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Bibliography Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 14 | 2017 Early American Surrealisms, 1920-1940 / Parable Art Bibliography Electronic version URL: http://journals.openedition.org/miranda/9878 DOI: 10.4000/miranda.9878 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference “Bibliography”, Miranda [Online], 14 | 2017, Online since 04 April 2017, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/9878 ; DOI: https://doi.org/10.4000/miranda.9878 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Bibliography 1 Bibliography Primary sources 1 Agha, M.F. “Surrealism or the Purple Cow.” Vogue (1936): 61, 129-131, 146. 2 Art Digest 11:6 (December 15, 1936). 3 “American Art and the Museum.” The Bulletin of the Museum of Modern Art 8:1 (November 1940): 3-26. 4 “The American City Night-and-Day – by Dalí.” American Weekly (March 31, 1935): 5. 5 “American Country Life Interpreted by M. Dalí.” American Weekly (April 28, 1935): 7. 6 “The Amusements: Right this Way!” The New York Times (April 30, 1939): 135. 7 Andrews, Wayne. “The Evocative Treason of 449 Golden Doorknobs.” transition 23 (July 1935): 7-10. 8 ---. “Take a Number from One to Ten.” transition 24 (June 1936): 40-45. 9 ---.The Surrealist Parade. New York: New Directions, 1990. 10 Barr, Alfred J. Fantastic Art, Dada, Surrealism. New York: Museum of Modern Art, 1936. 11 Benn, Gottfried. “The Structure of the Personality, Outline of a Geology of the ‘I’.” transition 21 (1932): 206-14. 12 Boyle, Kay. “A Paris Letter for Charles Henri Ford.” Blues 8 (1930): 32-33. 13 Breit, Harvey. “With the Little Mags.” Partisan Review 9:4 (1942). 14 Breton, André. “Positions politiques du surréalisme.” October 1935. In Œuvres complètes, II. Paris: Gallimard, Bibliothèque de la Pléiade, 1992. 411-15. 15 ---. Prolégomènes à un troisième manifeste du surréalisme ou non. VVV 1 (June 1942). In Œuvres complètes, III. Paris: Gallimard, Bibliothèque de la Pléiade, 1999. 5-15. 16 ---. “Réponse à une enquête de Pierre Mabille.” 16 June 1941. In Œuvres complètes, III. Paris: Gallimard, Bibliothèque de la Pléiade, 1999. 175-76. 17 ---. “Situation du surréalisme entre les deux guerres.” VVV 2:3 (March 1943). In Œuvres complètes, III. Paris: Gallimard, Bibliothèque de la Pléiade, 1999. Miranda, 14 | 2017 Bibliography 2 18 Burnett, Whit. “Home Edition, A Scenario.” transition 13 (Summer 1928): 199-204. 19 ---. “Balls, Or Simple Error.” transition 14 (Fall 1928): 121-5. 20 ---. “An Essay in Compostography or the Life in the Day of the Squidge.” transition 19-20 (June 1930): 185-7. 21 Byrne, Barry. “Surrealism Passes.” The Commonweal 26:10 (July 2, 1937): 262-263. 22 Cahill, Holger. “American Art Today: Gallery of American Art Today New York World’s Fair.” New York: National Art Society, 1939. 23 Caspers, Frank. “Surrealism in Overalls.” Scribner’s 104:2 (August, 1938): 17-21. 24 Cowley, Malcom. Exile’s Return. A Literary Odyssey of the 1920s. (1934) New York: The Viking Press, 1951. 25 Crosby, Harry. “Dreams 1928-1929.” transition 18 (November 1929): 32-6. 26 Dalí, Salavador. The Secret Life of Salvador Dalí. Transl. Haakon M. Chevalier. New York: Dial Press, 1942. 27 Duff, Charles. Handrail and the Wampus, Three Segments of a Polyphonic Biogriad. London: Caime Press Limited, 1931. 