Catalogue 2010 (Pdf)

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UN FILM PER LA PACE A FILM FOR PEACE FESTIVAL

INTERNATIONAL FESTIVAL A FILM FOR PEACE MEDEA - ARA PACIS MUNDI

FIFTH EDITION 2010

CATALOGUE

Provincia di Gorizia

Comune di Medea © 2011 Windcloak Film Production www.unfilmperlapace.it [email protected] in Medea in 1951, to condemn the war,the condemn to 1951, in Medea in latitudes, all warsat all and the with PacisAraestablished Peaceerected the Monument Mundi, directors, actorsfromallfive continentsand over 50countries. producers, involved progressively has and grown has attention, ed to year, the resources, financial Festival attractmeager year has the despite from However, proposal. the of horizon real the knowing for Peace.” lose sightofourselves. ligious hatred. re and racial resurgent a and self-interest national and individual of and highlightthevalues ofuniversal brotherhood. These values are challenged to this day because of the prevalence connection remarkable the to due is Festival this of success The not “international” it call to dared barely we edition, first the In We are now at the fifth edition of the international Festival “A Film TheFestival “A to not goal: Peace”Filmadditional for an also has PRESENTATION 177 M Alberto Bergamin ayor

of M edea - -

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE Summary

Presentation 177 Preface 181 Admitted Films 184 Selected Films 187 Awards 188 Film Index 197 FIFTH EDITION 2010 A FILM FOR PEACE er Ltr drce b Jh rn, h ws wre te silver the awarded was who Trinh, John by directed Later“ Years number ofprizesawarded (15prizes). for the most part of the activity (March-June) and with regards to the jury the as schoolsinvolvement of strong characterized the bybeen thematic festival, theoutcomeistrulyremarkable. “Athe considerationthat into ing FilmPeace” for a is moviecontest Peace”. Festivalfor Tak“AFilmInternational the of edition 5th the as well as the democratic nations of Europe, the Festivalto the decided Europe, of nations democratic the as well as over $42 billion which was financed by the United States of America in Afghanistan. population the and children on landmines of effects the shows that work filmic a is which film Hansen, Esben the Danish by Doctor” to Italian “The prize final the awarded 2009 of edition fourth festival’sthe that remembered be must Festival.It the at competing menting thetreaty. which is an agency based in The Hague that is responsible for imple the OPCW (Organisation for the Prohibition of Chemical Weapons), to thanks destroyed been have weapons the of Today,50% about it... signed that countries 188 the by owned weapons chemical of 2012 by destruction total ons. the for providesThe Conventionalso weap chemical of use and trade possession, production, the bans 1997. Thetreaty in force into entered only it as weapons, chemical of prohibition wasConventionthe forcethere noon in time, that At children werebornwithdeformities. refuge. This event caused the death of 400,000 people and 500,000 taken were soldiers enemy where forests the burn to order Vietnamesein on land dioxin with herbicide of litres 800,000 poured ica period between 1961 and 1971 in which the United States of Amer the to back dates film population. the TheVietnamese on weapons chemical of consequences the of images appalling shows film The ceremony inMedea. award the at Marrosu, Maria Dr. Gorizia, of Prefect the by plaque The final film winner was the American film, “Agent Orange: 30 Orange: “Agent film, American the was winner film final The has editions, previous like just Festival, the of edition 2010 The in world’s participated the continents of five from films 100 Over Given the importance of disarmament, a gigantic market valued at films the in present been always has disarmament of issue The PREFA 181 CE - - - -

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE toward thedevelopment ofhumanity. used be could weapons on spent money the someday,that cide so geno and violence the to end an put may injustice and war of rors hor the today. all showing conflicts and 24 it about talking by Only that are constantly being neglected due to numerous conflicts – over peace of issues to sensitivity great his demonstrates contest film the to dedication and commitment whose Medea, of Mayor Bergamin, the students. ing the task to introduce their works to the public and particularly to undertak justice, and rights human havepeace, of issues with dealt ence for all the authors and production companies in the world that refer of point important an Festivalbecome Peace”can “Afor Film changes for participants in the new edition. We greatly hope that the ing to organise the 6th edition for 2011 which will contain interesting it inthelistof World HeritageSitesby UNESCO. unique that the Tunisian Ministry of Environment so proposed considered to is include area centuries. This for territory the on living been expressed a cry of alarm to safeguard the work of peasants that have residents Theexploitation. industrial to due year each lowers oasis Mediterranean Sea. The amount of groundwater in aquifers from the near the oasis of Chenini, near Gabes (Tunisia), village the only oasis of a the of drama the about talks Chenini” di Acque “Le film The water service). controlling for agency provincial second the and aqueduct, the of (Optimal Territory Environment Agency) of Gorizia, the first manager and contributor to the festival along with IrisAcqua S.r.l.Friuli centraland the in ATOsupply water the manages that agency semi-public (a S.p.a. Cafc of President Gomboso, Eddy by Chenini” di Acque “Le directed who Mereghetti, Elisa to handed and granted sonally “WaterRights”. called water to right Thethe awardper for was um Week (October2011). be presented in a special event organized for the UN’s Disarmament film best disarmament. of which issue the on focuses The award will the for prize special a Edition, 6th 2011 the with starting dedicate, A heartfeltFestivaltheA thankyouto outgoes Coordinator, Alberto As I write the last few lines of this introduction, the Festival is start premi special the of establishment the was 2010 of novelty The

EnricoCammarata 182 A rtistic D irector ------ADMITTED FILMS SELECTED FILMS AWARDS FIFTH EDITION 2010 A FILM FOR PEACE C by DanBotbol,2009,2’50” by CharlieHillSmith,2009,75’ • I I • • I • G 213 G and SergioFergnachino, 2008,52’inco-productionwithItaly • F Kays Mejri,2010,75’inco-productionwithUSA • A inco-production withSpain • • • • • • H • • • • • • • A I I B ran ndia celand srael reland rance A ColdLand Silence The Wanderers elgium ustrali ngola an ungary reece ermany For Women Only The Trial Cold Blood When aLineofLightShines Under Siege Big Family Bonds La Guerra sporca diMussolini Abenteuer derRumflasche Il volto nascostodellapaura In Search ofFreedom The Unreturned Le Grand Sault Berlino 1989-2009:20annidilibertà Strange BirdsinParadise - A West Papuan Story Heroínas semnome 2008, 52’inco-productionwithItaly ad a 0 by DénesRuzsa,2010,4’30” by by RobO’Reilly, 2009,72’ emn 222 Ava Lanche, 2008,3’13”inco-prod.withGermany by by by Surendra Manan,2010,51’ by ShahriarPourseyedian, 2009,23’ Anand &Madhura Katti,2009,50’ Amir Mehran, 2008,7’ by ChristineBouteiller, 2010,57’30” by HervéDemers,2009,15’ by NathanFisher, NathanFisher, Matthew Bowlby, by NikitaFeldman, 2010, 21’ by David by ChristineCox,2008,24’ A ’ 216 by FumikoMatsuyama, 2004,2’ by dmitted by EnricoCerasuolo Aguilar /Pello Gutiérrez,2010,29’ by Giovanni Donfrancesco

184 Shahriar

ilms

Pourseyedian,

2009,

9 229 19’

204 220 209 230 227 211 234 232 225 207 205 199 223 218 201

by • • by RobertoGreco,2009,80’ • by KatiaBernardiandLucaBergamaschi, 2009,52’ • by Simone • IlariaLaFata, 2009,65’ • • • • • • 2009,10’ 10”inco-productionwithUK • I N inco-productionwithGermany andItaly N • • • by Enrico • by NicolaMarchese, 2010,51’12” • • • • in co-productionwithFrance andBrazil • • • • • • • • • • • • • P t oland Laterra nelsangue Campodicarne aly igeria etherlands 8 278 by GaetanoCrivaro andMarioRomanazzi,2009,28’18” I Fumettivanno allaguerra Le Acque diChenini L’ordine dellafollia Sopralluoghi perunfilmsupoliziotto Attacchi Gemelli ABC Colombia Be Water, MyFriend Alisya nelpaesedellemeraviglie An OrdinaryDay I love Benidorm Scemi diGuerra. Lafollianelletrincee Klandestino L’uomo somministrato Hasankeyf Waiting Life Ali diCera Frammenti d’Altrove (storiadiunesuleistriano) Colors La lunganotte Via Anelli The Vicious Circle ofPrejudice Sloi, lafabbricadegliinvisibili Vera La guerra diMario Strade d’acqua Se cidobbiamoandareandiamoci Panca Popolare Italiana Nûfcent The Messiah Will Always Come Amos Oz- The NatureofDreams Live Action Radio Journey toMartyrdom Yonathan &MashaZur, 2009,86’ by Paolo Lazzerini,2009,5’ by GiannidelCorral, 2009,3’43” by DorinoMinigutti,2006, 5’ Verra, 2008,50’ by Marco Segato,2008,68’ by Hedy Krissane,2009,7’ Amendola, 2009,38’ by EliaMoutamid,2008,13’ by EnricaColusso,2007,88’ by NicolaBerti,2008,25’ by by Francesco by GiacomoDurzi,2009,52’ by MatteoDiCalisto,2009,30’ by Augusto Contento,2009,115’ by Giovanni Ziberna,2009, 100’ by Marco by by ElisaMereghetti,2009,15’ Tomasz Jurkiewicz, 2008,27’ by Vincenzo Caricari,2009,60’ by by NiyiBabade,2009/2010,60’ by MauroColombo,2009,56’ by 0 283 Antonio Martino,2009,14’20” Andrea Fanelli, 2010,45’ 0 242 Werther Germondari,2008,10’ by MarkDaniels,2009,64’ Adorni, MargheritaBecchetti Tellico, 2010,1’

by StefanoPatarino 4 238 by LeaKlibanoff,2009,54’

by 185 5 244 Vito Palmieri, 2009,15’

ucciso 236 290 254 282 293 257 280 272 269 267 261 298 295 288 286 276 274 265 263 250 248 245 240 300 284 259 302 271

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE Nadja U • • • (various directors),2005,31’25” by Eliézer V • • 2009, 7’11” • U • by RobertoLozanoBruna,2009,11’ 33” • S S in co-productionwithUSA • S • • non • • • • • • • • • • • R • S pain outh lovenia erbia The HeartofNoPlace OntheLine Body Parts ussia enezuela sa k Una gocciatira l’altra Acqua ecittadinanzaattiva aCochabamba Nuestra historiaestáenlatierra /OurHistoryisinourLand Before War Agent Orange: 30 Years Later Make Tea No Way Through Cangleska Wakan The Years ofSilence Ángeles sincielo Asämara Yelda, The LongestNight Basket Bronx Alone (Solo) 155Mile Trenutek Reke Merciless Angel Rapresent Acting Lessons The LastDay ofBulkinI.S. - competing K orea Veluš di Hyung-sukLee,2007,25’ by Jon Garaño, RaúlLópez,2008,9’ by OlgaKorotkaya, 2009,20’ Arias, 2008,85’ by MariaKravchenko, 2009,39’ by Ivana č by Jon Garaño, 2008,12’

by Jared Katsiane,2010,5’40” by films ek, 2010,63’inco-productionwithItaly by MartinRosete,2009,14’ / by RomanSvetlov, 2009,20’ Iltempodelfiume Vicente RubioGandia,2009,73’ by by by by Vlada Petric, 2009,13’ Todorovic, 2009,30’ by Marcel Leal,2009,18’ Victor Cuadrado, 2009,10’ Alexandra Monro&SheilaMenon Aitken Pearson, 2009,52’53” by RikaOhara, 2009,85’33” by ElisaMereghetti,2008,89’ by by John Aleksey 186 by Trinh, 2008,56’ 3 303 Andrianov, 2009,13’ Anja Medved, in co-productionwithRussia in co-productionwithUSA by BorisSclauzzero 333 326 323 345 334 327 324 307 305 343 340 338 336 331 320 317 311 309 329 315 319 312 B by CharlieHillSmith,2009,75’ S R inco-productionwithGermany andItaly • by RobertoGreco,2009,80’ • I by DanBotbol,2009,2’50” U I I I • • • A below. From • • • • S • U • • N • • • • t ran ndia celand pain erbia The Heart ofNoPlace Body Parts A ColdLand Silence ussia elgium aly ustrali sa nited etherlands by EnricoCerasuolo andSergioFergnachino, 2008,52’ Rapresent Cangleska Wakan I Fumettivanno allaguerra Il volto nascostodellapaura Sopralluoghi perunfilmsupoliziottoucciso Scemi diGuerra. Lafollianelletrincee Colors Big Family Berlino 1989-2009:20annidilibertà Strange BirdsinParadise - A West Papuan Story Agent Orange: 30 Years Later The Years ofSilence by Enrico K 74 ingdom by GiannidelCorral, 2009,3’43” by admitted Verra, 2008,50’ by MariaKravchenko, 2009,39’ by Ivana Ava Lanche, 2008,3’13” by by ShahriarPourseyedian, 2009,23’ Anand &Madhura Katti,2009,50’ by films, Todorovic, 2009,30’ by Marcel Leal, 2009,18’ Aitken Pearson, 2009,52’53” by RikaOhara, 2009,85’33” 16 S by MarkDaniels,2009,64’ elected by John films 187 were F Trinh, 2008,56’ ilms selected

305 which are shown 201 329 309 298 290 263 204 334 327 227 223 222 336 213 274

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE the following special prize: having at l’Aula Magna oftheMiddleSchool of MarianodelFriuli. The Of on CISM 22 all film (International March the as “ Le Le Acque diChenini for theBestFilm withatheme basedonwater rights theme short Acque 2010 The prizewas awarded toItaliandirector ElisaMereghetti and “the di on Centre “Water Rights”Special Award Chenini by thePresidentofCAFC, EddiGomboso the feature right occasion for ” ( to Mechanical films “The

A by ElisaMereghetti,Italy, 2009 water”, 188 w of ards Waters that World was were Sciences), of Water Chenini“) awarded admitted Day Udine was celebration to to and the also the March best screened festival at film the 27 I U • S S • 2009,52’ schools the network ofcities tothefollowing films: After • • • • • I The

Festival - • • Renato • GiancarloPiccinin,Photographer and • DanielaLenardi, • • EnricoCammarata, Province ofGorizia- • Silvano Buttignon,PresidentofCRELPSanddelegateforthe • RobertoCollini,DirectorofRai3FVG The membersofthetechnical juryareasfollows: declared thefinalwinnerof“A FILMFORPACE 2010”. the srael t erbia pain aly k Amos Oz- The NatureofDreams Rapresent Asämara No Way Through Le Acque diChenini ABC Colombia Sloi, lafabbricadegliinvisibili Alberto Bergamin,Mayor ofMedeaandcoordinatorthe Andrea Crozzoli,CinemazeroDirector Member Member Member Member Member President Special Audience Award for “Best Story Film” Story “Best AwardAudiencefor Special ranking receiving and Valentinuz, Presidentof by Jon Garaño, RaúlLópez,2008,9’ Member by Ivana of from the by EnricaColusso,2007, 88’ the by a finalists Teacher Todorovic, 2009,30’ assessment popular by ElisaMereghetti,2009,15’ Alexandra Monro&SheilaMenon,2009,7’11” Artistic DirectoroftheFestival Member F and ilm jury, by KatiaBernardi&Luca Bergamaschi,

from the fin by the Acli diRomans d’Isonzo 189 alists Yonathan &MashaZur, 2009,86’ reasons the technical Audiovisual Producer jury for of jury the the

awards has was circuit determined granted and of high has by

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE Venezia engaged Mundi rosu. The tor FINAL WINNER FOR THE 2010FESTIVAL “A FILMFORPEACE” John award The prizeswere awarded to American directorJohn Trinh by theprefectofGorizia, Agent Orange: 30 Years Later (national Trinh Giulia) audience. ceremony by and FIRSTPLACE infeaturefilmsection in monument the the The prefect took presence Doctor Maria Augusta Marrosu. 1 st

place Prize of on 190 Gorizia, of the was on government , by hill September awarded John Trinh Doctor of Medea officials Maria to 5 , USA,2008 - American at Gorizia the Augusta and Ara a - direc large, Friuli Pacis Mar - - generations ontheexcruciatingeffectsofwar. other asstewards oftheplanet,withoutregardforpoliticaldifferences. sprayed. deadly compassion The North pain, the encourage the ner” tothefilm “Agent Orange” by directorJohn documentary, U.S. “AGENT S 1 Taking J Agent Orange: 30 Years Later FINAL In J The observation. oxin trous ing oxin of life meets houses Agent victims of and ustifica ustifica ynopsis st Vietnam

P an Vietnam archives or lace film women, goal effects military on from consequences and Vietnamese guerrillasoldiers. attempt Orange abortion, the chemical WINNER FOR and the : into tells It of ORANGE: tion tion Agent Orange: 30 Years Later Agent Orange, 30years afterthe aircrafts poverty. - will purpose environment this of and which people, to North peace, during War the account is to the which, tell interweave documentary alien the amplifies story defeat substance, (1965-1975). and have the deadly onto It the code 30 who the for of is diseases, of horror South in Vietnam YEARS more been the this Vietnamese and several the defenseless THE 2010FESTIVAL “A FILMFORPEACE” name technical a 56 still “Agent compelling F sense enemy, theme the ea Vietnam festival, is takes exposed stories minutes, than LATER” die ture deformities, for to War victims This people. of by make today the Orange” the a F responsibility to of jury, the addressed territory, civilians piece drama, ilm living John Trinh during principal which is deny interviews people, value , 191 of emphasizes

the The by S United from a Agent Vietnam granted ection 56-minute

with of fear, viewers aware of John Trinh film coverage (dioxin). the and of strives burning and work, the babies herbicide an Orange difficult loneliness, also war States and for , USA,2008 with this devastating bruised War. eternal the the to our which underscores to (trees documentary , The reportage and the and

images the vaporized USA, Trinh. award - choices promote actions atrocious that from grandparents, substance prize fact children poisoning warning and suicidal shows

the 2008 was collected North and bushes) “Final to towards that is impact goes the used tons make: films merely the legacy long-last about thoughts, to from to need that it forests, to future by disas Win of South of of fully each from men that pro- was the the the the the di for di an of - - - - -

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE An S R by ince culminates in joyful anddefiant musicalcelebration. ynopsis unner expedition of - up West : by thedelegateofFondazione Carigo8,DoctorGianluigiChiozza Strange BirdsinParadise, A West Papuan Story, Strange BirdsinParadise, A West Papuan Story The prizeswereawarded to Australian producerJohn Cherry for “Best Educational Feature Film” Film” Feature Educational “Best for Papua of Charlie HillSmith by imagination RUNNER-UP infeaturefilmsection Charlie HillSmith that and Special Award Award Special and exposes F ea and ture , 192 discovery its Australia, 2009 F ilm sad S , history Australia, 2009 ection to the and hidden desperate Indonesian hopes, prov but - conquest ofcultural andpoliticalfreedom. Moreover, tity. whose This J oughness minion the and cleverly

ustifica Best Educational Feature Film: Recommended for Schools for FeatureRecommended Film:Educational Best artistic documentary territory of accompanies tion in the the depth. addressing Republic documentary located deals In addition, the The publicatthe Awards Ceremony west of with the images, Indonesia. issue of film the the the independence also of rising island music ethnic This 193 received to of made feature a minorities common Papua movement a by film special award special now a Papuan symbol has who falls a of struggle high under ethnic of the for their

for technical Papuans, its the in group being iden thor do the - - -

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE manner, of techniques, dialogue, simply bemorerealistic. The J The S 1 ustifica ynopsis st P peace lace film real : the tion and war was Cold Blood but is film the victims selected able only Cold Blood expresses unique FIRST PLACE inshortfilmsection to background by give cannot for Amir Mehran use dynamism the the short by of truly Still ofColdBlood synthesis pointlessness language, Amir Mehran sounds. 194

film be and , Iran, 2008 shown

section and movement In which, an of completeness in , Iran, 2008 wars, excellent films, through to which, still but cinematographic clever images, still of apart the frames animation from message without can op - posing end uppaying thepriceasvictims. The prizeswere awarded toofficer oftheEuropeanCommission Mr Georges Papadakis by and Special Award for “Best Educational Short Film” Short Educational “Best for Award Special and armies, Vice-President ofProvince ofGorizia, RobertaDemartin always Berlino 1989-2009:20annidilibertà RUNNER-UP inshortfilmsection by involve Dan Botbol, civilians, Belgium, 2009 195 children and unarmed people who

FIFTH EDITION 2010 A FILM FOR PEACE FIFTH EDITION 2010 A FILM FOR PEACE Berlin In coexistence, andfreedom. his 20thbirthday. young people. Short Film Short This J November S R by DanBotbol, Belgium,2009 acter, nicate tion three twentieth ustifica ynopsis unner addition, of short minutes Marek, wall to - Europeans. up tion young : anniversary film, ” Berlino 1989-2009:20annidilibertà 9, falls the for was the 1989: film its which people, and long born splendor The also gives a of was and date movie on in received the life November simple S difficult produced and to hort fall is to remember ability given a of F 196 a and new special award road ilm the by 9, and S credit to breath Berlin 1989. ection to the in stir efficient political European the for up Today, wall, of memory how questions

for freedom. way, and summarizes the Marek it Commission is economic the “ Best Educational of able in The idea mankind. will the to main of celebrate in minds commu integra peace, on barely char The the of - - - FILM INDEX

HEROÍNAS SEMNOME(UNNAMED HEROINES) David Aguilar andPello Gutiérrez “HEROÍNAS 50min.Documentary. Guatemala. “LUCES ESCONDIDAS” -(HiddenLight) 30min. “PIEZAK”, 4min. “PAPEL MOJADO” -(Wet Paper) 4 “GURE HITZAK” 30min.Documentary. Cádiz,Spain. “EA 60min.Documentary. Cádiz,Spain. “BARTOLO” 29min.Documentary. They Feaps, Fevas... disabled workshops T’ERDI, They 2001. David rez tions They grants...

min. VIDAJE” Peñalba make like have also Aguilar

F Video Documentary. 2010 a ilmography Video 199 people, production Atzegi, have worked with documentaries

SEM (1979) Art. BasqueCountry, Spain. Iñigo Art. BasqueCountry, Spain. socially

a NOME” Arzak, B mentally broad for iography

of (1979) company are

B Basque companies Angola. excluded

oth Basque - experience members

(Unnamed and And D ill

Country, irectors based people, video Government, Pello people, and of

Heroines) in in art

Gutiér institu Spain. ZAZPI Spain. immi video since like - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Synopsis Angola. 8 years after war’s end, Angolan women are asking for their place in history. Hidden, they worked for peace, and now their fight is still active, de- manding their rights in the Angolan society. A FILM FOR PEACE

Technical Details

Production: Zazpi T’Erdi Country: Spain / Angola Production year: 2010 Duration: 29 min. Original Language: Portuguese Shooting Format: DV

Credits

Directed by: David Aguilar / Pello Gutiérrez Screenplay by: David Aguilar / Pello Gutiérrez / Balbina Martins FIFTH EDITION 2010 Photography: David Aguilar / Pello Gutiérrez Repertoire Music: Heider Rei Do Kuduro, Bonga

200 STRANGE BIRDSINPARADISE, A West Papuan Story independent in on the and video A nese Takeaway SBS Roll n’ Rock and Activism Art, - Indonesia Canoes Tenof Making dise When Hill-Smith 2001, ple. edy 2000, 2001 It story ofthisjourneydiscovery. the first memory West led Operator saw the Performance the During – in Charlie Hill-Smith is 1996) long Glen Melbourne, , factual history to pilot Boltz not a Ten in as visited his Papuan Nine Steps Down and documentary and the Hill-Smith Ben Folds Five Australian Tour. 2003, writer this a time Osmond, the 2009 Red Monkey Comedy first and years and young 201 Café for short Under Ground Art Ground Under was Hong Kong Fooey & the Great Chi Great the & FooeyKong Hong time genre. of West first interest feature feature-length refugees the Club his and and this in1997. later, the Australia. born Comedy he traveller. film time interest Silvermine South to Papua, the B In troubled in also director independent iography for film a establish in in Wokabout West PapuaWest Wokabout 2005 Hill-Smith Adelaide in shorts , growing

Adelaide Sony music, Australia produces in he Melbourne Sample People in He Club Strange Birds in Parain Birds Strange he 2001, he documentary, wrote the country Charlie S11 Melbourne S11 Gallery/Art New has knew

the was for art Adelaide (2002), (1997 country friendship the has (1993 and a a documentary York and Rhino ABC and sketch the Bachelor little sparked EPK or Hill-Smith worked lives – directed comedy in - a Camera

its Asia (1999), he 2005), 2001). for Studio music Room (1992 about is 1998 com peo with now

first the the

his

for of in in in in - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Business in Marketing. He was the director of the cultural exchange program Indonesia Australia United Artists from 2000 to 2005.

