DOCSLIB.ORG

Neysa Grassi

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Neysa Grassi NEYSA GRASSI Education 1973 Certificate, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Selected Solo Exhibitions 2020 Locks Gallery, Philadelphia, PA 2018 Locks Gallery, Philadelphia, PA 2016 Foreign Language, The Galleries at Maryland Institute, College of Art, Baltimore, MD 2015 Foreign Language, Delaware Center for Contemporary Art, Wilmington, DE Foreign Language, Locks Gallery, Philadelphia, PA 2013 Endless Source, Locks Gallery, Philadelphia, PA 2011 Rose Gatherer, 2001–2011, Locks Gallery, Philadelphia, PA 2008 Neysa Grassi: Losing and Finding, Locks Gallery, Philadelphia, PA 2006 Neysa Grassi: Ex Cathedra, Locks Gallery, Philadelphia, PA 2004 University of Delaware, Newark, DE 2003 Locks Gallery, Philadelphia, PA 2002 List Gallery, Swarthmore College, Swarthmore, PA Locks Gallery, Philadelphia, PA 2001 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Pensacola Museum of Art, Pensacola, FL 2000 Neysa Grassi: Night Paintings, Susquehanna Art Museum, Harrisburg, PA 1999 Neysa Grassi: Dissolver, Locks Gallery, Philadelphia, PA 1998 Littlejohn Contemporary, New York, NY Charles Demuth Foundation, Lancaster, PA 1997 Neysa Grassi, Arcana: Intimate Views of Museo La Specola, Locks Gallery, Philadelphia, PA 1996 Neysa Grassi: Recent Paintings, Locks Gallery, Philadelphia, PA 1995 Littlejohn Contemporary, New York, NY 1994 Paul Cava Gallery, Philadelphia, PA 1993 Littlejohn Contemporary, New York, NY Paul Cava Gallery, Philadelphia, PA 1991 Paul Cava Gallery, Philadelphia, PA 1990 Challenge Exhibition, Samuel S. Fleisher Art Memorial, Philadelphia, PA Selected Group Exhibitions 2020-2021 Artist in Residence, Fitler Club, Philadelphia, PA (incl. booklet w/images) 2018 Beyond Boundaries: Feminine Forms, Linda Lee Alter Collection, Pennsylvania Academy of Fine Arts, Philadelphia, PA (incl. catalog w/images) 2017 Women Painting, Francine Bishop and David Horowitz Collection, Kendall Gallery, Miami Dade College, Miami, FL (incl. catalog w/images) 2016 Philadelphia Painters, Marlin and Regina Miller Gallery, Kutztown University, Kutztown, PA (incl. catalog w/images) 2014 The Barbara and Leonard Sylk Collection, Lycoming College Art Gallery, Williamsport, PA 2013 Modern Women at PAFA: From Cassatt to O’Keeffe, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2012–13 The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Works on Paper, Locks Gallery, Philadelphia, PA 2012 Elemental: Nature as Language in the Works of Philadelphia Artists, Woodmere Art Museum, Philadelphia, PA 2011 Flirting with Abstraction, Woodmere Art Museum, Philadelphia, PA 2010 New Light, Locks Gallery, Philadelphia, PA Abstract Invitational, Delaware County Community College, Media, PA 2009 Drawing, Locks Gallery, Philadelphia, PA 600 Washington Square South | Philadelphia PA 19106 | tel 215.629.1000 | [email protected] | www.locksgallery.com Water is Best, Locks Gallery, Philadelphia, PA Faculty Collects, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Abstraction from the Collection, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Faculty Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2008 Faculty Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2007 Contemporary Art on Paper, Philadelphia Museum of Art, Philadelphia, PA Locks Gallery, Philadelphia, PA 2006 Faculty Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2005 Works on Paper, Locks Gallery, Philadelphia, PA Faculty Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2003 Vermont Studio Center Prints, Plum Gallery, Williamstown, MA 2002 Pure, Philadelphia Museum of Jewish Art, Philadelphia, PA Transcendent and Unrepentant, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, PA 2001 Céide Fields, Céide Interpretative Center, Ireland Imaging Judaism, Susquehanna Museum of Art, Harrisburg, PA 2000 The Ray Graham Collection, The Albuquerque Museum, Albuquerque, NM 1999 Contemplation, Abington Art Center, Abington, PA Engaging Abstraction, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Anneville, PA Ballinglen Experience, Glucksman Ireland House, New York University, New York, NY Images from North Mayo, Ballycastle, County Mayo, Ireland 1998 Faculty Exhibit, Levy Gallery, Moore College