Class of 2012
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Campfire Songs
Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. -
Accelerated Reader Quiz List - Reading Practice Page 1 of 143
Accelerated Reader Quiz List - Reading Practice Page 1 of 143 Accelerated Reader Quiz List - Reading Practice Book Quiz No. Title Author Points Level 9382 ENLittle Runaway, The Hillert, Margaret 0.5 0.5 31542 Mine's the Best Bonsall, Crosby 0.5 0.5 EN 69269 My Best Friend Hall, Kirsten 0.5 0.5 EN 36762 New and Old (Opposites) Doudna, Kelly 0.5 0.5 EN 49858 Sit, Truman! Harper, Dan 0.5 0.5 EN 55435 Bears (Zoo Animals) Molter, Carey 0.6 0.5 EN 36765 Big and Small (Opposites) Doudna, Kelly 0.6 0.5 EN 36785 Cats Frost, Helen 0.6 0.5 EN 9018 ENFoot Book, The Seuss, Dr. 0.6 0.5 36757 Kittens Doudna, Kelly 0.6 0.5 EN 36760 Light and Dark (Opposites) Doudna, Kelly 0.6 0.5 EN 36761 Near and Far (Opposites) Doudna, Kelly 0.6 0.5 EN 69270 Oops! I Made a Mistake Hood, Susan 0.6 0.5 EN 36759 Piglets Doudna, Kelly 0.6 0.5 EN 59439 Rosie's Walk Hutchins, Pat 0.6 0.5 EN 55264 Tiny the Snow Dog Meister, Cari 0.6 0.5 EN 26912 Box Can Be Many Things, A Rau, Dana Meachen 0.7 0.5 EN 36755 Foals Doudna, Kelly 0.7 0.5 EN 36788 Hamsters Frost, Helen 0.7 0.5 EN 3049 ENI Went Walking Williams, Sue 0.7 0.5 31613 Itchy, Itchy Chicken Pox Maccarone, Grace 0.7 0.5 EN 31592 Lion and the Mouse, The Herman, Gail 0.7 0.5 EN file://C:\Documents and Settings\weclient\Desktop\QuizInfo.htm 5/2/2012 Accelerated Reader Quiz List - Reading Practice Page 2 of 143 36763 Long and Short (Opposites) Doudna, Kelly 0.7 0.5 EN 134214 Pigeon Wants a Puppy!, The Willems, Mo 0.7 0.5 EN 117219 Pup Speaks Up: A Phonics Reader, The Hays, Anna Jane 0.7 0.5 EN 107759 Three Cheers for Hippo! Stadler, John 0.7 0.5 EN 50996 Turtles Rustad, Martha E.H. -
Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen
|--Abigail Washburn | |--City of Refuge | | |--01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen | | |--04 Chains | | |--05 Ballad of Treason | | |--06 Last Train | | |--07 Burn Thru | | |--08 Corner Girl | | |--09 Dreams Of Nectar | | |--10 Divine Bell | | |--11 Bright Morning Stars | | |--cover | | `--folder | |--Daytrotter Studio | | |--01 City of Refuge | | |--02 Taiyang Chulai | | |--03 Bring Me My Queen | | |--04 Chains | | |--06 What Are They Doing | | `--07 Keys to the Kingdom | |--Live at Ancramdale | | |--01 Main Stageam Set | | |--02 Intro | | |--03 Fall On My Knees | | |--04 Coffee’s Cold | | |--05 Eve Stole The Apple | | |--06 Red & Blazey | | |--07 Journey Home | | |--08 Key To The Kingdom | | |--09 Sometime | | |--10 Abigail talks about the trip to Tibet | | |--11 Song Of The Traveling Daughter | | |--12 Crowd _ Band Intros | | |--13 The Sparrow Watches Over Me | | |--14 Outro | | |--15 Master's Workshop Stage pm Set | | |--16 Tuning, Intro | | |--17 Track 17 of 24 | | |--18 Story about Learning Chinese | | |--19 The Lost Lamb | | |--20 Story About Chinese Reality TV Show | | |--21 Deep In The Night | | |--22 Q & A | | |--23 We’re Happy Working Under The Sun | | |--24 Story About Trip To China | | |--index | | `--washburn2006-07-15 | |--Live at Ballard | | |--01 Introduction | | |--02 Red And Blazing | | |--03 Eve Stole The Apple | | |--04 Free Internet | | |--05 Backstep Cindy_Purple Bamboo | | |--06 Intro. To The Lost Lamb | | |--07 The Lost Lamb | | |--08 Fall On My Knees | | |--Aw2005-10-09 | | `--Index -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
Ben Sollee Annual Institute Performance an Evening of Music, Storytelling, and Community Fellowship
