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What Swiping a Griz Card at a Fraternity Really Means Page 5
swipe at your own risk What swiping a Griz Card at a fraternity really means Page 5 ARTS UM ceramics department teaches new levels of self-expression Page 12 Volume 122, Issue No. 4, September 18, 2019 KIOSK | ABOUT US OPINION | KAIMIN EDITORIAL EDITORIAL STAFF NEWSROOM STAFF Editor-in-Chief Multimedia Editor News Reporters Arts & Opinion Mutimedia Staff Cartoonist Cassidy Alexander Sara Diggins Mazana Boerboom Reporters Quinn Corcoran Cooper Malin Paul Hamby Canyon Hohenstein Daniel Duensing Business Manager Design Editors Patrick Boise Jaqueline Evans-Shaw JoAnn Martin Jazzlyn Johnson Bergen Frank-Loron Office Assistants Daylin Scott Aidan Morton Meghan Jonas Donal Lakatua Katie Lindner GRIZ GRUMBLES News & Sports Editors Erin Sargent Serena Palmer Jiakai Lou Norbert Weber An ode to Sydney Akridge Connor Simpson Jordynn Paz Liam McCollum It’s the little things, UM Helena Dore Addie Slanger Lily Soper Claire Shinner Advisers Emma Smith Jule Banville Arts & Opinion Editors Sports Reporters Designers Noelle Huser Kaitlin Clifford Hunter Wiggins Leah Sottile Drew Novak Dante Filpula Ankney Jack Marshall Constance Darlington Copy Chief What’s up with UM Parking? Why is it $241 to park The Montana Kaimin is a weekly independent student Luke Schmit Lily Johnson Luke Smith newspaper at the University of Montana. It does not condone Griffen Smith Lindsey Sewell for a year? Sorry we all can’t be bike riding hippies. or encourage any illegal activities. The Kaimin office and the Jason Upton Academic Planner University of Montana are located on land originally inhabited by the Salish People. Kaimin is a derivative of a Salish language word, “Qeymin,”‘ that is pronounced kay-MEEN and means “book,” “message,” or “paper that brings news.” Why does the price for the UM dining keep going For comments, corrections or letters to the editor, contact up each semester? Last we checked, the Food Zoo [email protected] or call (406) 243-4310. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
MINUTES MONTANA HOUSE of REPRESENTATIVES 53Rd LEGISLATURE
MINUTES MONTANA HOUSE OF REPRESENTATIVES 53rd LEGISLATURE - REGULAR SESSION COMMITTEE ON BUSINESS & ECONOMIC DEVELOPMENT Call to Order: By CHAIRMAN STEVE BENEDICT, on January 13, 1993, at 9:00 A.M. ROLL CALL Members Present: Rep. Steve Benedict, Chair (R) Rep. Sonny Hanson, Vice Chair (R) Rep. Bob Bachini (D) Rep. Joe Barnett (R) Rep. Ray Brandewie (R) Rep. Vicki Cocchiarella (D) Rep. Fritz Daily (D) Rep. Tim Dowell (D) Rep. Alvin Ellis (R) Rep. Stella Jean Hansen (D) Rep. Jack Herron (R) Rep. Dick Knox (R) Rep. Don Larson (D) Rep. Norm Mills (R) Rep. Bob Pavlovich (D) Rep. Bruce Simon (R) Rep. Carley Tuss (~ Rep. Doug Wagner (R) Members Excused: All Present Members Absent: None Staff Present: Paul Verdon, Legislative Council Claudia Johnson, Committee Secretary Please Note: These are summary minutes. Testimony and discussion are paraphrased and condensed. Committee Business Summary: Hearing: cont. of hearing on HB 29 Executive Action: HB 29 HEARING ON HB 29 Opening Statement by Sponsor: REP. VIVIAN BROOKE, House District 20, continued with HB 29. She distributed 2 exhibits, Terry Karson from MAGDA, and a synopsis of HB 29. EXHIBITS 1 and 2 930113BU.HMl HOUSE BUSINESS & ECONOMIC DEVELOPMENT COMMITTEE January 13, 1993 Page 2 of 5 Proponents' Testimony: Gloria Hermanson said the advocacy feels the overall intent of the bill is appropriate and with the amendments attached they support HB 29. EXHIBIT 12 for amendments. Ms. Hermanson distributed two exhibits, Monte Dolack Graphics from Missoula, and William Frazier, Jr. from Livingston. EXHIBITs 3 and 4 Laura J. Millin, Director Missoula Museum of the Arts, said the fine arts credibility and respectability in the art community is nationwide. -
The MSU Ceramics Program Story
