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2014-2015 Fine Arts Mid-Season Brochure
Deana Martin Photo credit: Pat Lambert The Fab Four NORTH CENTRAL COLLEGE Russian National SEASON Ballet Theatre 2015 WINTER/SPRING Natalie Cole Robert Irvine 630-637-SHOW (7469) | 3 | JA NUARY 2015 Event Price Page # January 8, 9, 10, 11 “October Mourning” $10, $8 4 North Central College January 16 An Evening with Jazz Trumpeter Art Davis $20, $15 4 January 18 Chicago Sinfonietta “Annual Tribute to Dr. Martin Luther King Jr.” $58, $46 4 January 24 27th Annual Gospel Extravaganza $15, $10 4 Friends of the Arts January 24 Jim Peterik & World Stage $60, $50 4 January 25 Janis Siegel “Nightsongs” $35, $30 4 Thanks to our many contributors, world-renowned artists such as Yo-Yo Ma, the Chicago FEbrUARY 2015 Event Price Page # Symphony Orchestra, Vienna Boys Choir, Wynton Marsalis, Celtic Woman and many more have February 5, 6, 7 “True West” $5, $3 5 performed in our venues. But the cost of performance tickets only covers half our expenses to February 6, 7 DuPage Symphony Orchestra “Gallic Glory” $35 - $12 5 February 7 Natalie Cole $95, $85, $75 5 bring these great artists to the College’s stages. The generous support from the Friends of the February 13 An Evening with Jazz Vocalist Janice Borla $20, $15 5 Arts ensures the College can continue to bring world-class performers to our world-class venues. February 14 Blues at the Crossroads $65, $50 5 February 21 Béla Fleck and Abigail Washburn $65, $50 6 northcentralcollege.edu/shows February 22 Robin Spielberg $35, $30 6 Join Friends of the Arts today and receive exclusive benefits. -
Fill Your Summer with Music Draft
FILL YOUR SUMMER WITH MUSIC DRAFT SUMMER 2020 CLASSICAL | JAZZ | FOLK | POP | WORLD = THE MEMORABLE ROCKPORT MUSIC EXPERIENCES EXPERIENCE DEMAND AN INSPIRED • World-class artists EXCEPTIONAL from around the globe • stellar acoustics SPACE. • engaging and accessible community events for all ages INTIMATE • A warm, inviting setting for an unparalleled "…beautiful to the eye concert experience as well as the the ear" The New York Times • Salon-like setting evoking ©Acadia Mezzofanti ©Acadia late night cabarets, jazz clubs and Celtic sessions CONTENTS 5 SEASIDE 39th Annual • Gorgeous harbor views ROCKPORT CHAMBER MUSIC FESTIVAL • Picturesque New England June 12–July 12 | August 7-9 coastal village 18 Ten years ago, the opening of the Shalin Liu 9th Annual ROCKPORT JAZZ FESTIVAL Performance Center brought a much-anticipated July 26–August 2 dream to reality for Rockport Music. Originally founded as a chamber music festival in the 80’s, 21 Rockport Music’s new concert hall has truly SUMMER AT ROCKPORT surpassed all expectations. With the opening of Jazz, Folk, Pop & World the hall, the organization has seen exponential May–September growth into multiple musical genres, hosted 28 broadcast events from around the world, and is 2nd Annual ROCKPORT CELTIC FESTIVAL YEAR-ROUND considered “one of the most beautiful halls in OFFICIAL the country.” This year we celebrate the 10th August 27–30 PARTNERS EXCLUSIVE REALTOR anniversary of its opening with a spectacular 30 OFFICIAL HOTEL OFFICIAL TRANSPORTATION summer gala on June 5. We hope you'll join us! -
Howard Dyck Reflects on Glenn Gould's The
“What you intended to say”: Howard Dyck Reflects on Glenn Gould’s The Quiet in the Land Doreen Helen Klassen The Quiet in the Land is a radio documentary by Canadian pianist and composer Glenn Gould (1932-82) that features the voices of nine Mennonite musicians and theologians who reflect on their Mennonite identity as a people that are in the world yet separate from it. Like the other radio compositions in his The Solitude Trilogy—“The Idea of North” (1967) and “The Latecomers” (1969)—this work focuses on those who, either through geography, history, or ideology, engage in a “deliberate withdrawal from the world.”1 Based on Gould’s interviews in Winnipeg in July 1971, The Quiet in the Land was released by the Canadian Broadcasting Corporation (CBC) only in 1977, as Gould awaited changes in technology that would allow him to weave together snatches of these interviews thematically. His five primary themes were separateness, dealing with an increasingly urban and cosmopolitan lifestyle, the balance between evangelism and isolation, concern with others’ well-being in relation to the historic peace position, and maintaining Mennonite unity in the midst of fissions.2 He contextualized the documentary ideologically and sonically by placing it within the soundscape of a church service recorded at Waterloo-Kitchener United Mennonite Church in Waterloo, Ontario.3 Knowing that the work had received controversial responses from Mennonites upon its release, I framed my questions to former CBC radio producer Howard Dyck,4 one of Gould’s interviewees and later one of his 1 Bradley Lehman, “Review of Glenn Gould’s ‘The Quiet in the Land,’” www. -
American Masters 200 List Finaljan2014
Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON: -
Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
Rockport Jazz Festival and More
