Digital City”: a Critical Examination of the Discursive Practices of Urban Digitality in Three U.S
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ACM MM 96 Text ACM MULTIMEDIA 96
ACM MM 96 Text ACM MULTIMEDIA 96 General Information Technical Program Demonstrations Art Program Workshops Tutorials Stephan Fischer Last modified: Fri Nov 29 09:28:01 MET 1996 file:///C|/Documents%20and%20Settings/hsu.cheng-hsin/Desktop/acmmm96/index.htm[1/28/2010 9:42:17 AM] ACM MM 96 ACM MULTIMEDIA 96 The Fourth ACM International Multimedia Conference and Exhibition ADVANCE PROGRAM 18-22 November 1996 Hynes Convention Center Boston, Massachusetts, USA Co-located with SPIE's Symposium on Voice, Video and Data Communication, and Broadband Network Engineering program and overlapping with CSCW, to be held in nearby Cambridge. Welcome to ACM Multimedia '96 Special Events Conference-at-a-Glance Ongoing Events Courses Technical Papers Panels Registration Course Selections Hotels Conference Organization Welcome to ACM Multimedia '96 In what seems in retrospect to have been an astonishingly short time, multimedia has progressed from a technically- challenging curiosity to an essential feature of most computer systems -- both professional and consumer. Accordingly, leading-edge research in multimedia no longer is confined to dealing with processing or information- access bottlenecks, but addresses the ever-broadening ways in which the technology is changing and improving interpersonal communication, professional practice, entertainment, the arts, education, and community life. This year's program emphasizes this trend: off-the-shelf building blocks are now available to construct useful and appealing applications which are highlighted in the Demonstration and Art venues. In addition to the full complement of panels, courses, and workshops, the conference program features a distinguished set of technical papers. Keynotes will be provided by Glenn Hall, the Technical Director of Aardman Animations whose work includes Wallace and Gromit; and Professor Bill Buxton of the University of Toronto and Alias | Wavefront Inc. -
Conceptual and Material Aspects of Media Art
UvA-DARE (Digital Academic Repository) Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations Hölling, H.B. Publication date 2013 Link to publication Citation for published version (APA): Hölling, H. B. (2013). Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations. Boxpress. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 Chapter 2 . ON THE THRESHOLD OF MATERIALITIES . CONCEPTUAL AND MATERIAL ASPECTS OF MEDIA ART 1 .1 How Conceptual is Paik’s Media Art? The moment Paik declares that TV Garden – just as Video Fish and Buddha TV – can be loaned to a Brazilian exhibition (1996) and arranged following Paik’s remote instruction marks the time when, in retrospect, the artwork acquires its quasi conceptual character. -
Two Bridges (Manhattan)
20 - Two Bridges (Manhattan) December 2016 Notice The opinions expressed in this report do not necessarily reflect those of the New York State Energy Research and Development Authority (hereafter “NYSERDA”) or the State of New York, and reference to any specific product, service, process, or method does not constitute an implied or expressed recommendation or endorsement of it. Further, NYSERDA, the State of New York, and the contractor make no warranties or representations, expressed or implied, as to the fitness for particular purpose or merchantability of any product, apparatus, or service, or the usefulness, completeness, or accuracy of any processes, methods, or other information contained, described, disclosed, or referred to in this report. NYSERDA, the State of New York, and the contractor make no representation that the use of any product, apparatus, process, method, or other information will not infringe privately owned rights and will assume no liability for any loss, injury, or damage resulting from, or occurring in connection with, the use of information contained, described, disclosed, or referred to in this report. NYSERDA makes every effort to provide accurate information about copyright owners and related matters in the reports we publish. Contractors are responsible for determining and satisfying copyright or other use restrictions regarding the content of reports that they write, in compliance with NYSERDA’s policies and federal law. If you are the copyright owner and believe a NYSERDA report has not properly attributed your work to you or has used it without permission, please email [email protected] ii Two Bridges/Beyond the Grid NY Prize Stage 1 Community Microgrid Feasibility Study Final Report Prepared for NYSERDA by: Two Bridges Neighborhood Council The Louis Berger Group Morrison & Foerster LLP Milestone Architecture WiFi-NY Lockheed Martin Stout Risius Ross Beyond the Grid Community Microgrid NY Prize Stage 1 – Task 1 1.0 INTRODUCTION TO SITE 20 The urban area being served is highly dense and vertical as shown in the photo below. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations Hölling, H.B. Publication date 2013 Link to publication Citation for published version (APA): Hölling, H. B. (2013). Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations. Boxpress. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 Appendix Nam June Paik’s Collaborators, Fabricators and Assistants1 Shuya Abe (born 1932) Japanese electrical engineer and co-inventor of the video-synthesiser. In 1963, he became Paik’s seminal collaborator. The Paik–Abe synthesiser used video feedback, magnetic scan modulation, non-linear mixing, and colourised images from an array of cameras in a TV studio. -
0V12-8676 16 NAME.SPACE, INC., Case [F1h 17 Plaintiff
Flit-ED 1 MICHAEL B. MILLER mmiI1er(mofo .com 2 CRAIG II WHITNEY (CA SBN 217673) [email protected] 2012 OCT10 PM I: 13 3 ADAM J. HUNT adamhunt(i)mofo . corn CLERK U.S DISTRICT COURT CENTRAL DIST. OF CALIF. 4 MORRISON & FOERSTER LLP LOS ANGELES 1290 Avenue of the Americas 5 New York, New York 10104 BY _- Telephone: 212.468.8000 DR 6 Facsimile: 212.468.7900 7 MARK R. MCDONALD (CA SBN 13 700 1) 19A, mmcdonald(2lmofo . corn C 8 MORRJSON& FOERSTER LLP 555 West Fifth Street, Suite 3500 9 Los Angeles, California 90013 Telephone: (213) 892-5200 10 Facsimile: (213).892-5454 11 Attorneys for Plaintiff NAME.SPACE, INC. 12 UNITED STATES DISTRICT COURT 13 CENTRAL DISTRICT OF CALIFORNIA 14.1 WESTERN DIVISION 15 W 0V12-8676 16 NAME.SPACE, INC., Case [f1h 17 Plaintiff, 18 V. COMPLAINT 19 INTERNET CORPORATION FOR DEMAND FOR JURY TRIAL 20 ASSIGNED NAMES AND NUMBERS, 21 Defendant. 22 23 Plaintiff narne.space, Inc. ("name. space"), by and through its undersigned 24 counsel, brings this Complaint against Defendant Internet Corporation for Assigned 25 Names and Numbers ("ICANN"), and alleges as follows: 26 27 28 1 ny-1023 809 1 INTRODUCTION 2 1. name.space is the originator, operator and promoter of 482 Top Level 3 Domains ("TLDs"), which is the highest level identifier in an Internet "domain 4 name"such as .com or .gov. 5 2. ICANN controls and purports to be responsible for the entire worldwide 6 Internet Domain Name System ("DNS"). The DNS is an essential part of the 7 logical infrastructure that makes the Internet work by assigning unique domain 8 names to computers running web sites and other services including e-mail and 9 voice-over-IP, and by coordinating master computer servers which ensure that all 10 Internet users typing a domain name into their browsers reach the same "host" 11 computer and service. -
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Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _______________________ ___________ Margaret Haughney Date A formative evaluation to inform the development of an online condom distribution program By Margaret Haughney Master of Public Health Hubert Department of Global Health _____________________________________ Kate Winskell, PhD Committee Chair _____________________________________ Megan McCool-Myers, PhD, MPH Committee Member _____________________________________ Gaëlle Sabben, MPH Committee Member A formative evaluation to inform the development of an online condom distribution program By Margaret Haughney B.S., University of Pittsburgh, 2015 Thesis Committee Chair: Kate Winskell, PhD An abstract of a thesis submitted to the Faculty of the Rollins School of Public Health of Emory University in partial fulfillment of the requirements for the degree of Master of Public Health in the Hubert Department of Global Health 2019 Abstract A formative evaluation to inform the development of an online condom distribution program By Margaret Haughney Young people ages 15 to 24 have the highest risk for STIs and unintended pregnancy, but barriers like cost and embarrassment prevent them from obtaining condoms, which can reduce risk. -
Free in the Neighborhood Reissue Vol II No. I Summer 2019
