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BRY SUNDSTRÖM - SCRIPT SUPERVISOR 310.735.5515 [email protected] Features: Kevin Hart: What Now? Tim Story HartBeat Productions The Brits Are Coming James Oakley Evolution Independent Woodshock Laura & Kate Mulleavy COTA Films Our Brand Is Crisis (Addtl.Photography) David Gordon Green Smokehouse Pictures Equals (Addtl.Photography) Drake Doremus Scott Free Productions Message From The King Fabrice Du Welz MFTK, LLC. Jungle Book: Origins (RockLock Test) Andy Serkis ImageStreams Inc. Meet the Blacks Deon Taylor Hidden Empire Film Group Love & Mercy (Addtl.Photography) Bill Pohlad John Wells Productions Entourage The Movie (2ndd Unit) Mark Mylod Warner Bros. Pictures The Wedding Ringer (Addtl.) Jeremy Garelick Screen Gems Productions Nightcrawler (Addtl.) Dan Gilroy Nightcrawler, LLC. A Haunted House 2 Mike Tiddes Dumb Ass Productions All-Stars Lance Kinsey 13 All-Stars Productions Séance Alex Wright Six51 Productions The Birthday Party Bruce Dickson Sunset Drive Media Hurt Barbara Stepansky Hurt Productions Angel of Death Paul Etheredge White Rock Lake Productions Bohica David James Paul Sixth Man Productions Suffering Man’s Charity Alan Cumming Sixth Man Productions Out at the Wedding Lee Friedlander Goff-Kellam Productions Alone With Her Eric Nicholas Pinhole Productions Lovers, Liars and Lunatics Amber Benson Benson Entertainment Today You Die (2nd Unit) Don Fauntleroy Emmett/Furla Films The Big Empty N. Thomas Sigel Section Eight Doing Hard Time Preston Whitmore Hard Time Productions Girl Play Lee Friedlander Goff-Kellam Productions Combustion Kelly Sandefur Combustion Enterprises Biker Boyz (Cross Unit Continuity) Reggie Bythewood Dreamworks The Utopian Society John Aguirre Platinum Edge Media Melvin Goes to Dinner Bob Odenkirk Phyro-Giant Pictures Television: Insecure (Season 1) Melina Matsoukas HBO/Paper Meets Plane Productions Walk The Prank (Season 1) Tom Gianas, Adam Small, Trevor Moore Disney XD/Horizon Productions Comedy Bang Bang (Season 5) Stoney Sharp IFC/Abso Lutely Productions Westworld (Ep 1-7, Utah Unit) Jonathan Nolan, Neil Marshall, Richard Lewis, Stephen HBO/Jerry Weintraub Productions Williams, Fred Toye, Jonny Campbell The Vampire Diaries (2nd Unit) Joshua Butler Warner Bros. The League (Season 5 & 6) Jeff & Jackie Schaffer New League Productions Friends With Benefits (1Ep) Eyal Gordin Imagine Television Don't Trust the B---- in Apartment 23 Aundre Johnson ABC 90210 5Ep) Wendey Stanzler, Jamie Babbit, Paul Lazarus CBS Productions Greek (5Ep) Melanie Mayron, Michael Lange, Tim Matheson, Patrick Norris ABC Family Bones (3Ep) Steven DePaul, Allan Kroeker, Jeannot Szwarc Fox American Heiress (65Ep) George Huang, James Slocum, Alex Wright My Network TV Exes & Ohs (Pilot) Lee Friedlander Logo Lovespring International (8Ep) Guy Shalem, Brad Isaacs Lifetime continuity supervision * digital script notes * timecode/EDL *IATSE Local 871* .

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Seriously Playful and Playfully Serious: the Helpfulness of Humorous Parody Michael Richard Lucas Clemson University
Clemson University TigerPrints All Dissertations Dissertations 5-2015 Seriously Playful and Playfully Serious: The Helpfulness of Humorous Parody Michael Richard Lucas Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Lucas, Michael Richard, "Seriously Playful and Playfully Serious: The eH lpfulness of Humorous Parody" (2015). All Dissertations. 1486. https://tigerprints.clemson.edu/all_dissertations/1486 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SERIOUSLY PLAYFUL AND PLAYFULLY SERIOUS: THE HELPFULNESS OF HUMOROUS PARODY A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Michael Richard Lucas May 2014 Accepted by: Victor J. Vitanza, Committee Chair Stephaine Barczewski Cynthia Haynes Beth Lauritis i ABSTRACT In the following work I create and define the parameters for a specific form of humorous parody. I highlight specific problematic narrative figures that circulate the public sphere and reinforce our serious narrative expectations. However, I demonstrate how critical public pedagogies are able to disrupt these problematic narrative expectations. Humorous parodic narratives are especially equipped to help us in such situations when they work as a critical public/classroom pedagogy, a form of critical rhetoric, and a form of mass narrative therapy. These findings are supported by a rhetorical analysis of these parodic narratives, as I expand upon their ability to provide a practical model for how to create/analyze narratives both inside/outside of the classroom.
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