Filmography

TV/Film Production

2009 Strange Birds in Paradise - feature documentary Writer / Director - The House of Red Monkey (THORM).

A FILM FOR PEACE 2005 Making of Ten Canoes - feature documentary for SBS Camera - Vertigo Productions. 2003 Indonesia - Art, Activism and Rock n’ Roll. Documentary for SBS Writer / Director. - THORM. 2002 S11 Melbourne - independent short documentary Writer/Producer/Director. 2002 Red Monkey Comedy - sketch comedy pilot ABC Writer / Director / Producer / Actor. - THORM. 2001 Under Ground Art – short documentary ABC Asia Writer / Producer / Director / Camera. - THORM. 2001 Nine Steps - music video Steve Lennox – Writer / Director. 2000 Walkabout West Papua - short documentary Writer / Director - THORM. 1999 The Making of Sample People. Electronic promotions kit Writer / Producer / Director. 1998 Ben Folds Five Australian Tour - feature documentary Sony New York, USA. Writer/Producer/Director. 1997 Hong Kong Fooey and the Great Chinese Takeaway – feature documentary - Writer / Producer / Director.

General

2000 - 2009 Director - The House of Red Monkey (THORM) Production Company. 2000 - 2005 Director - Indonesia, Australia United Artists. FIFTH EDITION 2010 Cross cultural exchange program. 1997 - 2009 Owner/Director - Rhino Room Music & Comedy

202 S C O S T with ajoyful andcourageous musicalperformance. ends finally documentary Thehopes. dashed their and there lives who sian province of West Papua, which uncovers the sad story of the people Indone accessible readily so not the of discovery the for expedition An Graduate -Bachelor of BusinessinMarketing.UniSA. 1987 -1990 BoltzCaféComedy Club 1992 -1996 Director-Silvermine Gallery/ArtStudioGlenOsmond. 1993 -2004 D P P C D P M creenplay hooting hotography rod roduction echnic ountry redits irected uration riginal usic uction year: : David Bridie al by: L :

F : D Australia

anguage b 75 min. ormat : y: et

: The HouseofRedMonkey(THORM) Charlie HillSmith ails

Charlie HillSmithandDavid Angus Kemp Performance Club,Frome St. : October 2009 : HD CAM English F ilm S 203 ynopsis Adelaide –co-founder/MC. Tiley Adelaide. -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE BERLINO 1989-2009: 20 ANNI DI LIBERTÀ (Berlin 1989-2009: 20 years of freedom) Dan Botbol 2009

Bio/Filmography Dan Botbol is a young Belgian director spe-

A FILM FOR PEACE cializing in advertising and corporate videos.

He worked for Kaos Films and Armand Pro- duction, for which he signed a commercial for Panasonic.

At the 22nd edition of FIMAC he won SACEM’s Special Prize with Fluxys The Story Continues, advertisement for Fluxys which is the independent operator of the natural gas transport, transit and storage infrastructure in Belgium.

Film Synopsis November 9, 1989: a date to remember in the memory of mankind. The Berlin wall falls and gives life to a new breath of freedom.

The main character, Marek, was born on No- vember 9, 1989. Today, Marek will celebrate his 20th birthday.

Technical Details

Production: European Service Network for European Commission Country: Belgium Production year: 2009 Duration: 2’ 50” Original language: captions in the 23 official languages of Europe Shooting Format: RED CAM

Credits FIFTH EDITION 2010 Directed by: Dan Botbol Music: Arnaud Blanpain

204 LE GRANDSAULT (THEGRANDFALLS) aefl, yug oa hs o da that scene the be idea will place meeting peaceful their no has woman young a waterfall, rushing the near beloved her with Wandering SUR LE GRANDSAULT (The Grand Falls), It IsinHeaven), 2007,21’ entirely veteran Born Yorkton ShortFilm & ( ciel Le GrandSault Le After tion. ed While ics. pany Demers diverse training, dramatic short. award he honours important the by Hervé Demers undertook CON-CAN LA studying On in in over for pursuing possibilities Quebec Quebec 2009 TERRE independently, 2005 such he has 205 Earth best short 40 founded had as international visual and university emerging COMME (The Movie as the F film, City, actor this F ilm B ilmography a It began iography Tamashii Grand of and S his Is multidisciplinary Video Festival (Canada). theoretical Canada, u l tre om au comme terre la Sur Paul ynopsis Festival contemporary in this own AU media filmmaker studies working Heaven). Hébert Falls) festivals, short CIEL (“Soul”) production (Japan) in arts is covering 1982, and (On starring was on his in at Produced garnering Award 2009, college, aesthet and cultural Earth the his second educa select Hervé com first 61

the the the 15’ at as st - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE of immense turmoil.

Director’s Statement Le Grand Sault (The Grand Falls) is loosely inspired by the legend of the White Lady of Montmorency, which has been part of the oral folklore of the Quebec City region for over 200 years. The heroine of the legend is Mathilde Robin, who was engaged to Louis Tessier, a courageous young farmer. The story can be summarized as follows.

After their hard day’s work, the young lovers would often meet near Montmorency

A FILM FOR PEACE Falls. They were to marry at the end of the summer and took great pleasure in dis- cussing their upcoming wedding and future lives together, though Mathilde always refused to describe the wedding gown she had made; Louis was to see it only on their big day.

The year was 1759. One July morning, the alert was given: the British were about to attack. Louis joined the other men to help defend the French colony. Sadly, he was killed in the Battle of Montmorency. After an agonizing wait, Mathilde finally discovered his lifeless body. Overcome with grief, she ended her own life by throwing herself in the Montmorency Falls wearing her wedding gown. Since that day, the inhabitants of Île d’Orléans, across from the falls, say that on moonlit autumn evenings they sometimes see a young woman dressed in white at the foot of the precipice.

My fascination with this traditional tale stems not just from its being based on historical events, but also from its addressing the tragic effects of military combat in a very intimate and spiritual way. Inspired by this 18th century legend, I wanted to create a contemporary story on the same theme so that the shift in time would underscore the immutable nature of the sentiments expressed. I believe that transposing the events to the present day makes the image of the White Lady even more meaningful, since Mathilde Robin’s timeless suffering continues to haunt our imagination. Her story is an ode to the victims of war, those who lose everything in conflicts that are not of their making. In this regard, the confrontation of the two eras was essential in that it allowed me to explore perceptions, manners and morals that, since the earliest armed conflicts, may have evolved, assumed other guises or disappeared. It also let me re- visit a part of our fascinating oral heritage, which after all is a continuing blending of sacred, superstitions and legends.

Technical Details Credits

Production: Directed by: Hervé Demers Hervé Demers Images Storyline by: Hervé Demers Country: Canada Screenplay by: Hervé Demers Production year: 2009 Photography: Hervé Demers Duration: 15 min. Music: Original Language: No dialog Oliver Calvert FIFTH EDITION 2010 Shooting Format: 35mm / DigiBeta / DVD

206 NathanFisher, MatthewBowlby, Kays Mejri THE UNRETURNED for itself. Shot in verité style, the film vividly film the style, verité in Shot itself. for dan, lets the displaced Iraqi middle class speak and Jor Syria in filmed UNRETURNED, THE help rebuild. to class professional native its needs perately des that nation shattered a Iraq, for disaster unmitigated an is This countries. neighboring in displaced now is class Iraq’sprofessional of elusive.so Fortyremains Iraq in percentpeace why reason unacknowledged but crucial a is disaster refugee continuing Iraq’smiddle-class learning well KaysMejri Arabic, Bowlby Matthew Fisher Nathan tary ban rently lives inMontréal. of sive experimental Court inKampala,Uganda. He assistant New Francisco on feature documentary. the assignment speaks development survey film as York. US on 2010 Dinka, Dutch. 207 editor from Bay Arabic, several He State has refugee video

previously B with Area the worked received on He io Spanish, F Department. ilm and /F French shorts. New camps projects speaks recently a the ilmography S ( im Delta! Gimme documentary urban ynopsis on International an School This and was Portuguese, in documentaries German, all MA led sprawl Darfur English is He a over a his producer in University comprehen is documen first the

in on on currently 2008) Criminal and English, the and world. behalf subur major cur and and San as in is ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE portrays the lives of five displaced Iraqis from different ethnicities and re- ligions. Caught in an absurdist purgatory of endless bureaucracy, dwin- dling life savings, and forced idleness, these refugees nevertheless radi- ate vitality and warmth. With an unflinching eye, candid dialogue, and a subtle touch of humor, THE UNRETURNED captures scenes of daily life that are both personal and illustrative of the larger issues facing Iraq.

Director’s Statement

A FILM FOR PEACE I am indebted to observational documentary films on the Iraq War like My Country, My Country; Iraq in Fragments; Occupation: Dreamland; and War Feels Like War. These films not only compellingly showed what post-2003 Iraq looks like but contributed depth and nuance to a polarizing and often-reductive issue. Just as Occupa- tion: Dreamland depicted the members of the US 82nd Airborne Division in Fallujah as individuals rather than as abstractions, I wanted to do the same for Iraqi civilians. While calling attention to this vastly underreported disaster, I wanted also to show how similar the daily lives and aspirations of ordinary Iraqis are to everyone else’s. Western cinema has for too long contributed to the “otherization” of Arabs and Mus- lims. This surely has been a major barrier to an honest accounting of Iraq’s problems, and will take far more than one film to undo.

It may seem odd to attempt to overcome fatalism by reflecting on such a massive human tragedy but that is what I intended in making this film. The solutions to Iraq’s refugee disaster are by no means obvious, but the first step toward solving any problem is to understand its dimensions. No matter how difficult the next steps, Iraq will be best served once the world chooses to take an honest look at its troubles.

— Nathan Fisher

Technical Details

Production: Walkable Films Country: USA/Canada Production year: 2010 Duration: 75 min. Original Language: Arabic and English Shooting Format: DV

Credits

Directed by: Nathan Fisher, Matthew Bowlby, Kays Mejri Screenplay by: Nathan Fisher FIFTH EDITION 2010 Photography: Nathan Fisher Music: Zaydoon Triko

208 do non-governmental her her (Agence Maria these Belle-Epoque the of Crimes nesses Down Upside Moon Graduated Christine Bouteilleris34years old. The Wanderers OXFAM…). by ated val for tinued In mitment andsensitive issues. tion. French valid created fruit In French EmbassyinPhnomPenh, Cambodia. responsible France towards THE WANDERERS Christine Bouteiller 2004, 2006, Frédéric not Cinéma editing later first of To herself for films, Pinto, and handicapped have years making promote (2001), 2010 in their all, Française she unable 209 documentaries: documentary Cambodia: this in ( for Biamonti), a with L.Ville du Christine suspended a Arlette FargeArlette of own bit film chance B is the Réel fascinating to io oe I Shadow In Women labors documentary and of audio-visual her /F

de detach independence organizations by editing, humanity audio-visual ilmography in give

2007, Développement, latest – in tried were Swann in Madagascar, and this the film the , a 1 herself the “L’échappéeBelle” 4/18 The Last Wit Last The4/18 voice documentary country, Un Ciel à part à Ciel Un quest Christine reflections to journey the West around (2003). in East productions Dubus films define main sector in 2001 to from she and and she Cambodia those a of she the

between returned Through realized became goals journey integra – what bounds (2002), UNDP, associ for on – young Festi com film, con who The

the the for by of is ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE country’s history and the outcome of Cambodian refugees, and on a larger scale, on Cambodian society nowadays.

Film Synopsis Survivors after 30 years of wars in Cambodia, refugees during 15 years, they were repatriated in 1992 among 380 000 people from the Thai border camps, and resettled in a village built for them by the United Nations. A FILM FOR PEACE How can you rebuild a society after such a disaster? “Those who stayed” suspiciously attended the many families, who became foreigners after 13 years of exile, threatening their lands and their own balance. The villagers gave to the former refugees a nickname, which lasts even today: the “Wanderers”.

Today they are 26 millions of “forcibly” displaced people in the world: in their own way, “the Wanders” try to survive, to find their place in the Cambodian society and to fight for the future of their children - slowly, but obstinately. This film is a tribute to their determination.

“We did not die. We live in some rows of houses away from the village, a place better known as “the camp”. We are the wanderers, the people who have lost their way”.

Technical Details

Production: Kuiv Productions Country: France Production year: 2010 Duration: 57’30” Original Language: Khmer Shooting Format: DV CAM

Credits

Directed by: Chistine Bouteiller Screenplay and storyline by: Chistine Bouteiller FIFTH EDITION 2010 Photography: Swann Dubus Music: Giani Caserotto

210 IN SEARCHOFFREEDOM She and Kenya. Georgia, international radio young for more part has aimed instance, With bile Documentary Cinema on Democracy and A bates. sa i Bangladesh in Islam so ing tended tive. to niques working ing background, and IREX Her discussions ontheissues raised fromthefilm. circulated audience, their was similar enable that ChristineCox Theatre, as projects also of other Christine used articulate, own has than Europe. a journalism, a at the people (including to young 2008 strong been director/producer with 211 technique Bangladeshi she Bangladesh, message fuel youth alternatives as particular film to two project, where Television Christine has a villages media involved produced disengaged B interactive people Mobile debate decades titles drama vehicle for io to developed /F Forum drama and Christine creative has develop ilmography themselves

project to assignments, expertise youth, across to were facilitation in and Kyrgyzstan, documentary to been Cox and in consider for and the Theatre discussion both start young and the and youth skills radio able Radio. also directed implemented and initiatives used has which extremist Bangladesh. media, interactive UK-based debate debate and in taught disseminate that worked to are techniques) people: for techniques journalism to including Tajikistan was Christine develop between facilitate a the the explore used cinema includ are trainer to narra wider tech local then Mo film and use de for for in As by in ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE young people to seek solutions to societal problems, are as followed: Gun and knife Crime in Peckham,Young Muslim Identity in the London, Teenage Pregnancy in Areas of Social Deprivation in the UK.

Film Synopsis Bangladesh became independent in 1971. What did the freedom fight- ers want for their new country? Blighted by poverty, corruption and in- equality, are its people strong enough to continue to fight for democracy A FILM FOR PEACE today? Is there a growing fear of terrorism? What do young people in Bangladesh want for the future of their country? In this documentary, a young Bengali woman makes a voyage of discovery across Bangladesh in search of the answers: Bangladesh in Search of Freedom.

IREX Europe has worked with the locals on the Mobile Documentary Cinema project on Democracy and Islam in Bangladesh in order to produce a video documentary that sought to address issues regarding the country’s youth. The documentary seeks to question what is driving young people away from democracy and towards extremism. In addition, we examine the views on the compatibility of democracy and extremism. Other points of view examined are on the compatibility of democracy and Islam and the fundamental values for both, such as justice and equality. The film was taken into 60 villages across rural Bangladesh, reaching a total audience of 96,700 people. Audiences ranged from 500 to 3000 people. Over 15,000 viewers were women. After each viewing, discussion sessions were held. Trained facilitators encouraged discussion on key topics raised by the film, issues such as the rights of women, the right to education, employment and the growth of extremist voices in Bangladesh society. We estimate that, in total, over 1,000 women and 2,700 men participated in the discussions.

This project gave voice by the power of film to marginalized Bangladesh youth from rural areas. Focusing on Bangladesh minorities proved to be a challenge with enormous rewards. The documentary produced during the project addressed real issues, for real people, and the stories were told in their own voices.

IREX Europe organized a further 9 viewings in the United Kingdom in order to share the film with the Bangladesh community in UK.

Technical Details Credits

Production: IREX Europe (NGO) Directed by: Christine Cox Country: France Screenplay by: Christine Cox Production year: 2008 Storyline by: Christine Cox uration hotography FIFTH EDITION 2010 D : 24 min. P : Christine Cox Original Language: Bengali Repertoire Music: Joi Shooting Format: HDV PAL

212 IL VOLTO NASCOSTO DELLAPAURA EnricoCerasuolo andSergioFergnachino documentary amateurs. the RTSI, Official the documentary atUnfilmperlapace, 2008. Festival the • • Born Enrico Cerasuolo • boy mentary Science diovisive, al Film Festival, 2008. tional tion, dio New dio tion, He wroteanddirected: tor andscreenwriter. and Les Festival company, Sciences, Jury personal International studies Canada), Films

from Mestiere with York ee’ Dream Peter’s The Hidden Face of FearFaceof TheHidden Space Hackers Space in with TSR, Channels Award, 2010. 2008 Finalist at 2009; Venice, Communications on 213 the History. Nairobi, Golden since after Turin, Rome d’Ici VPRO, the on the story participation a on Cinema B Bronze fear participation September at and its scientific rehabilitation io 1968. Docscient and Italy, an the (THE HIDDENFACE OFFEAR) Las /F Statue DR Chairman of foundation Kenya. and ilmography

ARTE independent (2007, two ARTE (2007, space Vegas TV, Winner RAI co-production), Graduated anxiety at extraordinary documentary YLE, of Association Best 11. France Roshd France Film Educational, race International 52’, YLE of of 54’,

in path (2008, Grand RTBF, at feature-length Zenit conducted FOX festival 1992. and told a Internation Health an co-produc co-produc production in Zenit, of CBC Political Planète) Arti through Prize Interna a AMREF a Media Direc radio- 2009; docu Zenit, about street SBS, Film Stu and Au Ra of in ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE • Checosamanca (2006, 98’, an Eskimosa and RAI Cinema co-production), collective documentary, episode on the street lawyers from Turin. • The Enigma of Sleep (2004, 60’, a Zenit, Les Films d’Ici and ZDF- ARTE co-production, with the participation of Discovery Channel, YLE, RTSI), scientific documentary on sleep disturbances. Special Jury Award at Torino Film Festival, Doc2004; Special Jury Award at Castellana Grotte International Documentary Film Festival of Scientific Exploration and

A FILM FOR PEACE Adventure, 2005; Prix Spécial Film de Recherche Médicale, Festival des Entretiens de Bichat, 2005.

Sergio Fergnachino Born in Chieri, 1962. Art School Diploma. Studied Cinema at the Uni- versity of Torino. He began working as a freelance filmmaker in 1992. Major field of professional activity: promotional films and documentaries, with particular interest in documenting socially relevant issues. He wrote and directed: • Almost Married (2010, 60’, a Zenit and Collettivo Don Quixote co-production), documentary co-directed with Fatma Bucak, young Turkish, about her personal story. Best Subject at Hai visto mai Festival, 2008. • The Hidden Face of Fear (2008, 52’ an ARTE France, Les Films d’Ici and Zenit co-production, with the participation of YLE and CBC Radio Canada, SBS, UR), a scientific documentary about studies on fear and anxiety conducted in New York after September 11. Grand Prize of the Jury at Rome Docscient Film Festival 2009; Official Finalist at Las Vegas International Film Festival 2009; Bronze Winner at Health and Science Communications Association Media Festival Award, 2010. • Checosamanca (2006, 98’, an Eskimo and RAI Cinema co-production), collective documentary, episode on the street lawyers of Turin. • The Enigma of Sleep (2004, 60’, a Zenit, Les Films d’Ici and ZDF- ARTE co-production, with the participation of Discovery Channel, YLE, RTSI), scientific documentary on sleep disturbances. Special Jury Award at Torino Film Festival, Doc2004; Special Jury Award at Castellana

FIFTH EDITION 2010 Grotte International Documentary Festival of Scientific Exploration and Adventure, 2005; Prix Spécial Film de Recherche Médicale, Festival des Entretiens de Bichat, 2005.

214 S C O S The film tells three emblematic stories of people suffering from Post-Trau Center fortheNeuroscienceofFear and Anxiety inNew York. the at patients on findings their of application the and Kandel, Eric ner win Prize Nobel and LeDoux memory,Joseph and fear on experts ing The Hidden Face of Fear recounts the studies of two of the world’s lead minds. Just as fear can spread within a society, so can anxiety spread within our world. epidemic of fear and anxiety that has rapidly spread through the western new a of center the New Yorkbecome 2001, has 11, September Since D P T and biological ways psychological ofcopingwithfearandanxiety. new find to mind of science new the for key the is histories case individual fear? of overcomestudyThe to able been they on their brains? Why were they more vulnerable than others were? Have Panicand Disorder 9/11 Stress of matic impact Disorder: wasthe What R P P D P M C creenplay hooting hotography rod roducer roduction echnic epertoire redits ountry irected uration riginal usic uction year: : Gregorio Caporale al by: L :

F : : D M Italy /France

anguage b 52 min. Massimo ormat : y: et

usic : Zenit Enrico Cerasuolo andSergioFergnachino ails

Enrico Cerasuolo andSergioFergnachino Ned Burgess : : The 2008 : HD Arti English Arvat, SergeLalou,HélèneColdefy Amygdaloids Audiovisive /LESFILMSD’ICI F ilm S 215 ynopsis Arte - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ABENTEUER DER RUMFLASCHE (Adventure of the Rumbottle) Fumiko Matsuyama 2004

Biography Born in Yokohama/Japan. She studied Philos- ophy (B.A.), Sociology at the Yokohama City University, Film science (M.A.) at the Gradu- A FILM FOR PEACE ate School of Waseda University and at The Freien Universität in Berlin, and Art in Context at the Graduate School of University of Arts Berlin. She works as freelance filmmaker and jounalist. Filmography 1998 “Miljacka i Buna” - Miljacka and Buna 1999 / 2002 “Dinnerparty im Salon von Ger- trude Stein” - Dinner Party in the Salon of Ger- trude Stein (photography and editing) 1999 “Wohin geht die Liebe?” - Where is the Love going? (with Sun Yoon) 1999 “Die Seelengesandte” - The Soul Mes- senger (with Sun Yoon) 2000 “Die vibrierende Halbinsel” - The Vibrant Peninsula 2000 “Dissonanz” - Dissonance 2000 “Luft” - Air (photography & editing) 2001 “Fritz und François” - Friz and Francois 2001 “Ein Schimmer Blau” - A Bit of Blue (photography & editing) 2001 “Color Performance” 1999-2002 “Erlkönig” - The Erlking 2002 “Stadtrundfahrt nicht für Schüler” - Sight-

FIFTH EDITION 2010 seeing Unsuitable for Students 2003/04 “Abenteuer der Rumflasche”- Adven-

216 C S 2006 P 2005 other. each with reconcile always not do revolution the of reality the ide and als the where country a in secretly travels bottle rum mischievous A 2005 2004 2003 ture OftheRumbottle D P T who passedaway recently, appearsinthisfilmincognito.) Solas, director,Mr.festivalHumberto and director Cuban famous (The the latestphotographic exhibition“LookingforaBetter World” in titled was It Gibara. at coast the on stands statue whose Cienfuegos, Camilo and statue), (Cuba’sGiraldillabronze La oldest Hasekura, tures The collage of three bronze statues standing in a row on the balcony fea Japanese tosetfootontheisland. the capi In tal’s central park stands a bronze statue of Havana. Tsunenaga Hasekura, the first and festival, film its celebrate to preparing been has town whole the where Gibara, in mostly shot was work short This rency! cur legal as recognised recently was Dollar the that so situation, ward With the collapse of the Soviet Union and U.S.embargo Cuba is an awk D P R C hooting hotography rod roducer echnic epertoire ountry redits irected uration uction year: “IzmirImpromptu” “La Comandante” “An Application asSelf-portrait“ “Battlefield forMacbeth” “Alltägliche Begebenheiten” al by: :

F : : D M Germany

approx. 2minutes(122seconds) Fumiko Matsuyama ormat et usic : Fumiko Matsuyama ails

Fumiko Matsuyama : : diverse OT 2004 DV - The Commander(inpostproduction) F ilm S - 217 ynopsis Everyday Occurrences

- - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE LA GUERRA SPORCA DI MUSSOLINI (MUSSOLINI’s DIRTY WAR) Giovanni Donfrancesco 2008

Bio/Filmography Giovanni Donfrancesco was born in Pisa in

A FILM FOR PEACE 1969.

