DOCSLIB.ORG

Heroic Bel Canto Victorian Opera Presents Heroic Bel Canto

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Heroic Bel Canto Victorian Opera Presents Heroic Bel Canto HEROIC BEL CANTO VICTORIAN OPERA PRESENTS HEROIC BEL CANTO CONCERT WITH ORCHESTRA Composers Vincenzo Bellini, Gaetano Donizetti and Gioachino Rossini Conductor Richard Mills AM Director Elizabeth Hill-Cooper Jessica Pratt soprano Daniela Barcellona mezzo-soprano Carlos E. Bárcenas tenor Kathryn Radcliffe soprano Samuel Piper baritone Shakira Dugan mezzo-soprano Raphael Wong baritone Nathan Lay baritone Matthew Thomas bass-baritone Stephen Marsh baritone Orchestra Victoria Concertmaster Yi Wang Production Manager Peter Darby Stage Manager Emma Wenlock-Bolt Principal Repetiteur Phoebe Briggs Repetiteur Phillipa Safey 14 JULY 2019 Arts Centre Melbourne, Hamer Hall Approximate timings Part one: 1 hour Interval: 20 minutes Jessica Pratt Part two: 1 hour Photo: Alessandro Moggi 3 ORCHESTRA WELCOME CELLO HORN Welcome to Victorian Opera’s bel canto excursion for 2019. The ideals and Section Principal Section Principal techniques of this vocal repertoire are at the core of our practice at Melissa Chominsky Jasen Moulton Associate Principal Anton Schroeder ++++ Victorian Opera, and are indicative of the value we place on singing and the Diane Froomes § Principal Third poetry of performance. CONCERTMASTER Sarah Cuming Linda Hewett Yi Wang* Philippa Gardner Sydney Braunfeld § DEPUTY CONCERTMASTER Tania Hardy-Smith Rachel Shaw § The first part of our concert focuses on The selection of music also illustrates Roger Jonsson § Andrea Taylor § Robert Shirley + the prodigious genius of Rossini, with the richness of this tradition and its Melanie Simpson + VIOLIN DOUBLE BASS three operas which frame his working life variety and interest. Certainly, titles Principal 1st Violin Section Principal TRUMPET as a composer; the early Ciro in Babilonia like Ciro in Babilonia, Don Sebastiano Yi Wang Stuart Riley Section Principal (1812) to Semiramide (1823) – also set and Le convenience ed inconvenience Principal 2nd Violin Associate Principal Mark Fitzpatrick in Babylon – to Guillaume Tell (1829). teatrale are probably Australian first Monica Naselow Kylie Davies + Associate Principal Associate Principal 1st Violin Matthew Thorne § Anthony Pope § These pieces demonstrate the heroic performances – yet the music of these Tomomi Brennan Giovanni Vinci + Jenna Smith +++ side of Rossini: his subject matter being operas is wonderful with a consistently Associate Principal 1st Violin FLUTE TROMBONE historical and epic, with plots revolving fine theatricality and lyric felicity. Erica Kennedy Section Principal Section Principal Rebecca Adler around the conflicts of the public and the Lisa-Maree Amos Scott Evans It had to be, because the nineteenth Binny Baik private worlds of the principal characters. Associate Principal Associate Principal century Italian opera industry was not Alyssa Conrau § Karen Schofield Robert Collins + The music is formally structured with Rachel Gamer all that different from the Hollywood Principal Piccolo Principal Bass Trombone phenomenal virtuosity in the vocal Matthew Hassall movie industry of our own time – both Sally Walker + Benjamin Anderson § Rachael Hunt § writing and a growing awareness of the Elijah Cornish ++ being driven by the imperatives of direct Philip Nixon possibilities of the orchestra – from OBOE engagement with the audience, and the John Noble Section Principal CIMBASSO the dazzling effects of the Overture to Chris Ruiter need to delight, entertain and move them, Joshua de Graaf* Karina Filipi ++ Semiramide to the horn and viola solo Lucy Warren Principal Cor Anglais all in a fiercely competitive environment. TIMPANI Tony Zhai Dafydd Camp passages in