Home of the Seattle Symphony — We Need Your Support to Remain One of the Finest Concert Halls in the World

Total Page:16

File Type:pdf, Size:1020Kb

Home of the Seattle Symphony — We Need Your Support to Remain One of the Finest Concert Halls in the World JUNE/JULY 2019 GRAMOPHONE’S ORCHESTRA OF THE YEAR LUDOVIC MORLOT, MUSIC DIRECTOR SHEKU KANNEH-MASON U.S. ORCHESTRAL DEBUT: THANK YOU TCHAIKOVSKY'S LUDOVIC ROCOCO VARIATIONS MORLOT CONDUCTS STRAUSS, DEBUSSY, WAGNER & JANÁČEK PLUS HOLST'S THE PLANETS, THE MUSIC OF QUEEN, STAR WARS, E.T. & HARRY POTTER SCC-004 SCCA_FY19 Brand-Level Campaign_Encore Arts Ad_Jennie.pdf 1 3/29/19 5:08 PM “People travel around the world to get care with us. You don’t C M Y have to.” CM MY — Dr. Jennie Crews CY Director of Community Oncology CMY K “The best cancer care in the region is coming to your neighborhood. The amazing doctors and nurses I am privileged to work with have made Seattle Cancer Care Alliance one of the top cancer centers in the nation. My commitment is to make sure you can receive SCCA-quality care close to home. That’s why we’re creating a network of SCCA clinics around the Puget Sound — including our newest locations in Poulsbo and Issaquah. Because we believe being around your family, your home, and the life you’ve built is a critical part of world-class cancer care.” You. Us. Better together. Seattle | Kirkland | Northgate | Poulsbo | Issaquah (206) 606-7222 | SeattleCCA.org Untitled-1 1 4/1/19 11:20 AM CONTENTS JUNE/JULY 2019 4 / Calendar 6 / The Orchestra 46 / Benaroya Hall Guide FEATURES 5 / On the Beat: Who’s Here to Hear 7 / Meet the Musicians 8 / Featured Community Partner 10 / News From the Symphony 12 / An Artist’s Legacy: Ludovic Morlot’s Uncommon Tenure with the Seattle Symphony 55 / The Lis(z)t CONCERTS 16 / June 6, 8 & 9 Holst The Planets 21 / June 7 [untitled] 3 30 / June 13, 14 & 15 Strauss Till Eulenspiegel JONATHON HEYWARD 34 / June 16 16 From Beethoven to Beyoncé 36 / June 20, 22 & 23 Morlot Conducts Debussy 41 / June 20, 22 & 23 Windborne’s The Music of Queen 42 / June 27, 28 & 29 Star Wars: The Empire Strikes MARY LYNCH MARIA MÄNNISTÖ Back in Concert 43 / July 9 & 10 30 36 E.T. The Extra-terrestrial in Concert 45 / July 12, 13 & 14 ON THE COVER: Ludovic Morlot conducts the Seattle Symphony by Jessica Forsythe Harry Potter and the Prisoner COVER DESIGN: Stephanie Tucker TM EDITOR: Heidi Staub of Azkaban in Concert © 2019 Seattle Symphony. All rights reserved. No portion of this work may be reproduced in any form or by any electronic or mechanical means without written permission from the Seattle Symphony. All programs and artists are subject to change. encorespotlight.com 3 LOOKING AHEAD: PERFORMANCE SPACE: ON THE DIAL: Tune in to Classical KING ■ S. MARK TAPER FOUNDATION AUDITORIUM FM 98.1 every Wednesday at 8pm for a ■ ILLSLEY BALL NORDSTROM RECITAL HALL Seattle Symphony spotlight and the first SEPT/OCT ■ OCTAVE 9: RAISBECK MUSIC CENTER Friday of every month at 9pm for concert ■ SAMUEL & ALTHEA STROUM GRAND LOBBY broadcasts. AT BENAROYA HALL ■ SYMPHONY EVENTS AWAY FROM THE HALL SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 2 3 4 5pm 5 6 7 First Thursday Open House SEATTLE SYMPHONY 88 9 10 7:30pm 11 7:30pm 12 13 5pm 14 Distant Worlds: Distant Worlds: Opening Night music from FINAL music from FINAL Concert & Gala FANTASY® with the FANTASY® with