He earned a degree in History at Florence University, and a degree in direction at Istituto delle Scienze Cinematografiche ed Audiovi- sive.

He also published several books: Il labirinto di Altara - The Labyrinth of Altara (2003), Sub- comandante Marcos, I racconti del vecchio Antonio - Subcommander Marcos- The Stories of Old Antonio (1997) and Don Durito della Lacandona (1998).

In Chiapas, where he has been several times, he dedicated a book of Photo Album (I senza volto - Those Faceless, editor pages 1997) and a documentary entitled Un esercito di piccoli sognatori - A small army of dreamers, also in 1997.

In Mexico, in the year 2003, he directed the ethno-music documentary Jaraneros.

As a director, he has worked for RAI SAT and STREAM TV, creating a series of six episodes, “Ritorni” - Return, in which he accompanied the immigrants in their country of origin (South America, Africa and Asia).

Film Synopsis FIFTH EDITION 2010 On February 16, 1943. The Italian army mas- sacred 150 unarmed peasants in Domenikon,

218 share in the same fate. Of more than 1500 Italians reported to the UN the to reported Italians 1500 than more Of fate. same the in share not did criminals warFascist Nuremberg. at convicted and prosecuted When the war ended, the Nazis who fall into the hands of the Allies were ian army deported, tortured and murdered tens of thousands of civilians. Between the final years of the twenties and the fall of Mussolini, the Ital of Africa. in also but Greece in only not expansion, Yugoslaviacolonies the in and broader strategywarof civilians,on byled FascismItalian the warsthe during of and unknown an into window a open cuts documentary the story, local seemingly a massacres. Through of chain long a of first the sor Santarelli, of New York University, reveals how Domenikon was only Profes of research Thejustice. obtain and died, grandfather his which later, Stathis Psomiadis tries to reconstruct the history of the massacre in a village on the slopes of Mount Olympus, Greece. More than sixty years P T War,Cold advocate thesiltingprocess. the of period the entering Britain, Great and States United for Commission Warwasone no Crimes, ever extradited convicted.and C in associationwithFOX InternationalChannelsItaly, RTI, RTSI, Histoire D P rod roduction echnic ountry uration uction year: al :

: D Greece /Italy

52’ : et

GA&A Productionsinco-production withERT and ails 2008 219 - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE BONDS Dénes Ruzsa 2010

Biography Dénes Ruzsa is born in 1982 in Budapest. He studied at Kodolányi János College, Székesfe- hérvár, Faculty of Arts (Communication) spe- A FILM FOR PEACE cializing in television.

Filmography 2009 +1°c (short film, 2 min.) - Director, Director of photography.

2008 A Quick Look at László Mednyánszky (documentary, 2 min.) - Director, Director of photography. Életmód és művészet – A Gödöllői Művésztelep régen és ma - Life and Art - The Gödöllő colony then and now (documentary, 41 min.) – Direc- tor of photography. All the World’s a Game - Portrait of László Egyed (documentary, 25 min) - Director, Direc- tor of photography.

2007 Blue Corridor (short film, 6 min.) – Director, Scriptwriter.

2006 Banga-tekercsek (documentary film, 18 min.) – Director, Reporter. FIFTH EDITION 2010 Légy! - Fly (short film, 4 min.) – Director, Script- writer, Photographer.

220 C S S er. FreightNight fuvar- Éjszakai tography. Carnivore tography. Távolodás 2004 photography. Átlép 2005 D P T of friendshipandfamilyhelptocombattheseproblems? bonds the everydaylife. can Toof extent part what becoming is threats physical and mental to Exposure pollution... environmental prejudice, fear,drugs, wars, - variousforms in violence from suffering Theis world P D P M C creenplay hooting hotography rod roducer echnic ountry redits irected uration usic uction year: ő - Crossing- ő : Péter Suvada, Marcell al by: :

F : : D Hungary

b (short 4 min.30sec. Dénes Ruzsa ormat (videoclip, y: et : Dénes Ruzsa ails

Dénes Ruzsa Dénes Ruzsa : film, (short 2010 DV 15 4 film, min.) min.) 3 (short Takács F – ilm min.) – Director, Director, S 221 ynopsis film, – Director, 14 Scriptwriter, Scriptwriter, min.) Scriptwriter, – Director, Director Director Director Scriptwrit of of pho pho of - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE SILENCE Ava Lanche 2008

Biography Ava Lanche feels that a biography does not say much about a person. The idea of the biogra-

A FILM FOR PEACE phy might be to know more about a person, but a fact can lead to many misperceptions and projections and only distance the reader further from the actual person.

Then, of course, there are those who use their biography to promote themselves and make every very little they ever did sound great, which is a real nuisance to Ava, who really likes small things.

Filmography Silence (2008)

Film Synopsis Without resorting to the past or a display of violence, the film aims to examine human rights violations in relation to the human shadow by challenging the viewer with the tactics of propaganda in the absence of a hero, victim, or villain.

Technical Details Credits

Production: Directed by: Ava Lanche Rauja Amin and Ambrosius Engel Screenplay by: Ava Lanche Country: Photography: Mario Pinzon Iceland / Germany Production year: 2008 Duration: 3 min. 13 sec. FIFTH EDITION 2010 Original Language: English Shooting Format: Super 8

222 Anand andMadhura Katti The writing articlesfor18years. are 1) Awards received: culture, art,andlifestyle since eightyears. documentaries They Television onspecificsubjects. Jetwings, NamaskaarandBusinessBarons. Fliers, Anand The International Publications TheInternational The Magazines Malla. The Newspapers, 2001. They Well, Poleng, ternational vals. teriors, phy, Wings International Better Press Times, BIG FAMILY based publications Tribune, Elan, They have travel Journal, Photography, Best Headliners, of and Economic Meri 2009 223 Oman, in been also Gladrags, Travel Madhura Travel widely

Saheli Travel Mumbai, like Travel NewsandSilhouette. Business B Sahara on are: sustain making io Oman for The Congress /F travel Writers times New Times Tourism (Hindi), Trade around ilmography which are Upbeat, Times Time, India. debates Today, documentary and filmmakers, Woman, Line (ET Journal Fairs Award held they Vision, the Of Dash, gastronomy; Travel), Deccan They

House include: and Selamta, India, and on world, in write of given Gentleman, Mumbai Society, Society have Radio Karnataka Photogra film writers The Bombay Layouts, films include Herald, Friday, attend Living at been festi they Free and In In on Hi of in - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE 2) ‘Best travel writers’ award in India at the Intl. Travel Congress in the year 2001. 3) ‘Krishi Paryatan Gaurav Award ’08 from Maharashtra State Agri and Rural Tourism Co-op. Federation (MART), for promoting rural and agri tourism in India. 4) National Awards of Excellence in Tourism 2006-07, Best Film (special prize), awarded by the Ministry of Tourism, Government of In- dia for ‘Glasgow Craft Kinnala’. A FILM FOR PEACE 5) Indian Association of Tour Operators (IATO) Annual Award 2009- Best Tourism Film for ‘Glasgow Craft Kinnala’.

Film Synopsis The film is about India’s largest family unit. It is comrized of 182 people living together in a single house and having one single kitchen: a house full of children. They are farmers by profession and have in total 270 hectars of land on which they all work.

This film is about how such a huge family lives together in such peace and harmony with many, many children in this modern age of nuclear family. It also helps promote better co-operation and understanding between different people and cultures of the world.

Mr. Bheemana, 82, the head of this big family says that one can achieve lots of peace in every thing by living together; he further says that children grow up with out the feeling of loneliness, stress and tension, and learn to live together “

Technical Details Credits

Production: Directed by: Madhura Katti Indigenous India / Madhura Katti Photography: Country: India M. B. Grouda Production year: 2009 Duration: 50 min. FIFTH EDITION 2010 Original Language: Kannada Shooting Format: DV Cam

224 over the worthlessness of his existence and suf perturbed is identity,Ahmed his for Searching and landedinDelhi. Baghdad from flee to somehow managed he murder; and kidnapping arrest, of targets the became regime Saddam of fall the after who less Ahmed is one of those Palestinian refugees rest and youngfamily, the his from Separated print All’ Kali Bein Kali Bein aspora Music Surendra ary tival, India. ering tary His ferent channels inIndiaand abroad. ing A pendent filmmakerandwriter. part Award Documentary then Visual Award Surendra Manan well-known UNDER SIEGE issues quarterly award recent documentary series (The Black River). he journalism eight -8 , for Arts at Gandhi-Alive in South Africa South in Gandhi-Alive 2010 has part

225 Manan ( and The Black River Black The ECOFILMS the Indian Culture and the Worldthe and Culture Indian at films countries, Festival made Vatavaran series, for Best has B author Producers io to F include: lives five ilm /F series, several produced film Film Naval uprising of 1946 Navalof uprising ilmography S (Greece) years, in and Thumri-Indian Classical Thumri-Indian ynopsis International making International on Delhi TheDi Indian Great an ) films an Association) won Environment, he 8-part programs editor and and in switched on IDPA 1994. wide-rang ‘Water is documen Film of

Film an and (Indian for a Since inde Gold from liter cov Fes Jury and Kali dif -6- for ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ferings of his fellow beings facing numerous problems like food, shelter, health, and minimum financial support - while waiting to get refugee status in India.

Considering the rapidly worsening conditions, are these ill-fated people going to find any hope for the future? And what happens to Ahmed who desperately wants to return to his home country-Iraq? A FILM FOR PEACE

Technical Details

Producer: Surendra Manan Country: India Production year: 2010 Duration: 51 Original Language: English / Arabic Shooting Format: DV

Credits

Directed by: Surendra Manan creenplay b

FIFTH EDITION 2010 S y: Surendra Manan Photography: Anil Lonare / Navneet Missar Repertoire Music: Traditional

226 ShahriarPourseyedian Festival in awards Grand of perimental therefore, heuseshishandsforwalking. feet; his on walk cannot and paralyzed is He a nearby river, whichby overflew itsbanka year ago. caused flood a following house sister and their lost havejust they disabled; are they and brother are Mahin, and Morovat Director her forget the serious difficulties of their current dream help and their sister his up cheer to tries for and home hope to continues he time, to time from rejected are requests the if Even der torebuildtheirhome. or in authorities from help get to trying hands his using streets the walks and river the bridge over a crosses camp, the leaves often and future, better a of hope loses never Morovat home. even not able to is walk to the sister village near the the ruins of their and tent a in live They Born istry ofEducation. versity A COLDLAND the 1979. Best off in at 2009 and 227 Tehran. in film Tehran 2007and2009. Film films Graduate Warsaw, producer festivals, at F since F He ilm B the ilmography iography S Poland teaches in Roshd ynopsis of 2004. including painting documentary International 2008, Arts Winner from a for and diploma the Art of and winner some Min Uni Film ex at - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE situation.

Director’s Statement There are always people around us who are in desperate need of help and care. They are left alone… and what we can do for them is no more than making their voice heard. A FILM FOR PEACE

Technical Details

Production: Ashraf Mehrahurboni Country: Iran Production year: 2009 Duration: 23 min. Original Language: Persian with Taleshi dialect Shooting Format: DV

Credits

Directed by: Shahrian Pourseyedian Screenplay by: Shahrian Pourseyedian Photography: FIFTH EDITION 2010 Sasan Javadnia Music: Arshia Zeinaly Repertoire Music: Axi Movie Art Group

228 S O P T D P C hooting rod roducer echnic ountry uration riginal uction year: al L :

F : : D Iran

anguage 19 min. Shahrian Pourseyedian ormat et ails : WHEN A LINEOFLIGHTSHINES 2009 : DV Persian ShahriarPourseyedian Festival in awards Grand of perimental There are always people around us who are in are who us Therealwaysaround are people living withherdeafsister. girl, Mitra who almost has no body, an invalid and who is about story atouching is film This Director themmorenoisthan making theirvoice heard. for do can we what and alone… left are They desperate needofhelpandcare. D Born University Ministry ofEducation.

irector the 1979. Best off at 2009 ’ and s 229 in S film Tehran 2007and2009. Film in films t Warsaw, a producer Graduated tement Tehran. festivals, at F since F ilm B the ilmography iography S Poland Roshd He R ynopsis of 2004. Shahrian Pourseyedian Shahrian Pourseyedian including epertoire Mehrnaz Hamife Poor in documentary teaches painting International 2008, Winner M Bijan Hoseiny P S a creenplay hotography D usic Arts and diploma irected from : of and for winner C Vivaldi M redits some usic Film by:

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE COLD BLOOD Amir Mehran 2008

Biography Birth Place: 1981, Sabzevar, Iran. B.A from IRIB (Iran TV University as Animation

A FILM FOR PEACE Director). Member of ASIFA. Member of Iranian Young Cinema Society. The began working in Cinema by making the short film “Silence of Shadows” in 1998. The began his work in the field of Animation by making the short Animation “The Bird” in 1998.

Filmography Short Animations: The Bird (1998) The Direction (2000) The Worm (2003) The Dream (2004) The Lost Waves (2005) Persian Paintings Animation Series (2006-2007) Cold Blood (2008) The Fall (2009) Silent City (2009)

Film Synopsis The real war victims cannot truly be shown FIFTH EDITION 2010 through films, and still pictures can be more more realistic.

230 E C M S S D P T R D C D P O creenplay hooting nglish rod roducer echnic epertoire redits ountry irector irected uration riginal usic uction year: : T Arash Ghasemi al by: T :

itle

of F : : D M Iran

itle b 7 min. Mehrdad Ghaffarzadeh, ormat P y: : et usic Amir Mehran : Cold Blood hotography ails Amir Mehran Masire SardeKhon : : Hooman Hemami 2008 DV :

Ameneh 231 Arbaboun Amir Mehran

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE THE TRIAL Rob O’Reilly 2009

Biography Rob O’Reilly is a former student of the Nation- al Film School of Ireland where he directed and produced a number of short fiction films. A FILM FOR PEACE After graduating, he spent six months living in Kosovo developing a project about the im- pending trial of the former Prime Minister, Ra- mush Haradinaj for war crimes.

He returned to Dublin in 2006 and began the arduous task of raising money for the film.

Filmography Headland Pictures was founded in 2006 by Rob O’Reilly and John Murphy in order to create projects for documentaries for the international market.

The Trial is the first feature film project of the Headland Pictures to date.

Film Synopsis In September 1998, at the end of the Balkan wars, the Serbian military discovered 37 dead bodies in a concrete canal in western Kosovo. Seven years later, the Prime Minister of Kosovo would be falsely accused of their murder.

Ramush Haradinaj was a prominent commander in the Kosovo Liberation Army, a guerrilla group that fought for independence from Milosevic’s Serbia. In 2004, he was elected

FIFTH EDITION 2010 Prime Minister, but only 100 days into his term, a war crimes tribunal indicted him for an al- leged massacre in 1998.

232 S C M O D from inside the Haradinaj defence team. It explores how ideals of truth of ideals how explores It team. defence Haradinaj the inside from seen as justice international of world the of examination an The Trialis indictment itself. the behind motivation the about truths unsettling deeply uncover they Moreover,warpropaganda. Serbian dramaticconclusion, drawsa trial to the as of fabrication a instead, but site, massacre KLA a not is crime scene the that arguing theory, case prosecution the in weaknesses fundamen tal expose team his and O’Reilly trial, the of course the Over indictment. lawyers and investigators determined to rebut what they see as an unjust naj’s closest political advisors. O’Reilly assembles a team of international Haradi of one and Pristina in lawyerO’Reilly,livingMichael Irish of an The film follows the events of the unfolding trial as seen through the eyes D P T and fightingfor what they believe tobethe truth. injustice, against standing people of group a of story the is it all, Above for theformer Yugoslavia. serious asks Criminal Tribunal and International the of setting, politicization the about legal questions a within corrupted be can justice and C D P hooting rod roduction echnic ountry redits irector irected uration riginal usic uction year: : Birger Clausen al by: L :

of F : D Ireland

anguage 72’ ormat P : et

Headland Pictures Rob O’Reilly hotography ails : 2009 : DigiBeta /HDCAM English /Serbian :

Patrick Jordan 233 Albanian - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE FOR WOMEN ONLY Nikita Feldman 2010

Biography Born in Russia, where he finished the high school; he studied English in-depth. A FILM FOR PEACE At age 17 he immigrated to Israel, completed the military service in the combat division.

Studied at the Camera Obscura School of Art in Tel Aviv, film department (4 years).

Between the years 2005-2007, he lived and studied in UK, English language and screenwriting for film.

2010 – completed an experimental short Israe- li film in English and wrote three new scripts for features movies.

Filmography 2003 – Juventus, 7 minutes, fiction 2005 - Family Etude, 20 minutes, fiction 2009-2010 – For Women Only, 21 minutes, fiction

Film Synopsis A pretty young girl, (fresh immigrant from Rus- sia) comes to one of the luxuries SPAs in Tel Aviv to get a job as a beauty therapist and meets there some weird characters, as the manager and the secretary.

The girl named Alex would have to do a trial FIFTH EDITION 2010 treatment to one of their best customers, Mrs. Juliet from Africa.

234 S C M O S about thiscountry. and life about something learned have to happy is she but job, the her In the end, the manager bombards Alex with questions and does not give This placeisforwomen onlyand sometimes theygomad. situation willturnintoatheatricalscene,when thestaffintervene. the end the in and Alex, seduce to try will Juliet treatment, the During D P T D D P C creenplay hooting rod roducer echnic ountry redits irector irected uration riginal usic uction year: : Robert Shiloni al by: L :

of F : : D Israel

anguage b 21 min. Nikita Feldman ormat P y: et Nikita Feldman hotography ails Nikita Feldman : 2010 : DV English :

David Derzi 235

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE AMOS OS - The Nature of Dreams Yonathan and Masha Zur 2009

Biography Yonathan Zur Was born in 1975 in Israel. He is an independent filmmaker and editor. - A FILM FOR PEACE

Masha Zur Glozman She was born in 1978 in Israel. An independent journalist, critic and filmmaker.

Filmography Magia Russica – A documentary about Russian animation, Israel, 2004 - 96 min. Directors and Producers: Yonathan and Masha Zur.

Film Synopsis Exploring the persona of Amos Oz, the film opens a rare window into the world as ob- served through the eyes of one of Israel’s great- est authors. Oz is a man who, it has been said, knows Israeli society inside and out, since he is an outsider, in a very profound sense, in respect to all worlds.

This is a journey in the footsteps of Amos Oz, his literary writing, and his political beliefs. The journey takes us through his memoir, “A Tale of Love and Darkness” and follows him over a period of two years in his efforts to promote the Two-State solution to the Israeli-Palestinian Conflict.

FIFTH EDITION 2010 Technical Details

Producer: Yonathan and Masha Zur

236 S C O D D C D P M Bavarsky, hooting rod redits ountry irector irected uration riginal usic uction year: : Avi Benjamin by: L :

of F : Israel Yonathan Zur

anguage 86 min. ormat

P Yonathan andMashaZur hotography : 2009 : Beta SP Hebrew, English,German :

Boaz Yehonatan 237 Yaacov, Eyal Ben Moshe, Ron

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE THE MESSIAH WILL ALWAYS COME Lea Klibanoff 2009

Bio/Filmography Lea Klibanoff was born in 1975 in Jerusalem, where she currently resides. She grew up in Haredi (Ultra-Orthodox) society, and studied A FILM FOR PEACE at the seminary for girls. Lea graduated with honors in Law and Jewish Philosophy from Hebrew University. She coordinated the activity of “Netivot Shalom”, a left-wing religious movement.

Lea is a graduate of “Ma’ale” film school. Dur- ing her studies Lea directed the following documentaries: Independence 2004 (2004), Like Yitzchak and Rivkah (2005). She also co-wrote At the Entrance of Eyes, a play performed by the Nativ Nissan Acting Studio in Jerusalem in 2008. The Messiah Will Always Come is her debut film, and it was produced independently.

Film Synopsis “The Messian will always come” - says Hagit, as she looks out upon the growing number of caravans in the settlements, the paving of illegal roads, and the confiscation of land owned by local Palestinians. She explains that the Mes- siah is something to look for, and even if there will never be complete justice, we must always strive for it.

Hagit Ofran is the director the Settlement Watch project “Peace Now” (an Israeli peace movement) for the past three years. As part of her responsibilities, she drives around Judea FIFTH EDITION 2010 and Samaria in her jeep, all alone, monitoring settlement development. She closely records

238 S C M O D bond with Judaism and her love for the land of Israel, the land she cross through all of this, the process also brings her into contact with her deep rights ofothers,thosewho donotbelongtotheircommunity. However, the to sensitive not are they that feels community.She religious porary contem the toward feels she pain the exposes and observant, ligiously re being stop to decision her to leading reasons the reinforces mission acts. religious-ideological their Theand settlers the with again, and time face, to face her brings settlements the around journey Hagit’sendless caused by theReligious-Zionistcampfromwhich sheherselfcomes. injustice sees, she injustice the and occupation the perpetuate tlements learn from them more about the situation. Hagit is convinced that to the Palestinians,trying set meets she process the In detail. every tographing pho outposts, and settlements the of expansion and development the D P T es inhertravels. D P C hooting rod roducer echnic ountry redits irector irected uration riginal usic uction year: : Dan Karger al by: L :

of F : : D Israeli

anguage 54 min. Lea Klibanoff ormat P et Lea Klibanoff hotography ails : 2009 : DV Hebrew :

Lea Klibanoff 239 - - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE NÛFCENT Dorino Minigutti 2006

Bio/Filmography Dorino Minigutti lives and works in Friuli as an independent filmmaker. In 1994, he directs The park, the water and the moon (“Libero A FILM FOR PEACE Bizzari” Prize ‘95).

He has directed (made) primarily documentaries and fiction with an educational and social character broadcasted by public and private channels.

On behalf of the University of Udine, he wrote and directed a number of fiction films with an educational character in the Friulian language as part of EU projects for minority languages.

From 1989, he worked with several Health Institutions making some audio-visual productions on social communication aimed especially to teenagers: among others The Red Wire (first prize at VIDEOLAND ‘98).

For RAI has created a series of portraits and surveys on social issues: The circle of the other (First Prize VIDEOLAND ‘01), The circle of time (Special Prize VIDEOLAND ‘03).

For several years, he is working on the creation of an audio-visual archive of adolescence memory.

Film Synopsis The Friulian twentieth century is presented in Nûfcent (Nine hundred) through some short FIFTH EDITION 2010 stories, each one recounting a period of the last century.

240 S O bring back tolifethepersonal andcollective memoryofthisland. privateand public of set yearsa is but ‘900 that events,small, and large wholethe the of tell story to pretend not does Hundred) (Nine Nûfcent tury throughfragments offamilylife. became the inner voices of a humanity that speaks of the twentieth cen chronicleand the in absorbed were suggestions Theand letters, diaries, to newmomentsofsocialhistory. drawto attention Archivedreassembled downand broken were images Friuli. of history the havemarked that events cultural and political, economic, find we chronicle, the of lines the between chapters, these of each In P T Paradoxically, The ‘900was thefirstcenturytohave itshistorytoldthroughmoving images. Notes From The A ing C Minigutti Dorino D P all tied toourroots. Essentially, society withoutroots,andbecauseofthis,identity. With stories, fragments oflifethatattract otherstories,memories. dissolved century stories hooting rod roduction echnic ountry uration riginal its discovery uction year: this aspects, between al in L : approach,

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE PANCA POPOLARE ITALIANA Werther Germondari 2008

Biography Werther Germondari was born in Rimini in 1963. Between 1984 and 1986, he attended Laboratorio di sceneggiatura Tonino Guerra A FILM FOR PEACE (Tonino Guerra Screenwriting Laboratory) in the Republic of San Marino.

In 1988, he earned a scholarship to the Cen- tro Sperimentale di Cinematografia in Rome (Center for Experimental Cinematography) and graduated in Photography under the guidance of Giuseppe Rotunno.

He graduated after this from University of Bologna, Film Director Institute, (Istituzioni di Regia) with a thesis on “Tragedies in two beats” by Achille Campanile.

Attentive to innovative experimental neo con- ceptual and situational dynamics, characterized by an ironical and surreal touch, he passed the last 25 years in a quest articulated through a number of expressive media (from painting to installation, from photography to film, from video to performance), participating in numerous international gatherings (as Odense Foto Triennale, in 2003) and making many personal exhibitions.