the arias from Ciro. Zoe Freisberg + Section Principal For me, it is the generous spirit of this CLARINET The second part of our program shifts Edwina Kayser + Guy du Blêt music, its implicit humanity, its implicit Natalia Harvey + Section Principal emphasis to Donizetti via Bellini. Here PERCUSSION compassion and understanding of the Miranda Matheson + Paul Champion § the modes of expression are more lyrical Lynette Rayner + Associate Principal Section Principal human condition (life was generally Mathew Levy and personal, and the playfulness and Lisa Reynolds + Justin Beere shorter in those days remember) – all Lloyd Van’t Hoff + Associate Principal humour of Rossini come to the fore in the VIOLA Matthew Brennan + rendered through the power and artistry excerpts from L’Italiana in Algeri and the Section Principal BASSOON of the voice, which make it a treasure HARP finale from Le Comte Ory. The program Paul McMillan Section Principal worth celebrating and preserving. Associate Principal Lucinda Cran Section Principal also offers opportunities for our own team Yuko Tomonaga + Welcome and enjoy the concert. Jason Bunn* Associate Principal of younger singers to work alongside Catherine Bishop § Matthew Ockenden ≠ * Acting § On Leave Jessica Pratt and Daniela Barcellona – two Nadine Delbridge Principal Contrabassoon + Guest Musician Thomas Higham + Timothy Murray ++ Guest Principal RICHARD MILLS +++ Guest Associate Principal of the most important bel canto singers in Matthew Laing + ++++ Guest Section Principal Artistic Director, Victorian Opera ≠ Courtesy of Opera Australia Orchestra the world today. 4 5 Daniela Barcellona Photo: Amati Bacciardi MUSIC INDEX Rossini, Semiramide - Overture Rossini, Semiramide – ‘Eccomi alfine in Babilonia: Ah, quel giorno ognor rammento’ (Barcellona) Rossini, Ciro in Babilonia - ‘Avrai tu pur vendetta’ (Bárcenas) Rossini, Semiramide - ‘Bel raggio lusinghier’ (Pratt) Rossini, Ciro in Babilonia - ‘Chi disprezza gl’infelici’ (Dugan) Rossini, Guillaume Tell - ‘Asile héréditaire’ (Bárcenas) Rossini, Semiramide - ‘Ebben ... a te; ferisci’ (Pratt and Barcellona) – INTERVAL – Bellini, Norma - Overture Rossini, L’Italiana in Algeri - ‘Cruda sorte’ (Barcellona) Rossini, L’Italiana in Algeri - ‘Ai capricci della sorte’ (Barcellona and Marsh) Donizetti, Linda di Chamounix - ‘O luce di quest’ anima’ (Pratt) Donizetti, Don Sebastiano - ‘Deserto in terra’ (Bárcenas) Donizetti, La Favorite - ‘O mon Fernand’ (Barcellona) Donizetti, Le convenienze ed inconvenienze teatrale - ‘Livorno, dieci Aprile’ (Radcliffe, Dugan, Piper, Marsh, Lay, Wong, Thomas) Rossini, Le Comte Ory - Trio and Finale ‘A la faveur de cette nuit obscure’ (Pratt, Barcellona, Bárcenas, Radcliffe, Dugan, Piper, Marsh, Lay, Wong, Thomas) 6 BIOGRAPHIES RICHARD MILLS JESSICA PRATT DANIELA BARCELLONA CARLOS E. BÁRCENAS SHAKIRA DUGAN NATHAN LAY Conductor Soprano Mezzo-soprano Tenor Mezzo-soprano Baritone Richard is one of Australia’s Since her debut in the Daniela Barcellona was Colombian-born tenor Shakira Dugan, mezzo Nathan completed his most prolific and title role of Donizetti’s born in Trieste, Italy, where holds a Bachelor of Music soprano has established Bachelor of Music at the internationally recognised Lucia di Lammermoor in she completed her musical Performance and a Master of herself as a vibrant and Melba Conservatorium of composers. He pursues a 2007, Jessica Pratt has studies under the guidance Music (Opera Performance) gifted operatic performer. Music in 2008. He has won diverse career as composer, established herself as one of of Alessandro Vitiello. from the University of She is currently a Young the National Liederfest, conductor and artistic the world’s finest and most After winning numerous Melbourne. His roles have Artist with Victorian Opera Australian