of Art and Design, Philadelphia, PA 1997 Locks Gallery, Philadelphia, PA Intimate Universe (Revisited), Robert Steele Gallery, New York, NY 1996 Looking East, Butters Gallery, Portland, OR The Small Painting, O’Hara Gallery, New York, NY Natural Process, Williams Center for the Arts, Lafayette College, Easton, PA; traveled to Center Gallery, Bucknell University, Lewisburg, PA 1995 Abstract Painting, Larry Becker Contemporary Art, Philadelphia, PA 1994 Flower Power, Art in City Hall, Philadelphia, PA Littlejohn Contemporary, New York, NY 14 at 55: Recent Painting from Philadelphia, 55 Mercer Street Gallery, New York, NY Paul Cava Gallery, Philadelphia, PA Contemporary Women Artists, Freyberger Gallery, Pennsylvania State University, Reading, PA 1993 Patterns on Paper, Main Line Center for the Arts, Bryn Mawr, PA Delaware Art Museum ‘93 Biennial, Delaware Art Museum, Wilmington, DE Ritual and Response: Abstract Painting 1993, Hicks Art Center, Bucks County Community College, Newtown, PA 1992 In the Realm of Monochrome, Levy Gallery, Moore College of Art and Design, Philadelphia, PA Works on Paper, Beaver College Art Gallery, Glenside, PA Paul Cava Gallery, Philadelphia, PA 1991 Momenta Art Alternatives, Philadelphia, PA The Next Show, The Gallery at the State Theater Center for the Arts, Easton, PA 1990 Works on Paper, Beaver College Art Gallery, Glenside, PA Muhlenberg College, Allentown, PA 1989 IV Artists, Allentown Art Museum, Allentown, PA Myth/Symbol/Dream, Structures of the Unconscious, Delaware Center for the Contemporary Arts, Wilmington, DE Allentown Museum 21st Annual Show, Allentown, PA Fellowship Show, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 46th Annual Juried Exhibition, Cheltenham Art Center, Cheltenham, PA Grassi CV page 2 Honoring Women Artists, Camden County Cultural Association, Camden, NJ 1986 Contemporary Philadelphia Painting, Philadelphia Art Alliance, Philadelphia, PA 20th Annual Exhibition, Allentown Art Museum, Allentown, PA 45th Annual Exhibition, Cheltenham Art Center, Cheltenham, PA 46th Annual Exhibition, Woodmere Art Museum, Philadelphia, PA Annual Fellowship Exhibition, Pennsylvania Academy of the Fine Arts, Noyes Museum, Oceanville, NJ Awards 2010 Faculty Development Grant, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2008 GAP Grant, Pew Fellowships in the Arts, Philadelphia, PA 2007 Residency, Fundacion Valparaiso, Mojacar, Spain 1998 Fellowship, The Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Works on Paper Fellowship, Pennsylvania Council on the Arts 1995 Pew Fellowships in the Arts, Disciplinary Winner, Painting 1992 Friends of Beaver College Award, Works on Paper, Beaver College, Glenside, PA 1990 First Prize, Muhlenberg College, Allentown, PA 1988 Group Show Award, Allentown Art Museum, Allentown, PA 1987 Philadelphia Museum of Art Award, Cheltenham Annual, Cheltenham Arts Center, Cheltenham, PA Barbara Spector Gorson Award, Cheltenham Annual , Cheltenham Arts Center, Cheltenham, PA 1986 Ralph Sabbatini Memorial Award, Cheltenham Annual , Cheltenham Arts Center, Cheltenham, PA 1983 Special Juror Commendation, Work on Paper, Pennsylvania Academy of the Fine Arts Fellowship 1982 Edith Emerson Prize, Woodmere Art Museum Annual , Philadelphia, PA 1972 Eleanor S. Gray Memorial Scholarship, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Selected Collections The Ballinglen Archive, The Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Blue Cross of Pennsylvania, Philadelphia, PA Buchanan Ingersoll, Philadelphia, PA Fundacion Valparaiso, Mojacar, Spain Girl’s Club Collection, Fort Lauderdale, FL Montgomery, McCraken, Walker, & Rhoads, Philadelphia, PA Pensacola Museum of Art, Pensacola, FL Palmer Museum of Art, Pennsylvania State University, State College, PA The Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Teleflex Incorporated, Limerick, PA Virginia Museum of Fine Arts, Richmond, VA Woodmere Art Museum, Philadelphia, PA Selected Publications Cozzolino, Robert. The Female Gaze: Artists Making Their World. PAFA, 2012. Hirsh, Jennie. Foreign Language. DCCA/MICA, 2015. Sachs, Sid. Recent Paintings, Locks Art Publiactions, 1996. Schwabsky, Barry. Dissolver. Locks Art Publications, 1999. Stewart, Susan. Rose Gatherer. Locks Art Publications, 2011. Grassi CV page 3.