In the specific field of short films, he has created approximately fifty movies, which were projected to hundreds of festivals (including Cannes and Venice), and distributed in cinemas in Europe and many international television programs. Among the many retrospec- FIFTH EDITION 2010 tives that were dedicated to him, we mention “Hommage to Werther Germondari” at the Ci-

242 C Festival in2006. S C O P D P T groups met,andhundredsofpeoplefoundrest refuge. it, since the beginning of the new millennium to date, people of all ethnic ing the same bench, which is located in Piazza delle Finanze, Roma. On fram 2000, autumn years,since 6 about of period overa realized been have Italiana) Populare(Panca Bench” Popular “Italian of images The nemateque D P M Theatre in (2008); (1999); (1986); MERDA TUMI Filmvideografy NELL’ARIA GET RIO BEEP! GASM CONFLICT NAL DESTRA VERSO COMUNISTI UNA RUOTA hooting hotography rod roducer echnic ountry redits irected uration riginal usic 2003, (2008); uction year: (2008); :

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE SE CI DOBBIAMO ANDARE ANDIAMOCI Vito Palmieri 2009

Bio/Filmography Vito Palmieri was born in Bitonto (BA) on October 1 1978. He graduated in 2004 in Filmology from Dams Cinema Bologna. A FILM FOR PEACE After 1999, he participated in numerous independent film productions, as a director, assistant director, or coordinator.

His short films, including Al mare - Seaside (2004), Tana libera tutti (2006) and the latest Se ci dobbiamo andare andiamoci - If we have to go let’s go (2009) have received top national and international awards.

Tana libera tutti (Everyone saved) financed by Min- istry for Arts and Culture and has been selected at innumerable European and International festivals. It won more than 50 awards among which the nomi- nation at David di Donatello Festival in 2006.

His last short film, Se ci dobbiamo andare andiamoci (2009), competing at the Human Rights Festival in Bologna, has already won more than ten awards in national festivals.

Film Synopsis An agreement between students of different origins will give rise to a new form of integration.

Technical Details Credits

Production: Directed by: Luca Dal Molin per Voice Dog Film Vito Palmieri Country: Italy Screenplay by: Production year: 2009 Vito Palmieri e Marcella Terrusi

FIFTH EDITION 2010 Duration: 15’ Director of Photography: Original Language: Italian Michele D’Attanasio Shooting Format: HD Music: Danilo Caposeno

244 Dolby 5.1.Screeningformat35mm 4/3 -1,33:1,DigitalDolby 5.1 project, screenplay, aalx ons Ciao n h ps rock post the on Chicago Sounds, Parallax IN PREPARATION Brazil TV, SESC and Italy Cinema, RAISat Broadcaster: 2007 Cinema release:France 2009 Fund for35mmpost-production Italy,SESC TV,France),de (Ile SelectiveIDF Brazil Cinema, RAY Italy, Cinema, RAISat Broadcaster: 2007 SESC TV, Brazi Italy, Cinema, RAISat Finland, YLE, Broadcaster: 2008 - quired in35mm. re post-production for basis selective a on uted contrib amount France), de (Ile ParisIDF de Eau Danielle Mitterrandt Mairie de Paris, UNESCO and Fondation - France-Libertés with collaboration In 2009 screenplay, project, 55’,Dvcam FullHD Dolby 5.1 STRADE D’ACQUA Augusto eti, year 2000. Augusto Contento Italy) - - - Onibus Tramas Strade d’acqua (Roads of Water) Strade Trasparenti (Transparent Roads) 2009 1440 100’, Contento 245 in direction direction 1973. l , , x screenplay, screenplay, Dvcam, 1080, F B ilmography was He iography and and lives born 16/9 4/3 sound sound, direction direction in in - - 1,33:1, Lanciano 1,78:1, Paris project, 90’, and and since Dvcam, , Digital Dig sound sound 2009, (Chi 115’, the ital - - - , ,

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE 2009, screenplay, direction and sound, 90’, 35 mm. Pre sale: RAISat Cinema, Italy and Teléssonne, France, YLE Finland, REV Ice- land

PROJECTS IN DEVELOPMENT Flamme Fatale, 2010, feature film. Screenplay, direction, 90’, 35 mm Surf: date to be defined, feature film. Screenplay, direction, 90’, 35 mm

A FILM FOR PEACE Il Ritorno: date to be defined, feature film. Screenplay, direction, 90’, 35 mm.

Other collaborations In 2007, he collaborated at the original soundtrack of Tramas with the following musicians and composers: Chris Abrahams, Noël Akchoté, Chris Brown, Tony Buck, Werner Dafeldecker, David Daniell, Margareth Kammerer, Günter Müller. Jim Pugliese, Gino Robair, Peter Zummo.

For Strade trasparenti - Transparent Roads, 2008, he worked with the following musicians, that composed the original soundtrack for the film: David Grubbs, The Necks (Abrahamas Chris, Tony Buck and Lloyd Swanton), Mira Calix, O- Type (Bruce Anderson, Date Sophiea, David Weinstein and Jim Hrabetin), Säo Paulo Underground (Rob Mazurek and Mauricio Takara), Mute Socialite (Moe! Staiano, Ava Mendoza, Alee Karim and Shayna Dunkleman).

In Strade d’acqua - Roads of Water he is currently working with The Predella Group, composed by: Ken Vandermark, Jeff Parker, Tim Dasy, Jeb Bishop, Fred Lonberg Holm, Jemie Branch, Nate McBride.

In 2009, he will work with postrock musicinas during the shooting of Parallax Sounds, Chicago on the postrock: Steve Albini, David Grubbs, Tod Rittmann, Tim Rutili, Ken Vandermark, Weasel Walter, Ian Williams.

Film Synopsis Strade d’Acqua/Roads of Water is a western shot in the Amazone equa- torial region. With epic spirit, director Augusto Contento investigates the social and psychological condition of an entire people and how nature determines and mirrors it. To travel through his eyes on the Amazon river and its contributories, surrounded by the landscape’s mysterious and pa- gan monumentality, is like stepping back in time and explore the tracks

FIFTH EDITION 2010 of wild west, crossing lands without law and traveling in boats that are like real convoys, still full of settlers looking for a better life in place that does not exit.

246 S C M S O still resonatesinthespectator’s mindlongafterthefinalcredits. Kenthat musician note jazz poignant a Vandermark,adds music whose American by composed soundtrack original the by carried is film The the fluvialmapof Amazonbasin. horizontally,narrativereproducing the branches that format editing nal The protagonists come and go like the rivers’ currents, thanks to an origi D P T S D S P D P C creenplay toryline hooting ubtitles rod roducer roduction echnic redits ountry irector irected uration riginal usic uction year: : Ken al :

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Augusto Contento 247 -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE LA GUERRA DI MARIO (Mario’s War) Vincenzo Caricari 2009

Bio/Filmography Vincenzo Caricari, was born on 31/10/1982 in Siderno (RC). He graduated in 2002 from Scientific High A FILM FOR PEACE School of Locri (the Liceo Scientifico). He is pursuing a degree in Arts and Sciences of Spec- tacle at the University La Sapienza of Rome.

In 2005, he made his first short film, Streets, fragments of everyday life of four boys from Calabria. In 2006, continues to experiment with the shorts movies with The beach, and Cotra, all shot in Locri.

In 2007, he decided to return to live in Calab- ria and developed an interest in the social issues of his land, trying to address them through documentaries. The first documentary YYYoung boys of Locri- GGGiovani di Locri - (awarded a prize at JEFF in Taranto and in the Libero Bizzarri competition in San Benedetto del Tronto) on the boys who rebelled in the aftermath of the murder of the vice president of the Regional Council, Franco Fortugno.

In 2008, he recorded the documentary Mario’s War, which follows the story of Mario Congiu- sta and his struggles to obtain justice; he is the father of Gianluca, a merchant killed by the ‘Ndrangheta in Siderno in 2005. The path of socio-anthropological study of Calabria is continuing with the creation of a documentary in Riace, a little town in Locri famous thanks to the project of welcoming im- FIFTH EDITION 2010 migrants brought in and used by the opponent mayor Mimmo Lucano.

248 In Locri makingeducationalshortfilms. S O the time P T gins quietlyandwithoutclamorMario’s War. murder of Gianluca and all the other 32 crimes registered only in Locride, be the into investigation the on silence deafening the in 2006, year the During each of out comes character. that redemption for desire and hope the also But its evils. of unavoidability resources, contradictions, its character, its Calabria, of whole the land, a of out stands inevitably quest, and experience Throughhis illegality areinvolved. and mafia which‘Ndrangheta, in cases all to general, in and, murders solved un of cases all to open but son’s case, his to confined not truth, and justice obtaining family, at his aimed father,then, fight his Since a particularly began labria. Ca Locri, in May2005 in killed businessman young a Gianluca, of father the The documentary film recounts the three years of struggle for Mario Congiusta, He Since 2007, ous reportagesonCalabria. cio From C Asimmetrici D P based Calabria various media. In Jonica inthe70’s. and hooting rod roduction echnic ountry uration riginal 2009, 2008 has Spina the uction year: 2008 on al collaborated , L : stories assistant

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE VERA Paolo Lazzerini 2009

Biography Paolo Lazzerini was born in Poggibonsi (Siena) in 05/20/1972. A FILM FOR PEACE He grew up and continues to live in a small country town in the beautiful hills of Chianti near Florence. He attended the Art Institute of the Tuscan capital, a school that encouraged and stimulated his creativity. He became a Master of Art and graduated with honors in the jewelry section. After a year of military, with help from the Art Institute, that helps the best students find jobs, he began working for a silversmith in Galluzzo (Florence distric). A year later, he started working closer to home as a goldsmith for the jewelers in the area. Throughout this time, he never lost his great passion for film. This passion materializes in 2005 when he makes his first fantasy feature film with the boys of the parish of Monsanto: Il segreto di Cepparello - Cepparello’s secret.

In 2006, he shot a second fantasy feature film: L’albero di Mondoquà - The tree of Mondoquà, followed in 2007 by the short film Amore senza fili - Love Wireless that talks about the relationship between youth and mobile phones.

During the same year he shot the short film Il Mostro - The Monster, transposing in images the homonymous song written by Samuele Bersani; this short film was showed on the Internet on the occasion of Festa del Cinema - Roma in 2008 and it received an award in FIFTH EDITION 2010 2009 for Pontassieve (Fi) “Cortogiovani” contest.

250 stage religious driving. During zards ofFlorentiaandtheMysteryChristmasLight. della scuola di florentia ed il mistero della luce di Natale Claus Santa Kindnapped Who - Natale Babbo rapito ha Chi From l oto Te monster, (The Mostro Il Amore senza fili Mondoquà L’albero- of Mondoquà Thetree di Cepparello di segreto Il Cellar the in santo film echism. played Music shot engaged In rock bandofPoggibonsi, who isabouttorecordtheirfirstalbum. Paolo transposed onvideountilnow. woods through theeyes ofachild isaworld inwhich weshould alllearntolive. by between The continues towritescriptsfornewprojects. of thefilmsingsfinalsong. performed irrational happensintheirmorbidrelationship? and theywillrealizethehiddensecretbehinditsmystery. 2010, his journey entirely about 2007 during still and wife composed will by This 2009, During young he background, for lives the by projected the and help Elisabetta, of was is , in seven the Antonio a younger a a he accidental the people

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE The video has participated in the contest for short film festival in Rome in 2008 and was chosen among the first 100 to be shown on the internet. In December 2009, it received an award in the “Cortogiovani” Pon- tassieve (Florence) competition and screened at the cinema during the final evening.

She (2007): Ballet on a well-known Elvis Costello’s homonymous song. Per- formed by Samuele Martini and Carolina Sardelli. The video was shot in the beautiful garden of the castle of Monsanto during the Christmas holidays.

A FILM FOR PEACE We are glad to point out the presence of Carolina Sardelli, who won two scholarships in dance and was recently the winner of the national dance contest held in Sardinia in February 2010.

La tua canzone - Your Song, 2008: a short film based on a serious and im- perative subject: the deaths of young people on the roads. Accompanied by a song written by Sigur Rossi, the short tells the story of a boy who lost in a car accident, his best friend, with which was secretly in love, and the passing of those terrible moments when he must learn to live with that pain, and look to the future.

Chi ha rapito Babbo Natale? - Who has kidnapped Santa Claus? 2008: A short Christmas film full of special effects in which a group of children, which did not receive the gifts on December 25, is planning to kidnap a homeless man dressed like Santa Claus who wanders lost on the streets of Monsanto. Did the children make a mistake or just hit the mark?

I maghetti di Florentia e il mistero della luce di Natale - The Wizards of Florentia and the Mystery of Christmas Light, 2009: A short fantasy film full of special effects. Set in the Harry Potter’s universe, it tells the story of the students of the school of witchcraft and magic of Florence, who returned home for the Christmas holidays. These little wizards will fight against the followers of Voldemort in order to save Christmas. Strong combination of the world of Harry Potter with the church and its doctrine.

Vera (2009): a video clip for Ivory, a rock band of Poggibonsi, who is about to record their first album. This video transposes into images the lyrics of the song written by the singer Irene Gonnelli (main actress in the short films mentioned in this list), highlighting the difficulties faced by a girl (Vera), who suffers because of her of violent stepfather.

FIFTH EDITION 2010 Il gatto in cantina - The Cat in the Cellar (2010): Feature costume film. Musi- cal comedy in the Florentine dialect written by Nando Vitali and set around Florence in 1850 before the unification of Italy. Antonio and Carlotta got re-

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE SLOI, LA FABBRICA DEGLI INVISIBILI Katia Bernardi and Luca Bergamaschi 2009

Biography Katia Bernardi graduated from DAMS of Bolo- gna in Cinema History, received the Under 30 award at the International Festival Backstage in A FILM FOR PEACE Bologna in 1998 and Sacchi Film Award for her thesis on the movie I Piccoli Maestri - The Little Masters by Daniele Luchetti. She has worked for production companies Filmmaster in Rome, Colorado in Milan, as director in television, and for the satellite channel Cinecinema Tele +.

Filmography In 2004 Katia Bernardi and Rodolfo Concer founded the film production company KR- MOVIE and produced the second series of the television program STORIE DELL’ARTE - HIS- TORY OF THE ARTS on masters of contemporary art: Schifano, Accardi, Melotti, Afro, and Rotella; the program was selected at ROMART- DOCFEST and at Brixenartfest in Bressanone.

In 2005 with KRMOVIE produces PAKISTAN AVENUE, a report on the Pakistani community in Alto Adige, in collaboration with RAI 3 Bol- zano.

In 2005, she produced and directed ZUM TODE, a documentary on the Resistance in Trentino, with the participation of Arnoldo Foa. The documentary, produced in collaboration with the Autonomous Province of Trento and the History Museum of Trento, was selected at Trento Film Festival and at the Kathmandu In-

FIFTH EDITION 2010 ternational Mountain Film Festival, 2007.

In 2007, she directed and produced SIDELKI /

254 THE MANET, the 7, STORIE Selected VAN GOGH,MAGRITTE, PICASSO, ARCHIVIARE In in Europe. In at NANNIES In tival) inMilanandtransmitted by RAI3 ince duced collaboration History Museumof films, the 2002, LIVE TION SIAMO I CREMONESI - FRAMMENTI DI VITA DA STADIO - DEI BUTTERI ROPAL’INTEGRAZIONEE MUSSULMANA ARCHIVIARE In obtains Luca Bergamaschi in duction (Paris) studio. Since VAM festin 2007, 2008, a Paris, 2008, 4 documentary following magazine of ARTS WE years OF 2004, continuing reportage in Trento. a DELL’ARTE VAN GOGH,MAGRITTE, PICASSO, POLLOCK-HISTORY OF ARE CREMONESE -FRAGMENTS FROMSTADIUM LIFE(2004). where with at she collaboration MUSLIMS Katia Masters about - the of FIVE he produced - - KRMOVIE, documentaries: - with THE Vercelli. activity, GIANATONIO of Selected Bergamo GIANNANTONIO he works Bernardi and the film: 6 training CHARACTERS in

LEGEND attended graduated the Trento. episodes (2008), - Documentary condition documentary as CINQUE GIANNANTONIO Department he and with at International an produces wrote through shoots Look CHAPERON directed OF editor a the MANCI, dedicated in GIANATONIO MANCI, UNA VITA DA NON F course B ilmography BUTTERI of Autonomous Sociology and Elsewhere iography PERSONAGGI IN and Russian the 255 and MANCI, the Film of films. the SEARCH AND POLLOCK. directed, A for Leonardo Festival Culture third edits camera LIFE to DE Trento. television at (2007), camera - MANCI, As one nannies at the EUROPE Festival LOUP TO A series institutional the Province a LIFE of OF Cinema of of with operator REMEMBER and project director, IN Documentaries University operators. the the (2008), THE of program TO UNA (Sguardi in CERCA AND FINCHÉ VIVRÒ, NOI Luca the Autonomous largest Italy, REMEMBER, ARTIST: of School

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Synopsis The documentary film, intends to retrace the history of the Sloi factory in Trent, from its origin during the years of Fascism until its dramatic closing, which occurred in 1978 following an explosion and a fire that could contaminate the whole city. Sloi began as a war factory in 1940 producing the tetraethyl lead, the liquid to be mixed as antiknock in the gasoline, needed first by the Iron Axis aviation, and after that in the years of economic boom. Sloi was a great opportunity for a city that was

A FILM FOR PEACE changing from rural to industrial: creating work and wealth. However, tetraethyl lead is a very toxic substance that causes symptoms similar to alcoholism, which triggers a fatal process that leads to death from madness. Sloi, with its thousands of poisoned workers and tens of deaths was the symbol of an economic system that, even today, in numerous places around the world, exchanges life for money.

The 52-minute documentary intends to highlight through the direct tes- timony of some former Sloi workers and some of the players involved in the history of the factory, the aspects of a story that is not painted in black and white, but in shades of gray where life, suffering and death intersect in a unique place, and at the same time symbolic of the eternal compromise between power and human acceptance.

The shooting took place inside the abandoned area of the factory and of the former psychiatric hospital in Pergine Valsugana.

Technical Details

Production: Gruppo U.C.T in collaboration with the Autonomous Province of Trento Country: Italy Production year: 2009 Duration: 52’ Original Language: Italian Shooting Format: DV

Credits

Directed by: Katia Bernardi, Luca Bergamaschi toryline by

FIFTH EDITION 2010 S : Sergio Bernardi Screenplay by: Katia Bernardi, Luca Bergamaschi, Claudia Gelmi Director of Photography: Rudy Concer

256 THE VICIOUS CIRCLEOFPREJUDICE 2009 - 2009 - 2009 - Conservatory ofRovigo. and He University ofSuwon (SouthKorea). Production He bia, Ukraine, andinSouthKorea. Musician, ley University inLondon. tion) servatory aret He films. Born loves for Patarino He North East. make directed: operas, StefanoPatarino children, was is worked studied technique and performances, 26 professor to music The Vicious Circle ofPrejudice. Independent Close uponSound baroque 2009 a play as 257 December obtained professor of classical actor, a and at acting, with Padua contemporary child theater “Fenice” of of and Film F melodramas, B ilmography actors. interpretation scenic a iography emigrated of graduated tragedies (Flute 1965 Masters director comedy, with opera Studies in Among art and Venice, the in theater and and Degree in Foggia, and at with musicians from musicals, entertainment music particular, at drama Thames stage the comedies, in the his and the in films Colom Stefano educa theory family Music Video at short Con cab Val and the he he - - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Synopsis In an environment bombarded by information that induces fear, a woman and a man look at each other suspiciously. Gradually suspicion changes into fear. We all dread the unknown. What could seem familiar is often changed into something strange by fear. Therefore, a vicious circle is created, preventing people from living in harmony. A FILM FOR PEACE

Technical Details

Production: Stefano Patarino Country: Italy Production year: 2009 Duration: 10’ 10” Original Language: English and Italian Shooting Format: HDV

Credits

Directed by: Stefano Patarino FIFTH EDITION 2010 Storyline by: Stefano Patarino Screenplay by: Stefano Patarino

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE was a private neighborhood built in the late seventies to accommodate the college students away from home: a square surrounded by six buildings with 287 mini apartments of 28 square meters each.

In the nineties, the Italian tenants were leaving the work to the numerous immigrants arrived in the city in search for jobs. Overcrowding, crime and decay transformed in a few years the Serenissima Complex in the ghetto of Via Anelli.

A FILM FOR PEACE In 2005, the municipal administration decided to redevelop the area despite opposition from the owners, all Italians. It will take more than two years of work to close the six dilapidated buildings and to move the regular tenants in decent homes.

In the documentary the work of the people involved in closing opera- tions are blending with the voices of immigrants who live there and who are telling the everyday life of a place among the most thought of, but less known in the Northeast.

Technical Details

Production: Jolefilm Srl Country: Italy Production year: 2008 Duration: 68’ Original Language: Italian, English, Arab Shooting Format: DV

Credits

Directed by:

FIFTH EDITION 2010 Marco Segato Director of Photography: Elisabetta Massera Music: Giovanni Panozzo

260 LA LUNGANOTTE (THELONGNIGHT) videos Direction, of Rovigo. Production (2009) forDoctorswith Direction tors with Short stories della VitaMaria Santa Vita della Maria Santa di pianto Direction, The words that are good Direction, Museum ofHealthinBologna(2009). Raggio lo He from theUniversity ofPadua. Since themes. He camera operator, andvideoreporter. Nicola visual corporate Angola, SouthSudan,Uganda. Africa in so several has made Nicola Berti - 2005, sector Wolisso Verde Cuamm ko now know I a Berti 2008 Africa Cuamm(2009). and 261 montage, montage montage, decade videos missions and

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Direction, montage, and filming of the documentary Corsia non preferenziale (Non-preferential lane). Diventare medici a Beira - Become doctors in Beira (2007) for Doctors with Arica Cuamm.

Direction, montage, and filming of the documentary Un altro giorno 25 ore in Angola (Another day 25 hours in Angola) (2006, 45 ‘) for Doctors with Africa Cuamm.

Direction, montage, and filming of the documentary Mi fa stare bene, giovani e A FILM FOR PEACE volontariato in Polesine - Makes me feel good, young people and volunteering in Polesine (2007) for the Social Cooperative The Green Ray and the Centre for Voluntary Service in Rovigo.

Direction, montage and filming of the documentary Cerco/Offro Aggregazione - Wanted / Offered... Aggregation (2006) for the Social Cooperative The Green Ray, Province of Rovigo and the Fondazione Cassa di Risparmio di Padova and Rovigo.

Direction, montage, interviews, and shooting of the documentary Strade -Roads (2005) for Doctors with Africa Cuamm.

Direction, montage, and filming of the documentary Artscapes, viaggio nelle culture giovanili del Polesine – Artscapes, journey into the youth culture of Pole- sine (2004) for the Social Cooperative The Green Ray (Il Raggio Verde) and the Province of Rovigo.

Film Synopsis Yirol, Lakes State, the ceasefire of civil war that has bloodied the country and brought death and destruction, disease, and hunger leaves room for the rebirth of a hospital. A great little intervention in a country where infant and maternal mortality are among the highest in Africa. Thoughts that give voice to the work of many other doctors and volunteers through which the people of Yirol finally has access to care and essential services, after 25 long years of neglect.

Technical Details Credits

Production: Directed by: Nicola Berti Medici con l’Africa Cuamm Storyline by: Nicola Berti Country: Italy Director of Photography: Production year: 2008 Nicola Berti uration usic FIFTH EDITION 2010 D : 25’ M : Original Language: Italian-English Paolo Lazzerini Shooting Format: DV

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Synopsis Davide, a three years old child, sees for the first time in his class a child with a chocolate-colored skin. He begins a personal quest to understand the reasons for that difference, until he finds a genial and unexpected solution. A FILM FOR PEACE

Technical Details

Production: L’Emoticon Film and Entechne Country: Italy Production year: 2009 Duration: 3’ 43” Original Language: no dialogue Shooting Format: Red One

Credits

Directed by: Gianni del Corral Storyline by: Gianni del Corral Screenplay by: Gianni del Corral FIFTH EDITION 2010 Director of Photography: Sandro De Frino Music: GnuQuartet

264 FRAMMENTI D’ALTROVE (Storiadiunesuleistriano) FRAGMENT OFELSEWHERE(StoryofIstriaexile) ing tory inPiedmont; Inizia da qui - Start from Here (Bullet) Lead - Bocca in Piombo of All in on (2009) Regional Short” (StudentsSection); of tion. qui Piombo in Bocca - Lead (Bullet) Student with a ing ration In tory inPiedmont. 1991, Brigades), the and Films is edition the Regional NicolaMarchese documentary the currently gambling 2010,

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Film Synopsis The drama of Istria-Dalmatian exodus is proposed following the memory of a direct witness. In reviewing the long journey of the exiles, particularly the group that comes in Casale Monferrato (AC), the emphasis is put on the social discomfort of being a fragment, exiled from a hostile country, came to an unknown “somewhere else”, pending in another

A FILM FOR PEACE place, without a country.