Music Events’ director, with an extensive sought-after interpreters prestigious international included Alexander (Il Re and Emerging Artist in the Opera Scholar of the Year, discography of orchestral of bel canto repertoire. competitions including Pastore, Mozart) Michael Richard Divall Emerging the Royal Melbourne the Adriano Belli Award works including his own She has performed in 103 (Pecan Summer, Cheetham), Artist Program with Philharmonic Aria, and placed in Spoleto, Iris Adami compositions. He has held productions for 78 different Tony (Masterclass by Terrence Melbourne Opera. 3rd in the Herald Sun Aria. numerous prestigious Corradetti in Padua, and McNally 2018), Arnoldo Nathan also won the 2016 organisations, in 70 cities posts, and received many the Pavarotti International (Guillaume Tell, Rossini), Shakira made her operatic Australian International over 12 countries, including scholarships, fellowships Voice Competition in Elvino (La Sonnambula, debut with Victorian Opera Opera Award, allowing him seasons at La Scala, La and awards including an Philadelphia, she made Donizetti), Tebaldo (I playing the role of Hansel in to study with acclaimed Fenice, San Carlo, Covent AM in 1999. Currently her debut in the title role Capuleti e I Montecchi, Hansel and Gretel in 2017. In tenor Dennis O’Neill at Garden and The Met. Artistic Director of of Tancredi at the Rossini Bellini), Edgardo (Lucia di 2018, her roles included a the Wales International Victorian Opera, he Jessica was awarded the Opera Festival in Pesaro in Lammermoor, Donizetti), reprise of Hansel in Hansel Academy of Voice whilst was previously Artistic prestigious international 1999, establishing herself as Steuermann (The Flying and Gretel, Watkin Wombat undertaking a Master of Arts Director of West prize for coloratura an interpreter of pants roles, Dutchman, Wagner), Third in The Magic Pudding – The in Advanced Vocal Studies. Australian Opera 1997- sopranos La Siola d’Oro which have brought her Squire (Parsifal, Wagner), Opera, William Tell, covered Nathan has performed with to the stages of the most 2012, Director of the in 2013, the International
Load more

Recommended publications
  • Auckland at 7.00Pm
    Wagner Society of New Zealand Patron: Sir Donald McIntyre NEWSLETTER Vol. 13 No. 4 April 2017 President’s Report for 2016 AGM - 21 May 2017 Formal Notice The Wagner Society of New Zealand AGM is to be held on Sunday 21 May 2017 in St Heliers Community Centre, 100 St Heliers Bay Road, Auckland at 7.00pm. So far, Committee and Office-Bearer nominations have been received as follows: President ................. Chris Brodrick Vice President ............ Ken Tomkins Secretary ....................... Peter Rowe Treasurer ................. Jeanette Miller PR/Liaison ..................Gloria Streat Bob O’Hara Committee . John Davidson, Lesley Kendall, Juliet Rowe Bob O’Hara as Uberto (La Serva Padrona.) Michael Sinclair If you wish to make a nomination: In this, the 22nd President’s report to opera trips including both Adelaide Phone: Peter at 09-520 4690 or the Wagner Society of New Zealand, I Rings, the 2013 Melbourne Ring and he Email: [email protected]. would like, among all the thank yous, to has plans to attend the San Francisco to be sent a form. Nominations can focus some attention on two members. Ring next year. also be made from the floor at the One has been with us from 1995 and Bob and other WSNZ members’ ability meeting. after many years of service has recently to attend these overseas productions stepped down from the committee. The is enabled by the wonderful work of Membership renewals other, who may not have been with us Michael Sinclair, as the organising force Included with this newsletter is a from the start, has nonetheless made a behind our overseas trips.