Montana State University Ceramics Program Story By Josh DeWeese, 2012 The ceramics program at Montana State University started with Frances Senska around 1945. Senska had studied with the German potter Marguerite Wildenhain and brought a Bauhaus aesthetic and sense of design to the small college in Montana after WWII. In the early days the department of MSC (Montana State College) was principally made up of Frances Senska, Jessie Wilbur, and Cyrus Conrad. Frances Senska working in her studio They hired Robert DeWeese in 1949. Peter Voulkos and Rudy and Lela Autio were in school from 1947‐51, and both Pete and Rudy developed an interest in ceramics. Senska nurtured that interest, and in the summer of 1951 she introduced them to Archie Bray who hired them to work and develop the Pottery in the brickyard. Senska taught up until the early 70s, firmly establishing the department, and designing the ceramics studio in Haynes Hall, which is still in use today. After her retirement, Jim Barnaby was hired to teach and taught for several years. In the early 1970’s Michael Peed and Rick Pope were hired and both taught until 2008, when they both retired. Their students include Frank Whitney, Ken Kohoutek, Louis Katz, Gail Busch, Tip Toland, Silvie Granatelli, and many others over a 30+ year career. Josh DeWeese, (Robert’s son) was hired in 2008, to work with Dean Adams to develop the program. Adams moved to the Foundations position in 2010, and Jeremy Hatch was hired to teach ceramic sculpture in 2011. Peter Voulkos in 1940’s Today, the program is focused on delivering a well‐ rounded education in the ceramic arts, introducing a broad range of technical skills balanced with critical evaluation and a strong awareness of contemporary issues relevant to the medium. -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
Ceramics Monthly Mar05 Cei03
www.ceramicsmonthly.org Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Ren£e Fairchild assistant editor Jennifer Poellot publisher Rich Guerrein Advertising/Classifieds [email protected] (614) 794-5809 fax: (614) 891-8960 [email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (614) 794-5890 [email protected] marketing manager Susan Enderle Design/Production design Paula John graphics David Houghton Editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle Dick Lehman Don Pilcher Bernie Pucker Tom Turner Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The Ameri can Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add 7% GST (registration number R123994618). back issues: When available, back issues are $6 each, plus $3 shipping/ handling; $8 for expedited shipping (UPS 2-day air); and $6 for shipping outside North America. Allow 4-6 weeks for delivery. change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation De partment, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available online at www.ceramicsmonthly.org. -
Studies in Classical Antiquity NS Vol. 20 / 2011 New Zealand / South Africa
ISSN 1018-9017 SCHOLIA Studies in Classical Antiquity NS Vol. 20 / 2011 New Zealand / South Africa ISSN 1018-9017 SCHOLIA Studies in Classical Antiquity Editor: W. J. Dominik NS Vol. 20 / 2011 New Zealand / South Africa SCHOLIA Studies in Classical Antiquity ISSN 1018-9017 Scholia features critical and pedagogical articles and reviews on a diverse range of subjects dealing with classical antiquity, including late antique, medieval, Renaissance and early modern studies related to the classical tradition; in addition, there are articles on classical artefacts in museums in New Zealand and the J. A. Barsby Essay. Manuscripts: Potential contributors should read the ‘Notes for Contributors’ located at the back of this volume and follow the suggested guidelines for the submission of manuscripts. Articles on the classical tradition are particularly welcome. Submissions are usually reviewed by two referees. Time before publication decision: 2-3 months. Subscriptions (2011): Individuals: USD35/NZD50. Libraries and institutions: USD60/ NZD80. Credit card payments are preferred; please see the subscription form and credit card authorisation at the back of this volume. Foreign subscriptions cover air mail postage. After initial payment, a subscription to the journal will be entered. All back numbers are available at a reduced price and may be ordered from the Business Manager. Editing and Managing Address: Articles and subscriptions: W. J. Dominik, Editor and Manager, Scholia, Department of Classics, University of Otago, P. O. Box 56, Dunedin 9054, New Zealand. Telephone: +64 (0)3 479 8710; facsimile: +64 (0)3 479 9029; e-mail: [email protected]. Reviews Address: Reviews articles and reviews: J. -