Technical Details

Producer: Nicola Marchese Country: Italy Production year: 2010 Duration: 51’ 12” Original Language: Italian Shooting Format: DV

Credits

Directed by: Nicola Marchese Storyline by: Nicola Marchese, Gianluca Baldin, Andrea Bocchiotti, Francesca Lorenzon, Matteo Vargiolu Screenplay by: Nicola Marchese FIFTH EDITION 2010 Director of Photography: Nicola Marchese Repertoire Music: Chopin, Nick Cave and Warren Ellis

266 ALI DICERA(WINGSOF WAX) 2008: 35mm,12min. 2009: 2005: 2003: In section atSalentoFinibus award qualche parte in città in parte qualche innocent prooven til un Guilty - contraria prova a fino Colpevole (non c’è male) Hedy and tion themewith In ternational filmfestivals. and fied tion no Festival TV 2006. as 2008, director Regional 2005 Hedy Krissane serials in and received to HDV, 7min. HD, 10min. Ali dicera Somewhere inthecity Da qualche parteincittà- Guilty UntilProven Innocent Colpevole finoaprova contraria - Lebess,(noncèmale)-Itis All Right Krissane Betacam SP, 15min. This for 2009 be 2009 2005 Best 267 he he the and presented in short Film produces closes produces Movie awards best 2003 the , (Tunisia, - movies. - Ali dicera F Best Festival Wax wings film B ilmography European Italian iography his with Award , at Movie at - that has his trilogy Somewhere in the city the in Somewhere his 1971) several He Cannes 2003 the short Terrae 2004. - won third also in second begins Award Wax Wings Kodak short the Actor about and film Italian been at short Film

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Synopsis The survivor of a shipwreck lands on a beautiful beach. When he comes upon a carryout pizza box and realizes he is in Italy, his joy is boundless and he starts a wild dance. A FILM FOR PEACE

Technical Details

Production: Tatooine Prod.action & Ass. Cult. LiberArti Country: Italy / Tunisia Production year: 2009 Duration: 7 min. Original Language: English Shooting Format: HD

Credits

Directed by: Hedy Krissane Storyline by: Hedy Krissane creenplay b

FIFTH EDITION 2010 S y: Hedy Krissane Director of Photography: Franco Robust Music: Mirko Guerra, Stiliti

268 HASANKEYF WAITING LIFE comes flect Hasankeyf waiting life waiting Hasankeyf D to ourdays. In Hasankeyf Waiting Life fiume Mauro Hasankeyf Waiting Life - Becoming,musicaldocumentary Ludovico Einaudi – Divenire- Ludovico Einaudi The CityOfLight 24/12 Olona, A River edelic covery After permarket. the tary rected documentary camera as series he documentary irector MauroColombo 2005, author produced real the about directing - the , documentary, 2006 for his culture Channel, Colombo Olona, ariver ’ reality operator Italy s 2009 he S only 269 first satellite and t the a went tement inside TheLight Of City and way produced in documentary in two researcher , documentary, 2004 perception he which for San , Documentary, 2007 (Tradate, to F of directed B ilmography channels, short directed one

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE parts involved. A village that seems idyllic, changes into a place where contradic- tory ideas and contrasting feelings arise, caused by the sense of uncertainty regarding possible consequences that an economic project could impose in a short term. The perception of the inhabitants creates the plot of the story. Some landowners want to sell the land, even if the State will pay only half of the real value. “There are no other possibilities. At the end we have to think to ours children’s future”, they say while they are measuring the land before selling it. The mayor takes us to the place where the government wants to build the new Hasankeyf. “The people that will come here to live will see every morning the real Hasankeyf under the mood and the water. However, it will not be enough, to live in the New Hasankeyf, many

A FILM FOR PEACE will have to spend a lot of money, more then the money they could take selling the old ones to the State. “We will buy the new house in Hasankeyf and then? Then we will live with a huge debt” The majority of the people is of Kurdish origin. The Turk- ish government wants to move us away form here. But they never thought about us. Why didn’t they build any factories here? “Why all the investments are in the rest of Turkey but not in the east?” The woman is angry. Her family has land. However, she does not want to go away. Every evening, the sheep arrive on the shores of the Tigris. Young women and children start milking. “We don’t sell the milk. We had barely enough for ourselves. Our destiny is this: working the field and tending the animals. What else can we do? I like Hasankeyf and I do not want it under water. The Muhazin’s voice spread out in the valleys. During the sunset, the light looks like gold. The owner of a restaurant shows us a house built in the rocks above the village. “We lived here since 1966. The view is better then the view of the White House”. He looks at the landscape below. “What is going to happen to this people? They will have to move in the new Hasankeyf without a job and without a history. We will see what will happen. If it happens, it happens”. Mauro Colombo

Film Synopsis Hasankeyf, Southeastern Turkey. An ancient village doomed to be sub- merged under 30 metres of water due to the building of a dam. A river, the Tigris. Five thousands inhabitants will have to move away, leaving their land, the land of their fathers, of their ancestors.

Technical Details Credits

Production: Hagam Directed by: Mauro Colombo Country: Italy Storyline and screenplay by: Production year: 2009 Massimo Lazzaroni, Duration: 56’ Mauro Colombo Original Language: Turkish/Kurdish. Director of Photography: Shooting Format:

FIFTH EDITION 2010 HD Mauro Colombo Music: Marco Caielli, Andrea Sessa

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE KLANDESTINO (CLANDESTINE) Elia Moutamid 2008

Biography An Italian-Moroccan, who grew up in Italy almost from birth: “... I call my self, an Italian em- bedded in the body of a Moroccan ...” To tell the A FILM FOR PEACE truth I think this thing is a huge blessing, to be bi- cultural has helped me to mature and far more than anything else, helped me to have strong in- terpersonal skills with all the people around me, regardless of age, culture, religion and origin.

Since childhood, I have always had a passion for photography and then for the cinema; I like to capture people and situations with both the camera and video camera.

Growing up I always felt the need to get closer to the world of the art of acting, then the theater, and later with more determination to the language of film.

Currently I am part of a theater company (Silence Theatre), and I am studying acting at the Acad- emy of Voice (Accademia della Voce) of Brescia. I graduated and am continuing to study filmmaking in Milan as well as to direct many labs.

Filmography 2008 KLANdestino - Clandestine 2009 Giornata nera - Black day 2010 White Christmas (work in progress)

Film Synopsis

FIFTH EDITION 2010 The theme is the illegal immigration but not only from the perspective of those who receives them, but of the one that is received, and the

272 S C M S O enon. It does not point out, for example, the huge gap in both political both in gap huge the example, for out, point not does It enon. The media point out a few and usually negative aspects of this phenom some legalimmigrants. than integrated better even are immigrants) (illegal “labeled” people, different those that is know not do Paradoxically,we dialogue. what a in parts two are there that remember us let ... immigrants the by enced experi inclusion and integration of difficulties enormous the hand, one the on and stranger, the “different”, the understand and investigate to course fueled by fear- distrust or simply laziness on the part of the locals away.stay of to whomphenomenon Thisfrom dangerous, person, lent vio a to only “illegal” label havegiventhe people many conclusion, In mony thatIcapturedbothfromillegalimmigrants andfromnatives. I wanted to stage some of the purely random conversations and the testi concept ofcultural diversity. D P T The filmisasimple,realistic,partly very ironic,andreflective. ence towards thosewho justwant tolive ... justlive. indiffer and hatred, fueling approach, inter-cultural the of human and D S C D P creenplay toryline hooting rod roduction echnic redits ountry irector irected uration riginal usic uction year: : Daniel Battista, Peergynt Lodogris, al

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Elia Moutamid 273 Alex Fapani, LucaPolmetti - - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE SCEMI DI GUERRA. La follia nelle trincee WAR SCENES. Madness in the trenches Enrico Verra 2008

Biography Enrico Verra lives and works in Turin. A FILM FOR PEACE Having a degree in Film History and Criticism, he began as assistant director for Davide Ferrario, Guido Chiesa, Daniele Segre, Bruno Bigoni.

He began directing in 1991 with Real Falchera FC, with which he won the prize Gabbiano d’Oro in Bellaria the same year.

In 1994, Il Sig. Rossi prese il fucile - Mr. Rossi took the rifle received a prize at the International Festival of Turin.

In 1999, he won the European Academy Award short film section, with Benvenuto in San Sal- vario - Welcome to San Salvario.

In 2005, he made his first feature film, Sotto il Sole Nero - Under the black Sun, which in the same year was the winner at the 28th Festival du Film Italien Villerupt and came in 2nd at Cima- meriche Film Festival in Genoa; in addition, it received the award for best direction at the 9th Festival Cinema Italiano- debut, Gallio (VI), also in 2005.

With Vivo Film, he made in 2008 his latest documentary, Scemi di guerra. La follia nelle trincee - Dumb War. The madness in the trenches.

Filmography

FIFTH EDITION 2010 2008 - Scemi di guerra. La follia nelle trincee - Dumb war. The madness in the trenches, digital, color inserts in black and white , 50’, pro-

274 1991 - 30’, manufacturedby RAI Mixer S O 1994 P T War. Great the of aspect now,little-explored till up an on study rigorous a lows al time, that from charts medical the and photographs unpublished rope, Eu throughout archives in found footage archive experts, with Interviews relics ofhistory. abyssthe byinsanity,into reacting of deeper sinking forgotten and silenced were and hypnosis, and therapy shock electric after force medical military the by front the to back sent were Staff, of Chiefs the bybetrayal and ice battle. in engaged cowardarmies of all Theaccused of whowere patients, dysfunction and loss of self, the new form of combat shock, tormented men motor Hallucinations, bombings. and gas assaults, the trenches, the of that after illness, mental of ordeal the face to WarWorld First the during diers sol of thousands led that steps painful the reconstructs documentary The duced 1995 - 16mm, color, 26’ 1999 duced by BrooklynFilms 2006 national ChannelsItalyandRTI C D P Orisa 2005 Games in hooting rod roduction echnic ountry uration riginal uction year: - - - productions - Sotto il sole nero - Under the black sun black the Under - nero sole il Sotto by Real Falchera FC No man’s land al Il Sig. Rossi prese il fucile - Mr.rifle - the fucile took il Rossi prese Rossi Sig. Il La città che corre - The city that runs that city - The corre che città La evnt i Sn avro Wloe o a Salvario, San to Welcome - Salvario San in Benvenuto L :

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE CAMPO DI CARNE (Field of Meat) Francesco Tellico 2010

Bio/Filmography I’m a graduate in Philosophy specializing in the History of Philosophy, and my passion is cinema. During my University years, I worked A FILM FOR PEACE in a video shop, where I saw the most important movies in the history of cinema. Until recently, I collaborated with a cine club as an organizer’s assistant, I worked also for the International Rome Film Festival.

This passion leads me to attend a Film Direc- tion class at Digital Desk School of Cinema (having Pier Giorgio Bellocchio, Francesco Colangelo, Alessandro Valori as teachers) and, after that, I made shorts and video clips for friends.

I also participated for three years consecu- tively in the international contest “48 Hours Film Project” in Rome as co-director; in the first year I won the Audience Award and in the second year my movie ranked in the first 15 finalist short films and was broadcasted on Rai 4.

Since October 2008, through a lab at the Uni- versity, I was selected as assistant director, by director Giorgio Marini the show “Il giavellot- to dalla punta d’oro”, which had its début the next Mars at the Venice Biennale/ International Festival of Theater in Venice.

Between September and the beginning of Oc-

FIFTH EDITION 2010 tober 2009, the Artaud Project Production chose me to be the assistant director for their first full-length movie.

276 C S C S Finally O by many festivals. cynical greedoftheeconomicsystemwhich keepsusalive. her to eat; today she’s the one who urges her daughter,urge conscious of the to used father her how remembers woman a table, dinner the At beginning ofthisyear. the at Calabria, in Rosarno, of town small the in happened events the an image or a commercial of a few seconds. The idea was born following suggestion, a is film, short a than more Meat, of Field - carne di Campo D P T erosity andtolerance. gen of “credit” poverty,in produces are and we exploitation promotes which process the encouraging today,by that fact the on observation an be to wants it aboveall, but guilt; of “debt” the feel should we fore there and poverty from escaped the hemisphere the of in live we that side world, fortunate the on born being of idea the nurtured have we that fact the of reflection a be to wants Meat of Field - carne di Campo D rno, D P creenplay hooting rod roducer echnic ountry redits irector irected uration riginal I uction year: shot al in

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE I LOVE BENIDORM Gaetano Crivaro and Mario Romanazzi 2009

Biography Gaetano Crivaro. Born in Crotone on 26/06/ ‘83, began his training at the Institute of Graphic De- sign in Croton. He moved to Rome in 2001 where A FILM FOR PEACE he settled until 2008. He experienced here the first tout-court (very short film), and with the documentary Kyterion (Argilla) he won a scholarship that allowed him to attend The Documentary Film School Sentieri Selvaggi (Wild Trails). In 2006, he obtained a degree in Communication Sciences at the Uni- versity of Rome La Sapienza, with a thesis on Guer- rilla Marketing. Immediately after graduating, he began to work with the advertising company Guer- rilla Marketing with which he produces Viral Spots for National Geographic, Discovery Channel, Terre des Hommes (NGOs), Blue Ribbon. In the same year he won the award “Stai a corto” Verbicaro (Cs) grace to his short fiction Moka & Cigarettes.

In 2008, moved to Valencia in Spain to continue working as a freelancer.

Filmography Kyterion, 10 ‘, B/ W, Documentary, 2006 Prize “Una storia brevissima” - “A very short story”, Roma (RM); Moka & Cigarettes, 10 ‘, B/ W, fiction, 2007 Prize “Stai a corto” Verbicaro (Cs); Postelevision, 10 ‘, color, fiction, 2008.

SCHOOL WORKSHOPS 2008 - Per un calcio di rigore - For a penalty kick, Middle School Abate Fabio Di Bona, Crotone (KR); FIFTH EDITION 2010 2008 - Istruzione per l’uso - Instruction for use, Middle School Abate Fabio Di Bona, Crotone (KR).

278 S O P T of thenatural, human,andcultural heritageofthenation. destruction of cause a also is but Spain, for renewal of engine main the sea). the of Tourism(people mar“ la is de “pueblo ancient the of traces all in erasing stop is Valencia.a Progress made Spain of coast entire the swept that process urbanization the after changedCabanyal in life The The gardensof Villa Maria 2007 DOCUMENTARIES 2003 2001 SHORT MOVIES C Crivaro /Romanazzi D P Qualified Agostino Theatre Screen) ofLorettaGuerrini,Bologna(Bo). He He hasworked withthelocalstate (Ta). Holds Mario Romanazzi Laboratory oftheaterdirectioninLaNau, chi, Bologna(Bo). hooting rod roduction echnic ountry uration riginal attended - IgiardinidivillaMaria - Night’s circle - Cattive amicizie-Badfriendships uction year: a al workshop L : diploma Agherbino, Putignano(Ba).

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE AN ORDINARY DAY Matteo Di Calisto 2009

Biography Born in Rome in 1980.

During university, he began his adventure in A FILM FOR PEACE the audiovisual world: he it directs, in fact, a variety of short films and video installations for art exhibitions.

After graduating in Communication Sciences at the University “La Sapienza” in Rome with a thesis in Visual Anthropology in independent cinema, he moved for a period in the United States where, at Boston University, he studies New Media.

His first work experience is with the NGO AMREF in the video production department; in this period is exposed to numerous documentaries.

Following these experiences, was born in him a strong interest in documentaries with a social character.

In 2008 he worked as director at RAISAT and began working with the transmission of RAI- TRE “Report” for which participates in directing the investigations on the nuclear issue, on the Italian justice system, and housing policies.

During the summer of 2009, he went to Kabul to follow the presidential elections in Afghani- stan where he produced interviews and repor-

FIFTH EDITION 2010 tages for Rai and Red television.

An Ordinary Day is his first documentary.

280 AIDS S English / O Documentary (Assistant DirectorforETABETA S.p.a.) East meets West Advertisement forthewater campaignof (Director, Screenplay, Montage,Post Production) Sprechi d’acqua- Wasted water AIDS). Documentary (Director, Screenplay, Montage,Post Production) Una sfidadavincere- A challenge to overcome P T condition ofwomen. a very deep and troubled transformation. A change that involves also the the characters she meets, tell a story about a country that is experiencing of actions the and thoughts her mother; a as privatelife her in and day working special elections. very idential a during Theher followscamera Parliament, gives us an insight into the reality of Kabul on the eve of pres Fawzia Koofi, the first woman elected as “deputy speaker” of the Afghan Documentary (Director andScreenplay) An ordinaryday Correspondents TRO acter jected Mosaico C D P the eve ofthe2009presidentialelection. hooting rod roduction echnic ountry uration riginal uction year: that L’AIDS for during al L :

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ALISYA NEL PAESE DELLE MERAVIGLIE (ALICE IN THE WONDERLAND) Simone Amendola 2009

Bio/Filmography Simone Amendola. Rome, 1975.

A FILM FOR PEACE Author of short films, documentaries, and shows that were selected and awarded prizes at festivals. He has worked with Citto Maselli in Civic Zero, has documented the work of Ken Loach in the film Ticket, and in video art has accompanied the Iraqi artist Ali Assaf (Cairo Biennale, Venice, and Lon- don).

In 2009, in addition to Alisya nel paese delle meraviglie - Alice in the Wonderland, he released his first feature movie (full-length film), the documentary Quando combattono gli elefanti - When the elephants fight, which had enthusiastic reviews from the press and is still programmed in festivals and exhibitions, both nationally and abroad.

Film Synopsis In Cinquina, a neighborhood on the outskirts of Rome lives a peaceful multi-ethnic community very similar to the Parisian suburbs. Through the personal stories of the neighborhood children, the documentary highlights the contradictions in a “civilized” country.

Technical Details Credits

Production: Parsec Cooperativa Directed by: Simone Amendola Sociale, The Bottom Line Storyline by: Simone Amendola Country: Italy Director of Photography: Production year: 2009 Simone Amendola uration epertoire usic by

FIFTH EDITION 2010 D : 38’ R M : Original Language: Italian Vassilis Tsabropoulos, Shooting Format: DV Nemmò & Nemmai, I Vianella

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ABC Colombia Enrica Colusso 2007

Bio/Filmography Enrica Colusso was born in Rome in 1932, and studied Documentary direction in Paris (Var- an- Atelier de Réalisation Cinématographique) A FILM FOR PEACE and in London (National Film and Television School), where she lives now.

She has produced and directed several documentaries, such as ABC Colombia (2007), Chi non rischia non beve champagne champagne - The Campaign - Those who do not risk, do not drink (2002) e Fine Pena Mai (1995) screened at the best International Festivals and winners of numerous awards. Since 2003, she has taught Cinema and Film direction at Roe- hampton University in London (UK).

Film Synopsis ABC Colombia is an intimate portrait of a small rural community in Colombia in an area entirely controlled by paramilitary forces, rendered through the eyes of the children who grew up there, and are often forced into very difficult choices.

The documentary follows the young protagonists in this problematic setting through an entire school year, exploring some of the realities that nurture and perpetuate the violence in Colombia.

The documentary was in competition in the main documentary festivals around the world:

FIFTH EDITION 2010 Prix Italia, Sheffield, Montreal, Premis TV3 (Barcelona), Turin, Thessaloniki, Watchdocs (Warsaw). It was also pre-selected at the Emmy

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ATTACCHI GEMELLI (TWIN ATTACKS) Giacomo Durzi 2009

Bio/Filmography Giacomo Durzi was born in Rome in 1976. He earned a degree at Scuola Nazionale di Cinema in Rome. He works as author and di- A FILM FOR PEACE rector.

He directed Numero uno in lista - Number One on the List, documentary produced with the support of the Italian Ministry of Culture.

As author, he has worked with several Pro- duction Companies (Grundy, Universal, ITC Movie) produced serials and TV programs for Channel 4, RTI, RAI Cinema, Fox Channels Italy. Film Synopsis At nine o’clock in the morning of December 27, 1985, a terrorist commando entered the airport Leonardo da Vinci in Rome and opened fire in front of the desks of EI AI Airlines and TWA. They wanted to hijack a plane and take hos- tages the passengers.

The attack fails, but results in thirteen dead and eighty wounded.

At the same time, the airport Schwechat in Vi- enna is going through the same tragic scene: 3 people killed, 47 injured.

Behind the two attacks, is the same terrorist project. FIFTH EDITION 2010 The testimonies of the protagonists talking about the real reasons for a forgotten massacre.

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE LA TERRA NEL SANGUE (THE EARTH IN THE BLOOD) Giovanni Ziberna 2009

Biography Born in 1982 in Vimercate near Milan where he nour- ished his passion for self-taught art, drawing, and A FILM FOR PEACE painting, devoting himself to the creation of illustrated tales. In 2001, he enrolled at DAMS in Bologna to continue his artistic studies and there he came into contact with the film lab “ipotesICinema” directed by Ermanno Olmi. Here he is formed as a writer in the cinematographic and documentary art participating in the collective creation of two films produced by ipotesICinema and RAI-Italian Television and deepens his gifts in various areas of creation as film editing and photography. At age 21, he signed his first montage of a feature film. In 2005 he moved to Gorizia in Friuli- Venezia-Giulia, where, together with Valeria Baldan and Mattia Vecchi, founded the Sine Sole Cinéma, film association that has the intent to propose the production of an independent film, with a focus on the territory. In the course of two years, they make together different short-medium films, documentaries, spots and video clips covering the different roles of director, director of photography, and montage. His works are recognizable by the pictorial photography and a special attention to the assembly, creating an atmosphere of “dream realism”, in which the topics affecting the micro-narratives is that border area between light and shadow of psychological states. (South America, Af- rica, and Asia).

Filmography 2009 - I Racconti nel Piatto - The stories in the pot, short film, production Sine Sole Cinéma E Anvgd. 2009 - La Leggenda del Sano Bevitore - The legend of healthy drinker, a documentary on drink awareness against alcoholism, Sine Sole Cinéma production, with support from the Fondazione Cassa di Risparmio di Gorizia, Friuli Venezia Giulia Region, the Municipality of Gorizia.

FIFTH EDITION 2010 2008 - La Terra nel Sangue - The Earth in the blood, a feature film, Sine Sole Cinéma production, with support from the Fondazione Cassa di Risparmio di Gorizia, Friuli Venezia

288 2006 production andNemesis. (presented screenplay clips S O 2005 Sine SoleCinémaproduction. tion 2004 tion), broadcastedonRAI3. sion 2006 production. benefactor his Consul, the 2006 production. 2008 Giulia Region,theMunicipalityofGorizia. P T the fourepisodes. of protagonists the by illustrated as it forget or it, strengthen it, break it, from resulting pressures conflicting the and land their havewith people the emotional state of various witnesses. The main theme is the bond that The film traces the change of the landscape in the four seasons, following D C Sine SoleCinema P Gabriele us, a production 2008 with thesamenameby Francesco Bicchieri. as broadcasted onRAI3. Benefattore hooting roduction roduction echnic special ountry uration riginal a video (presented special Ipotesicinema of – - - - - – - Attese Un Istante tra Noi tra Istante Un Di A mnt bten us between minute A in Nanna Ninna Osolemio Roberto event Degl’ al Braccia clips at L : Messer by Ipotesicinema

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE SOPRALLUOGHI PER UN FILM SU UN POLIZIOTTO UCCISO (INSPECTIONS FOR A movie about a policeman that was killed) Roberto Greco 2009

Biography Born in 1958 in Bologna. After a series of technical studies, he is involved, until 1999, in live A FILM FOR PEACE music events in Europe and in Italy. After 1999, he is interested in television film production, first as a sound technician and then as a photographer, editor, writer and director.