the SEATTLE SYMPHONY Seattle Symphony Seattle Symphony SEATTLE SYMPHONY SEATTLE SYMPHONY 7pm 15 16 17 18 7:30pm 19 12pm 20 9:30 & 11am 21 Clara Schumann Mahler Symphony Mahler Symphony First Concerts: Meet Bicentennial No. 1 No. 1 the Trumpets Celebration SEATTLE SYMPHONY SEATTLE SYMPHONY SEATTLE SYMPHONY BYRON SCHENKMAN & FRIENDS 8pm 8pm Claudia Oshry: The Mahler Symphony Dirty Jeans Tour No. 1 T-PRESENTS SEATTLE SYMPHONY 22 23 24 25 7:30pm 26 8pm 27 8pm 28 Mussorgsky Pictures An Evening with Mussorgsky Pictures at an Exhibition George Winston at an Exhibition SEATTLE SYMPHONY LIVE @ BENAROYA SEATTLE SYMPHONY HALL 8pm An Evening with George Winston LIVE @ BENAROYA HALL 2pm 29 30 OCTOBER 1 7:30pm 2 5pm 3 10:30am 4 9:30, 10:30 5 Mussorgsky Pictures Anne Sofie von First Thursday Tiny Tots: & 11:30am at an Exhibition Otter & Kristian Open House The Percussion: Tiny Tots: SEATTLE SYMPHONY Bezuidenhout SEATTLE SYMPHONY 5, 6, Pick Up Sticks The Percussion: SEATTLE SYMPHONY SEATTLE SYMPHONY 5, 6, Pick Up Sticks SEATTLE SYMPHONY 8pm Warner Bros. 8pm presents Bugs Bunny Warner Bros. 2pm 6 7:30pm 7 at the Symphony presents Bugs Bunny Warner Bros. Tinariwen 30th Anniversary at the Symphony presents Bugs LIVE @ BENAROYA Edition 30th Anniversary Bunny at the HALL SEATTLE SYMPHONY Edition Symphony 30th SEATTLE SYMPHONY Anniversary Edition SEATTLE SYMPHONY *Donor Events: Call 206.215.4832 for more information seattlesymphony.org TICKETS: 206.215.4747 GIVE: 206.215.4832 4 SEATTLESYMPHONY.ORG ■ ON THE BEAT Who’s Here to Hear Pacific Northwest’s Premier Summer Orchestra Festival JUNE 29–JULY 19, 2019 BELLINGHAM, WA Five Orchestra Concerts, Two Chamber Concerts Guest Artists including PIANISTS GEORGE LI and MARC-ANDRÉ HAMELIN VIOLINIST BENJAMIN BEILMAN | GUITARIST PEPE ROMERO METROPOLITAN OPERA MEZZO-SOPRANO JAMIE BARTON and CALIDORE STRING QUARTET Photo: James Holt James Photo: HAMELIN in TWO BRAHMS CONCERTI and BRAHMS QUINTET with CALIDORE QUARTET I like that there is so much to ROMERO playing RODRIGO experience in Seattle, but it’s not BARTON in GALA ARIA and CHORUS EVENING like you have to fit into one box. You can MORE INFO AT BELLINGHAMFESTIVAL.ORG | TICKETS: [email protected] | 360-650-6146 go out and hit up a pub or you can go somewhere and hear really interesting music. I’m big into divey places, spots “that feel homey and where I can just dig into food that’s cheap and a bit greasy. But I also love the opposite end of the spectrum too. Benaroya Hall is like a second home for me. Although I’m really into alternative rock, I’m slightly addicted to orchestra music too, so I come back here a lot. I know some of the bartenders and ushers and I’ve got my areas of the hall I really like. It’s got this atmosphere that I’m just soaked in at this point. – Will End of Day American Oil Painting Around 1900 ” June 15–September 29, 2019 CONNECT WITH US: Image: John Henry Twachtman. Dunes Back of Coney Island (detail), ca. 1880. Share your photos using #ListenBoldly and Oil on canvas. 13 Y x 19 Y in. Frye Art Museum, 1956.010. follow @seattlesymphony on Facebook, End of Day: American Oil Painting around 1900 is organized by the Frye Art Instagram, Twitter and Snapchat. Download Museum and curated by David Strand, head of exhibitions and publications, with Erin Langner, exhibitions and publications coordinator. Lead support for the Listen Boldly app to easily purchase the exhibition is provided by the Frye Foundation. Media sponsorship is provided by KCTS 9. tickets, skip the Ticket Office lines and receive exclusive offers. 