Film & Television Productions 1991-2015 Title Production
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David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
DNA Nation Press
PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world. -
Abecedni Izpis
COBISS Kooperativni online bibliografski sistem in servisi COBISS Abecedni izpis 1. ABBOTT, Edwin Abbott, 1838-1926 Dežela Ravnina : pripovedka o več dimenzijah z avtorjevimi ilustracijami / Edwin A. Abbott ; prevedel Sandi Kodrič. - 1. natis. - Ljubljana : UMco, 2018 ([Ljubljana] : Primitus). - 159 str. : ilustr. ; 21 cm. - (Zbirka Angažirano) Prevod dela: Flatland. - 400 izv. - Dežela Ravnina za 21. stoletje / Sandi Kodrič: str. 153-159. - O avtorju na zadnjem zavihku ov. ISBN 978-961-6954-55-6 : 16,90 EUR 821.111-313.1 COBISS.SI-ID 284055296 2. ABERCROMBIE, Joe Na vešalih : druga knjiga trilogije Prvi zakon / Joe Abercrombie ; [prevedel Sergej Hvala]. - 1. izd. - Ljubljana : Mladinska knjiga, 2018 ([Nova Gorica] : Grafika Soča). - 590 str. ; 21 cm. - (Zbirka Srednji svet) Prevod dela: Before they are hanged. - 700 izv. ISBN 978-961-01-5204-0 : 39,99 EUR 821.111-312.9 COBISS.SI-ID 295996928 3. ACCENTUS Sephardic romances [Zvočni posnetek] : traditional Jewish music from Spain / Ensemble Accentus ; director Thomas Wimmer. - Munich : MVD music and video distribution GmbH, p 1995, cop. 1996. - 1 CD (59 min, 15 sek) : stereo ; 12 cm + spremno besedilo ([20] str.). - (Early music = Alte Musik) Posneto v W*A*R Studio pri Lutheran Stadtpfarrkirche A.B. na Dunaju, 17., 18. in 20. septembra 1995. - Iz vsebine: Avrix mi galanica = Let me in, my love ; La Serena = Calm ; Sa'dâwî ; Partos trocados = Babes exchanged 8.553617 783(086.76) COBISS.SI-ID 14626361 4. ADAMS, Taylor Brez izhoda / Taylor Adams ; [prevedla Maja Lihtenvalner]. - 1. izd. - Tržič : Učila International, 2018 (natisnjeno v EU). - 313 str. ; 20 cm Prevod dela: No exit. - Tiskano po naročilu. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
CURRICULUM VITAE Production Designer Art Director
CURRICULUM VITAE Tony Cronin 34 Sixth Avenue ST PETERS, SA 5069 PH 08-83621832 Mobile- +61 438 668 371 Email [email protected] Production Designer YR PRODUCTIONS PRODUCER CREDIT TYPE 2008 Coffin Rock David Lightfoot Production Designer Feature 2008 McLeod’s Daughters Karl Zecki Production Designer TV Drama 2007 McLeod’s Daughters Karl Zecki Production Designer TV Drama 2006 McLeod’s Daughters Karl Zecki Production Designer TV Drama 2005 McLeod’s Daughters Susan Bower Production Designer TV Drama 2004 McLeod’s Daughters Susan Bower Production Designer TV Drama 2003 McLeod’s Daughter s Susan Bower Production Designer TV Drama 2002 McLeod’s Daughters Posie Graeme-Evans Production Designer TV Drama 2001 McLeod’s Daughters Posie Graeme –Evans Production Designer TV Drama 2000 Shot of Love Mark Patterson Production Designer Feature 2000 Moloch David Rowe Production Designer Tele Movie 2000 Nijinsky Paul Cox Production Designer Feature 1999 Innocence Paul Cox/Mark Patterson Production Designer Feature Art Director 1999 Selkie Jane Ballantyne Art Director Feature 1998 Sample People Bartley Smith Art Director Feature 1995 Shine Scott Hicks Art Director Feature 1990 The Last Crop Billy McKinnon Art Director Feature 1 Art Director CTV 2009 Spirit Films Bank SA Art Director CTV 2009 Spirit Films Coopers Art Director CTV 2009 Soma Films Road Transport Art Director CTV 2009 The Guild Mitsubishi (Love that car) Art Director CTV 2009 8 Commercial Telfast Hayfest Art Director CTV 2009 Spirit Films Bank SA Art Director CTV 2009 Mason Films David Jones -
Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