    [Show full text]
  • 'Wagner on a Shoestring' by Suzanne Chaundy, 25 March 2018
    'Wagner on a Shoestring' by Suzanne Chaundy, 25 March 2018 12.30pm: DVD: 'Das Liebesverbot', Act 2 2.00pm: Presentation by Suzanne Chaundy DVD: Das Liebesverbot Act 2 Wagner's rarely performed early comic opera (1836), based on Shakespeare's Measure for Measure, enjoys its Spanish debut in a new production by director Kaspar Holten. The lively score boasts clear Italian, French and Weberian influences that predate the composer's mature voice, yet the music continually delights with the unmistakable emergence of Wagner's precocious genius. His adaptation of the Bard's play reflects the rebellious mood of a revolutionary Germany, vindicating sensual love and attacking the fanatical repression of sexuality by a puritanical and hypocritical authority. Ivor Bolton conducts a vibrant cast with the chorus and orchestra from the Theatro Real, Madrid (2016). 'Wagner on a Shoestring' by Suzanne Chaundy Suzanne Chaundy is a highly regarded director of opera, drama, outdoor spectacle and special events, and will speak about her Wagner productions for Melbourne Opera. Miki Oikowa and Suzanne Chaundy She began directing as an undergraduate at the University of Melbourne and was subsequently fast-tracked into the NIDA Directing Course. Best known as an opera director, she began on this path as a trainee director with the Victorian State Opera. Her 2012 production of Cosi Fan Tutte for Melbourne Opera at Melbourne’s Athenaeum Theatre (nominated for Best Director – Green Room Awards) resulted in her becoming something of a regular for the company directing new productions of Der Freischütz and Maria Stuarda in 2015,The Abduction from the Seraglio, Tannhäuser and Anna Bolena in 2016, Lohengrin in 2017 and Tristan und Isolde in 2018.
    [Show full text]
  • 1 Making the Clarinet Sing
    Making the Clarinet Sing: Enhancing Clarinet Tone, Breathing, and Phrase Nuance through Voice Pedagogy D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Alyssa Rose Powell, M.M. Graduate Program in Music The Ohio State University 2020 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. Scott McCoy Dr. Eugenia Costa-Giomi Professor Katherine Borst Jones 1 Copyrighted by Alyssa Rose Powell 2020 2 Abstract The clarinet has been favorably compared to the human singing voice since its invention and continues to be sought after for its expressive, singing qualities. How is the clarinet like the human singing voice? What facets of singing do clarinetists strive to imitate? Can voice pedagogy inform clarinet playing to improve technique and artistry? This study begins with a brief historical investigation into the origins of modern voice technique, bel canto, and highlights the way it influenced the development of the clarinet. Bel canto set the standards for tone, expression, and pedagogy in classical western singing which was reflected in the clarinet tradition a hundred years later. Present day clarinetists still use bel canto principles, implying the potential relevance of other facets of modern voice pedagogy. Singing techniques for breathing, tone conceptualization, registration, and timbral nuance are explored along with their possible relevance to clarinet performance. The singer ‘in action’ is presented through an analysis of the phrasing used by Maria Callas in a portion of ‘Donde lieta’ from Puccini’s La Bohème. This demonstrates the influence of text on interpretation for singers.
    [Show full text]
  • Daniel Saidenberg Faculty Recital Series
    Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C.
    [Show full text]
  • La Donna Del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met
    Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Eva Chien 212-870-4589 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Joyce DiDonato and Juan Diego Flórez Star In Rossini's La Donna del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS Joyce DiDonato and Juan Diego Flórez headline Rossini's bel canto tour-de-force La Donna del Lago on THIRTEEN’S Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS. (Check local listings.) In this Rossini classic based on the work by Sir Walter Scott, DiDonato sings the title role of Elena, the lady of the lake pursued by two men, with Flórez in the role of Giacomo, the benevolent king of Scotland. Michele Mariotti , last featured in the Great Performance at the Met broadcast of Rigoletto , conducts debuting Scottish director Paul Curran's staging, a co-production with Santa Fe Opera. The cast also includes Daniela Barcellona in the trouser role of Malcolm, John Osborn as Rodrigo, and Oren Gradus as Duglas. "The wondrous Ms. DiDonato and Mr. Mariotti, the fast-rising young Italian conductor, seemed almost in competition to see who could make music with more delicacy,” noted The New York Times earlier this year, and “Mr. Mariotti drew hushed gentle and transparent playing from the inspired Met orchestra.” And NY Classical Review raved, "Joyce DiDonato…was beyond perfect..
