Disco Remix 2014 Nonstop
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Satan's Trance Media & Magic Final Exam Colleen Viana 12
SATAN’S TRANCE MEDIA & MAGIC FINAL EXAM https://vimeo.com/55339082 COLLEEN VIANA 12/11/12 Sensation can be defined as the mediation of body and world. It enforces and impacts a premonition of what our bodies experience upon some type of contact. Thus, it allows the body to be opened up to other forces and becomings that affirm in and as the future. This concept, posed by Elizabeth Grosz in Chaos, Territory, Art: Deleuze and the Framing of the Earth, is quite eminent in the subject of magic. The quandry of it as the mediation of object and experience, or science and religion, is what drew me to this video experimentation of the mediations created by media in occult and horror film. While sensation is, perhaps, the only state of consciousness that is impossible to scientifically measure, as are the limits of magic, I find it more valuable to visually see how it can be created/manipulated. The juxtaposition of horror film/television clips, and electronic music (with cosmological and haunting characteristics), and documentary footage from raves/electronic music festivals (that possess qualities of the occult) is experimented in this project. The latter adds an extra layer to this research, paralleling a cultural music phenomenon with the magical representations and rites defined by Mauss. With these media devices combined, I hope to embody this sensory experience that Grosz explains “as the contraction of vibrations...the forces of becoming-other” (Grosz, 80-1). Essentially, how can we experience Hollywood-defined magic and the magic associated with music and rave culture differently? In this video montage, I aim to highlight the three components of magic presented in Mauss’ A General Theory of Magic, in relation to the electronic dance music (EDM) culture. -
IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
2018/19 Hip Hop Rules & Regulations
2018/19 Hip Hop Rules for the New Zealand Schools Hip Hop Competition Presented by the New Zealand Competitive Aerobics Federation 2018/19 Hip Hop Rules, for the New Zealand Schools Hip Hop Championships © New Zealand Competitive Aerobic Federation Page 1 PART 1 – CATEGORIES ........................................................................................................................................................ 3 1.1 NSHHC Categories .............................................................................................................................................. 3 1.2 Hip Hop Unite Categories .................................................................................................................................. 3 1.3 NSHHC Section, Division, Year Group, & Grade Overview ................................................................................ 3 1.3.1 Adult Age Division ........................................................................................................................................ 3 1.3.2 Allowances to Age Divisions (Year Group) for NSHHC ................................................................................ 4 1.4 Participation Limit .............................................................................................................................................. 4 Part 2 – COMPETITION REQUIREMENTS ........................................................................................................................... 5 2.1 Performance Area ............................................................................................................................................. -
(Anchorage, Alaska, June 25-26, 1992). INSTITUTION Alaska Univ., Anchorage.; Anchorage School District, AK
DOCUMENT RESUME ED 346 339 CE 061 463 TITLE International Technological Literacy Symposium. Proceedings (Anchorage, Alaska, June 25-26, 1992). INSTITUTION Alaska Univ., Anchorage.; Anchorage School District, AK. SPONS AGENCY Office of Vocational and Adu:t Education (ED), Washington, DC. PUB DATE Jun 92 NOTE 165p.; The final paper may be margina2ly legible; contains light type. PUB TYPE Collected Works - Conference Proceedings (021) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Curriculum Development; Foreign Countries; Interdisciplinary Approach; *International Cooperation; *International Programs; *School Business Relationship; Secondary Education; Technical Education; Technological Advancement; *Technological Literacy; Vocational Education IDENTIFIERS Australia; Canada; England; Germany; Japan: Peru; Taiwan; *Technology Education