He worked for several feature films and short fiction films, shot in both film and digital, and documentaries. He worked for long and medium- length television series.

As an author and director has signed spots, institutional and promotional films, audiovisual docu- mentation for local authorities, video clips, documentaries and music and backstage events. As a photographer, he worked for weekly and monthly magazines with national distribution, backstage photo of events, films, and photographs produced for cinema events and travel photos for specialized publications.

Since 2005, his professional life alternates between the production of documentaries and television series where he worked first as an assistant director and then producer. Since 2007, he lives in Palermo.

In 2010, he was awarded the prize XI Rocco Chin- nici, national award for studies and research activities on the Mafia and the law education.

Filmography 2005 – Il trentasette-memorie di una città ferita FIFTH EDITION 2010 The thirtyseven - memories of a wounded city The story is told through the voice of one who was a

290 He directedtheDVD madeonthisevent. death: theMafia. the MobileSquadofPalermo who was killedonJuly 21,1979. the of The death ofPeppino Impastato 2008 The tain, memoriesfromColle Ameno 2007 protagonist Marcello gladly acceptsthejoband begins his“hunting.” murdered by themafia July 21,1979,atthehandsofLeolucaBagarella. Giuliano, Boris Giorgio police chief assistant the about material research to ince, he received a phone call. A film director, from Rome, commissioned him prov the in him took often that jobs, day,his of one from returning the while One land. his workin severalto for Sicily abroad to years,and return land he Palermo, today. Marcello is a Sicilian journalist who after working in the main Piece 2010 - A a movie aboutapolicemanthatwas killed 2009 A documentaryontheislandofLampedusa,producedby DHARMA3. 2008 - ized tion with membrance, and was producedby thetown ofSassoMarconi (Bo). sacre thatresultedin85deadand200wounded intheBolognatrain station. of legality. viewer 1944, command. documentary Portella fact story film of by the of in - - – five on Sopralluoghi per un film su un poliziotto ucciso - Inspections for Inspections - ucciso poliziotto un su film un per Sopralluoghi the of Lamentu Zattera asud Montagna civil narrate, Colle support Lamentu per la morte di Peppino Impastato Peppino di morte la per Lamentu talks a knowing The actors della Mafia offering journey theater about Ameno, European that Ginestra, through of in and - the in the assistance Lament uses remembering the di that two various - a 70s main sangue, massacres town Community a the tells Raft inthesouth bands until movie and language groups the ways, that in 80s 1978, – Sasso F memorie story that the the ilm day that and Giorgio involved funded men S history lasts of the Marconi of of 291 occurred who ynopsis the the Peppino year who about have Boris da the docufiction of August in Sicily lived Impasto’s (Bo), Colle task anti-mafia between 110 in Giuliano, Impastato, common, 2, under where through and ‘, Ameno 1980; and to October death; the the and better was vice-commissioner - through and the Mafia, among the A lament for the for lament A project the - established it massacre the day accompany Blood Moun Blood and was establishment the the other cause of Hall December produced massacre interven the things, organ of of an mas Re the his SS of ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Cross the city and the memory of his citizens, Marcello meets people who have known Giuliano, who were friends with him, people who worked with him, people who followed him example. Marcello meets people remembering his great humanity... And Marcello will actually find it, in the folds of the memories, in the eyes of the people he meets, in the emotion of their stories.

The editing creates a continuum with the eyewitness accounts, which is part of the film, with the scenes set in 1979, talking about Giuliano doing his job in that day, the 21th July 1979, the day of his death. A FILM FOR PEACE

Director’s Note It is not so easy to reconstruct Boris Giuliano’s life and the story of the Police team he directed, and, it was really not my purpose.

Giorgio Boris Giuliano was a man with wit, intelligence, and vision; watching the inexorable rise of Corleone, has had come to realize that the world of high finance had become the plaza where the market through which la mafia could clean up, recycle, and then reinvest the dirty money from the drug trade with America. Giuliano understood the urgency of action during a course of study and analysis of that historical period He was a great cop with a deep sense of justice that led me want to look at the man. Therefore, I chose to tell the story through the voice of those who knew him, in a long journey that Marcello, the film’s protagonist, travels. The quest for a man, his memory, and the seed he left. In Marcello’s journey through the city, I hear his voice, his breath and collect the memories a moment before they are lost in oblivion. “Palermo is a swamp ...,” said one of the witnesses who, telling their stories, help me made this film, “... a swamp absorbing everything, a that comes out always unhurt, true to itself.” Someone else told me to stop him, ask him about the father killed by the Mafia. But they are unknown, not tourists.

Technical Details Credits

Production: La Stanza dei Balocchi Directed by: Roberto Greco Country: Italy Storyline by: Production year: 2009 Roberto Greco, Duration: 80’ Screenplay by: Roberto Greco, Original Language: Italian Valeria Siragusa Shooting Format: DV Director of Photography:

FIFTH EDITION 2010 Massimo Schiavon, Giuseppe Vaiuso Music: Giacomo Tesauro

292 L’ORDINE DELLAFOLLIA(THEORDERINMADNESS) Marco Adorni, MargheritaBecchetti, IlariaLaFata theatre republican coauthor Monti (Punto tory logna ies She Resistenza diParma. in He evo- theMiddle Age economy (Bup,2010). perfetta- L’economiaThe(2009), city perfect Medio nel città La 2006), (Bup, construction its on debate the and motorway E7-E45 TheApennines. the to motorway A - costruzione sua sulla dibattito il e E7-E45 superstrada La l’Appennino. per Un’autostrada 2005), (Clueb, spaces financial problems, building structures, roads and public century, twentieth the of sixties the and Unification the nistico cento: problemi finanziari, strutture edilizie, spazio urba Nove del Sessanta anni gli e l’Unità tra parmense neo Kingdom Italian the and gno d’Italia - The criminality in Parma between the French He Marco Adorni ance 1922 regime del conflict the of theater The- to BecchettiMarcherita at Italian publications, Centro for essays onItalianmagazines. is and on History Centro on historical works lives urban and is . contemporary (Derive in social Una resistenza antifascista - An anti-fascist resist anti-fascist An - antifascista resistenza Una (Re) specialized Contemporary Rosso, (Clueb, Studi and in Computer Literature of 2009 for from Studi

history. in 293 Parma. Italy, (Carocci, politics. Parma dentro la rivolta - Parma in the revoltParmathe rivolta- Parmain la dentro and Movimenti research University Approdi, as 1968, . 2000) 2005), He La criminalità a Parma dai Francesi al Re the Movimenti urban particularly He He in with was Science University history, she - She . social 2004) In History. - The University of Parma between B and graduated has She 2002) history born iography of an the lives di has (Il published tutoring. Bologna was Parma interest and especially Pontevecchio, and and system’s and in written by in in of He in S. born (Odradek, published Parma. relation Nanni Parma political at at diverse the took since Ilario the in in He Istituto Il teatro del conflit del teatro Il several network, in coeditor didactic social urban University is his Balestrini. and Castelnuovo She 2006. d’Enza magazines with a movements different 2001), 2003); Ph.D. researcher storico a has articles movements history researcher Nella rete literature, activities, His of in a in Parma of She she 1968. Ph.D. focus L’ate della stud His and and and Bo ne’ of at is is ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE a member of the editorial staff of «Zapruder. Storie in movimento». During the last years, she has been studying history of psychiatry and total institutions. On the subject she wrote, with Ilaria La Fata and Mariateresa Moschini, La fabbrica dei matti. L’ospedale psichiatrico nei racconti di alcuni colornesi ai ragazzi - The factory of madness. The psychiatric hospital in the story of some colornesi children (Parma, 2008).

Ilaria La Fata. She was born in Poggio Rusco (Mn) in 1972. She graduated in Literature and philosophy in March 2000 from the University of Parma with a thesis in History of political movements and parties. Since 2009, she is working on her Ph.D. in Contemporary history at University of Parma. A FILM FOR PEACE For years, she is working for historical research and educational activities with the Insti- tute of contemporary and historical resistance of Parma and the Centre for studies on the seasons of movement of Parma, specifically focusing on the management of the archives of the Provincial Psychiatric Hospital Colorno (Pr).

She has published several essays and articles on antifascism and Parma and national resistance, including the volume La resistenza contesa. Memoria e rappresentazione dell’antifascismo nei manifesti politici degli anni settanta - Memory and representation of antifascism in the political manifesto in the seventies (with D. Melegari, Punto Rosso, Milano 2004) and I graffiti della memoria. Storia di un monumento - Memory of August. Memoirs of the anti-fascist Barricades of Parma, 1922, Graffiti memory. The story of a monument - Memory of August- the memories of antifascist barricades in Parma, 1922 (edited by W. Gambetta and M. Giuffredi, Punto Rosso, Milano 2007).

In the last years, she has dedicated herself to the history of psychiatry and of total institutions. On the subject she wrote, together with Margherita Becchetti e Mariateresa Moschini La fabbrica dei matti. L’ospedale psichiatrico nei racconti di alcuni colornesi ai ragazzi - The factory of madness. The psychiatric hospital in the story of some colornesi children, (Parma 2008).

Film Synopsis Since the mid-sixties, in line with the wave of protest that would change the character of Western societies, a radical movement against the total institutions changed the face of Italian psychiatry and deeply marked the history of mental hospitals. Made around the figure of Franco Basaglia and his experiences in mental hospitals of Gorizia, Trieste, and Colorno, this film embodies a broader discussion on the development of psychiatric and social change and attitudes related to the concept of mental illness. A path that is expressed in the words of some of the most important protagonists of the movement against traditional psychiatry and the Law 180 which represents a break between two different ways of dealing with the psychological problems.

Technical Details Credits

Production: Centro Studi Movimenti Directed by: - Provincia di Parma M. Adorni, M. Becchetti, Ilaria La Fata Country: Italy Screenplay by: M. A., M. B., I. La Fata

FIFTH EDITION 2010 Production year: 2009 Photography: Mario Ponzi Duration: 65’ Music: Original Language: Italian Federico del Santo

294 LE ACQUE DICHENINI She Millennium Goals“. campaign the been Her and development oftheSouth. anthropological problem DGVIII Follereau) on of season dry the in Altino of Portrait - Senegalese women the for challengeEnvironment: A and Economics - senegalesi donne le per sfida una ambiente: e aperti As Born inMilan,Italy, in1959. naio, il contabile e altre storie- altre Themiller,e ac contabile the il naio, dreams the Riding sogni- i do city contested the Jerusalem - contesa She arms folded with remaining Not – conserte braccia a rected For velopment of EmergingCountries). tions, in children Burkina documentaries direction ElisaMereghetti with a behalf director European AIFO Fulani has , onwomen’s associationsinDakar. documentary produced

supported including on more / support Faso 2009 Development. in made of of 295 (Italian of the has of woman Brazil Ritratto di Altinè nella stagione secca Ritrattodi stagione nella Altinè and than several orphans for the Community directed, figure films on from the the themes, the by documentary Association United 40 and , ys ie pn A occhi Ad - Open Wide Eyes desertification B in reportage with COSPE non-governmental the iography television documentaries, the about of and Sahel, Hopeful Steps Hopeful She among Catherine Media European help on Nations and AIDS has cooperation (Cooperation women’s

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE countant and other stories on projects of Rehabilitation on Community Base in Guyana and Indonesia. Since 1987 collaborates with the American anthropologist Judith Gleason, with whom she has made several documentaries: Mother of the Waters (Ma- dre delle Acque, 1988), on the worship of the goddess of the sea Yemanja in Afro-Brazilian culture; Diventare donne a Okrika - Becoming women in Okrika on rituals of initiation of women in the Niger Delta (Nigeria); The King Does Not Lie (Il Re non Mente , 1992), on the initiation in the Afro-Cuban religion of Santeria; Fiori per Guadalupe - Flowers for Guadalupe, on the cult

A FILM FOR PEACE of Our Lady of Guadalupe in Mexico.

For RAI3 program, Geo - Viaggio nel Pianeta Terra - Geo - A Journey on the Planet Earth has directed a number of nature documentaries in Italy and abroad, including a series on aspects of wildlife, botanical and geological aspects of Iceland and several documentaries on the Basilicata. It is a found- ing member of Ethnos, independent television Production Company based in Bologna. Filmography 2009 - Passi Leggeri serte 2009 - Le acque di Chenini 2000 - Gerusalemme città contesa 1999 - Il mugnaio, il contabile e altre 2008 - La colonna senza fine – l’odis- storie sea dei Rom rumeni a Bologna 1999 - Bologna e il mondo oltre l’Eu- 2008 - Una goccia tira l’altra – percor- ropa si di cittadinanza attiva per diventare “Portatori d’acqua” 1999 - Ritratto di Altinè nella stagione 2007 - Cavalcando i sogni – infanzia e secca sviluppo comunitario in Brasile 1999 - Il minimo è l’acqua 2006 - The Case 1998 - Hopeful Steps – passi di spe- 2005 - Monsoon Tale ranza 2004 - Eyes Wide Open - ad occhi 1998 - I confini dell’etnia aperti 1998 - Futuro di sabbia 2003 - L’oasi della memoria - fram- 1997 - Guerre dimenticate menti di cultura Saharawi 1996 - Islanda: regno degli uccelli ma- 2003 - Rocchino e il lupo rini 2002 - Il cestino delle mele 1996 - Islanda: l’incantesimo del fuoco 2002 - Soggiorno a Villa Magistrini 1996 - Islanda: deserto di lava e ghiac- FIFTH EDITION 2010 2002 - Immagini migranti cio 2000 - Per non restare a braccia con- 1996 - Dolomiti Lucane - il popolo dei

296 P 1995 - 1994 - 1995 - in theUNESCO World HeritageSiteslist. terranean. In 2008, the Tunisian Ministry of Environment proposed to include it The oasis of Chenini, near Gabès (Tunisia) is the only marine oasis of the Medi Barbagia 1995 - boschi P T Development Goals launched by theONGCOSPE. Millennium the on campaign sensitization a of part is film The N disappearing. saveof to knowledgerisk and ofat markets wealth the a naturaland a heritage in products oasis the distribute to campaigns that group a of part is he farmers, behind, and continues to cultivate using organic methods. Together with elderly stayedaway. Kamel fortune for study,seeking to Chenini leave Youngpeople ous diseasesandexploitationofwater thatirrigatetheoases. ated in the last decades in the area, causing pollution and the spreading of vari whichindustries cre phosphate were and cement to due risk, Biodiversityat is day by day. The farmersareaskingforhelptosavelower theoasis. gets waterbed Theprices. high at water distribute which pumps, water bysubstituted are and out, dry waterprosperous, sources,whichit made once the disappear; trees danger.palm The in is paradise, earthly little a oasis, The O C MINISTRY OF FOREIGN Emergenti) withthesupport ofthe zione perloSviluppodei Paesi D roduction roduction echnic ountry otes uration riginal Differenze Maschere nere-Carnevali di Vulture -ilvolo delnibbio Fiori perGuadalupe al L :

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE I FUMETTI VANNO ALLA GUERRA (COMICS GO TO WAR) Mark Daniels 2009

Bio/Filmography Mark Daniels has been a filmmaker and cin-

A FILM FOR PEACE ematographer since 1978.

His films have been selected to the most pres- tigious International Festivals (Sheffield, Sun- dance Film Festival, and Emmy Awards) and broadcast by ARTE, NHK, ZDF, France 2 and France 3. Among its recent documentaries: A World without Bees – 90’; Comics go to War (64’ - 52’); Generation Yamakasi (90’); Great Walks (60’).

Film Synopsis The universe of comic books includes the whole world of pop mythology, a pantheon of economic paper and saturated colors. For almost one hundred years comic books have fed fantasy, provided escape routes, and compen- sation for adolescents who often feel powerless and misunderstood in their daily lives.

The patterns are inevitably linked to power and violence, but the violence in comic books has no consequences. After all, it is just the stroke of a pen…

But what happens when the comic book en- counters the real war?

In this age of hundreds of television stations, 24-hour news, worldwide instantaneous satellite transmission and thousands of web sites FIFTH EDITION 2010 updated every half an hour, the comic book are the humble intermediary documenting the

298 for C O GA&A Italia. Since GA&A P ences through“comics”. experi human of terrible and violent most the reporting of implications Comic Books Go To War explores the journalistic, aesthetic and political war, genocideandrevolution. Itisanewjournalisticform. of dimensions human the of understanding real a providing and, reality D P T – 88’). 52’), i segreti della grotta di cristalli - Naica. Secrets of the crystal cave (52’) GA&A at D ners C P Among just

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE JOURNEY TO MARTYRDOM Niyi Babade 2009/2010

Bio/Filmography Niyi Babade was born in Lagos Nigeria; he is a mass communication graduate.

A FILM FOR PEACE He works as a photojournalist for the Associ- ated Press covering West Africa; he has covered some of the major crisis in West Africa, including the Liberia and Sierra Leone wars, election chaos in Togo, Ivory Coast and all major political and religious crises in Nigeria. He was named the “Miracle Man” while working for Reuters because of his ability to accurately capture the dangerous life of the long crisis. He has produced several award winning films, musical videos and documentaries. He has also won several awards, including the African International Media Icon award.

He is currently shooting a new film called You are my Brother.

Film Synopsis Journey to Martyrdom is based on how the current democracy in Nigeria was achieved, with the supreme price paid by the late MKO Abiola who was a great philanthropist and one of the richest Nigerians... Late Abiola was given a mandate to rule as the president of Nigeria in the election of June 12, 1993 that has been described as the fairest and freest election of all time in the history of Nigeria. The military junta under General Babangida annulled the election on an invented excuse, which led to over two months of nation wide riots and chaos, FIFTH EDITION 2010 and many lives were lost. The acclaimed winner MKO Abiola later declared himself Presi-

300 S C M S O Doha last year. It is currently screened at the Africa in Motion Film Festi in April in Awardheld Film Documentary Aljazeera the including Asia, one hour. The film has been nominated for several awards in Europe and role at the time. It is produced on DV format with a duration grater than of sound bites of some of the pro-democracy activists who played major lots with and period that during shot I scenes and dates accurate with late the of life the MKO democracyto path the and researchedAbiola is well It Nigeria. in of story the on based entirely is documentary The died andatexactlyonemonthlater, MKO Abiola diedinprison. release him. He was held in custody for four years until General Abacha to injunctions court defying several custody in him kept who Abacha, General state of head military the by arrested eventually was and dent D P T D D val in EdinburghScotland. S P C creenplay toryline hooting roduction roducer echnic redits ountry irector irected uration riginal usic : Natural Sound al

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE LIVE ACTION RADIO Tomasz Jurkiewicz 2008

Bio/Filmography Born in 1981. Graduate in Film and Media Studies at Jagiellonian University in Cracow and in Film Directing at the University of Si- A FILM FOR PEACE lesia, Krzysztof Kieślowski Radio and Televi- sion Department. Screenwriter and director of shorts (2005 - Franciszek, 2006 - Broadcast Re- hearsal, 2007 - Sleepwalkers, 2008 - Live-Ac- tion Radio, 2009 - Merry Christmas, Grandma has gone, 2010 – If fish could talk) receiving awards at many Polish (Cracow, Gdynia, War- saw) and international film festivals (Karlovy Vary, Seul, Espinho, Petersburg).

Film Synopsis Two twenty-year-olds, Paweł and Grzegorz, start their own on-line radio talks on an Eu grand of 6000 Euro. Now they have to face many problems: lack of interest among the listeners, small-town apa- thy, and their own weaknesses. Their friendship is also put to the test. Heartwarming story about friendship and the struggle to fulfill the dream. Here, people with disabilities are seen from a different perspective.

Credits Technical Details Directed by: Tomasz Jurkiewisz Screenplay by: Tomasz Jurkiewisz, Producer: Tomasz Jurkiewicz Tomasz Woźniczka Country: Poland irector of hotography roduction year

FIFTH EDITION 2010 D P : P : 2008 Tomasz Woźniczka Duration: 27’ Music: Vlad Kuryluk Original Language: Polish

302 THE LASTDAY OFBULKINI.S. In channel ORT, directed by Mr. Khleborodov. TV alovskiy Mustang val and return no with man The Fear power Nuclear Kinotavr Festival Zaitsev, I. of alleys dark The Nevski Follows Born on22October1976,Far East. The lastday ofBulkinI. S. Fata Morgana Funtime Works asadirector: Finn). Work asthemainoperator forthefilms: ated in2005. tion, accordingto The “Toshiba”, “Twix andLipton... about theKursk NuclearPower Plant Writers (Professors:

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VGIK E. presented for of Fentchenko, High operator Grokhovskaïa by for achievement “Panasonic”, the at and E. the the Court produc Kontch Russian gradu at BBC, festi in the of Y. P. - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Synopsis An employee of some society makes house-to-house visits, going to people who have to die that same day, with a receipt on which they have to put a tick in front of «Roughly I am satisfied with my life». Ivan Sergueevich Bulkin refuses to do it and the employee enters his apart- ment by using force. During the dialogue, we discover that the destiny of Bulkin is written beforehand, the employee has in his briefcase the scenario of Bulkin’s life, and Bulkin could do nothing against his fate: he

A FILM FOR PEACE just has to tick and then, obviously he has to die. Bulkin tries to struggle, he tries to shoot the employee, he jumps up and down in a ridiculous way, he pronounces meaningless sentences. The employee takes out the scenario and reads aloud all that Bulkin has just made. Bulkin tears the scenario to pieces. Then the employee takes out another copy. For a little moment, Bulkin succeeds in frustrating the inevitability of destiny: he goes out by running in the corridor of the building, calls the lift, making fun of the employee. However, the lift is out of service and Bulkin falls in the lift shaft. The employee, thrown into a panic, puts the tick on the receipt using Bulkin’s own hand while he is lying dead in the basement.

However… In the last picture of the film, Bulkin’s hand covered with gauze picks up the mail from the mail box, leaving the question of the inevitability of destiny open.

Technical Details

Production: Kuzma Vostrikov Country: Russia Production year: 2009 Duration: 13’ Original Language: Russian Shooting Format: 35mm

Credits

Directed by: Nikolay Kulikov, Dmitriy Pavlov toryline by FIFTH EDITION 2010 S : Nikolay Kulikov, Dmitriy Pavlov Screenplay by: Nikolay Kulikov, Dmitriy Pavlov Director of Photography: Andrey Debabov

304 respected Institute and I Body PartsBody mother my 2009-2010 PROFESSIONAL EXPERIENCE grades. «Emmy», Department, dio, 2008-2009 trov’ ,Pervoe KinoStudio ology Saratov 1999-2004 ment, classofS.V. Miroshnichenko VGIK 2004-2009 EDUCA tionally recognizedawards. In versity ofSaratov (1999-2004). 2006-2009 the MinistryofCultureand CinemaofRussia. of of republic Bachelor my familymoved to MariaKravchenko was Cinematography 2004 BODY PARTS Cinematography), The InternationalRedCrossCommittee was born Department, TION 2009 in in 305 of enrolled of «Teffy», figure

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/ in 1981. - - (52 – Science Studio Cinematography) working Director class the Director B io min, in When city /F «Nika» in of Union (All-Russian Russian ‘Ostrov’, ilmography Western Siberia. I in diploma VGIK worked HD, State S.V. on of at Documentary Journalism, of I Grozny, the a was of color) and Miroshnichenko, documentary new (All-Russian culture, University, Russia, Pervoe Film in three with other Documentary TV State film financed Chechenian Studio State and years winner Kino Secretary excellent Diary of Diary Institute interna Depart press, Soci State Uni ‘Os film Stu old, by of ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE 2006-2007 - Documentary drama To kill gauleiter (44 minutes), Studio ‘Ostrov’ 2007 - Documentary film about Evgeniy Mironov (15 minutes), Nighne- Volghskaya Film Studio 2007 – the television documentary film From Byzantium to Russia (44 minutes), Studio ‘Ostrov’ 2006 - Third Ukranian Dokumentary Forum and co-production work-

A FILM FOR PEACE shops, by Leena Pasanen (EDN) and Fleur Knopperts (IDFA FORUM) 2005-2006 - Director of documentary film Collecting Shadows (52 min, DV Cam, color) financed by the Ministry of Culture and Cinema of Rus- sia 2002 - present - Saratov Film Studio (Nighne-Volghskaya Film Studio) creating film magazines, documentary film events and festivals, social advertisement projects, such as «Young generation against drugs», «Save the environment» 2002 - Director of short documentary film Red Laugh 1999 - Federal TV networks author of projects with different formats and genres. Film Synopsis Even if the War recedes, its signs remain typed into the earth torn to pieces and printed into the human minds with blood. The body of this earth is burnt with grenades and torn by mines, and we are parts of it. The characters in the film, the young Caucasian men, are the children of the war that destroyed their childhood and youth, replaced by pain and memories of children with nothing to remember. In this black and white movie, the past, present and future blend into one color of all times and nations – the colour of War. Throughout the film one character sends a text messages to the author in which he shares his memories and his feelings about life. One of these messages is a question: “Do you believe that everything will be OK?”