E T U T I Welcome to Berea T RK INS RK O Y F Y A small town with a big story! H Each year the Brushy Fork Annual Institute brings PHOTO: BRUS PHOTO: together a group of dedicated regional leaders from across Appalachia to share ideas and resources to Agenda address community needs and challenges. We invite you to join us this September here on the campus of Berea College. While here, you'll participate in regional networking, hands-on training, and spend some time Tuesday, September 22 getting to know our campus and community. 12:00 p.m. – 5:00 p.m. Registration 2:00 p.m. – 5:00 p.m. Early Bird Sessions Berea is home to a thriving population of weavers, 5:30 p.m. – 6:30 p.m. Dinner on the Lawn instrument makers, furniture artisans, jewelry designers, glass workers, potters, painters, sculptors, Wednesday, September 23 and musicians. 7:30 a.m. Breakfast The story of Berea's artisan community is interwoven 8:00 a.m. Registration Opens with historic Berea College, the first interracial 9:00 a.m. Opening Plenary and Address and coeducational college in the South. Berea has a 10:30 a.m. – 12:00 p.m. Concurrent Track Sessions long-standing tradition of diversity, social justice, 12:00 p.m. – 1:00 p.m. Picnic Lunch environmental responsibility, and community service. 1:00 p.m. – 5:00 p.m. Concurrent Track Sessions Both college and town are committed to the practice 6:00 p.m. – 7:00 p.m. Dinner at Historic Boone Tavern of sustainability and conservation. -
ED439719.Pdf
DOCUMENT RESUME ED 439 719 IR 057 813 AUTHOR McCleary, Linda C., Ed. TITLE Read from Sea to Shining Sea. Arizona Reading Program. Program Manual. INSTITUTION Arizona Humanities Council, Phoenix.; Arizona State Dept. of Library, Archives and Public Records, Phoenix. PUB DATE 2000-00-00 NOTE 414p. PUB TYPE Guides - Classroom Teacher (052) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Cooperative Programs; Games; Learning Activities; *Library Planning; Library Services; *Reading Motivation; *Reading Programs; State Programs; Youth Programs IDENTIFIERS *Arizona ABSTRACT This year is the first for the collaborative effort between the Arizona Department of Library, Archives and Public Records, and Arizona Humanities Council and the members of the Arizona Reads Committee. This Arizona Reading Program manual contains information on program planning and development, along with crafts, activity sheets, fingerplays, songs, games and puzzles, and bibliographies grouped in age specific sections for preschool children through young adults, including a section for those with special needs. The manual is divided into the following sections: Introductory Materials; Goals, Objectives and Evaluation; Getting Started; Common Program Structures; Planning Timeline; Publicity and Promotion; Awards and Incentives; Parents/Family Involvement; Programs for Preschoolers; Programs for School Age Children; Programs for Young Adults; Special Needs; Selected Bibliography; Resources; Resource People; and Miscellaneous materials.(AEF) Reproductions supplied by EDRS are the best that can be made from the original document. rn C21 Read from Sea to Shining Sea Arizona Reading Program Program Manual By Linda C. McCleary, Ed. U.S. DEPARTMENT OF EDUCATION PERMISSION TO REPRODUCE AND Office of Educational Research and Improvement DISSEMINATE THIS MATERIAL HAS EDUCATIONAL RESOURCES INFORMATION BEEN GRANTED BY CENTER (ERIC) This document has been reproduced as received from the person or organization Ann-Mary Johnson originating it. -
Béla Fleck & Abigail Washburn
FOR IMMEDIATE RELEASE CAP UCLA presents Béla Fleck & Abigail Washburn December 6 at Royce Hall "As musicians and as songwriters, Fleck and Washburn are predisposed to embrace the entire world — its sounds and its occupants alike. Echo in the Valley ties the many threads of their interests into a work that dazzles without sacrificing a shred of approachability.” - NPR Music “Echo in the Valley is to bluegrass as Charlie Parker was to New Orleans in the ’20s: respectful of its roots, untethered in its ambitions and triumphant in bringing it all together.” – Downbeat UCLA’s Center for the Art of Performance (CAP UCLA) presents husband and wife duo, Béla Fleck and Abigail Washburn on Thursday, Dec. 6 at 8 p.m. at Royce Hall. Tickets for $26–$66 are available now at cap.ucla.edu, via