Load more

Recommended publications
  • SARAH Mceneaney
    SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the
    [Show full text]
  • Sarah Mceneaney
    Sarah McEneaney Born Munich, Germany, 1955 Education 1979 Certificate, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973-75 University of the Arts (formerly Philadelphia College of Art), Philadelphia, PA Selected Solo and Two-Person Exhibitions: 2017 Sarah McEneaney/Ann Toebbe, Home Work , Zevitas Marcus , Los Angeles, CA Tibor de Nagy, New York, also 2014, 2012, 2009, 2008,2006 2016 Adams/Ollman, Portland, Oregon Locks Gallery, Philadelphia, also 2013 and 2008 2014 The Art Show/ ADAA , Tibor de Nagy Gallery 2009 Locker Plant, Chinati Foundation, Marfa, Texas 2008 Mills College Art Museum, Oakland CA 2004 Gallery Schlesinger, New York; also 2003, 2002, 2001 Institute of Contemporary Art, University of Pennsylvania, Philadelphia (catalog) Reynolds Gallery, Richmond, VA 2001 More Gallery, Philadelphia, also 2000, 1997, 1996, 1994, 1993, 1992, 1988, 1987 2000 List Gallery, Swarthmore College, Swarthmore, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia 1984 Noel Butcher Gallery, Philadelphia 1982 Third Street Gallery, Philadelphia, also 1981, 1979 Rosemont College, Rosemont, PA Selected Group Exhibitions: 2017 Stories Told, Inman Gallery, Houston TX The Woodmere Annual, Woodmere Art Museum, Philadelphia Mirror Face, Cleve Carney Art Gallery, College of DuPage, Glen Ellyn , IL A More Perfect Union, Woodmere Art Museum, Philadelphia 2016 #PUSSYPOWER!, David and Schweitzer, Brooklyn NY Philadelphia Painters, Marlin and Regina Miller Gallery, Kutztown University, Kutztown, PA Happiness, Liberty, Life? American Art and Politics, Pennsylvania Academy of the Fine Arts,Phila. 2015 The Holiday Show, Locks Gallery, Philadelphia More Than One: Print Publications from The Print Center, City Hall, Philadelphia Pressure Points: 27 Artists in Print, Savery Gallery, Philadelphia Explorer in his Wildernis: Woodcuts C.R.