28 Emory, William Closson. “Love in the West.” transition 13 (Summer 1928): 33-41. 29 Ford, Charles Henri. “From a Record of Myself.” Harry Ransom Center. The University of Texas at Austin. Charles Henri Ford Papers. Series 1, Box, 5, Folder 3. 30 ---. “Notes on Neo-Modernism.” Harry Ransom Center. The University of Texas at Austin. Charles Henri Ford Papers. Series 4, Box 4, Folder 2. 31 ---. I Will Be What I Am. Harry Ransom Center. The University of Texas at Austin. Charles Henri Ford Papers. Series 4, Box, 21, Folder 2. 32 ---. “The Poem in Prose.” Harry Ransom Center. The University of Texas at Austin. Charles Henri Ford Papers. Series 1, Box, 4, Folder 6. 33 ---. Scrapbook: 1928-1931. Beinecke Library. Yale University. YCAL MSS 32. Charles Henri Ford Papers. Oversize, Box 6, Folder 327. 34 ---. “Suite.” Blues: a Magazine of New Rhythms 2:7 (Fall 1929): 31-32. 35 ---. The Garden of Disorder. New York: New Directions, 1939. 36 ---. “How to Write a Chainpoem.” In New Directions in Prose & Poetry. Ed. James Laughlin. Norfolk, Connecticut: New Directions, 1940. 369. 37 ---. “International Chainpoem.” In New Directions in Prose & Poetry. Ed. James Laughlin. Norfolk, Connecticut: New Directions, 1940. 370. 38 ---. The Overturned Lake. Cincinnati: Little Man Press, 1941. 39 ---. Out of the Labyrinth: Selected Poems. San Francisco: City Lights Books, 1991. 40 ---. Operation Minotaur. Woodstock, New York: Shivastan Publishing, 2006. 41 Ford, Charles Henri & Tyler, Parker. The Young and Evil. (1933) London: Gay Men Press, 1989. 42 Fouchet, Max-Pol. “Le Surréalisme en Amérique.” Fontaine 32 (1944). 43 Frost, Rosamund. “First Fruits of Exile: What Recent Emigrés Artists Have Done in America.” Art News (15 February 1943): 23. Miranda, 14 | 2017 Bibliography 3 44 Godwin, Murray. “From Work on Sidetrack.” transition 4 (July 1927): 172-4 and transition 15 (February 1929): 42-6. 45 Greenberg, Clement. “Surrealist Painting.” The Nation CLIX: 7, 8, 12 and 19 (August 1944). 46 ---. “The Renaissance of the Little Mag.” Partisan Review 3-1, (February 1941): 73. 47 ---. “L’Art américain au XXe siècle.” Les Temps modernes 11-12 (août-septembre 1946). 48 Guggenheim, Peggy. Art of this Century: Objects, Drawings, Photographs, Paintings, Sculpture, Collages, 1910 to 1942. New York: Art of this Century, 1942. 49 ---. Out of this Century, Confessions of an Art Addict. London: André Deutsch, 1946. 50 Hoffman, Leigh. “Anamnesis.” transition 11 (February 1928): 65-70. 51 ---. “Catastrophe.” transition 13 (Summer 1928): 76-81. 52 Hughes, Charlotte. “Education in Art Taken to Masses.” New York Times (January 10, 1937). 53 Janis, Sydney. “The School of Paris Comes to US.” Decision 2: 5-6 (November-December 1941): 85-95. 54 ---. They Taught Themselves: American Primitive Painters of the 20th Century. New York: The Dial Press, 1942. 55 ---. Abstract and Surrealist Art in America. New York: Arno Press, 1944. 56 Jewell, Edward Alden. “Cosy Surrealism.” New York Times (November 23, 1945). 57 ---. “Dalí Surrealisme Rampant at Show.” New York Times (November 22, 1934). 58 ---. “Despiau and Senor Dalí.” New York Times (March 26, 1939). 59 ---. “Fantastic Ghosts of Yesteryear.” New York Times (August 3, 1941): X7. 