Ticketmaster, by phone 310-825-2101, and at the UCLA Central Ticket Office. Béla Fleck and Abigail Washburn will perform songs from their new album, Echo in the Valley (Rounder). Serving as a follow-up to their acclaimed self-titled debut earning the 2016 Grammy for Best Folk Album. This performance is a reflection of the times, including the single “Come All You Coal Miners,” written by coal miner advocate Sarah Ogan Gunning. “‘Come All You Coal Miners,” a vintage agitprop lament about coal mining as wage slavery, opens this track in unexpected form, a long way from traditionalism, with Abigail Washburn's near a cappella vocal over eerie electronic tones that may involve banjos in reverse,” writes The New York Times. With seven banjos between them, Béla Fleck and Abigail Washburn joined forces in 2013 for a very banjo-centric touring project. -
Exploring the Bluegrass Nation As an Imagined Community
NOTIONS OF NATION: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN L. LANEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 Department of Appalachian Studies NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN LANEY May 2013 APPROVED BY: Nancy S. Love Chairperson, Thesis Committee David Haney Member, Thesis Committee Fred Hay Member, Thesis Committee Patricia D. Beaver Director, Center for Appalachian Studies Edelma D. Huntley Dean, Cratis Williams Graduate School Copyright by Jordan L. Laney 2013 All Rights Reserved Abstract NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY Jordan L. Laney B.F.A., Goddard College M.A., Appalachian State University Chairperson: Nancy S. Love While bluegrass music has been a topic of conversation within the discipline of Appalachian Studies, research concerning the emergence of the community in cyberspace is relatively rare. Appalachian music’s role as a transnational facilitator is groundbreaking in areas of social networking, and as a member of the bluegrass community, I am fascinated by the communication that results now that members of that community can connect to friends in Europe, Japan, and France as easily as to next door neighbors. Noting that music is what brings these individuals together, this study addresses ways in which the bluegrass community embodies an imagined community and uses political language to gather in cyberspace. The study is not meant to discredit the direct ties the music has to Appalachia, but rather to applaud and understand the work of enthusiasts in the field who have found ways to mobilize the music through the Internet. -
Discovery Education Unitedstreaming Plus Full Title List
Title Name Producer Grade Range Copyright ¿Vida en Marte? Discovery Education Gr. 6 - Gr. 8 2001 1964 World's Fair Janson Media Gr. 7 - Gr. 12 1998 20th Century History Game, The: Industry: The Rise of Big Glad Productions, Inc. Gr. 6 - Gr. 8 1996 2nd Amendment: The Right to Bear Arms Discovery Education Gr. 9 - Gr. 12 2004 50% Teen Sexual Abstinence Butterfield Jr High School Gr. 6 - Gr. 8 1994 9/11: It's Not Over Aquarius Health Care Media K - Gr. 12 2002 A Chaos of Experimentation Intelecom Gr. 7 - Gr. 12 2004 A Community at Work CLEARVUE & SVE K - Gr. 6 1999 A First Look at Your Library Media Center CLEARVUE & SVE K - Gr. 3 2002 A History of Photography: Looking at the World Double Diamond Gr. 7 - Gr. 12 1997 A Kid's Guide to a Positive Attitude CLEARVUE & SVE K - Gr. 6 1989 A Kid's Guide to Being a Good Kid CLEARVUE & SVE K - Gr. 6 1991 A Kid's Guide to Decisions CLEARVUE & SVE K - Gr. 6 1989 A Kid's Guide to Divorce CLEARVUE & SVE K - Gr. 6 1988 A Kid's Guide to Drug, Alcohol, & Smoking Awareness CLEARVUE & SVE K - Gr. 6 1984 A Kid's Guide to Drugs, Decisions, & You CLEARVUE & SVE K - Gr. 6 1989 A Kid's Guide to Families CLEARVUE & SVE K - Gr. 6 1992 A Kid's Guide to Family Changes CLEARVUE & SVE K - Gr. 6 1992 A Kid's Guide to Feeling Good about Yourself CLEARVUE & SVE K - Gr. 6 1989 A Kid's Guide to Feelings CLEARVUE & SVE K - Gr.