    [Show full text]
  • ACCESS Philly by Art-Reach
    ACCESS Philly by Art-Reach For $2 per person ACCESS Cardholders can attend 45 cultural sites & theaters HOW IT WORKS « Bring valid ACCESS Card with a photo ID « One (1) ACCESS Card admits the cardholder and up to three (3) people at a rate of $2 per person « EBT funds cannot be used to pay admission « Discount is not valid on special exhibitions, special events, or with any other offers ACCESS Philly is brought to you by www.art-reach.org/ACCESS Sponsored in part by ACCESS Admission Show your card at these museums, gardens and historic sites for $2 admission Academy of Natural Morris Arboretum Sciences Museum of the American African American Museum Revolution in Philadelphia Mutter Museum American Swedish Historical National Constitution Center Museum National Liberty Museum Betsy Ross House National Museum of Brandywine River Museum American Jewish History Chanticleer Garden Pennsylvania Academy of Christ Church & Burial the Fine Arts Ground Penn Museum Eastern State Penitentiary Philadelphia Museum of Art Franklin Institute Science Philadelphia’s Magic Museum Gardens Franklin Square Mini Golf Physick House Franklin Square Carousel Please Touch Museum Grumblethorpe Powel House Independence Seaport Shofuso House and Garden Museum Tyler Arboretum Insectarium & Butterfly Pavilion Waynesborough James A. Michener Art Wharton Esherick Museum Museum Woodmere Art Museum Longwood Gardens ACCESS Live Contact the box office for performance dates, times and to purchase $2 tickets 1812 Productions FringeArts Philadelphia Theatre 11th Hour Theatre
    [Show full text]
  • Annual Report 2020 775 Members As of 31 December 2020
    THE FRIENDS OF THE WILLIAM JEANES MEMORIAL LIBRARY Annual Report 2020 775 members as of 31 December 2020 PROGRAMMING (Adult/Teen/Children, General) $8,500 • Virtual programs and supplies • Children’s Programs & Supplies • Teen Programs & Supplies • Adult Programs & Supplies • Craft supplies • Trivia Night Prizes and Summer Reading Prizes • MLK Day and Star Wars Day supplies • BookPage Publication MUSEUM PASSES $2,750 For many years the Friends have been pleased to provide the Library with museum passes to approximately 30 different museums and cultural institutions throughout the region. Due to the pandemic, most of these institutions stopped accepting or selling museum passes. Recognizing the importance of these passes to the public and of helping these local institutions, the Friends continued to supply funds to purchase passes for the Library as they became available. The museums and cultural institutions that the Friends supported in 2019 and supported when possible in 2020: Woodmere Art Museum Independence Seaport Museum African American Museum in Mütter Museum of the College of Physicians of Philadelphia Philadelphia Elmwood Park Zoo National Constitution Center Chanticleer Garden Moravian Pottery and Tile Works Rosenbach Museum and Library Morris Arboretum of the University of Pennsylvania Philadelphia Insectarium and Penn Museum (U of Penn Museum of Archaeology Butterfly Pavilion and Anthropology) Grounds for Sculpture Academy of Natural Sciences of Drexel University Tyler Arboretum Museum of the American Revolution Historic Hope Lodge John James Audubon Center at Mill Grove Eastern State Penitentiary National Museum of American Jewish History Battleship New Jersey Boyertown Museum of Historic Vehicles Philadelphia’s Magic Garden Bucks County Children’s Museum National Liberty Museum Reading Public Museum Glencairn Museum Simeone Foundation Automotive Museum Pearl S.
    [Show full text]
  • USING the WOODMERE ART MUSEUM AS a CASE STUDY a Thesis Submitted To
    THE ORIGIN, PRESENT, AND FUTURE OF REGIONAL ART MUSEUMS — USING THE WOODMERE ART MUSEUM AS A CASE STUDY A Thesis Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS by Hua Zhang May 2021 Thesis Approvals: Linda Earle, Thesis Advisor, Art History Department James Merle Thomas, Second Reader, Art History Department ABSTRACT This paper uses the Woodmere Art Museum in Philadelphia as a case study to examine the origins and institutional evolution of American regional art museums, identify some of the challenges they currently face, and the important civic and cultural roles they play in their communities. The chapter “Origins” provides a basic overview of Woodmere’s founding and history and considers how, within an American context, such museums eventually evolved from private galleries to publicly engaged nonprofit organizations over the course of the twentieth century as their missions, stakeholders, and audiences evolved. Like other regional art museums that demonstrate the same model, Woodmere’s regional identity and its focus on local art deepen the ties between itself and the community it serves and creates cultural resonances that make regional art museums an irreplaceable part of the American museum industry. However, small regional art museums face important challenges as their finances are more vulnerable, and they must deal with some of the same social, institutional, and ethical issues faced by larger public- facing institutions with a smaller pool of resources. The chapter “Present Challenges” looks at the need to develop sustainable management and financial structures and inclusive strategies to understand and build on audience relationships as a way to survive and grow.