704 Terry Avenue | fryemuseum.org | Always Free encorespotlight.com 5 LUDOVIC MORLOT SEATTLE SYMPHONY MUSIC DIRECTOR French conductor Ludovic Morlot has Morlot was Chief Conductor of La Monnaie for three years been Music Director of the Seattle (2012–14). During this time he conducted several new Symphony since 2011. During the productions including La Clemenza di Tito, Jenůfa and 2018–2019 season they continue in their Pelléas et Mélisande, as well as concert performances in both incredible musical journey, focusing Brussels and at the Aix-en-Provence Easter Festival. particularly on the music of Debussy, and works by composers he influenced Trained as a violinist, Morlot studied conducting at the Pierre or that influenced him. Among others, Monteux School (U.S.) with Charles Bruck and Michael Jinbo. newly commissioned works this season He continued his education in London at the Royal Academy are Caroline Shaw’s Piano Concerto and of Music and then at the Royal College of Music as recipient the U.S. premiere of Pascal Dusapin’s of the Norman del Mar Conducting Fellowship. Morlot was At Swim-Two-Birds. The orchestra has elected a Fellow of the Royal Academy of Music in 2014 in won five Grammy Awards under Morlot recognition of his significant contribution to music. He is and has many successful recordings on Chair of Orchestral Conducting Studies at the University of their label. Washington School of Music. Photo: Lisa-Marie Mazzucco Lisa-Marie Photo: SEATTLE SYMPHONY ORCHESTRA ROSTER LUDOVIC MORLOT Thomas Dausgaard Music Director Designate Pablo Rus Broseta Douglas F. King Associate Conductor Harriet Overton Stimson Music Director Joseph Crnko Associate Conductor for Choral Activities Gerard Schwarz Rebecca & Jack Benaroya Conductor Laureate FIRST VIOLIN Wes Dyring OBOE Jonathan Karschney KEYBOARD Noah Geller Allison Farkas * Mary Lynch Assistant Principal Joseph Adam Sayaka Kokubo David & Amy Fulton Concertmaster Principal Jenna Breen Organ + Daniel Stone Supported by anonymous donors John Turman Open Position Rachel Swerdlow Clowes Family Associate Concertmaster Ben Hausmann Danielle Kuhlmann PERSONNEL MANAGER CELLO Associate Principal Open Position TRUMPET Scott Wilson Assistant Concertmaster Efe Baltacıgil Chengwen Winnie Lai David Gordon Marks Family Foundation Principal Cello Stefan Farkas ASSISTANT PERSONNEL MANAGER Simon James Boeing Company Principal Trumpet Keith Higgins Second Assistant Concertmaster Meeka Quan DiLorenzo ENGLISH HORN Alexander White Assistant Principal Jennifer Bai Stefan Farkas Assistant Principal LIBRARY Mariel Bailey Nathan Chan Christopher Stingle Robert Olivia Cecilia Poellein Buss Eric Han CLARINET Michael Myers Associate Librarian Timothy Garland Bruce Bailey Benjamin Lulich Leonid Keylin Roberta Hansen Downey Jeanne Case Mr. & Mrs. Paul R. Smith Principal TROMBONE Mae Lin Walter Gray Librarian Clarinet Ko-ichiro Yamamoto Mikhail Shmidt Vivian Gu Rachel Swerdlow Principal Clark Story Joy Payton-Stevens Emil Khudyev Assistant Librarian John Weller David Sabee Associate Principal David Lawrence Ritt Jeannie Wells Yablonsky Laura DeLuca Stephen Fissel TECHNICAL DIRECTOR Arthur Zadinsky BASS Dr.