BARRY SHIFFMAN, artistic director CONTACT: Karen Herlitz, Director of Marketing [email protected] Phone: 978-546-7391, Ext. 110 DATE: April 30, 2021 HOLD ANNOUNCE UNTIL MAY 12, 2021 Celebrating 40 Years of Music—the Return of Music brings the Rockport Chamber Music Festival, Rockport Jazz Festival and more Rockport Music is thrilled to announce that this summer patrons can once again enjoy live music in person in the Shalin Liu Performance Center. With the milestone 40th Anniversary of the Rockport Chamber Music Festival spanning over five weekends spanning from July 9-September 19, 2021, Rockport Music leadership is excited and appreciative to be able to bring back music to Cape Ann. In addition to the chamber music festival, Rockport Music will host the Rockport Jazz Festival, the Rockport Celtic Festival, and as well as additional concerts starting in July. From Artistic Director Barry Shiffman, “This Festival brings a summer of hope and healing with five glorious weekends of concerts. Join us for a star-studded line up of artists as we celebrate our 40th season and look confidently to our future.” A full schedule of artists and programs are listed below. This year’s Festival brings several outstanding artists, including seven of the world’s greatest chamber ensembles, several winners from recent international competitions, and an impressive line-up of pianists. Returning artists include the Brentano Quartet, Dover Quartet, clarinetist Anthony McGill, as well as debuts appearances from Miro Quartet, pianist Jan Lisieki, violinist Tessa Lark and pianist Simone DInnerstein. Additionally, this year’s Festival also brings the New England premiere of Kevin Puts’ new work Home, which was inspired by the refugee crisis in Europe. -
Finding Music in Mirlyn
Finding Music in Mirlyn Mirlyn is the online catalog of the University of Michigan Libraries. It gives you access to the catalogs of the University Library, as well as the Clements Library, Bentley Historical Library, and University of Michigan-Flint Library. Basic Search The Basic Search screen appears when you enter Mirlyn. The default search is a “Word(s) anywhere” search. This is the most general and comprehensive search, as it looks for your keyword wherever it occurs in the catalog record – in the author, title, publisher, subject, notes, and other fields. In addition to keyword searching, you may also search by title, author, subject, journal name, and call number from the Basic Search screen. Browse Both the Basic Search and the Browse modes (located on the yellow bar toward the top of the screen) allow you to “browse” within the catalog. Browse commands usually contain the words “begins with,” as in “Title begins with…” or “Call number begins with…” A browse results in an alphabetical or numerical (in the case of a call number search) list with your search term or the nearest match in the second position. For example, a “journal/serial name begins with” search on “rolling stone” retrieves the following: Advanced Search Advanced searching allows you to search by multiple parameters (e.g., author and title) at the same time. It also allows you to limit your search by format, language, location, and years; these options appear on the bottom half of the search screen. The following example is a subject search on “jazz” that has been limited to DVDs held by the Music Library: 2 Searching for Music When looking for music scores or recordings, “words anywhere” (aka keyword) searching is recommended. -
Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
Newsletter-Fall 2019
ROCKPORT MUSIC NEWSLETTER :: FALL 2019 A Deeper Dive into Music Building long-term musical learning experiences Page 7 PALAVER STRINGS First Education Ensemble-In-Residence ROCKPORTMUSIC.ORG ARTIST SPOTLIGHT Soul of the Americas A Rich Tapestry of Music By KAREN HERLITZ THIS JANUARY, ROCKPORT MUSIC HEATS UP THE On how the definition of “classical music” WINTER WITH A LATIN-INSPIRED PROGRAM ENTITLED has changed over time THE SOUL OF THE AMERICAS! CELEBRATING THE RICH It does seem like musicians and audiences are less interested tapestry of musical influences across North and South America, in boundaries today, and more open to genres bleeding into the concert features works of seven iconic composers – Aaron each other. At the end of the day, as long as it’s done with Copland, George Gershwin, Leonard Bernstein, Samuel craft and sophistication, great music is great music. Barber, Heitor Villa-Lobos (Brazil), Alberto Ginastera (Argentina), and Osvaldo Golijov (Argentina). Curated by pianist Michael Brown and cellist Nicholas Canellakis, they On what to expect from the concert are joined by highly acclaimed pianist Orion Weiss and The concert takes the listener on a journey from Copland’s percussionist Ian David Rosenbaum to perform the program. El Salón México to Gershwin’s Cuban Overture, with many other works in between by Golijov, Barber, Bernstein, Michael Brown and Nicholas Canellakis shared their thoughts Villa-Lobos, and Ginastera. These North and South American with us on their exciting program and what to expect from composers responded their concert. to the rhythm of their surroundings, places they On their inspiration for Soul of the Americas encountered, and dance. -
Daniel Lanois
ESPERANZA SPALDING If “esperanza” is the Spanish word for hope, then bassist, vocalist and composer Esperanza Spalding could not have been given a more fitting name at birth. Blessed with uncanny instrumental chops, a multi-lingual voice that is part angel and part siren, and a natural beauty that borders on the hypnotic, the 25-year-old prodigy-turned-pro might well be the hope for the future of jazz and instrumental music. Spalding was born in 1984 and raised on what she calls “the other side of the tracks” in a multi- lingual household and neighborhood in Portland, Oregon. Growing up in a single-parent home amid economically adverse circumstances, she learned early lessons in the meaning of perseverance and moral character from the role model whom she holds in the highest regard to this day – her mother. But even with a rock-solid role model, school did not come easy to Spalding, although not for any lack of intellectual acumen. She was both blessed and cursed with a highly intuitive learning style that often put her at odds with the traditional education system. On top of that, she was shut in by a lengthy illness as a child, and as a result, was home-schooled for a significant portion of her elementary school years. In the end, she never quite adjusted to learning by rote in the conventional school setting. “It was just hard for me to fit into a setting where I was expected to sit in a room and swallow everything that was being fed to me,” she recalls. -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things.