,5 Therésa M Jones,6 Eric J Warrant7 and William T Wcislo8 1School of Biological Sciences, The University of Adelaide, North Terrace, Adelaide, SA 5005, Australia. 2Department of Biological Sciences, Wayne State University, 5047 Gullen Mall, Detroit, MI 48202, USA. 3Department of Anatomy and Cell Biology, Wayne State University, School of Medicine, 540 East Canfield Avenue, Detroit, MI 48201, USA. 4Terrestrial Zoology, Western Australian Museum, Locked Bag 49, Welshpool DC, WA 6986, Australia. 5School of Animal Biology, University of Western Australia, Nedlands, WA 6907, Australia. 6Department of Zoology, The University of Melbourne, Melbourne, Vic. 3010, Australia. 7Department of Biology, Lund University, Sölvegatan 35, S-22362 Lund, Sweden. 8Smithsonian Tropical Research Institute, PO Box 0843-03092, Balboa, Ancón, Republic of Panamá. Abstract Light represents one of the most reliable environmental cues in the biological world. In this review we focus on the evolutionary consequences to changes in organismal photic environments, with a specific focus on the class Insecta. Particular emphasis is placed on transitional forms that can be used to track the evolution from (1) diurnal to nocturnal (dim-light) or (2) surface to subterranean (aphotic) environments, as well as (3) the ecological encroachment of anthropomorphic light on nocturnal habitats (artificial light at night). We explore the influence of the light environment in an integrated manner, highlighting the connections between phenotypic adaptations (behaviour, morphology, neurology and endocrinology), molecular genetics and their combined influence on organismal fitness. -
IMAX on Demand Film Library Lockheed Martin IMAX® Theater National Air and Space Museum Smithsonian Eaters
IMAX On Demand Film Library Lockheed Martin IMAX® Theater National Air and Space Museum Smithsonian eaters Arrange a special morning screening with our IMAX On Demand and Planetarium On Demand packages. Choose from any of the titles in the Smithsonian library, and watch a movie before the museum opens to the public. IMAX and Plan- etarium On Demand screenings are offered for groups of 20 or more (40 for Title I schools) every morning around 9:15 am. Minimum one week notice is required to book dates and choice of films is subject to availability. D-Day 3D: Rescue 3D Normandy 1944 (2012, G, 26 min.) (2014, G, 43 min.) Rescue 3D plunges you into the hard, June 6, 1944: The largest Allied but inspiring work of saving lives in operation of World War II began the face of a natural disaster. When in Normandy, France. D-Day 3D: an earthquake strikes Haiti, creating Normandy 1944 provides a new one of the biggest humanitarian perspective to audiences of all disasters of the century, you are ages of this monumental event that changed the swept along, joining the massive effort that brings world. Narrated by Tom Brokaw. military and civilian responders from around the world. Hidden Universe Space Junk 3D (2013, G, 37 min.) (2012, NR, 38 min) Take an extraordinary journey 50 years after launching our dreams deep into space, explore the into space, we’re left with a troubling earliest galaxies and nebulae, legacy: a growing ring of orbiting watch stars being born in vivid debris that threatens the safety of clouds of gas and dust, tour earth’s orbits. -
Two Remarkable Fossil Insect Larvae from Burmese Amber Suggest the Presence of a Terminal Filum in the Direct Stem Lineage of Dragonflies and Damselflies (Odonata)
Rivista Italiana di Paleontologia e Stratigrafia (Research in Paleontology and Stratigraphy) vol. 126(1): 13-35. March 2020 TWO REMARKABLE FOSSIL INSECT LARVAE FROM BURMESE AMBER SUGGEST THE PRESENCE OF A TERMINAL FILUM IN THE DIRECT STEM LINEAGE OF DRAGONFLIES AND DAMSELFLIES (ODONATA) MARIO SCHÄDEL1*, PATRICK MÜLLER2 & JOACHIM T. HAUG1,3 1*Corresponding author. Department of Biology, Ludwig-Maximilians-Universität München, Großhaderner Str. 2, 82152 Planegg-Martinsried, Germany. E-mail: [email protected] 2Friedhofstr. 9, 66894 Käshofen, Germany. E-mail: [email protected] 3GeoBio-Center of the LMU Munich, Richard-Wagner-Str. 10, 80333 Munich, Germany. E-mail: [email protected] To cite this article: Schädel M., Müller P. & Haug J.T. (2020) - Two remarkable fossil insect larvae from Burmese amber suggest the presence of a terminal filum in the direct stem lineage of dragonflies and damselflies (Odonata). Riv. It. Paleontol. Strat., 126(1): 13-35. Keywords: character evolution; Cretaceous; moult; Myanmar; Odonatoptera; ontogeny. Abstract. The fossil record of dragonfly relatives (Odonatoptera) dates back to the Carboniferous, yet knowl- edge about these extinct animals is meagre. For most of the species little is known except for the characteristics of the wing venation. As a result, it is difficult to include fossil larvae in a (wing character based) phylogenetic tree as the wing venation is not visible in most of the larval instars. Two larval specimens from Cretaceous Burmese amber are in the focus of this study. The two specimens likely represent two subsequent early stage larval instars of the same individual. Not only is this an exceptional case to study ontogenetic processes in fossils – the larval instars are morphologically completely different from all known larvae of Odonata with respect to the posterior abdominal region. -
Howtomakescience&Naturefilm