    [Show full text]
  • Participating Artists
    The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia.
    [Show full text]
  • (WA Opera Society
    W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season.
    [Show full text]
  • Newly Cataloged Items in the Music Library February - March 2016
    Newly Cataloged Items In the Music Library February - March 2016 Author Title Publisher Performers Item Enum Call Number 56 songs you like to sing. G. Schirmer, MUSIC. M1619 .F46 1937 Advanced piano solos complete. Volume 1 Warner Bros. MUSIC. M32.8.R63 / [arranged by] Tom Roed. Publications, A38 v.1 1996 Album of sacred songs : a collection of G. Schirmer, MUSIC. M2110 .A52H twenty-two favorite songs suitable for use 1918 in the churches : for high voice. Album of sixteen sacred duets for various G. Schirmer, MUSIC. M2019.2 .A52 voices. 1900z Analytical anthology of music / [compiled McGraw-Hill, MUSIC. MT6.5 .A5 by] Ralph Turek. 1992 Art of Trombone playing Ashgate research companion to minimalist Ashgate, MUSIC. ML197 .A785 and postminimalist music / edited by Keith 2013 Potter, Goldsmiths, University of London, UK, Kyle Gann, Bard College, USA and Pwyll ap Siôn, Bangor University, Wales, UK. Barber shop classics / edited by Sigmund Remick Music Corp. ; MUSIC. M1580 Spaeth. Warner Bros., .B3724 1946 Barber shop songs : 40 greatest hits, Charles Hansen, Inc., MUSIC. M1630.18 T.T.B.B. male quartet / arranged by Jack .B272 1981 Baird [and others]. Children's choir. Augustana Press v.1 (1958) MT88 .C52 Children's choir. Augustana Press v.2 (1965) MT88 .C52 Choral conducting : an anthology / Schirmer Books, MUSIC. MT85 .A3 [compiled by] Samuel Adler. 1985 Choral conducting symposium / edited by Prentice Hall, MUSIC. MT85 .C444 Harold A. Decker, Julius Herford. 1988 Choral essays : a tribute to Roger Wagner Thomas House MUSIC. ML55 .W145 / edited by William Wells Belan. Publications, 1993 Wednesday, April 06, 2016 Page 1 of 24 Author Title Publisher Performers Item Enum Call Number Concord anthem book : forty anthems for E.C.
    [Show full text]
  • Benjamin Britten War Requiem
    BENJAMIN BRITTEN WAR REQUIEM Tuesday | November 4 | 8PM Musical Arts Center Two Hundred Twenty-Fifth Program of the 2014-15 Season _______________________ Oratorio Chorus Philharmonic Orchestra University Children’s Choir Benjamin Britten’s War Requiem Op. 66 “My subject is War, and the pity of War. The Poetry is pity. All a poet can do is to warn.” – Wilfred Owen Words from the Missa pro Defunctis and the poems of Wilfred Owen Michael Palmer, Conductor Betsy Burleigh, Chorus Master Brent Gault, Children’s Choir Conductor Megan Wilhelm, Soprano Christopher Sokołowski, Tenor Erik Krohg, Baritone _________________ Musical Arts Center Tuesday Evening November Fourth Eight O’Clock music.indiana.edu I. Requiem aeternam Chorus Requiem aeternam dona eis, Domine; Lord, grant them eternal rest; et lux perpetua luceat eis. and let the perpetual light shine apon them. Children’s Choir Te decet hymnus, Deus in Sion: Thou shalt have praise in Zion, of God: et tibi reddetur votum in Jerusalem; and homage shall be paid to thee in Jerusalem; exaudi orationem meam, hear my prayer, ad te omnis caro veniet. all flesh shall come before Thee. Chorus Requiem aeternam dona eis, Domine; Lord, grant them eternal rest; et lux perpetua luceat eis. and let the perpetual light shine apon them. Tenor Solo What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons No mockeries for them from prayers or bells, Nor any voice of mourning save the choirs,— The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 130, 2010-2011