Technical Details Credits

Production: Directed by: Maria Kravchenko Maria Kravchenko Storyline by: Maria Kravchenko Country: Russia Screenplay by: Maria Kravchenko Production year: 2009 Director of Photography: uration FIFTH EDITION 2010 D : 39’ Ivan Finogeev Original Language: Russian Music: Anastasia Pasenchuk Shooting Format: HDV Repertoire Music: Anna Mikhailova

306 rector RomanFokin -year ofproduction2003 big star. a become will she day one that dreams and tender. He teaches her basic acting techniques ing, his easygoing character, joyful, loving, and act for passion his childish time, spending his of manner likes She autumn. the in tryside ten taking weekend trips in the beautiful coun daughter,and father Theywell, very on of get Executioner The and theatre, The 2003. Executioner The Roman Currently ous awards. As He directedseveral theatreperformances. ing atSavva Kulish’s workshop. demic renamed Graduate – was borninMoscow. ACTING LESSONS Roman Svetlov a national movie film Maly Svetlov TV shows andscreenwriter. 2009 307 M.S. is of director, took working Theatre. Higher film Schepkin –

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE There are many things you can do when you’re young at heart. The sun is shining, you’re on your yellow motorbike and the road has no end. You may even become a character of your own fairy tale that should last forever. However, every road has its destination; every story has its end... or... may be a new beginning?

Director’s statement of filmmaking philosophy I love making films! I am interested in creating movies for and about

A FILM FOR PEACE children. I like the feeling of being a child, playing a fascinating mysterious game. At such moments, I can better understand the emotions of a little person, who is only starting to get to know this wonderful but sometimes cruel world.

Everyone understands cinema language, no matter what country you come from, what is the color of your skin or your religion. That is why it is so important for me to use my skills as a filmmaker to talk about the problems that may arise in a child’s life.

When father and mother split up; the contrasting choices go straight through the child’s heart. At this particular moment, every parent thinks more of himself, ignoring the fact that their child became a weapon and/or a victim of their fight.

Getting older, we keep on losing the connection with the children’s world. We do not notice how the exasperation colonizes our soul and destroys our feelings of warmth and kindness, hope of justice and faith in miracles. To try to reestablish this bond between the adult and the child is one of the most interesting goals for a filmmaker.

Roman Svetlov

Technical Details Credits

Production: Directed by: Roman Svetlov Tabooredfilms, Storyline by: Roman Svetlov, Alexander Kaverin Alexander Kaverin Country: Russia Screenplay by: Roman Svetlov, Production year: 2009 Alexander Kaverin uration irecto of hotography

FIFTH EDITION 2010 D : 20’ D P : Original Language: Russian Andrey Tarassenko, Ilya Fomin Shooting Format: HD Music: Vladislav Malenko

308 and the from despair In in Belgrade. Block 71 Ivana after tary Film tary Films cial issues. ing ti less In hood againstgunviolence. Her town inBelgrade. Festival Film over In and producingsocialchange. world Shorts, Corner, and high artist Ivana Todorovic 2009 2008 2006 aim NGOs, RAPRESENT young have co-produced films Film documentary 50 school Festival Festival losing Belgrade, have is (such and Michael 2009 International of in by a A Harlem Mother Harlem A

Rapresent Everyday life of Roma children from children Roma of life Everyday Rotterdam, 309 about been in Festival self-proclaimed both man Salt won hip in organizing her and Belgrade as in in order B used hopper Roma New Lake Serbia. Greensboro, Bojan Festival only helping io university acclaim Moor’s three /F in films about ilmography in to York, son, Russia, City, Film Rooftop, children and who educational surviving bring She her short de Traverse the have at 19 she Festivals

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Film Festival in Belgrade and the Human Rights Film Festival in Mon- treal.

Film Synopsis This film is the portrait of Bojan, a young man with a passion for graffiti and hip-hop. Bojan was born in Split, Croatia. He lost his father during the civil war and escaped with his mother and sister to Serbia. When he was 11 his mother died and he was put in an orphanage. At age 18, according to Serbian laws, he lost the right to accommodation in the A FILM FOR PEACE House and he became homeless.

Technical Details

Production: Academic Film Center Country: Serbia Production year: 2009 Duration: 30’ Original Language: Serbian Subtitles: English Shooting Format: DV

FIFTH EDITION 2010 Credits

Directed by: Ivana Todorovic

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anguage 13’ ormat C et year ails omp :

: any 2009 : : throughout the film involves three interpretations three involves film the throughout accompaniment musical Repetitive 24- 1999). 78-dayJune (March Serbia/Kosovo the of during bombing NATO broadcasts television tual ac from taken is essay digital this in footage All many artiststocreate greatworks ofart. less, are often visually fascinating, hence inspiring history,eventsin ic mind howeverand atrocious The director’s concept relies on the idea that trag no formal commentary. with band) brass Gipsy the and Kitt, Eartha of the popular song C’est si bon (Louis Armstrong, MERCILESS ANGEL completing of ries Vlada York ated cian, oretical anddirectingachievements. versity grade educational is Belgrade (Germanic the the (1997-2009), Vlada Petric University from theatre, FDU first Harvard Petric (1972-1997); 2009 311 Academy forFilm, Radio director the (1950-1969) Languages the DV (1928), film, Belgrade B Film (1973). DV disc io F more ilm /F and of Henri Betti, essay S ilmography S Archives. on creenplay he Film D professor, ynopsis TV He than Department) irected Faculty Slavko and is The Wall of Memo of WallThe Studies director. lectured the 300 the R

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE TRENUTEK REKE / IL TEMPO DEL FIUME Anja Medved and Nadja Velušček 2010

Biography Anja Medved (1969) is author of documentary films and video projects mostly concerning Slovene Italian border territory. She graduated A FILM FOR PEACE from the Ljubljana Academy of Theatre, Radio, Film and Television with a degree in theatre and radio directing. She is an active member of Trans border cultural association Kinoat- elje based in Gorizia (Italy) and Nova Gorica (Slovenia) and a postgraduate student of In- tercultural studies by SRC SASA in Ljubljana and University of Nova Gorica. The European Society awarded her The Erasmus EuroMedia Seal and Medal 2008 for Education and Com- munication for the project EU-foria. She lives in Nova Gorica, Slovenia.

Filmography

Selected Documentary Films: 2010 – Tradition and Betrayal, documentary film about Topolove art colony, Stazione Topo- lo and Kinoatelje, 2010 2010 – Looking through the Iron Curtain, produced by European Home Movies Network and Kinoatelje, 2010 2010 - Trenutek reke / Il tempo del fiume / Timeless River: co-author with Nadja Velušček, a bilingual documentary about the river Isonzo. Produced by Kinoatelje and Zavod Kinoatelje, Italy and Slovenia 2010 2008 - EU-foria – Spovednica švercarskih gre-

FIFTH EDITION 2010 hov (Video Confessionary for Smuggling Sins): video documentary of selected interviews collected at the public action of collecting memo-

312 2006 ries EU-foria,Nova Gorica–Gorizia,producedby Kinoatelje 1999 - 2004 2006 - Gorica. Veluš O I PESEK IN SOL 2003 directed by NAMESTO TRAVNIKU TOKU PROTI MEMORIE DI RICUCITURE / SEŠIVALNICASPOMINA 2006 co-author TRENUTEK REKE/IL TEMPO DELFIUME/ TIMELESS RIVER 2010 2002 - noatelje, Gorica 2004 duction), 40’ ories), documentary, 47’ and Zavod Kinoatelje screenplay Kinoatelje, Kinoatelje Nadja Veluš Moja meja (The ated and a grammar NoraGregor. Pravilogioco Spielregel del Die regola igre La in Brda č - - ek, Kinoatelje,Gorica UpStream directed My Borderline These Were NotBirds The TownMeadow In The Slovene Binding Memories Binding with ( in and by school she Anja Medved andNadja My Borderline č ek Bloom,

Anja Usra -Te okn aaes Story) Kayakers’ Solkan The - (Upstream Anja

Film

wrote and and is Sl ad Sand) and (Salt (Protitoku),(withN. born teacher Medved Video Medved Italian screenplay (Mojameja),(withN. 1998), and . at Videoesej , 2002). in Plave Monitor directed (Sešivalnica from (Nisoleteleptice),(withN. and Niso letele ptice letele Niso and Gorizia, F B ilmography iography by the near , Nadja producer,

313 (Mesto o directed film three Anja Ljubljana Veluš Novi the she V.), Kinoatelje,Gorica spomina), Veluš projects. Medved documentaries, town č has na Gorici ek; documentary, 65’ production V.), Kinoatelje,Gorica and č

travniku), been (The Faculty ek; of Under screenplay (Town documentary coauthor Nova and Birdless actively of Nadja Kinoatelje

(with (Binding the Gorica, Arts. in , V.), Kinoatelje, Cveto directed a auspices involved with City, Meadow), N. by Currently Veluš

č (2001), (copro a Brda a V.), gradu Nadja Nadja 1999) Mem (Italy) č and ek; Ki of in - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Velušček and Anja Medved; documentary portrait, 19’ 2002 MOJA MEJA / IL MIO CONFINE (My Borderline), directed by Nadja Velušček and Anja Medved; documentary (coproduction), Best documentary film at Valdarno Cinema Fedic Festival in Italy, 50’ 2001 NORA GREGOR. La regola del gioco Pravilo igre Die Spielregel (Nora Gregor - The Rules of the Game), directed and screenplay by Anja A FILM FOR PEACE Medved and Nadja Velušček; documentary, 23’ 1999 NISO LETELE PTICE / NON VOLAVANO UCCELLI (The Birdless City), directed and screenplay by Nadja Velušček and Anja Medved; documentary, 43’ 1998 CVETOČA BRDA (Blooming Hills), directed and screenplay by Nadja Velušček, documentary (executive production), 27’.

Film Synopsis During the course of the Isonzo from its source to its mouth, we come across different people: everybody has their unique, personal approach to the river. Therefore, rather than being a film about a river, it is about our relationship with nature.

Declaration of the film director In their essence, both the river and the film are bound to the concept of time flowing by. The time of the river and of the film are evasive and static at the same time. We cannot immerse ourselves twice into the same film, even if we can stop it and rewind it. For the film as well as for the river, the only time possible is an unending present. Anja Medved

Technical Details Credits

Production: Directed by: Anja Medved, Kinoatelje, Zavod Kinoatelje Nadja Velušček Country: Italy, Slovenia Screenplay by: Anja Medved, Production year: 2010 Nadja Velušček Duration: 63’ Director of Photography:

FIFTH EDITION 2010 Original Language: Slovene, Italian Ferruccio Goia Shooting Format: DV Repertoire Music: Havir Gergolet, Salamandra Salamandra

314 of analternative documentaryfootage tomeet TV station documentary team sets out in search a animals, Arctic of footage video their Losing 2007 2005 2002 2001 155Mile Construction Under Festival. Short ToBreathe How 2: Chapter Lee Born inSeoul,SouthKorea. screened Now sity, majoringinmasscommunication. Pusan InternationalFilm Festival. Short Film Festival. His of Communicationand

Hyung-suk Lee first Hyung-suk

he Film 155Mile Film 155Mile, Under Construction, 35 mm,22min Chapter 2:How To Breathe Templementary, 2007 short studies (2007) ishisfourthshortfilm. 315 for Award Award the film, graduated film 35 mm,25min F Wide F ilm B ilmography Templementary at iography at at S Pusan (2005) Yonsei 16mm,33min ynopsis Angle Bangkok Arts inKorea. from 35 mm,22min International

(2002) Graduate section won Yonsei International (2001) Best won at Univer School the Asian Film Best was 6 th -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Losing their video footage of Arctic animals, a TV station documentary team sets out in search of an alternative documentary footage to meet the upcoming broadcasting schedule.

The team decides to venture into the Demilitarized Zone, hoping to find rare animals.

Soon the team realizes that they crossed the line - there is more than just a documentary at stake. A FILM FOR PEACE

Note of Intention DMZ is the abbreviation for demilitarized zone.

According to the truce of the 50s, it was created a neutral zone that has a length of 155 miles (248 km) to prevent military activities between South Korea and North Korea. However, the war is not over yet: the war is in progress without bum. The area is saturated with mines and is far away from peaceful place; it is an arsenal that could explode at any time.

This film is the story of living beings, both humans and animals that cannot breathe freely in the DMZ: the frontier of separation.

Technical Details

Producer: Kim Tai-yong Country: South Korea Production year: 2007 Duration: 25 min. Original Language: Korean Shooting Format: 35 mm

Credits

Directed by: Lee Hyung-suk creenplay b FIFTH EDITION 2010 S y: Lee Hyung-suk Director of Photography: Jung Young-sam Music: Lee Eun-suk, Jeon Jong-hyek

316 Vincente RubioGandia Observatorio - in Barcelona in2005. Japan (1991/94) the Vicente Since 2009. ual - lencia in2004. national taining maquia, spots ture - land) in2000. ra - Baños (Cuba)in2001. likewise various Techniques, to - such as: Also Tele 5,etc... UK (2000), parks Film Documentary Language Lighting Director Mitica New production Royal channels and be in nationally Workshop 2001, for ALONE different 2009 and certification England Rubio Kukufato developed 317 Film made documentary (2001), Spain Millennium and and School of Film Vincent University Photography various including del School subsequently B director and Gandia Workshop various Mura io and and in television and Mundomar theater. /F of Cinema Brighton also ilmography Port audiovisual is audiovisual Dramatic Ireland of companies Co. of dedicated Experience of productions is by of film BBC, Aventura San Diploma starring photography (1994/95), at studying in productions Alicante taking Film exerts in the training (1998/99), to Advanced Antonio Channel Art Barcelona participate SGAE School in training to turn various and (1997), an in Company the in drama audiovis currently in England actor courses Madrid various de de theme Visual 1998, at in SGAE Inter Nau (Eng Four, fea Ter Va ob the the los in in in at ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE in post production on all of them being the director and screenwriter.

- Spice of Life, Documentary (11 min.) 1998 - The street a place to play, Documentary (40 min.) 2003 - My dream, my soul, Short (15min.) 2006 - Questions of Being, Short (3min.) 2006 - Imaginarium, Short film (24min.) 2007 - No network, Short (3 min.) 2007 - Integrated, Documentary (39min.) 2008 A FILM FOR PEACE - Alone, Documentary (73min.) 2009

Film Synopsis A documentary that shows an entry and exit to the tunnel of schizophre- nia, a finding love through madness, the vision of a dreamer from the deepest recesses of madness. Vincente Rubio’s life as told by himself, in his passage through this illness.

Technical Details

Production: UNO FILMS, A.C. Country: Spain Production year: 2009 Duration: 73’ Original Language: Spanish, English, French Shooting Format: HDV

Credits

Directed by: Vincente Rubio Gandia creenplay b FIFTH EDITION 2010 S y: Vincente Rubio Gandia Director of Photography: Vincente Rubio Gandia Music: Oscar Albuixech Navarro

318 O S English P T D C P hooting roduction roduction echnic ountry uration riginal al L : Spain,Usa F :

anguage D 14’ ormat : year

Kamel Fims et ails : : 2009 : 35mm award sinceitwas releasedthree monthsago. M S film festivals worldwide. Basket Bronx Paper orPlastic A Falta De Pan Revolucion D but hedreamsofplaying basketballashisidols. Alex is a little kid from the Bronx, US. He is disable, velopment. ThePigeons El Hombre Orquesta in filmfestivals worldwide. D C in filmfestivals worldwide. 21 film his Film shooting Originally tion shot inNew now International creenplay redits irector irected BASKET BRONX usic and MartinRosete first in festivals. School, preparing : Lucas Madrid won

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commercials b 319 : from P y: Martin Rosete : York in2010. hotography more attended , Vidal, SymphonicOrchestra ofKiev Film 2002, He Martin Rosete , 2010, University, 2009, : film, his Madrid , 2008,Super16mm,6min 2005, studied Festival, F F than ilm first B ilmography 35mm, REVOLUTION, iography 35mm, , First 35mm, S and 2009, 35mm, 50 (1980), : feature ynopsis

Audiovisual Jose Martin Directing and Talent international more 7 35mm, feature 14 an min. Martin film 11 Campus MFA short min, min, actors 55 witch at Communica 6 film. Rosete in 22 films the awards min, awards 9 US. of in awards awards will age In Berlin Cuba he After One shot de be of in in is - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE YELDA, THE LONGEST NIGHT Roberto Lozano Bruna 2009

Biography Roberto Lozano is born in Valladolid in 1968.

In 1990, he begins working as a writer in the A FILM FOR PEACE newspaper “El Mundo de Valladolid”, at the same time working for “Onda cero radio” and other stations while also studying Philology at the University of Valladolid.

In 1996, he made his first contact with filmmaking/tv when he joined Castilla Y León Tel- evision, as a journalist and presenter of news, programmes and as an executive producer. That same year, he founded CESNA PRODUC- TIONS an independent production company which he still runs, producing TV programmes, publicity, fiction and documentaries.

Filmography RADIO: 90-94: Black Market, Alquimia Pop, El monje atento, Fuel.

TV DIRECTION PROGRAMS 96-98: Horizon- tes, Ruta 29, Sal y Pimienta.

TV PRODUCTION: Lo que hay que ver, Mesa reservada. El coche de línea, Revista Ono, Re- vista Telecable

DOCUMENTARIES: PRODUCER and DIRECTOR 1999 - Marruecos el vecino del Sur. Filmed in Africa. Special mention of the Third Movies and Video exhibition organized by “Caja Es- FIFTH EDITION 2010 paña” and the Organization “La Fila” 1999. 2002 - Noruega la herencia Vikinga. Filmed in

320 Gasol. (Primetimeat“La2”of Filmed sofarin 2006 - La Mitad del Mundo ria. 2003 Norway plight of the millions of Afghan refugees that fled towards towards fled after that Pakistan refugees of Afghan millions the of plight Narrated in the first person, “YELDA” (The Longest Night), addresses the in Peshawar, Pakistan. sanctuary seeking itself finds family whose boy Afghan an of story brief the tells that documentary creative a is Night), Longest “YELDA”(The 2007 -LaSoluciónBolívar. 2006 -ElÚltimo Viaje del Almirante – The Admiral’s Last Voyage. 1998-1999 - Asesinos Anónimos, El Andamio yDescanseenPaz. FICTIONAL PRODUCTIONS Filmed sofarin documentary. Feature production). (In REPORTERS WAR 2009-2010 12 production). (In DrawingsLight 2009-2010 Of with 2008 - Messenger from the South”-“Mensajero del Sur. 2008 “Environmental Atlas”. África. en Nacer - 2007 2004 (Premiere at“The 2” 2005 nel andbroaccastedinanothertv’s) laboration withLeMondeDiplomatique. miere at“The 2” channel andbroaccastedin anothertv’s) 2006 broaccasted inanothertv’s) the - - - - Ivi Maranae: La Maranae: Ivi Tierramal. sin Con el Sur Carta a un rehén Yambo Africa collaboration Angola andBolivia. Afghanistan andD.R. of TVE channel andbroadcasted inanother . Filmed . TVE channel andbroaccastedinanothertv’s) Filmed of . Filmed Filmed UNICEF in .

Filmed India. TV in F ilm TVE). in Kenya. Reportage in S and (Premiere 321 Mozambique ynopsis the in

Filmed Ecuador. their Saharan ((Premiere The Congo. for Good at in Greenpeace “The (Premiere refugees the and th Will at documentary series. documentary Bolivian 2” “The South-Africa. Filmed TVE Ambassador camps at TV’s). 2” Spain channel “The Amazonia. TVE in of Angola 2” in chan Alge (Pre TVE col and Pau - - - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE the war.

At the end of 1990, the UNHCR calculated that there were over 6.3 million Afghan refugees in neighbouring countries.

The Afghans had become the largest group of refugees in the world.

In August 2008 there were still over two million Afghan refugees residing in Pakistan. A FILM FOR PEACE

At the beginning of the 20th century there were 100,000 Kalash in the remote valleys of the Hindu Kush. Today only 3,500 to 5,000 remain.

This is the story of Haroon.

Technical Details

Production: Cesna Producciones Country: Spain Production year: 2009 Duration: 12’ Original Language: English with Spanish subtitles Shooting Format: HDV

Credits

Directed by: Roberto Lonzano Bruna Screenplay by: Roberto Lonzano Bruna FIFTH EDITION 2010 Director of Photography: Roberto Fraile Music: Eduardo Tarilonte

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2007 2008 2008 2008 2008 2006 2005 2003 2001 his ideals. convictionof solid the with it accomplishes he but sacrifices, implying job A task. weekly his man, sees off his wife and children to carry out North-American class middle lower a Adam, An ordinary Saturday in the South of California. (USA). University in He San Sebastian,1974. and pany documentary filmLucio. He screenwriter formany audiovisual projects. Sarobe ON THE LINE has studied Jon Garaño he called In Tex Norton Miramar St The Dragon House Asämara On theline Alamitou FGM Sahara Marathon Despedida also 2008 has 323 2001 (Basque of Moriarti been Journalism (HD, 18min.) the worked he (35mm,9min.) F F (HD, 11min.) Basque the ilm B (35mm,13min.) ilmography (HDV, 4min.) founded Country) (35 mm,8min.) (35 mm,12min.) iography with S executive as ynopsis and other (Digibeta, 55min.) Country film (35mm,84min.) a Advertising and production four director producer in and colleagues, San Cinema and/or Diego at of com the the -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ASÄMARA Jon Garaño and Raúl López 2008

Biography Jon Garaño. San Sebastian, 1974.

He studied Journalism and Advertising at the A FILM FOR PEACE University of the Basque Country and Cinema in Sarobe (Basque Country) and in San Diego (USA).

In 2001 he founded a production company called Moriarti with other four colleagues, and worked as film director and/or screenwriter for many audiovisual projects.

He has also the executive producer of the documentary film Lucio.

Filmography 2001 Despedida (35 mm, 13 min.) 2003 Sahara Marathon (Digibeta, 55 min.) 2005 The Dragon House (35 mm, 84 min.) 2006 Miramar St (35 mm, 8 min.) 2007 Tex Norton (HDV, 4 min.) 2008 FGM (HD, 18 min.) 2008 Alamitou (HD, 11 min.) 2008 On the line (35 mm, 12 min.) 2008 Asämara (35 mm, 9 min.)

Biography Raúl López. San Sebastian, 1971. Videogame

FIFTH EDITION 2010 graphic designer.

He completed his audiovisual studies with

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Javier many F F ilm ilmography Agirre productions S Autorretrato and 325 ynopsis as editor Tras losvisillos. and graphic de - -

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE ÁNGELES SIN CIELO (ANGELS WITHOUT HEAVEN) Victor Cuadrado 2009

Bio/Filmography Victor Cuadrado was born in Madrid in 1979. A FILM FOR PEACE He was the second assistant director in more than 30 feature films, TV-movies and mini- series, with directors as Cesc Gay, Brian Yuz- ma or José Luis Cuerda.

Ángeles sin cielo - Angels without Heaven is his first short film.

Film Synopsis One summer night two children are going into the woods to see the meteor shower, but a light appearing on a far edge, changes their plans.