Free In The Neighborhood Summer 2019 Reissue Vol II No. I Letter From the Editors The Value of Valor y Cambio Carta De Los Editores.......................................2 El Valor del Valor y Cambio...............................33 An Interview with Nandini Bagchee About Power To the People: LESReady! Looking the Carts Project To Implement “Community Energy” Una Entrevista con Nandini Bagchee sobre Poder Para el Público: LESReady! Busca el Proyecto Carritos...........................................4 Implementar “Energía Comunitaria”.........40 The Lower East Side Coastal Resiliency Illustration by Javier Cruz Winnik Plan Ilustración de Javier Cruz Winnik...............46 El Plan de Resiliencia Costera del Lower East Side................................................................16 Buried Histories of the Lower East Side Historias Enterradas del Lower East Side .................................................................................26 Letter From the Editors Dear Readers, Last summer, we reintroduced The Quality of Life in Loisaida/ Calidad de Vida en Loisaida, a magazine that was originally published in March 1978 and had been out of print since 1991. The team at the Loisaida Center has once again decided to publish a new issue of the magazine as last year’s issue was received with an overwhelmingly warm response. The central theme for this issue is about change. As any member of this com- munity can attest, changes in Loisaida in the last few years has led us to a critical moment of reflection and evaluation. As Loisaida is faced with challenges of social inequity and the consequences of climate change, what are we doing to ensure that our community continues to progress and thrive? The history of Loisaida is defined by changes led by local activists and grassroots activism. -
The Occupation of Art and Gentrification
Anonymous The Occupation of art and gentrification 1989 The Anarchist Library Contents Malignant Cultures.......................... 3 The Thin End of the Red Wedge ................. 4 “Holbein and the Bum”....................... 6 “Gentrification is Class War: Fight Back!” ........... 9 The Revolution will be Televised ................. 10 Conclusion............................... 11 2 Initially we intended to write an article analysing the role of art in trans- forming a run-down working class area, Lower Manhattan, New York City, for the benefit of capital. In the course of our research and discussion we realised that what was happening in Lower Manhattan wasn’t an isolated incident, but part of an increasingly significant capital accumulation process with art as a major protagonist, and involving a widespread transformation of urban space. We believe there is a general global tendency of culture to act as an element in the regeneration of the inner cities, adapting itself in different ways to different places. There seem to be two strategies at work: a) Art as state-manipulated gentrifier as in the Lower East Side, and b) Art as a fresh base for accumulation in areas ravaged by the decline of industry. (In the latter case the UK is closely following the US experiment in Pittsburgh and Chicago and applying them over here.) We hope to summarise b) in the conclusion while the part of the article devoted to Lower Manhattan concentrates on a). Because we believe that art is an integral aspect of the development of capitalist social relations we found it necessary to include some general observations on the role of art in capitalist society by way of an introduction. -
Condoms and Viagra: an Exploration of Processes and Forces That Shape Notions of Sexuality and Policies
Condoms and Viagra: An exploration of processes and forces that shape notions of sexuality and policies Jayashree Ramakrishna Introduction Examination of the development, propagation, acceptance and use of condoms and Viagra provides a keen heuristic device for exploring contexts, processes and factors that shape sexuality and policies related to sexuality. Juxtaposing condoms and Viagra affords sharp contrasts, which focus attention on cultural and societal norms, religious injunctions, and perceptions of femininity and masculinity, in the context of nationalism and the neoliberal economy. This understanding might help to improve ways of identifying and influencing these processes. One such process, medicalization, has been a major intellectual trend of the 20th and 21st centuries. Increasingly, medical and biomedical modes of thought dominate the discourse on sexuality, and the expansion of medical authority over many domains that were hitherto considered social conditions or life experience is unquestioned. For instance, life processes such as birthing, going through menopause (Gunson, 2010), aging and dying (Seymour, 1999), conditions such as shyness (Scott, 2006), obesity, infertility (Becker & Nachtigall, 1992), sexual behavior (Hart & Wellings, 2002) and domestic violence, as well as “risk factors”, have come under the purview of medicine. This medicalization of society, Conrad (2007) notes, has resulted in transformation of the human condition into treatable disorders. Recasting social conditions as disease in the biomedical framework -