Persistence-In-Clay.Pdf
ond th0 classroom THE CERAMICS PROGRAM ATTHE UNIVERSITY OF MONTANA by H. RAFAEL CHACON ontana is known globally as a place for the Autio came to Missoula at the instigation of the Mstudy of modern ceramics, in no small part visionary President McFarland. In 1952, while because of the strengths of its academic institutions. shopping in Helena for bricks for his new campus Ceramics at the University of Montana is a model buildings, McFarland found Autio working at the academic program with an international reputation Archie Bray Foundation. Initially hired to design and a rich history. an architectural mural for the exterior of the new The arts have been a part of the University of Liberal Arts building, Autio eventually accepted Montana's curriculum since the establishment of McFarland's invitation to create a bona fide ceramics the state's flagship educational institution in 1895, program at the university. In fall 1957, Autio began with the first drawing course offered in 1896. Clay throwing, firing, and glazing pots and making first appeared in 1903 as a subject of instruction, sculptures in a retired World War II barracks building alongside the crafts of rug design, lettering, and later the warming hut of the university's Ice book covers, basket weaving, and metallurgy. In Skating Rink below Mt. Sentinel; these were not the 1926, after the retirement of long-time chairman best facilities, but a step up from the soda fountain Frederick D. Schwalm, the crafts were eliminated on the ground floor of the former Student Union from the curriculum only to be restored in 1948 building. -
On the Edge Nceca Seattle 2012 Exhibition Guide
ON THE EDGE NCECA SEATTLE 2012 EXHIBITION GUIDE There are over 190 exhibitions in the region mounted to coincide with the NCECA conference. We offer excursions, shuttles, and coordinated openings by neighborhood, where possible. Read this document on line or print it out. It is dense with information and we hope it will make your experience in Seattle fulfilling. Questions: [email protected] NCECA Shuttles and Excursions Consider booking excursions or shuttles to explore 2012 NCECA Exhibitions throughout the Seattle region. Excursions are guided and participants ride one bus with a group and leader and make many short stops. Day Dep. Ret. Time Destination/ Route Departure Point Price Time Tue, Mar 27 8:30 am 5:30 pm Tacoma Sheraton Seattle (Union Street side) $99 Tue, Mar 27 8:30 am 5:30 pm Bellingham Sheraton Seattle (Union Street side) $99 Tue, Mar 27 2:00 pm 7:00 pm Bellevue & Kirkland Convention Center $59 Wed, Mar 28 9:00 am 12:45 pm Northwest Seattle Convention Center $39 Wed, Mar 28 1:30 pm 6:15 pm Northeast Seattle Convention Center $39 Wed, Mar 28 9:00 am 6:15 pm Northwest/Northeast Seattle Convention Center $69 combo ticket *All* excursion tickets must be purchased in advance by Tuesday, March 13. Excursions with fewer than 15 riders booked may be cancelled. If cancelled, those holding reservations will be offered their choice of a refund or transfer to another excursion. Overview of shuttles to NCECA exhibitions and CIE openings Shuttles drive planned routes stopping at individual venues or central points in gallery dense areas. -
MALTESE E-NEWSLETTER 325 June 2020
MALTESE E-NEWSLETTER 325 June 2020 1 MALTESE E-NEWSLETTER 325 June 2020 Our prayer is that our lips will be an instrument of love and never of betrayal The spirit in your bread, fire in your wine. Some beauty grew up on our lips' for our lips are beloved not only because they express love in the intimacy of love loved ones but because also through them we are trailed by the Body and blood of Jesus. Today we are also recalling the generous blood Mass in the Solemnity of the Body and Blood of donation with which we assure healing and life Christ (Corpus Christi) to so many people. How beautiful it is to Homily of Archbishop Charles Jude Scicluna