Recommended publications
  • Waltz from the Sleeping Beauty
    Teacher Workbook TABLE OF CONTENTS Letter from Jessica Nalbone .................................................................................2 Director of Education, North Carolina Symphony Information about the 2012/13 Education Concert Program ............................3 North Carolina Symphony Education Programs .................................................4 Author Biographies ..............................................................................................6 Carl Nielsen (1865-1931) .......................................................................................7 Oriental Festival March from Aladdin Suite, Op. 34 Wolfgang Amadeus Mozart (1756-1791) ..........................................................15 Symphony No. 39 in E-flat Major, K.543, Mvt. I or III (Movements will alternate throughout season) Claude Debussy (1862-1918) ..............................................................................28 “Golliwogg’s Cakewalk” from Children’s Corner, Suite for Orchestra Piotr Ilyich Tchaikovsky (1840-1893) ..................................................................33 Waltz from The Sleeping Beauty Igor Stravinsky (1882-1971) ...............................................................................44 “Dance of the Young Girls” from The Rite of Spring Loonis McGlohon (1921-2002) & Charles Kuralt (1924-1997) ..........................52 “North Carolina Is My Home” Richard Wagner (1813-1883) ..............................................................................61 Overture to Rienzi
    [Show full text]
  • THOMAS! Dausgaard Conducts R
    THOMAS DAUSGAARD, MUSIC DIRECTOR SEPTEMBER 2019 WELCOME THOMAS! Dausgaard conducts R. Strauss’ Also sprach Zarathustra Rachmaninov’s Fourth Piano Concerto with pianist Daniil Trifonov Mahler’s Symphony No. 1 Brahms’ Second Piano Concerto with pianist Yefim Bronfman My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS SEPTEMBER 2019 4 / Calendar 6 / The Orchestra 53 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Thomas Dausgaard on the Season Ahead 54 / The Lis(z)t CONCERTS 14 / September 11 & 12 My legacy. My partner. Distant Worlds: music from Final Fantasy® with the Seattle Symphony 16 / September 14 You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave Opening Night Concert & Gala behind.
    [Show full text]
  • Cat Empire Live Dvd
    Cat empire live dvd click here to download You asked for it! The Cat Empire have played over incredible shows around the world. Finally, they're. Sly - The Cat Empire Live on David Letterman · Steal The Light - WOMADelaide · Steal The Light - Behind The Scenes · Brighter Than Gold - Behind The Scenes · Days Like These, Live at Stage 88, Commonwealth Park · 'Introducing' from the On The Attack DVD · The Car Song, Live at the Forum from the Two Shoes. Live On Earth, double live album The Latest release from THE CAT EMPIRE. This Live double-album features 22 live recordings, from shows recorded all over the world. Melbourne, Montreal, Paris, London, New York and more this is the closest you can come to having The Cat Empire live in your lounge room. Recorded. We had a great thing going for a long time multiple shows in a row at the Shepherd's Bush Empire in London. This one was recorded in Wolves and All Night Loud - New videos LIVE from The Forum Theatre Read More This week's Bacstage Pass is two clips from our early DVD relese, On The Attack. The Lost Song. Find a The Cat Empire - Live At The Bowl first pressing or reissue. Complete your The Cat Empire collection. Shop Vinyl and CDs. Find a The Cat Empire - Live On Earth Sampler first pressing or reissue. Complete Since The Cat Empire began in , our fans have been begging us to release some of our live recordings. This year Feb 28 is the release date for both the double album, LIVE ON EARTH and the DVD, LIVE AT THE BOWL.
    [Show full text]
  • Wagnerkalender – Sluitingsdatum Van Deze Kalender 1 December 2017
    Wagnerkalender – sluitingsdatum van deze kalender 1 december 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Pierre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Tannhäuser light, 26 mei, Muziekgebouw aan het IJ Pocketversie van Tannhäuser, samengesteld door Carel Alphenaar. Michael Gieler dirigent, zangers: Laetitia Gerards, Gustavo Peña, Aylin Sezer, Michael Wilmering, orkest: leden van het Koninklijk Concertgebouworkest. Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Antwerpen Parsifal, 18, 21, 24, 27, 29 maart, 1 en 4 april 2018 Tatjana Gürbaca regie, Henrik Ahr decor, Cornelius Meister dirigent, Erin Caves (Parsifal), Tanja Ariane Baumgartner (Kundry), Stefan Kocan (Gurnemanz), Christoph Pohl (Amfortas), Károly Szemerédy (Klingsor), Markus Suihkonen (Titurel) Baden Baden - Festspielhaus Parsifal, 24 en 30 maart, 2 april 2018 Dieter Dorn regie, Magdalena Gut decor, Simon Rattle dirigent, Stephen Gould (Parsifal), Franz-Josef Selig (Gurnemanz), Ruxandra Donose (Kundry), Evgeny Nikitin (Klingsor), Gerald Finley (Amfortas) Der fliegende Holländer, 18 mei 2018 (concertant)
    [Show full text]
  • Music for Guitar
    So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour
    [Show full text]
  • The Bulletin P AR E XCELLENCE !