    [Show full text]
  • Women of the Bible La Salle University Art Museum
    La Salle University La Salle University Digital Commons Art Museum Exhibition Catalogues La Salle University Art Museum 10-1984 Women of the Bible La Salle University Art Museum Daniel Burke F.S.C., Ph.D. La Salle University Follow this and additional works at: http://digitalcommons.lasalle.edu/exhibition_catalogues Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation La Salle University Art Museum and Burke, Daniel F.S.C., Ph.D., "Women of the Bible" (1984). Art Museum Exhibition Catalogues. 73. http://digitalcommons.lasalle.edu/exhibition_catalogues/73 This Book is brought to you for free and open access by the La Salle University Art Museum at La Salle University Digital Commons. It has been accepted for inclusion in Art Museum Exhibition Catalogues by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. I I WOMEN OF THE BIBLE La Salle University Art Museum October 8th - November 30th, 1984 cover illustration: "Jael" by Jan Saenredam (1597-1665), Dutch Engraving Women of the Bible The Old Testament heroines depicted here in prints and paint­ ings were (with the exception, of course, of Bathsheba and Delilah) faithful and patriotic women of strong religious conviction. As wives, mothers, prophetesses, or soldiers, they raised new genera­ tions for the fledgling nation of Israel, provided good management and diplomacy in peace, inspiration and leadership in war. Their strength and courage were awesome, at times even barbaric. But it is clear, that for their contemporaries, their ends— to provide for the family, serve God and his people, build the nation of Israel against tremendous odds— justified their means, even though those might on occasion include assassination, seduction, or deceit.
    [Show full text]
  • A L E X a N D R a T Y
    A L E X A N D R A T Y N G 117 Woodside Avenue, Narberth PA 19072 (610) 664-0651 [email protected] www.alexandratyng.com ____________________________________________________________________________ BIOGRAPHY Alexandra Tyng is a contemporary realist painter known for her narrative, symbolic figurative works, her expansive aerial landscapes, and her portraits. She is currently working in Philadelphia, PA. BORN 1954, Rome, Italy EDUCATION: Harvard University, Cambridge, MA, B.A. Fine Arts 1975 University of Pennsylvania, Philadelphia, PA, M.S. Education 1977 SOLO EXHIBITIONS: 2019 Transitional Space, Dowling Walsh Gallery, Rockland, ME 2017 Brief Window, Dowling Walsh Gallery, Rockland, ME 2015 Ways and Intersections, Gross McCleaf Gallery, Philadelphia, PA 2013 The Unseen Aspect, Dowling Walsh Gallery, Rockland, ME 2012 Alexandra Tyng: Maine, Fischbach Gallery, New York, NY 2011 Right Here: New Maine Island Paintings, Dowling Walsh Gallery, Rockland, ME 2009 Above and Beyond, Fischbach Gallery, New York, NY 2005 Wide Angles and Peripheral Visions, Fischbach Gallery, New York, NY Alexandra Tyng ’71, Select Gallery, Philadelphia, PA 2003 On the House, Fischbach Gallery, New York, NY 2001 Maine Times, Fischbach Gallery, New York, NY 1999 Paintings of Maine, Fischbach Gallery, New York, NY 1997 Alexandra Tyng, Fischbach Gallery, NY, City Arts League, Philadelphia, PA 1994 Lakes and Camps, University City Arts League, Philadelphia, PA GROUP EXHIBITIONS: 2020 Allied Artists of America 107th Exhibition, National Arts Club, New York, NY, Len G. Everett Memorial Award The Maine Event, Gallery 222, Malvern, PA Holiday Salon, Dowling Walsh Gallery, Rockland, ME 2019 Maine, the Painted State, Greenhut Gallery, Portland, ME Painting the Figure II, Wausau Museum of Contemporary Art, WI 2018 Trust the Process, curated by Randall Graham, Gallery 222, Malvern PA 2017 Women Painting Women: In Earnest, curated by Alia El-Bermani, Customs House Museum, Clarkesville, TN; Texas A&M J.