celebrate this generosity, so many people who We have made a three-month fasting and today in our donate their blood on the day of the Eucharist. parishes and churches the community can begin to Unless in the Gospel we have heard Jesus insists meet again to hear the Word of God and receive the in the need to come unto Him, eat His Body, drink Eucharist. His Blood to have life. Our prayer is that our lips We need to do this in a particular context that requires are an instrument of love and never of betrayal – a lot of restrictions so that this meeting of love does not as they were for Judas – and receive with a yellow lead us to the illnesses that brings death but keeps heart the Lord's Beloved Body and Blood. -
Northwest Modern Revisiting the Annual Ceramic Exhibitions of 1950-64
ESSAY Northwest Modern Revisiting the Annual Ceramic Exhibitions of 1950-64 A moment captured. It is a rare opportunity when one is able to envision what “the past” was like. A good historian knows that we are always looking back through a lens of today, imagining the past while subconsciously making assumptions on what we believe to be true, or “knowing what we now know.” Revisiting the Annual Exhibitions of Northwest Ceramics, a juried series that took place at the Oregon Ceramic Studio in Portland, between 1950-64, has been an experiment in looking back. The Studio (or OCS, now Museum of Contemporary Craft) organized these exhibitions in order to both stimulate the artists working in that medium and legitimize clay as an art form. Today, the artwork and archives that remain act as clear evidence of how the OCS played a part in the transition of how ceramics were perceived, capturing one of the most exciting periods of art history in the Western United States.1 In 1950, the volunteers of the Oregon Ceramic Studio launched the First Annual Exhibition of Northwest Ceramics, using a model set forth by the annual Ceramic National Exhibitions at the Syracuse Museum of Fine Arts (now Everson Museum of Art), New York. “Calls for Entries” were sent out to artists in selected Northwestern states, asking for work made within the last year to be entered into the competition.2 Actual work was shipped to Portland, where a panel of guest-jurors reviewed the pieces and made their selections for the exhibition, awarding a range of donated monetary prizes to the best work. -
During Springfield Visit, Lightfoot Preaches Unity
EXPANDED SPORTS COVERAGE SUBSCRIBER EXCLUSIVE Questions? Call 1-800-Tribune Thursday, April 11, 2019 Breaking news at chicagotribune.com With deals, Lightfoot puts clout on the line After developer’s concessions, council OKs Lincoln Yards, The 78 projects By John Byrne and Gregory Pratt Chicago Tribune Less than a week after a resounding election win, May- or-elect Lori Lightfoot put her newfound clout on the line Wednesday and stepped into a political maelstrom in the process by assisting two mas- sive and controversial devel- opment projects toward pas- sage. The $6 billion Lincoln Yards development is set to remake a huge chunk of the North Side, while The 78 will bring millions of square feet of development to 62 acres south of Roosevelt Road and west of Soldier Field. But the deals — signature projects of outgoing Mayor Rahm Emanuel’s last months in office — have also drawn stiff criticism because of the size of the public outlays and the fact that the projects are in relatively well-to-do TERRENCE ANTONIO JAMES/CHICAGO TRIBUNE parts of the city where oppo- Chicago Mayor-elect Lori Lightfoot shakes hands with Gov. J.B. Pritzker in his office Wednesday in Springfield. nents say the tax subsidies officials approved Wednesday aren’t needed. The passage of the huge deals also has proved to be a baptism by fire for Lightfoot During Springfield visit, and her newfound political coalition, with her official as- cension to the mayor’s office still weeks away. The difficul- ties she will face holding Lightfoot preaches unity together that coalition were on full display as the City Council By Bill Ruthhart Mayor-elect: Chicago, rest of state need to can Leader Jim Durkin, R- approved the enormous tax and Rick Pearson Western Springs.