NYC CONDOM MEETING NEW YORKERS’ NEEDS? (Phases II and III)
IS THE NYC CONDOM MEETING NEW YORKERS’ NEEDS? (Phases II and III) Elizabeth Begier, MD MPH Director, HIV Epidemiology & Field Services New York City Department of Health & Mental Hygiene HIV/AIDS in NYC NYC at end of 2007: – 159,027 AIDS cases diagnosed – 102,404 persons living with HIV/AIDS – 1.28% seroprevalence Of new HIV diagnoses in 2007: – 73% male – 50% Black, 30% Hispanic – 40% MSM DOHMH and Condom Distribution Male Condom – 1971: DOHMH begins male condom distribution in STD Clinics – 1980s: expanded to include AIDS and IDU service organizations – 2005: Expansion Online ordering system Average monthly distribution increased from 250,000 to 1.5 million Female Condom: distribution in 1998 NYC Condom Media campaign launched February 14, 2007 NYCNYC CondomCondom ReRe--launchlaunch Second media campaign launched February 14, 2008 Purpose of Study Conduct an assessment to determine if – New Yorkers are using NYC Condoms – Demand exists for alternative sizes or styles Study Design TargetTarget populationspopulations – Communities affected by HIV/AIDS at higher rates – Patrons at organizations distributing NYC Condoms ThreeThree PhasePhase ProjectProject – Phase I: Street Intercept Survey at NYC Events – Phase II: DOHMH STD Clinics – Phase III: Community-Based Organizations PhasePhase II:II: STDSTD ClinicsClinics Phase II Design Data collected at 5 DOHMH clinics in February and March 2008 – Highest volume clinics: Morrisania, Fort Greene, Chelsea, C. Harlem, and Jamaica Eligible if: NYC resident, ≥18 years, and seeing a doctor -
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, Series Editor
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, series editor Ars Electronica: Facing the Future edited by Timothy Druckrey with Ars Electronica, 1999 net_condition: art and global media edited by Peter Weibel and Timothy Druckrey, 2001 Dark Fiber: Tracking Critical Internet Culture Geert Lovink Dark Fiber Tracking Critical Internet Culture Geert Lovink The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. Set in Bell Gothic and Courier by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Lovink, Geert. Dark fiber : tracking critical internet culture / Geert Lovink. p. cm. — (Electronic culture—history, theory, practice) Includes bibliographical references. ISBN 0-262-12249-9 (hc. : alk. paper) 1. Internet—Social aspects. 2. Information society. 3. Culture. I. Title. II. Series. HM851 .L68 2002 303.48'33—dc21 2001059641 Dark fiber refers to unused fiber-optic cable. Often times companies lay more lines than what’s needed in order to curb costs of having to do it again and again. The dark strands can be leased to individuals or other companies who want to establish optical connections among their own locations. In this case, the fiber is neither controlled by nor connected -
Part 1: Historical Settings Reverse
15 PART 1: HISTORICAL SETTINGS REVERSE ENGINEERING MODERNISM WITH THE LAST AVANT-GARDE Dieter Daniels The concept of an avantgarde, disavowed by postmodern theory, is actually more relevant today than ever before, but it has nothing to do with aesthetics. Only social situations, not artworks, qualify as avantgarde. We need access to alternative experience, not merely new ideas, for we know more about our being than we have being for what we know. Today only metadesign satisfi es the original criteria for avantgarde practice. Gene Youngblood01 THE LAST AVANT-GARDE? The case studies analyzed, documented, and contextualized in the Net Pioneers research project provide a representative cross-section of the creation of Net-based art between 1992 and 1997.02 An entire typology of these new art forms developed in just fi ve years. This astonishing dynamic emerged from the particularly intense meeting and interaction of art history and media history: a rapidly developing, international art found itself racing a fast-changing techno-sociological context. As the 1990s drew on, a new browser interface known as the World Wide Web transformed the Internet from a non-public, mostly academic and military medium (with a gray area comprised of nerds and hackers) into a 01 Gene Youngblood, “Metadesign: Towards a Postmodernism of Reconstruction,” abstract for a lecture at Ars Electronica, 1986, http://90.146.8.18/en/archives/festival_archive/festival_catalogs/ festival_artikel.asp?iProjectID=9210. All Internet references in this volume last accessed on November