Technical Details

Production: Arturo Mendiz Country: Spanish Production year: 2009 Duration: 10’ Original Language: Spanish Shooting Format: 35mm

Credits

Directed by: Victor Cuadrado Storyline by: Victor Cuadrado Screenplay by: FIFTH EDITION 2010 Victor Cuadrado Director of Photography: Marc Zumbach Music: Xavier Capellas

326 THE YEARS OFSILENCE 12.000 people.PremiàdeMar, 2009 tury legendthathadanaudienceofmorethan ing written.Barcelona, 2009 Camarera delamor A laspuertasdelHades Las horas inciertas. Vida mía Los añosdelsilencio ¡Piratas! La memoria del odio after by Marcel Gaztambide, Luis with the During in Music,specialisingrecordings. the for fluteandpiano. in Marcel trial also neer, visual distribution Patricio CECC Music Marcel Leal Engineering the Duo obtaining music projects Leal Leal his director 2009 . Shortfilm,2007 Theatre 327 F (Centre Scherzo, ilmography Guzmán, Conservatory film is and started of currently with a of studies, play and the new Bachelor’s of B Aller yRicardoÍscar. a . Shortfilm, 2002 Short film,2005 iography a . . Shortfilm,2009 studying summer Film original his a José Feature

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Director Filmography Los años del silencio. Short film, 35 mm, 2009. Financed by the ICAA (Institute of Cinematography and Audiovisual Arts). Vida mía. Short film, 35 mm, 2007. It was broadcasted in Verdi cinemas (Barcelona) and participated in the official section of the Film Festival of San Roque, in Muestra de Cine (Cinema display) of Sabadell, and in the Short Film Festival of Radio City in Valencia. Moreover, it received grants from ICIC (Catalan Institute of Cultural Industries) and ICAA as a A FILM FOR PEACE finished short film. Otra forma de curar. Marcel Leal was the editor and co-director of the documentary shot in digital video. Mali-Barcelona, 2007. It was presented at the Congress on Psychiatry that was held in Barcelona, Sant Cugat and Lyon. Las horas inciertas. Short film shot in digital video. Vilassar de mar, 2005. Award for Best Cinematography at the Festival of Short Films of Francisco Carvajal Foundation. Albolote, Granada A las puertas del Hades. Short film shot in digital video. Premià de mar, 2003 Camarera del amor. Short film shot in digital video. Barcelona, 2002.

Film Synopsis In the middle of the Spanish post-war period, a low murmur catches the attention of a little boy, who looks for his mother and finds her looking anxiously at the window. Adults uncomfortably tell him that the strange sound must be from a distant storm, but he will soon find out the truth that will change his life forever.

Technical Details Credits

Production: Patofilms Directed by: Marcel Leal Country: Spain Screenplay by: Marcel Leal Production year: 2009 Director of Photography: Duration: 18’ Iñigo Zubicaray riginal anguage usic FIFTH EDITION 2010 O L : M : Catalan, Spanish Alejandro Civilotti Shooting Format: 35mm

328 CANGLESKA WAKAN member Indian Reservations inSouthDakota. the on contributors respected of voices and eyes “circlethe the through Nation Lakota the of life” of addressees Hoop) sacred (The Wakan Cangleska In mentary. did and eloquent questions addressed by this docu can the are occur? These breakage so, that did when if And broken? been circle” “sacred the Has had bowl vited During building ahut)nearthetown ofBrowning. Blackfeet D and Periodically ago. The rector. I planation bought blanket is in The thus causingtheideatocomeintofruition. over 30filmfestivals worldwide. come irector the that a Aitken Pearson idea low this the trading of me Summer the something an from into the ’ is good budget 2009 of s of to S 329 Indian I Indian the ritual, the making t pipe have my a participate I post United tement slept first fortune Blackfeet of subconscious documentary B is regarding ‘Circle reservation 1996, in the io F customary must under time Cangleska Wakan ilm /F Kingdom, South pipe ilmography S to in I I Of ynopsis have Nation. that discovered introduce meet was a Dakota the Life’ sweat in blanket; held while has passed forty-four passed genesis Alex Pendelton Montana He been in about lodge myself I

graciously myself was began Gladstone, the through the around. of selected years left sleeping, 10 (ritual only the where as blanket when on hand, years a old, film The the ex the di in at of a - - I - - - I

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE as this is closer to the heart. While holding the pipe it is the tradition to say a prayer aloud. As I listened intently to prayers offered by others, I was amazed and impressed and felt a bit of trepidation. I was not too sure about what and how to say a prayer at a ceremony of purification, as was the sweat lodge, so when it was my turn and the pipe was passed to me, of course I felt a bit anxious and apprehensive. The precise moment the pipe was handed to me, I immediately felt an over- powering sensation, I was almost shaking. As I began to offer a prayer the words seemed to flow eloquently and concise.

A FILM FOR PEACE A couple of weeks prior to visiting Montana I read John G Neihardts’ ‘Black Elk Speaks’, regarding the vision of Black Elks, the very vision where he saw the Sacred Hoop of the world; the Sacred Hoop or Cangleska of the Lakota Nation and how that sacred hoop of life would be broken, left an indelible impression upon me.

Astonishingly the prayer I offered was about mending and restoration of the Sa- cred Hoop that Black Elk, the Oglala Sioux holy man had a vision about and I recall being complimented on the prayer by two Lakota girls who were present in the sweat.

Years later I attended the Native Voice Film Festival in Rapid City, South Dakota seeking inspiration and ideas for making a film, after attending numerous projections, I left with the idea that something must be done about Black Elks vision and the relevance of the Sacred Hoop or ‘Cangleska Wakan’ of the Lakota Nation.

Therefore, it happened that after listening to sincere opinions expressed by people like Chief Arvol Looking Horse, Russell Means, Charlene Hollow Horn Bear and many others, I made the documentary ‘’Cangleska Wakan‘’, addressing the concept of the Cangleska; has it been broken and if so, when and how did that happen and can the Cangleska Wakan be restored again?

An interesting aspect I noticed was that the women involved in the film, all seem to agree that the Sacred Hoop is not broken, while the men think that the Sacred Hoop has been compromised. Apart from that care and respect, one thing is certain; the Cangleska Wakan was, is and will be an integral part of the Lakota Oyayte, the great Sioux Nation.

Technical Details Credits

Producer: Aitken Pearson Directed by: Aitken Pearson Country: UK Screenplay by: Aitken Pearson Production year: 2009 Director of Photography: uration FIFTH EDITION 2010 D : 52’ 53” Tristan Barnard Original Language: English Music: Shooting Format: HD NTSC Michael Jeans, Thomas De Renzo

330 Alexandra Monro andSheilaMenon NO WAY THROUGH which Pictures. Alexandra MonroandSheilaMenon. Alex Fleming’s Glidrosefoundation. UK, Alex Marketing broadband). Ritchie), Recent 2007 multimedia Alex Monro Alex No a in Menon Sheila Secrets ofthePharaohs 2005 - ducer (Producer: tor: 2007 sociate Producer lancer 2008 - in working Spain P to direct. roducer variety Portugal 2003, Way Kenneth worked now won - - The Run’ and opened Body Armour Luminal producing Dungeons & Dragons & Dungeons credits on 2009

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE at the end of 2007, she won a commission in 2008 to produce a feature length observational documentary about a musical and cultural exchange project, shot in Bamako, Mali (West Africa).

In January 2009, Sheila has been conducting a program for directors of documentaries on the human rights of women and, almost at the same time, won the competition that provided the budget for the directorial debut in the short film, No Way Through. She hopes to continue to mark the important stages through films that focus on issues of human rights. A FILM FOR PEACE Producer credits: 2009 So Close So Far (Short Film) 2009 New Device (2 x Music Videos) 2008 Routes to Roots (Observational feature documentary) 2007 BBC Radio3 Awards for World Music (Live broadband broadcast) 2007 BBC introducing stage at Bestival (Live festival coverage) 2006 Buzz! Audio design (Playstation game)

Other recent credits include work on: 2009 Driving Force (Short Documentary - Directed by: Lucy Purdon) 2008 Autonomy (Short Film - Directed by: Dave Tree)

Film Synopsis Imagine if London was controlled by the military and you had to go through specific checkpoints to go to school, go to work, visit your friends or go to the hospital.

No Way Through, brings the shocking reality of Palestinian life in the West Bank uncomfortably close to home.

Technical Details Credits

Production: Directed by: Andy Noble & Aneta Chalas Alexandra Monro & Sheila Menon Country: UK Screenplay by: Production year: 2009 Alexandra Monro & Sheila Menon Duration: 7’ 11” Photography: Dave Tree FIFTH EDITION 2010 Original Language: English Music: Shooting Format: HD Cam James Edward Barker

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE AGENT ORANGE: 30 YEARS LATER John Trinh 2008

Bio/Filmography John Trinh, a member of the International Doc- umentary Association in Los Angeles (IDA), produced and directed his first documentary A FILM FOR PEACE film entitled Agent Orange: 30 Years Later (“A War No One Wins”).

John Trinh received his training from the pres- tigious Art Center College of Design in Pa- sadena, CA. He worked for major companies such as Mattel as a senior designer and Disney as a digital artist. His personal work has been exhibited worldwide and acquired numerous awards nationally, such as “National Artist of Distinction Award” - National Alliance For Excellence, New York 1997, permanent col- lection of the Museum of Fine Art of Southern Nevada, Las Vegas.

Film Synopsis “AGENT ORANGE: 30 YEARS LATER” is a 56-minute documentary about the victims of Agent Orange 30 years after the Vietnam War.

Agent Orange is the code name for one of the principal herbicides that was used by the U.S. military during the Vietnam War to deny coverage (trees and bushes) to the North Vietnam- ese guerrilla soldiers.

The film tells the story of several victims of Agent Orange - from North to South of Vietnam - which have been exposed during the war to the substance that was sprayed. It interweaves FIFTH EDITION 2010 compelling stories with images collected from the archives to tell the horror stories of North

334 C S C O S political differences. towardsactions each stewardsas other for regard without planet, the of our for responsibility of sense a amplifies and compassion for need the people. the and environment underscores the The also on film dioxin of The goal of this documentary is to make the viewers aware of the impact tion. poverty.dramaa than more is It observa an merely is reportage his and and pain, thoughts, suicidal fear,loneliness, deformities, abortion, diseases, alien or pro-life make: to choices life-altering with living women, and men grandparents, to babies from people, VietnameseSouth and D P T is only temporary; theevilitdoesispermanent.” good the well, do to appears it when because violence to object “I D D P ongwriter hooting roduction roducer echnic ountry redits irected uration irector riginal al by: L : ’

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE THE HEART OF NO PLACE Rika Ohara 2009

Biography Rika Ohara’s mother and grandmother lost their homes three times to air raids during the Second World War. She came to the U.S. as a painter A FILM FOR PEACE and studied photography with Czech surrealist Vilem Kriz. She started making performance art during the eighties when the “Trade War with Japan” was prominent in the American con- sciousness.

Her performance-installations have been seen at Rencontres Internationales Paris-Berlin, Mo- naco Dance Forum, New Territories Festival (Glasgow), and elsewhere in Europe and Japan. Recent film festivals include Films de Femmes de Créteil, Göteborg International Film Festival and London Independent Film Festival, where The Heart of No Place received the “Best Film” award.

Filmography 2009 - The Heart of No Place 2004/2006 - The Potato Woman, 4:39 2000/2002 - Shelter 9, video installation, 60:00 1999/2001 -1,332 Feet below the Sea, 18:00 1999 - Touch (ReAnimation), 18:00.

Film Synopsis What would you do if someone told you that Yoko Ono had been “planted by a Japanese

FIFTH EDITION 2010 corporation to break up the Beatles”? Was not an American business more likely to profit? Shot on Digital 8 in Los Angeles, Berlin, Tokyo

336 avant-garde changes of of and I and how artists,by instigatingthesedesires,participateinthisprocess. its music, film. Ono. an exploration intotheintimacy ofthefilmmedium. partly S C S O The Heart of No Place No of TheHeart D and IMA. by song a features City,film Minh no-budget Chi Ono the Ho Yoko and D P T Place No of Heart D R D M periences S C P creenplay toryline hooting was roduction roduction echnic epertoire redits ountry irector irecto irected uration riginal usic the my way history Rather, Although working : a Cold previous celebrity in John Payne continuation al

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE BEFORE WAR Jared Katsiane 2010

Biography Jared Katsiane teaches filmmaking in the same environment of public housing in Boston where he grew up. His award-winning films have been broadcasted A FILM FOR PEACE at 250 international festivals and he received 25 awards and fellowships. Jared’s film of 2005 Solace, had its premiere at the Clermont-Ferrand Short Film Festival, and received the Silver Prize at the 47th Bilbao International Festival of Documentary and Short Film; it was screened at other 45 festivals, and was hailed as a “milestone” by the editor of France’s leading film journal, Cahiers du Cinema.

Filmography Houna & Manny Writer, director, producer, editor, 2009 Fiction story about two girls who meet in front of the US immigration office. Smile Writer, director, producer, editor, 2008 Fiction story about two strangers on a bench watching the sea. Sketch Writer, director, producer, editor, 2008 Experimental documentary about a young artist sketch- ing. Where Is Estel? Writer, director, producer, editor, 2007 Story about a girl and her friends, the day after she has joined the military. Fernando’s First Snow Writer, director, producer, 2006 Story about Fernando remembering his sister and the first time he saw snow.

FIFTH EDITION 2010 Girl Climbing Trees Writer, director, producer, editor, 2006 Docudrama about a young girl climbing trees as a famil-

338 The me his8mmfilmfootagethatwas packed away inheratticforallthoseyears. Writer, director, producer, editor, 2006 S Writer, director, producer, editor, 1992 Docudrama abouttheeffectsofdrugwar onblack men. Ambushed Feature filmaboutaday inthelifeofayoung maninBoston. Everyday IsNew Story aboutayoung manin needofsolace. Writer, director, producer, editor, 2005 Solace Experimental documentaryaboutayoung artistwaiting forabus. Superhero iar voice talkstoheraboutfreedom. P T ing asoldierintheKorean War, brings alonghiscamera. Uncle becom 1951: after TommyBoston, then, movies… home makes 58 Documentary exploringtheeliminationofsegregationinpublichousingBoston. Writer, Director, Producer, Editor, 1991 New Folks ontheBlock D C Jared Katsiane, Writer, director, producer, editor, 2006 P military, andthebanalityoflife,assoldiersprepareforbattle. D hooting roduction roduction echnic ountry irector uration years film

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE NUESTRA HISTORIA ESTÁ EN LA TIERRA (OUR HISTORY IS IN OUR LAND) Eliézer Arias 2008

Biography Born in Coro, Venezuela, Eliézer Arias is an engineer with a PhD in Economics and Inter- A FILM FOR PEACE national Development from the University of Bath, England. He is currently a researcher and professor in the Department of Development Anthropology at the Venezuelan Institute for Scientific Research (IVIC). He undertook script- writing classes with Lucrecia Martel, Felipe Vega and Guillermo Arriaga.

Over the past 5 years, Eliézer Arias has explored documentary filmmaking as an alternative way of understanding and compiling information on different social realities, and spreading it to a broader audience beyond the academic world, including those who are the protagonists of his films. He directed documentaries focusing on different topics, from conflicts at individual and collective level to national and global environmental and health problems related to human action. His first work, Our History is on the Land (2008), talking about the struggle of Vene- zuelan indigenous peoples, has participated in 15 international festivals and has been awarded two prizes and a jury’s special mention. He is currently working on a feature documentary called The Silence of the flies as director and screenwriter.

With The Silence of the flies Eliézer Arias has been already selected for the Cinematographic Development Project Course VII (2009) organ-

FIFTH EDITION 2010 ized by the Carolina Foundation (Spain) and Casa de America (Spain). He has also been selected by the Independent National Centre of

340 2006 2006 - 2007 - 2007 - 2007 - 2008 - 2008 - Cinematography ent indigenous groups, Pemon, Yabara, and Mapoyo, who live south of Pemon,south groups, liveYabara, whoindigenous Mapoyo, ent and differ of territories the throughout journey a follows documentary The order tomaintainanational unity. in views their homogenizes hand other the on and groups, indigenous of rights and identity the promotes hand one on whichhe state, a gemonic of context the within issue this on perspectives of variety a sent repre opinions etc. Their personnel, military leaders, religious officials, elected technicians, anthropologists, groups, indigenous several of tives representa actors: diversityof a from testimonies oral presents mentary in Venezuela.borders docu Theterritorial land indigenous of issue the approachto attempts that documentary a is Land Our in Is History Our 2006 - 2006 - tary; 2008 - Laboratory for scriptandprojectdevelopment (2010). the project - Hacerse alpatio, Hacerse alpatio, Our historyisontheLand A remedy forMelancholy Una lineaymilgustos. Parcela, Munu, Pichi, Uma,Hogar. Our historyisontheLand Our historyisontheLand A tres horas de Mérida... dos de Barinas, de dos Mérida... de horas tres A of has Film MiniDV, 12min.-Documentary; been (Venezuela) Project F ilmography selected MiniDV, 25min-Documentary. MiniDV, 25min-Documentary. F F ilmography F ilmography from ilmography MiniDV, 10min-Documentary; to by F , MiniDV, 50min-Documentary. , HDD-35mm,84min-Documentary; , HDD-35mm,84min-Documentary; , HDD-35mm,84min-Documentary. MiniDV, 10min-DocumentaryShort); ilm Iberoamerica,

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE the Orinoco River. These locations are the backdrop that expose some of the conflicts and contradictions between, on one side, the desire of indigenous groups to exercise their rights over their land and their self- determination, and on the other hand, the multiple interests and forms of domination from outsiders that compete for the use and appropria- tion of the resources located in the southern territories. A FILM FOR PEACE

Technical Details

Production: Eliézer Arias Country: Venezuela Production year: 2008 Duration: 85’ Original Language: Spanish Shooting Format: HDD-35mm

Credits

Directed by: Eliézer Arias Storyline by: Eliézer Arias Screenplay by: Eliézer Arias irector of hotography FIFTH EDITION 2010 D P : Yanilú Ojeda Music: David de Luca Repertoire Music: Roberto Castillo

342 ACQUA ECITTADINANZA ATTIVA A COCHABAMBA policies minutes during and includes water, comune of common The with thesupportofCeVIandCICMA. presents tives rent tion lish, Italian,English,andSpanish. nities ter tion: OficinaLatina;Directed: Presents 2009 Water caravan inCentral America Carovanain dell’acqua Centrale/ America The Fornasari. 2008 other Una goccia tira l’altra / A drop leads to an Sclauzzero. Teamwork Boris Sclauzzero Central resources video and DVD the trends, undertaken - - against help DVD; DVD; the 2005 used is dell’umanità, the testimonies editing: numerous the 343 good America contains is an of travel. from Production: situation and Production: and part the water Group regarding instrument CEVI F of under Elisa privatization 8 the draws The of B humanity, to iography covered interviews situation versions CeVI the struggles of ilmography 22 of Mereghetti, documentary diritto the the COSPE CeVI local some water project November meant Bolivia, campaign exploitation Alberto DeFilippis. by di and subtitled the in processes. committees of concrete access with and the tutti” to local “Acqua: the CICMA; Music: right led CeVI; deepen Caravan organizers 2008, lasting “Portatori countries / commu by and “Water: in of of initia Arturo Direc Made Boris Crea bene Eng all“, cur met and wa the 35 of ------

QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE d’acqua” / “Holders of water” (www.portatoridacqua.it). The Campaign proposes pathways for raising awareness of customs and responsible use. COSPE production in collaboration with CeVI and World Water Con- tract.

Il progetto Biodiversità / The Biodiversity Project 2003 - DVD; Production: CeVI and CAV (Center for Sustainable Agriculture A FILM FOR PEACE - Turmalina, Brazil), Film and Director: Vittorio Moroni; Montage: Marco Pic- caredda. The documentary tells the story of victories and problems of a region that is situated in the remote hinterland of Brazil: the valley of the River Jequitinhonha. A rural region where local farmers have to deal with the harshness of the land, water shortages, and the aggressive acts of the companies that have invaded the territory and manage large eucalyptus monocultures. The 5 sections of the documentary: the valley of the Jequitinhonha, “draught”, the CAV, the water in semi-arid Brazilian land, for a different future – are marking the serious problems these people face, are presenting the testimonies of people and the strategy implemented by CAV - Centre for Sustainable Agriculture. Through the leadership of local farmers and the proper exploitation of local resources, primarily Bio- diversity, CAV is the key to come out of poverty.

Film Synopsis The problem of water in Cochabamba after the “water war” of 2000. The work and the organization of local committees in the south area of the city in order to manage water supply in a participative manner. Cevi project supporting the committees.

Technical Details Credits

Production: CeVi Directed by: Boris Scaluzzero Country: Italy Screenplay by: Production year: 2005 Silvia Trombetta, uration

FIFTH EDITION 2010 D : 31’25 Boris Sclauzzero Director of Photography: Boris Scaluzzero

344 UNA GOCCIA TIRA L’ALTRA Italian of independent information. Afro-American in Her and PuertoRico. She and GreatBritain. She abroad. participating Born munication” Judith ganizations casted cusing gna, ta Has Africa 2015–MillenniumGoalscampaign. an port Her and development subjects. collaborated - has of “Giornate Nations nationally Trento, the dei Elisa Mereghetti the Community documentary, directed films from worked participated worked a in Association Popoli Gleason United television public on by 2008 Development 2000), Milan, 345 the have dell’Acqua” and women’ various and (Venice, in for Media for (Bologna with more space States, and religion, “Women the internationally received in Italy, associations - several various as VAG61-Media New Eyes Wide Open producing B the realization than is dedicated TV Plus iography speaker condition, Central 2005). in part (International Program. American 2004), York Brazil, channels numerous 1959, of Program 40 years non-governmental of the bureau She documentaries, the in and America, documentaries of “Ethics to and South” at Nigeria, Elisa the anthropological Since many United Center is the anthropologist for of

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE Filmography 2009 - Passi Leggeri secca 2009 - Le acque di Chenini 1999 - Il minimo è l’acqua 2008 - La colonna senza fine – l’odis- 1998 - Hopeful Steps – passi di spe- sea dei Rom rumeni a Bologna ranza 2008 - Una goccia tira l’altra – percor- 1998 - I confini dell’etnia si di cittadinanza attiva per diventare 1998 - Futuro di sabbia “Portatori d’acqua” A FILM FOR PEACE 1997 - Guerre dimenticate 2007 - Cavalcando i sogni – infanzia e sviluppo comunitario in Brasile 1996 - Islanda: regno degli uccelli marini 2006 - The Case 1996 - Islanda: l’incantesimo del fuo- 2005 - Monsoon Tale co 2004 - Eyes Wide Open - ad occhi 1996 - Islanda: deserto di lava e ghiac- aperti cio 2003 - L’oasi della memoria - fram- 1996 - Dolomiti Lucane - il popolo dei menti di cultura Saharawi boschi 2003 - Rocchino e il lupo 1995 - Differenze 2002 - Il cestino delle mele 1995 - Fiori per Guadalupe 2002 - Soggiorno a Villa Magistrini 1995 - Vulture - il volo del nibbio 2002 - Immagini migranti 1994 - Maschere nere - Carnevali di Bar- 2000 - Per non restare a braccia con- bagia serte 1994 - Lo specchio di Onorato 2000 - Gerusalemme città contesa 1994 - Testimoni e protagonisti 1999 - Il mugnaio, il contabile e altre 1993 - Monti Iblei – paesi di pietre storie 1991 - Il re non mente 1999 - Bologna e il mondo oltre l’Eu- ropa 1990 - Diventare donne a Okrika 1999 - Ritratto di Altinè nella stagione 1988 - Mother of the Waters

Film Synopsis Every day 24,000 people in the world, mainly women and children, die due to lack of access to drinking water. In Italy, the consumption of wa-

FIFTH EDITION 2010 ter per capita is 200-220 liters per day.

Water is the same all over the world but not for everyone has the same

346 M D C element ofdevelopment forthecountriesofSouth. an become can North the in watersaved the that forgetting Not good. this of management the for responsibility collective and individual the enable to aspires l’altra”, tira goccia “Una rights. water regarding ness awareraise and educate to aiming campaign international an tutti”, di The video is part of the project “Acqua bene comune dell’umanità, diritto management ofsuch animportantresource... In many Western countries, ease of access often leads to overuse or poor merchandise. not and right universal a be should which good, valuable value. Unfortunately not everyone has the same access to this extremely D P T D C P roduction roduction echnic ountry redits irector irected uration usic : Arturo Fornasari al

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QUINTAFIFTH EDITION EDIZIONE 2010 2010 A FILM FOR PEACE