ABSTRACT The following papers are included: "Technological Literacy: Pedagogy for a New World Order" (Peter McGregor);"Career and Technology Studies, A Curriculum Model" (Clarence Preitz); "Vocational and Technical Education at Secondary Schools in Taiwan, Republic of China" (James Yu); "Blueprint for Literacyin Technology" (Jerry Balistreri, Douglas Hammer); "CriticalTechnologies for Economic Growth" Marry Armen); "Applied IndustrialTechnology--A Junior High Technology Program" (Jim Fellenberg); "TheBlueprint for Literacy in Technology" (Don Bernard); "TechnologyEducation: A :teview of the Anchorage Project" (Kendall Starkweather);"Tools for Overcoming Thought Barriers--The Missing Element for Developing -
Hands up Classics Pulsedriver Hands up Magazine Anniversary Edition
HUMAG 12 Hands up Magazine anniversary Edition hANDS Up cLASSICS Pulsedriver Page 1 Welcome, The time has finally come, the 12th edition of the magazine has appeared, it took a long time and a lot has happened, but it is done. There are again specials, including an article about pulsedriver, three pages on which you can read everything that has changed at HUMAG over time and how the de- sign has changed, one page about one of the biggest hands up fans, namely Gabriel Chai from Singapo- re, who also works as a DJ, an exclusive interview with Nick Unique and at the locations an article about Der Gelber Elefant discotheque in Mühlheim an der Ruhr. For the first time, this magazine is also available for download in English from our website for our friends from Poland and Singapore and from many other countries. We keep our fingers crossed Richard Gollnik that the events will continue in 2021 and hopefully [email protected] the Easter Rave and the TechnoBase birthday will take place. Since I was really getting started again professionally and was also ill, there were unfortu- nately long delays in the publication of the magazi- ne. I apologize for this. I wish you happy reading, Have a nice Christmas and a happy new year. Your Richard Gollnik Something Christmas by Marious The new Song Christmas Time by Mariousis now available on all download portals Page 2 content Crossword puzzle What is hands up? A crossword puzzle about the An explanation from Hands hands up scene with the chan- Up. -
Urban Street Dance Department
Urban Street Dance Department Divisions and Competition Rules Break Dance Division Urban Street Dance Division Implemented by the WADF Managing Committee January 2020 Artistic Dance Departments, Divisions and Competition Rules WADF Managing Committee Nils-Håkan Carlzon President Irina Shmalko Stuart Saunders Guido de Smet Senior Vice President Executive Secretary Vice President Marian Šulc Gordana Orescanin Roman Filus Vice President Vice President Vice President Page 2 Index Artistic Dance Departments, Divisions and Competition Rules Urban Street Dance Department Section G-2 Urban Street Dance Division Urban Street Dance Competitions Urban Street Urban Street Dance is a broad category that includes a variety of urban styles. The older dance styles that were created in the 1970s include up-rock, breaking, and the funk styles. At the same time breaking was developing in New York, other styles were being created in California. Several street dance styles created in California in the 1970s such as roboting, bopping, hitting, locking, bustin', popping, electric boogaloo, strutting, sac-ing, and dime-stopping. It is historically inaccurate to say that the funk styles were always considered hip-hop. "Hip-Hop Dance" became an umbrella term encompassing all of these styles. Tempo of the Music: Tempo: 27 - 28 bars per minute (108 - 112 beats per minute) Characteristics and Movement: Different new dance styles, such as Quick Popping Crew, Asian style, African style, Hype Dance, New-Jack-Swing, Popping & Locking, Jamming, etc., adding creative elements such as stops, jokes, flashes, swift movements, etc. Some Electric and Break movements can be performed but should not dominate. Floor figures are very popular but should not dominate the performance. -
Thehard DATA Summer 2015 A.D