FILMHISTORIA Online Vol. 28, núms. 1-2 (2018) · ISSN: 2014-668X Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited ROBERT J. CARDULLO University of Michigan Abstract The Chant of Jimmie Blacksmith (1978) broke ground in its native country for dealing bluntly with one of the most tragic aspects of Australian history: the racist treatment of the aboriginal population. Adapted faithfully from the 1972 novel by Thomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis. Keywords: The Chant of Jimmie Blacksmith; Fred Schepisi; Thomas Keneally; New Australian Cinema; racism and colonialism Prior to the late 1970s, Australia was something of a cinematic backwater. Occasionally, Hollywood and British production companies would turn up to use the country as a backdrop for films that ranged from the classic (On the Beach [1959]) to the egregious (Ned Kelly [1970], starring Mick Jagger). But the local movie scene, for the most part, was sleepy and unimaginative and very few Australian films traveled abroad. Then, without warning, Australia suddenly experienced an efflorescence of imaginative filmmaking, as movies such as Picnic at Hanging Rock (1975), The Getting of Wisdom (1977), My Brilliant Career (1979), and Breaker Morant (1980) began to be shown all over the world. -
The Mexican Film Bulletin, Volume 18 Number 3 (July-August 2012)
The Mexican Film Bulletin, Volume 18 Number 3 (July-August 2012) The Mexican Film Bulletin Volume 18, Number 3 July-August 2012 2012 Ariel Awards 2012 Ariel Awards The 2012 (Winners Underlined) Ariel Awards Best Film ceremony took Días de gracia place on 2 June Miss Bala 2012 at the Pastorela Palacio de Bellas Best Direction Artes in Mexico Everardo Gout ( Días de gracia ) City. The two Gerardo Naranjo ( Miss Bala ) most-honoured Emilio Portes ( Pastorela ) films were Best Actress Pastorela (7 Magda Vizcaíno ( Martha ) Arieles, Teresita Sánchez ( Verano de Goliat ) including Best Irán Castillo ( Victorio ) Film) and Días de gracia (8 Arieles, including Best First Best Actor Work for director Everardo Gout). Tenoch Huerta ( Días de gracia ) The Lifetime Achievement Arieles de Oro were given Noé Hernández ( Miss Bala ) to Alfredo Joskowicz—director, former head of IMCINE Joaquín Cosío ( Pastorela ) and the Churubusco studios, film teacher—and sound engineer René Ruiz Cerón. The late Pedro Armendáriz Jr. Best Co-Starring Actress was also the subject of a tribute during the evening’s Norma Angélica ( Acorazado ) festivities. Eileen Yáñez ( Días de gracia ) Carlos Carrera, president of the Academia Mexicana de Nailea Norvind ( La otra familia ) Artes y Ciencias Cinematográficas, asked that Mexico’s Best Co-Starring Actor next president (whoever it shall be after the upcoming Krystyan Ferrer ( Días de gracia ) elections) help protect the Mexican film industry. He cited Mario Zaragoza ( Días de gracia ) a breakdown of the “gentleman’s agreement” that Carlos Cobos ( Pastorela ) guaranteed a week’s Roberto Sosa ( Victorio ) release for Mexican Best Original Screenplay films, with the Álvaro Curiel ( Acorazado ) possibility of a second Jorge A. -
DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art. -
The Cinema of Giorgio Mangiamele
WHO IS BEHIND THE CAMERA? The cinema of Giorgio Mangiamele Silvana Tuccio Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy August, 2009 School of Culture and Communication The University of Melbourne Who is behind the camera? Abstract The cinema of independent film director Giorgio Mangiamele has remained in the shadows of Australian film history since the 1960s when he produced a remarkable body of films, including the feature film Clay, which was invited to the Cannes Film Festival in 1965. This thesis explores the silence that surrounds Mangiamele’s films. His oeuvre is characterised by a specific poetic vision that worked to make tangible a social reality arising out of the impact with foreignness—a foreign society, a foreign country. This thesis analyses the concept of the foreigner as a dominant feature in the development of a cinematic language, and the extent to which the foreigner as outsider intersects with the cinematic process. Each of Giorgio Mangiamele’s films depicts a sharp and sensitive picture of the dislocated figure, the foreigner apprehending the oppressive and silencing forces that surround his being whilst dealing with a new environment; at the same time the urban landscape of inner suburban Melbourne and the natural Australian landscape are recreated in the films. As well as the international recognition given to Clay, Mangiamele’s short films The Spag and Ninety-Nine Percent won Australian Film Institute awards. Giorgio Mangiamele’s films are particularly noted for their style. This thesis explores the cinematic aesthetic, visual style and language of the films. -
Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..