    E UGENE , O REGON -- THE U NIVERSITY TOWN The Bulletin P AR E XCELLENCE ! — Anne Dhu McLucas, University of Oregon OF THE S OCIETY FOR A MERICAN M USIC FOUNDED IN HONOR OF O SCAR G . T . S ONNECK Pesidents’ Weekend of 2005 st Vol. XXX, No. 3 Fall 2004 (February 17-20) will see the 31 Annual Conference of the Society for American Music meeting in Eugene, Oregon, hosted by the University of Oregon. Eugene is R ICHARD S TRAUSS ’S VISIT renowned for its track meets, its bike TO THE K LEINES STADCHEN OF M ORGANTOWN , paths, and its friendly, liberal, and casual WEST VIRGINIA atmosphere. The city is beautifully situ- ated between the Cascade Mountains to the East and the pristine Oregon Coast to — Christopher Wilkinson, West Virginia University the West-- each an hour away by car. The Willamette Valley is home to numerous This past March, the Division of of his art songs. That evening, Strauss vineyards and wineries. Some of the best Music of West Virginia University com- conducted the Pittsburgh Orchestra in pinot noir and pinot gris wines in the U.S. memorated the centenary of the visit to performances of two of his best known are produced here, and locally-grown campus by the German composer Richard tone poems: Tod und Verklärung and Till grapes also find their way into California Strauss, his wife, soprano Pauline de Eulenspiegels lustige Streiche. The story wines. Ahna Strauss, the Pittsburgh Orchestra, of the seemingly improbable series of The conference will be held primar- and its conductor, Victor Herbert, on events concerns not only the circumstanc- ily at the Eugene Hilton, in the heart of March 14, 1904.
    [Show full text]
  • Intérprete Cod Título Início Da Letra Idioma Alejandro Sanz 4105
    Intérprete Cod Título Início da Letra Idioma Alejandro Sanz 4105 CORAZÓN PARTÍO Tiritas pa este corazón partío ESP Alexandre Pires 6198 USTED SE ME LLEVO LA VIDA Usted se me llevó la vida ESP Carlos Oliva e Los Sobrinos 3368 MACARENA Dale a tu cuerpo alegria Macarena ESP Donato e Estefano 4005 MI DIOS Y MI CRUZ Uh... uh... Sera que el tiempo tiener mil ESP Elis Regina 1933 GRACIAS A LA VIDA Gracias a la vida que me ha dado ESP Laura Pausini 3725 SE FUE Ya no responde ni al teléfono ESP Los Lobos 4531 LA BAMBA Para bailar la bamba ESP Luís Miguel 4075 EL DIA QUE ME QUIERAS Acaricia mi sueno el suave murmullo ESP Luís Miguel 3919 LA BARCA Dicen que la distancia es el olvido ESP Ricky Martin 3958 LA COPA DE LA VIDA La vida es pura pasion ESP Ricky Martin 3574 MARIA Un, dos, tres um pasito pa delante Maria ESP Roberto Carlos 3985 ABRÁZAME ASÍ Abrázame así... ESP Sandy -Andrea Bocelli 4019 VIVO POR ELLA Vivo por ella sin saber ESP Santana 5956 OYE COMO VA Oye como va mi ritmo ESP Shakira 3750 DONDE ESTAS CORAZON Dónde estás corazón? ESP Shakira 3662 ESTOY AQUI Ya sé que no vedrás todo lo que fué ESP Shakira 6149 OJOS ASÍ Ayer conocí un cielo sin sol ESP Simone 4239 LOCA Loca loca al sentirme ESP 10,000 Maniacs 19807 MORE THAN THIS I could feel at the time EUA 10cc 4920 I M NOT IN LOVE I m not in love so don t forget it EUA 3 Doors Down 9033 HERE WITHOUT YOU A hundred days had made me older EUA 4 Non Blondes 2578 SPACEMAN Starry night bring me down EUA 4 Non Blondes 9072 WHAT S UP Twenty-five years and my life is still EUA 5 Seconds Of Summer 19852 SHE LOOKS SO PERFECT He-ey e-hey..