FFREE.REE. TheHARD DATA Summer 2015 A.D. EEDCDC LLASAS VEGASVEGAS BASSCONBASSCON & AAMERICANMERICAN GGABBERFESTABBERFEST REPORTSREPORTS NNOIZEOIZE SUPPRESSORSUPPRESSOR INTERVIEWINTERVIEW TTHEHE VISUALVISUAL ARTART OFOF TRAUMA!TRAUMA! DDARKMATTERARKMATTER 1414 YEARYEAR BASHBASH hhttp://theharddata.comttp://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR1 & MORE! EDITORIAL Contents Tales of Distro... page 3 Last issue’s feature on Los Angeles Hardcore American Gabberfest 2015 Report... page 4 stirred a lot of feelings, good and bad. Th ere were several reasons for hardcore’s comatose period Basscon Wasteland Report...page 5 which were out of the scene’s control. But two DigiTrack Reviews... page 6 factors stood out to me that were in its control, Noize Suppressor Interview... page 8 “elitism” and “moshing.” Th e Visual Art of Trauma... page 9 Some hardcore afi cionados in the 1990’s Q&A w/ CIK, CAP, YOKE1... page 10 would denounce things as “not hardcore enough,” Darkmatter 14 Years... page 12 “soft ,” etc. Th is sort of elitism was 100% anti- thetical to the rave idea that generated hardcore. Event Calendar... page 15 Hardcore and its sub-genres were born from the PHOTO CREDITS rave. Hardcore was made by combining several Cover, pages 5,8,11,12: Joel Bevacqua music scenes and genres. Unfortunately, a few Pages 4, 14, 15: Austin Jimenez hardcore heads forgot (or didn’t know) they came Page 9: Sid Zuber from a tradition of acceptance and unity. Granted, other scenes disrespected hardcore, but two The THD DISTRO TEAM wrongs don’t make a right. It messes up the scene Distro Co-ordinator: D.Bene for everyone and creativity and fun are the fi rst Arcid - Archon - Brandon Adams - Cap - Colby X. -
Thehard DATA Spring 2015 A.D
Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X. -
House, Techno & the Origins of Electronic Dance Music
HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines. -
Art of Punk Hardbass Chapter 26 Mp3, Flac, Wma
Art Of Punk Hardbass Chapter 26 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Hardbass Chapter 26 Country: Germany Released: 2013 Style: Hardstyle, Eurodance, Hard House, Hard Techno, Jumpstyle MP3 version RAR size: 1707 mb FLAC version RAR size: 1659 mb WMA version RAR size: 1698 mb Rating: 4.9 Votes: 155 Other Formats: MP2 APE VOX MOD MP3 MIDI DXD Tracklist Hide Credits CD 1 Mixed By Art Of Punk Vs. Illuminatorz 1-01 –Art Of Punk Vs. Illuminatorz* The Beginning 2.6 0:35 Never Say Goodbye (Wildstylez 1-02 –Hardwell & Dyro Feat. Bright Lights Remix) 3:06 Remix – Wildstylez –TNT Aka Technoboy 'N' Tuneboy & 1-03 Screwdriver 1:49 Audiofreq –Brennan Heart & Jonathan 1-04 Imaginary 2:21 Mendelsohn 1-05 –Bass Modulators & Audiotricz Feel Good 4:13 Sparks (Turn Of Your Mind) –Fedde Le Grand & Nicky Romero 1-06 (Atmozfears & Audiotricz Remix) 2:56 Feat. Matthew Koma Remix – Atmozfears, Audiotricz 1-07 –Illuminatorz* Tell Me Why 2:34 The Way (G! Mix) 1-08 –Giorno 1:49 Remix – G! I Wanna Dance With You (Scoon & 1-09 –Lolita Jolie Delore Remix) 2:35 Remix – Scoon & Delore Gonna Make You Sweat (Everybody 1-10 –Dexter & Gold Dance Now) (G! Mix) 2:46 Remix – G! 1-11 –Wildstylez Feat. Cimo Fränkel Lights Go Out 3:26 1-12 –Audiotricz & Atmozfears Dance No More 3:12 The Wonder Of Music (Peacekeeper 1-13 –El Grekoz Feat. Yuna-X Remix) 2:08 Remix – Peacekeeper 1-14 –Rebourne & Omegatypez Melodic Madness 3:28 Our Fairytale (Theme Of Tomorrow 1-15 –Coone* Feat. -
Musica House Dance 2014
Musica house dance 2014 The Best New Best Dance Music || Electro & House Dance Club Mix || Vol (Electro House. Best dance music new electro house The latest in electronic dance music. Get the latest from. The Best Electronic Dance Music Sessions (Electro House, Progressive House, Tech House, EDM). Always. Best Dance Music Electro House Dance Club Mix. ▻More Free Music: See als our. Best Dance Music Electro House Dance Club Mix Tracklist: 1. Phunk Investigation - Let The Bass Kick. More Videos from Best Dance Music | Electro & House. CLUB MUSIC MIXES Free Download: ▸Follow us on Instagram for Models: https://www. TO CHANNEL!!! SEGUIMI ANCHE SU FACEBOOK More Free Music: Facebook: Create your own Electro House - EDM. It's been an eventful year in dance music, to say the least. Kudos to French house wunderkind Wilfred Giroux for being the tough-love friend. CLUB & DANCE songs New House Music Mix [Club Party Lover's] Maximal Electro House Stream New Best Dance Music Electro & House Dance Club Mix By Gerrard #1 by Anthony Gerrard from desktop or your mobile device. Listen to the best Electro house dance club music track remix mix shows. Romyyca89 @ Night Party Mix _Vol.1_-_(Dance-Club Edition). Free with Apple Music subscription. Just Dance - 50 EDM Club Electro House Hits. Various Artists Roar (Glee Free Dance Edit). Electro House Special Dance Mix Electro House Progressive usa, axwell, hits , great club, bass, collection, love house music. Vários/House - Best of Dance (2CD). Compre as novidades de música na House music is a genre of electronic music created by club DJs and music producers in House music developed in Chicago's underground dance club culture in the early s, as DJs (re-issue of a November article).