    [Show full text]
  • Museums at Home – Links to Online Resources
    MUSEUMS AT HOME – LINKS TO ONLINE RESOURCES The Academy of Natural Sciences o Programs & Events: https://ansp.org/programs-and-events/ . All virtual. Registration required. o Online Exhibits: https://ansp.org/exhibits/online-exhibits/ o Academy Unscripted: https://ansp.org/exhibits/academy-unscripted/ . “Academy Unscripted is a new series featuring one-on-one conversations with Academy scientists. Stay tuned for new episodes every other Thursday.” o Science From Home: https://ansp.org/exhibits/science-from-home/ . Great for kids! . Features simple science activities, coloring pages, outdoor activities, and more. African American Museum in Philadelphia o Online Exhibitions: https://www.aampmuseum.org/current-exhibitions.html o Online Collections Database (Browse for pictures of people and artifacts): https://aampmuseum.pastperfectonline.com/ Boyertown Museum of Historic Vehicles o Online Collection Images: https://boyertownmuseum.org/collection/ Chanticleer o Garden Guide: http://www.chanticleergarden.org/garden_guide.html . Pictures and an image of each section of the garden. There are two video tours: Gravel Garden and Teacup Garden! Eastern State Penitentiary o Online Interaction Options: https://www.easternstate.org/connect-and-learn . Sign up for free virtual programs, learn about booking a virtual tour, & view upcoming online events. Elmwood Park Zoo o Animal Cams (Giraffe & Eagle): https://www.elmwoodparkzoo.org/animal-cams/ Glencairn Museum o Online Exhibitions: https://glencairnmuseum.org/online-exhibitions o Events: https://glencairnmuseum.org/upcoming-events-1 . Some of these are online. Please read carefully. Independence Seaport Museum o Online Exhibits: https://www.phillyseaport.org/online-exhibits o Digital Resources: https://www.phillyseaport.org/digital-resources . Links to their social media, online catalog, video series & YouTube channel, and more o Events: https://www.phillyseaport.org/events .
    [Show full text]
  • Reciprocal Membership Program
    4525 Oak Street, Kansas City, Missouri 64111 nelson -atkins.org 816.751.1ART Reciprocal Membership Program Society of Fellows members get the experience of sharing in privileges at institutions participating in any of our reciprocal programs by presenting your specially-marked membership card. Please note some participating institutions have restrictions specific to their organization. We recommend contacting the institution you plan to visit in advance to confirm details of their participation. If you need assistance, call 816.751.1ART (1278), option 3. RECIPROCAL NETWORKS Art Museum Reciprocal Network Reciprocal Organization of Associated Museums (ROAM) North American Reciprocal Network Western Reciprocal Network RECIPROCAL PRIVILEGES ALABAMA ARKANSAS Craft and Folk Art Museum, Los Birmingham Museum of Art The Arkansas Arts Center, Little Angeles Carnegie Rock Crocker Art Museum, Sacramento Gadsden Museum of Art Crystal Bridges Museum of Fine Arts Museums of San Jule Collins Smith Museum at American Art, Bentonville Francisco Auburn University Fort Smith Regional Art Museum Fullerton Museum Center Kentuck Museum, Northport South Arkansas Arts Center, El Hammer Museum UCLA Mobile Museum of Art Dorado Japanese American National Montgomery Museum of Fine Arts CALIFORNIA Museum, Los Angeles ALASKA Asian Art Museum of San Laguna Art Museum Anchorage Museum at Francisco Long Beach Museum of Art Rasmuson Center Bowers Museum, Santa Ana Mingei International Museum, Valdez Museum & Historical California Historical Society Escondido and San Diego Archive Museum, San Francisco Monterey Museum of Art and ARIZONA Cantor Art Center at Stanford Monterey Museum of Art at La Heard Museum North, North University Mirada Scottsdale Center for Contemporary Art, Museum of Contemporary Art Heard Museum, Phoenix Sacramento (MOCA), Los Angeles Museum of Northern Arizona Charles F.