    [Show full text]
  • Family Album
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Family Album Mary Elizabeth Bowen University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bowen, Mary Elizabeth, "Family Album" (2009). University of New Orleans Theses and Dissertations. 909. https://scholarworks.uno.edu/td/909 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Family Album A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Mary Elizabeth (Missy) Bowen B.A., Grinnell College, 1981 May, 2009 © 2009, Mary Elizabeth (Missy) Bowen ii Table of Contents Abstract .........................................................................................................................................
    [Show full text]
  • Unitel and Classica Present DES NIBELUNGEN
    Unitel and ClassiCa present RICHARD WAGNER der rING des NIbelungeN PAlAu de lEs ARts Reina sofíA VAlencia La fura dels BAus ZuBIN MEHtA D D IE L W O A G L N K I Ü E der R H objects such as Valhalla (in this “Ring” production). in- E R deed, la Fura was predestined for Wagner’s visionary rING world: his dream of a Gesamtkunstwerk becomes re- ality as a shape-shifting sequence of tableaux unfolds S des NIbelungeN before our eyes with all the elements that constitute the “lenguaje furero” or “Fura idiom”. A “this production quite possibly shows us the path that eminent conductor Zubin Mehta leads world-class musical theater will be taking in the future” (Die Zeit). Wagner singers such as Matti salminen, Peter seiffert, indeed, the spanish city of Valencia is setting new ac- Juha Uusitalo, Jennifer Wilson and lance Ryan. Most cents in 21st-century opera not only with its spectacu- prominent among the younger cast members are Jen- D lar, futuristic opera house, the Palau de les arts “Reina nifer Wilson, a “singer we’ll be hearing more of” (Frank- sofía” designed by santiago Calatrava, but also with furter allgemeine Zeitung) and Juha Uusitalo, whom G the visually transfixing production of Wagner’s “Ring” the F.a.Z. hailed as a new “number One among the staged there by Carlus Padrissa and his theater group opera gods”. equally outstanding is the Orquestra de la la Fura dels Baus. the Barcelona-based Fura became Comunitat Valenciana, one of the “youngest and best Ö known internationally when it designed and carried opera orchestras in europe” (Opernglas), playing “with out the opening ceremonies of the 1992 Barcelona rapturous beauty under Zubin Mehta.
    [Show full text]
  • 26 November 2007 Federation Square Melbourne
    Finalist exhibition 12 – 26 November 2007 Federation Square Melbourne Melbourne Prize for Music 2007 fi nalists / Brenton Broadstock / Paul Grabowsky / David Jones / Paul Kelly / Richard Mills Outstanding Musicians Award fi nalists / Clare Bowditch / David Chisholm / The Cat Empire / Luke Howard and Leonard Grigoryan / Cameron Hill / Andrea Keller / Genevieve Lacey / Stephen Magnusson / Geoffrey Morris / Flinders Quartet Development Award fi nalists / Sam Anning / Sophie Brous / Aura Go / Julian Langdon / Tristram Williams The Melbourne Prize for Music 2007 The free public exhibition of fi nalists will be catalogue provides a review of the fi nalists held in the Atrium at Federation Square in the following award categories: between 12 – 26 November 2007. Visitors can read about each fi nalist and listen to examples / Melbourne Prize for Music 2007 of their music. / Outstanding Musicians Award For further information on the Melbourne Prize / Development Award Trust and Melbourne Prize for Music 2007 please visit www.melbourneprizetrust.org or call 03 9650 8800. The Melbourne Prize for Music 2007 is made possible by the support of our partners and patrons. The Melbourne Prize Trust would like to thank all partners for their generosity. Government Partner Founding Partners Patrons Diana Gibson AO Megg Evans Melbourne Prize for Music 2007 Partners Venue & Exhibition Partner Exhibition Design Exhibition Construction Digital Printing & Banners Exhibition Photography Exhibition Consultants Coleby Consulting Audio Equipment PartnerMedia Communications Professional Services Print Partner Winners Trophies Website Fundere Foundry The Melbourne Prize for Music 2007 celebrates excellence and talent in music and demonstrates the value our community places on its creative resources. With the generous support of all our partners, we have been able to recognise and reward the abundant and diverse musical talent we have in Victoria and make this accessible to the public.