60 ---. “From Fatin-Latour to Surrealisme.” New York Times (January 17, 1932). 61 ---. Have We an American Art? New York: Longmans, Green & Company, 1939. 62 ---. “In the Realm of Art: Hectic Week Full of Contradiction.” New York Times (November 23, 1941). 63 ---. “Layman and Artist Cudgel Paintings and Attack the Museum of Modern Art—The Institution’s Relation to the Public.” New York Times (November 30, 1941): X9. 64 ---. “Museum Displays ‘Fantastic’ in Art.” New York Times (July 30, 1941). 65 ---. “Shock Troops in Review.” New York Times (March 8, 1936): X9. 66 ---. “Show Lists Works of Surrealist Art: Paintings of Rene Magritte Are Seen for First Time Here at Julien Levy Gallery.” New York Times (January 8, 1936). 67 Jolas, Eugene. “Surrealism: Ave Atque Vale.” Fantasy, A Literary Quarterly 7:1 (1941): 23-30. 68 Josephson, Matthew. Life Among the Surrealists: A Memoir. New York: Holt, Rinehart and Winston, 1962. 69 Laughlin, James. “Montaigu O’Reilly and Wayne Andrews.” In The Surrealist Parade. New York: New Directions, 1990. 155-63. 70 Laughlin, James. Preface to Pianos of Sympathy by Montagu O'Reilly (Wayne Andrews). Norfolk, Ct: New Directions, 1936. Miranda, 14 | 2017 Bibliography 4 71 Leonard, Stewart. “Stewart Leonard Adds More Notes Upon Surrealism.” The Times Recorder (February 28, 1937): 10. 72 Levi-Strauss, Claude. “The Art of the Northwest Coast at the American Museum of Natural History.” Gazette des Beaux-Arts 6:24 (July 1943): 175-182. 73 ---. “New York pré et post-figuratif.” In Le Regard éloigné. Paris: Plon, 1989. 74 Levy, Julien. Memoir of an Art Gallery. New York: G. P. Putnam’s Sons, 1977. 75 ---. Surrealism. New York: Black Sun Press, 1936. 76 “Links Surrealism and Ads.” New York Times (January 23, 1937). 77 Lundeberg, Helen. New Classicism. 1934. In Helen Lundeberg, An 80th Birthday Celebration. Introduction by Ilene Susan Fort. Los Angeles: Los Angeles County Museum of Art/ American Art Council, 1988. 78 “Marvelous and Fantastic.” Time 28:24 (December 14, 1936): 60-62. 79 Masson, André. “Antilles.” Hémisphères (Autumn-Winter 1943-1944): 21. 80 Morris, George L. K. “Art Chronicle: The Museum of Modern Art (as surveyed from the Avant-Garde).” Partisan Review 7:3 (May-June 1940). 81 McBride, Henry. “At the Whitney Museum.” New York Sun (January 31, 1940). 82 ---. “The Battle of the Surrealists.” New York Sun (December 19, 1936). 83 ---. “The Classic Dalí.” New York Sun (April 26, 1941). 84 ---. “Dalí and Miró.” New York Sun (November 11, 1941). 85 ---. “The Magic Realists.” The New York Sun (February 12, 1943): 19. 86 McMahon, A. Philip. “Fantastic Art, Dada, Surrealism.” Parnassus 9:4 (April 1937): 47. 87 Miller, Henry. “An Open Letter to Surrealists Everywhere.” In The Cosmological Eye, New York: New Directions, 1973 (1939). 151-96. “Into the Night Life.” 240-68. “Un être étoilique.” 269-91. 88 Motherwell, Robert. “The Modern Painter’s World.” DYN 1:6 (November 1944): 9-14. 89 Mumford, Lewis. “Surrealism and Civilization.” The New Yorker 12:44 (December 19, 1936): 76-79. 90 Niedecker, Lorine. “Transition.” “Promise of Brilliant Funeral.” “Canvass.” “Fall.” In Collected Works. Ed. Jenny Penberthy. Berkeley, Los Angeles and London: University of California Press: 2002. 23, 24, 33 and 206.
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