Mackenzie, Michael (2013) Gender, ge nre and sociocultural change in the giallo: 1970-1975. PhD http://theses.gla.ac.uk/4730/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/
[email protected] Gender, Genre and Sociocultural Change in the Giallo: 1970-1975 Michael Mackenzie MA, MLitt Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Theatre, Film and Television Studies School of Culture and Creative Arts University of Glasgow August 2013 2 Abstract This thesis examines representations of gender in the Italian giallo, a short-lived but tremendously popular, lucrative and prolific body of films in the murder-mystery thriller tradition that enjoyed their heyday in the early-to-mid 1970s. Traditionally, both academic and populist responses to these films have focused on the output of a small number of maverick directors that have been elevated critically above their peers. Conversely, this thesis aligns itself with a more recent trend towards eschewing auteurist readings in favour of examining the giallo as a broad ‘filone’ (cycle) defined by shared iconography, narrative conventions and underlying anxieties.