    [Show full text]
  • ADDRESS: 1523 CHESTNUT ST Name of Resource: Love Building Proposed Action: Designation Property Owner: 1523 Chestnut Associates
    ADDRESS: 1523 CHESTNUT ST Name of Resource: Love Building Proposed Action: Designation Property Owner: 1523 Chestnut Associates Nominator: Center City Residents’ Association Staff Contact: Meredith Keller, [email protected] OVERVIEW: This nomination proposes to designate the Love Building at 1523 Chestnut Street and list it on the Philadelphia Register of Historic Places. The nomination contends that the property satisfies Criteria for Designation A and J. Under Criteria A and J, the nomination contends that the property is significant for its association with the Red Rose Girls, an enclave of notable female artists important in LGBTQ history that included Jessie Willcox Smith, Elizabeth Shippen Green, Violet Oakley, and others. The nomination contends that the women maintained studios in the building during their formative years as artists and became significant contributors to the golden age of American illustration at a time when Philadelphia served as a national center for that industry. STAFF RECOMMENDATION: The staff recommends that the nomination demonstrates that the property at 1523 Chestnut Street satisfies Criteria for Designation A and J. 1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address: 1523 Chestnut Street Postal code: 19102 2. NAME OF HISTORIC RESOURCE Historic Name: The Love Building Current Name: Unknown 3. TYPE OF HISTORIC RESOURCE Building Structure Site Object 4. PROPERTY INFORMATION Condition: excellent good fair poor ruins Occupancy: occupied vacant under construction unknown Current use: Commercial 5. BOUNDARY DESCRIPTION Please attach a narrative description and site/plot plan of the resource’s boundaries. 6. DESCRIPTION Please attach a narrative description and photographs of the resource’s physical appearance, site, setting, and surroundings.
    [Show full text]
  • Annual , Water Color
    ANNUAL , ANNUAL MEMBE~SHIP WATER COLOR JN AND THE PENNSYLVANIA ACADEMY "MINIATURE · OF THE FINE ARTS EXH.IBITIONS Annual members are such persons as contribute $10 annually for the maintenance of the Academy. ,;t i;t LIFE MEMBERSHIP CATALOGUE f{ - _,........ Life members are those who contribute the sum -~·- of $100. Annual and life members are admitted to all the public exhibitions and lectures at the Academy, have a right to use its library, subject to the regula­ tions of the institution, and receive an admission ticket. They have all the privileges of stock­ holders except the right to vote. Checks may be sent to George H. McFadden, Treasurer, at the Academy. FORM OF BEQU~T I giale, Jeoise anJ bequeath to "The Pennsgl­ oania Academy of the Fine Arts"·············-····· Dollars In trust lo invest and keep lrtPesieJ anJ appiJ, the income only to the maintenance of the The Pennsylvania Academy said Academ_y. of the Fine Arts 1914 MOST OF THE WORK IN THIS EXHI­ BITION IS FOR SALE AT STUDIO PRICES. INFORMATION IN REGARD TO SALES MAY BE HAD FROM THE SALES-MAN­ AGER OR FROM ANY ATTENDANT IN THE GALLERIES OR AT THE OFFICE. DUPLICATE PRINTS OF ETCHINGS CAN, IN MOST CASES, BE SUPPLIED. THE PENNSYL V ANJA ACADEMY OF THE FINE ARTS FOUNDED 1805 • THE PHILADELPHIA WATER COLOR CLUB The Schools of The Pennsylvania Academy THE PENNSYLVANIA SOCIETY o.f the Fine Arts train students in painting, OF MINIATURE PAINTERS sculpture and illustrating. The success achieved by the Schools is testified to by the number of artists of great reputation CATALOGUE OF THE TWELFTH who recelved their training in them.
    [Show full text]
  • A Finding Aid to the Violet Oakley Papers, 1841-1981, in the Archives of American Art
    A Finding Aid to the Violet Oakley Papers, 1841-1981, in the Archives of American Art Judy Ng Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. 2014 December 29 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 3 Scope and Contents........................................................................................................ 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Biographical Materials, 1841-1970........................................................... 5 Series 2: Correspondence, 1857-1979...................................................................
    [Show full text]