    [Show full text]
  • Why Do People (Not) Cough in Concerts? the Economics of Concert Etiquette
    ACEI working paper series WHY DO PEOPLE (NOT) COUGH IN CONCERTS? THE ECONOMICS OF CONCERT ETIQUETTE Andreas Wagener AWP-05-2012 Date: December 2012 Why Do People (Not) Cough in Concerts? The Economics of Concert Etiquette Andreas Wagener University of Hannover School of Economics and Management Koenigsworther Platz 1 30167 Hannover, Germany [email protected] Abstract: Concert etiquette demands that audiences of classical concerts avoid inept noises such as coughs. Yet, coughing in concerts occurs more frequently than elsewhere, implying a widespread and intentional breach of concert etiquette. Using the toolbox of (behavioral) economics, we study the social costs and benefits of concert etiquette and the motives and implications of individually disobeying such social norms. Both etiquette and its breach arise from the fact that music and its “proper” perception form parts of individual and group identities, convey prestige and status, allow for demarcation and inclusion, produce conformity, and affirm individual and social values. Keywords: Concert etiquette, social norms, music. JEL classification: Z11, Z13, D02. „Aber, aber, Wozzeck, er hätte doch nicht husten sollen!“ [But really, Wozzeck, you should not have coughed!] Alban Berg (1925), Wozzeck, Act 1, Scene 4. 1. Introduction A concert of Western classical music is peculiar in several respects (Small 1997, 1998): the musical pieces performed are intangible and emotionally loaded; they form part of individual and social identities and are held to have value and meaning over and above the individual performance. Jointness in the experience of music embeds audiences and musicians into communicative and strategic interaction. Audiences do systematically not represent cross-sections of society but come from certain identifiable subgroups.
    [Show full text]
  • Au Delà De Pékin : La Critique De L'olympisme
    _QLvol15no16.qxd 4/22/08 9:26 PM Page 1 CAMPUS Carabins Une année en or Page 11 SOCIÉTÉ Armes et véhicules des Forces armées canadiennes Recyclage et vente de garage spécial! 199$ / Kg Page 12 CULTURE Rencontre avec Radio Radio Quatre Acadiens sortent du bois Au delà de Pékin : la critique de l’olympisme Page 17 L’ODIEUX Invente-t-on toujours de nouveaux - Vol. 15 • numéro 16 • 23 avril 2008 • 23 avril 16 • numéro 15 - Vol. DU STADE instruments page 15 de musique ? Page 21 QUARTIER LIBRE www.quartierlibre.ca _QLvol15no16.qxd 4/22/08 9:26 PM Page 2 Fédération des associations étudiantes du campus de l’Université de Montréal • 514.343.5947 • www.faecum.qc.ca Le contenu des pages de la FAÉCUM est indépendant de la ligne éditoriale de Quartier Libre Page 2 QUARTIER LIBRE - Vol. 15 • numéro 16 • 23 avril 2008 _QLvol15no16.qxd 4/22/08 9:26 PM Page 3 À LA UNE ÉDITO La question est sur toutes les lèvres, sur toutes les chaînes et Le journalisme étudiant sur toutes les pages: faut-il boycotter Pékin? Et si il fallait aussi boycotter Vancouver, Londres et Sotchi? En 2010, il y aura les terres amérindiennes violées, en 2012, l’Irak et la reine d’Angleterre (sauf si…) et en 2014, ce sera sûrement le régime Poutine-Medvedev qu’on critiquera. Chaque événe- ment olympique a son lot de pourfendeurs. LÀ POUR Y Certains sociologues ne s’arrêtent pourtant pas au pays hôte des Jeux mais creusent plus profondément, jusqu’à l’essence même de l’olympisme.
    [Show full text]