    Hi 1 , 'I 2010-2011 SEASON WEEK 25 s James Levine Music Director Bernard Haitink Conductor Emeritus Seiji Ozawa Music Director Laureate Boston 320 Boylston Street (617) 482-8707 Hermes.com Summer twill giant scarf When colors meet inspiration HERMES PARIS Hermes, contemporary artisan since 1837. Table of Contents | Week 25 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 24 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 29 TRANSLATING SHAKESPEARE: COMING TO MUSICAL TERMS WITH THE BARD BY THOMAS MAY 38 FAREWELL, THANKS, AND ALL BEST: THIS YEAR'S BSO RETIREE 40 THIS WEEK'S PROGRAM Notes on the Program 44 Berlioz's "Romeo et Juliette" 56 To Read and Hear More... 58 Text and Translation Guest Artists 68 Charles Dutoit 69 Bernarda Fink 71 Jean-Paul Fouchecourt 72 Laurent Naouri 73 Tanglewood Festival Chorus 75 John Oliver 78 2010-2011 SEASON SUMMARY 92 SPONSORS AND DONORS 106 SYMPHONY HALL EXIT PLAN 107 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY BSO DIRECTOR OF PROGRAM PUBLICATIONS MARC MANDEL. program copyright ©2011 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Michael J. Lutch BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org It takes a dedicated craftsman to create a flawless instrument. Shouldn't your investments be handled with the same expertise? FIDUCIARYTRUST REAP THE DIVIDENDS FIDUCIARY-TRUST.COM 175 FEDERAL STREET B0ST0.N. MA - INVESTMENT | SETTLEMEN MANAGEMENT I I TRUST SERVICES ESTATE AND FINANCIAL PLANNING I FAMILY OFFICE SERVICES ESTATE \ EVERY CLOUD HAS A SILVER LINING At EMC, success comes from creating technology which will transform the world's largest IT departments into private clouds—and from sharing that success by supporting a range of educational, cultural, and social programs in our community.
    [Show full text]
  • View List (.Pdf)
    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
    [Show full text]
  • Jessica Pratt - Soprano
    Jessica Pratt - Soprano Jessica Pratt est considérée comme l’une des meilleures interprètes de Bel cantos, même des plus difficiles du répertoire. Depuis ses débuts européens en 2007 dans Lucia di Lammermoor, la carrière de Jessica comprend des performances dans des théâtres et festivals comme le Metropolitan Opera New York, Teatro alla Scala of Milan, Gran Teatre Liceu of Barcelona, Zurich Opera, Deutsche Oper Berlin, le Vienna State Opera et le Royal Opera House Covent Garden. Elle a travaillé avec des chefs d’orchestre comme Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Giacomo Sagripanti, Gianandrea Noseda, Carlo Rizzi, Roberto Abbado, Wayne Marshall et Christian Thielemann. Le répertoire de Jessica compte plus de 30 rôles différents, dont le plus célèbre est Lucia Ashton de Lucia di Lammermoor de Gaetano Donizetti dans plus de 27 productions, suivi de Amima de La Sonnambula de Vincenzo Bellini et Elvira de I Puritani du même compositeur. Elle est éGalement spécialiste du répertoire de Rossini : invitée fréquemment au Rossini Opera Festival à Pesaro, Jessica a tenu 12 rôles dans des opéras de ce compositeur, notamment les rôles principaux de Semiramide, Armida, Adelaide de BorGoGna, plus récemment Desdemona dans Otello au Gran Teatre de Liceu de Barcelone et Rosina dans Barbiere di Siviglia à l’Arena de Vérone. Un autre compositeur au centre du travail de Jessica est Gaetano Donizetti. Elle a fait ses débuts à La Scala de Milan avec La Prima Donna in Convenienze ed Inconvenienze Teatrali et plus tard, Lucia di Lammermoor. La saison dernière, elle a ajouté 4 nouvelles œuvres de Donizetti à son répertoire : La Fille du Regiment à l’Opera Las Palmas, Don Pasquale à l’ABAO de Bilbao, L'elisir d'amore au Gran Theatre Liceu de Barcelone et le rôle principal de Rosmonda d'Ingliterra en version de concert pour l’Opera di Firenze.
    [Show full text]