Copyright © 2014 by Rob Nelson & Dan Bertalan Published by Untamed Science, Inc. All Rights Reserved. No part of this book may be re- produced in any manner without the express writ- ten consent of the publisher, except in the case of brief excerpts in critical reviews or articles Every effort has been made to supply complete and accurate information. However, Untamed Science along with their authors assumes no responsibil- ity for its use, nor any infringements of patents or other rights of third parties which would result. Untamed Science A nonprofit organization 2430 Belmeade Drive Charlotte, NC 28214 Printed in the United States of America Editors: Lauren Ray Burn; Tommy White Graphic Layout: Meredith Ray Special Help: Haley Chamberlain Nelson Illustration: Rob Nelson Contents Foreword by Roland Kays..........................................................vii Introduction.........................................................................................1 1. Getting Started...................................................................5 2. Making Initial Plans..........................................................13 3. Pre-production.................................................................29 4. Production.........................................................................49 5. The Art of Shooting.........................................................69 6. The Art of Directing........................................................91 7. Post-production................................................................97 -
Raquel Almazan
RAQUEL ALMAZAN RAQUEL.ALMAZAN@ COLUMBIA.EDU WWW.RAQUELALMAZAN.COM SUMMARY Raquel Almazan is an actor, writer, director in professional theatre / film / television productions. Her eclectic career as artist-activist spans original multi- media solo performances, playwriting, new work development and dramaturgy. She is a practitioner of Butoh Dance and creator/teacher of social justice arts programs for youth/adults, several focusing on social justice. Her work has been featured in New York City- including Off-Broadway, throughout the United States and internationally in Greece, Italy, Slovenia, Colombia, Chile, Guatemala and Sweden; including plays within her lifelong project on writing bi-lingual plays in dedication to each Latin American country (Latin is America play cycle). EDUCATION MFA Playwriting, School of the Arts Columbia University, New York City BFA Theatre Performance/Playwriting University of Florida-New World School of With honors the Arts Conservatory, Miami, Florida AA Film Directing Miami Dade College, Miami Florida PLAYWRITING – Columbia University Playwriting through aesthetics/ Playwriting Projects: Charles Mee Play structure and analysis/Playwriting Projects: Kelly Stuart Thesis and Professional Development: David Henry Hwang and Chay Yew American Spectacle: Lynn Nottage Political Theatre/Dramaturgy: Morgan Jenness Collaboration Class- Mentored by Ken Rus Schmoll Adaptation: Anthony Weigh New World SAC Master Classes Excerpt readings and feedback on Blood Bits and Junkyard Food plays: Edward Albee Writing as a career- -
Guide to the Systematic Distribution of Mollusca in the British Museum
PRESENTED ^l)c trustee*. THE BRITISH MUSEUM. California Swcademu 01 \scienceb RECEIVED BY GIFT FROM -fitoZa£du^4S*&22& fo<?as7u> #yjy GUIDE TO THK SYSTEMATIC DISTRIBUTION OK MOLLUSCA IN III K BRITISH MUSEUM PART I HY JOHN EDWARD GRAY, PHD., F.R.S., P.L.S., P.Z.S. Ac. LONDON: PRINTED BY ORDER OF THE TRUSTEES 1857. PRINTED BY TAYLOR AND FRANCIS, RED LION COURT, FLEET STREET. PREFACE The object of the present Work is to explain the manner in which the Collection of Mollusca and their shells is arranged in the British Museum, and especially to give a short account of the chief characters, derived from the animals, by which they are dis- tributed, and which it is impossible to exhibit in the Collection. The figures referred to after the names of the species, under the genera, are those given in " The Figures of Molluscous Animals, for the Use of Students, by Maria Emma Gray, 3 vols. 8vo, 1850 to 1854 ;" or when the species has been figured since the appear- ance of that work, in the original authority quoted. The concluding Part is in hand, and it is hoped will shortly appear. JOHN EDWARD GRAY. Dec. 10, 1856. ERRATA AND CORRIGENDA. Page 43. Verenad.e.—This family is to be erased, as the animal is like Tricho- tropis. I was misled by the incorrectness of the description and figure. Page 63. Tylodinad^e.— This family is to be removed to PleurobrancMata at page 203 ; a specimen of the animal and shell having since come into my possession. -
Event Program
EVENT PROGRAM TWITTER: #GSCA GIANTSCREENCINEMA.COM Program sponsored by i ii NTS TABLE OF CONTENTS TABLE OF CONTENTS TA GSCA Contacts Giant Screen Cinema Association 624 Holly Springs Road, Suite 243 Holly Springs, NC 27540 U.S. giantscreencinema.com 2 Thank You to Our Sponsors facebook.com/giantscreencinema twitter.com/gsca 4 Schedule Find our group on LinkedIn 7 Event Map Tammy Seldon Executive Director 8 New Films Office: 1-919-346-1123 14 Films in Production Mobile: 1-703-855-3699 [email protected] Projects in Development 22 Kelly Germain Director of Membership and 28 Symposium Sessions Communications 30 Session Presenters Office: 1-651-917-1080 Mobile: 1-651-270-4915 [email protected] Advertiser Index Eileen Pheiffer 3D Entertainment Distribution inside front cover Accounting American Museum of Natural History 15 Office: 1-314-725-7020 Mobile: 1-314-708-0448 FotoKem 3 [email protected] Christie 27 GSCA 2, inside back cover ImagesInSound 25 IMAX Corporation 17, back cover Jackson Hole Wildlife Film Festival 40 MacGillivray Freeman Films 20, 21 nWave Pictures Distribution 11 1 YOU THANK YOU THANK YOU THANK YOU THANK With Thanks to Our Event Sponsors Policies PLATINUM SPONSOR Recording and Media Policies Event sessions may be recorded. Audience members are advised that attendance at these sessions gives GSCA their implicit permission to be recorded. Private video or audio recording during film presentations GOLD SPONSOR or professional development sessions is prohibited without prior authorization from GSCA. Industry press has access to all sessions and events. GSCA will not be held responsible for any delegate commentary made in the presence of press/media. -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers.