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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Spire Light Spire Light
Spire Light Spire Light Spire Light A Journal of Creative Expression Andrew College 2021 2021 2 0 2 1 Spire Light: A Journal of Creative Expression Spire Light: A Journal of Creative Expression Andrew College 2021 Copyright © 2021 by Andrew College All rights reserved. This book or any portion may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. ISBN: 978-1-6780-6324-5 Andrew College 501 College Street Cuthbert, GA 39840 www.andrewcollege.edu/spire-light Cover Art: "Small Things," Chris Johnson Cover Design by Heather Bradley Editorial Staff Editor-in-Chief Penny Dearmin Art Editor Noah Varsalona Fiction Editors Kenyaly Quevedo Jermaine Glover Poetry Editor Hasani “Vibez” Comer Creative Nonfiction Editor Penny Dearmin Assistant Layout Editor Cameron Cabarrus www.andrewcollege.edu/spire-light Editor's Notes Penny Dearmin Editor-in-Chief To produce or curate art in this time is an act of service—to ourselves and the world who all need to believe again. We decided to say yes when there is a no at every corner. Yes, we will have our very first contest for the Illumination Prose Prize. Yes, we will accept an ekphrasis prose poem collaboration. Rather than place limits with a themed call for submissions, we did our best to remain open. These pieces should carry you to the hypothetical, a place where there are possibilities to unsee what you think you know. Isn’t that what we have done this year? Escaped? You can be grounded, too. -
The Vasulkas
1 1 THE VASULKAS v Vasulka Catalogue CONTENTS Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image/Marita Sturken Reading the Tools, Writing the Image/Maureen Turim and Scott Nygren Playing in the Fields of the Video Image : Steina Vasulka's Visual Pleasures/Lucinda Furlong The Images of the World/Raymond Bellour Program Notes Biographies Selected Works Selected Exhibitions Selected Bibliography Vasulka catalogue, Sturken essay, 1 Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image Marita Sturken The machine has constituted an important subject for artists since the industrial revolution . The rise of technological art forms, however, has raised questions about the act of collaboration with the machine . For Steina and Woody Vasulka, the creative process represents a "dialogue with the machine," in which they are not masters of a tool but receptors of its capabilities . Woody has said, "I have to share the creative process with the machine . It is responsible for too many elements in this work."(1) It is at the rupture between the mechanical and the electronic that the importance of the Vasulkas' work is best positioned . Their work poses crucial questions not only about the role of the machine in the creative process but also about what constitutes the electronic image, and how electronic space, with its level of abstraction and spatio-temporal dimensions, is redefining established concepts of space and time . In the work that they have produced collaboratively and as individual artists over twenty years, as multi-monitor installations or single-channel videotapes, the Vasulkas have pursued a phenomenological project of systematically deconstructing the properties of the video medium . -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends. -
By Claudia Meléndez Salinas in a Regular Year, Katia Cardenal
By Claudia Meléndez Salinas In a regular year, Katia Cardenal spends several months a year as a globetrotter, in two or three artistic tours, to bring her crystal-clear voice and her new Latin American trova, or ballads, to different corners of the world. This year is not ordinary. Cardenal, a Nicaraguan singer-songwriter with more than 40 years of artistic life, decided to leave her country nine months ago in the face of increased repression under Daniel Ortega. Since April 18, when thousands began to protest reforms to the pension system that Ortega implemented, the government is accused of imprisoning journalists and of organizing a violent wave of repression that resulted in the deaths of more than 300 people. Cardenal, who launched her career as a singer around the time when the Sandinista Revolution overthrew Anastasio Somoza, has long been disillusioned with Sandinismo, so it was not difficult to join the chorus of people who want to end Ortega’s mandate. But the political climate has made a safe life impossible for the dissidents, she said, and she preferred to leave everything rather than continue living under a constant threat of repression. “This is a dictatorship that has started to kill people, to repress, to jail political prisoners, to persecute journalists and leaders. With the kind of music I do, with my poetry, I’ve always tried to promote people’s rights, human rights, and I do not think I can live in Nicaragua,” Cardenal said in Spanish in a telephone interview from Maryland. So the singer-songwriter has been touring 13 countries since June, and will likely settle in Norway for some time after her tour ends. -
Spring 2019 | Jan
6292OLLILewesDoverCatS19.qxp_Layout 1 12/7/18 10:39 AM Page 1 Lewes/Dover & Ocean View OLFor adults 50+ • Serving Kent LIand Sussex Counties SPRING 2019 | JAN. 28–APR. 8 Learning for the fun of it! www.olli.udel.edu/spring2019 6292OLLILewesDoverCatS19.qxp_Layout 1 12/7/18 10:39 AM Page 2 Spring 2019 Calendar December 24–January 1 Offices closed for winter break Wednesday, January 9 Lewes Open House, Walk-in Registration, Fred Thomas Building, 10 a.m.–1 p.m. Thursday, January 10 Dover Open House, Walk-in Registration, Wyoming Church, 10 a.m.–1 p.m. Thursday, January 17 Priority Registration Deadline, 2 p.m. Monday, January 21 Martin Luther King Day, Office closed Tuesday, January 22 Dover Instructor Orientation, Wyoming Church, 2–3:30 p.m. Wednesday, January 23 Ocean View Instructor Orientation, Ocean View Town Hall, 10–11:30 a.m. Thursday, January 24 Lewes Instructor/New Member Orientation, Fred Thomas Building, 10–10:30 a.m. coffee social; 10:30–11:30 a.m. orientation Monday, January 28 First day of classes Monday, February 18 Presidents Day, no classes Tuesday, March 5 Second session begins Friday, March 22 Air and Space Museum trip Monday, April 8 Last day of classes Tuesday, April 9 Dover End of Semester Luncheon April 22–26 Office closed for spring break Tuesday, April 23 Lewes Spring Luncheon 6292OLLILewesDoverCatS19.qxp_Layout 1 12/7/18 10:39 AM Page 3 Osher Lifelong Learning Institute Follow us! at the University of Delaware in Lewes/Dover & Ocean View www.facebook.com/OLLIDover www.facebook.com/OLLILewes A program of the Division -
Lamplight-V1i1.Pdf
Editor’s Note Hello, hello! It occurred to me that in this new age of digital marketing and online sales that one of the most basic elements to a magazine was going to be missed: flipping through a copy on the newsstand. So here is a taste, if you will, of what you can find in LampLight. Our first issue, which is free, presented here as it would be in print This is the actual layout file used for our print edition (minus this note, of course), allowing you an idea of what you’ll get in the paper copies I hope you’ll enjoy this issue, and check out more of them. We’ve had Mercedes Yardley, Mary SanGiovanni, Kealan Patrick Burke, Normal Prentiss and more, all featured in LampLight. Thank you for reading LampLight Magazine. -j Jacob Haddon January 2015 http://lamplightmagazine.com LampLight Table of Contents A Quarterly Magazine Featured Artist, Robert Ford of Dark Fiction Early Harvest 1 Interview with Jeff Heimbuch 7 Volume 1 Issue 1 Fiction September 2013 The Kelp - William Meikle 11 Elgar’s Zoo - Nathan Yocum 19 Published by Apokrupha No Victims - Rahul Kanakia 27 Memories of the Knacker's Yard - Ian Creasey 31 Summer Break - Mandy DeGeit 44 Jacob Haddon, Editor Katie Winter, Assistant Editor Serial Novella - Kevin Lucia Paula Snyder, Cover and And I Watered It With Tears, Part I 46 Masthead Design ISBN: 978-1493585915 Shadows in the Attic - J.F. Gonzalez Reprint Anthologies 52 All stories copyright respective author, 2012 LampLight Classics An Occurrence at Owl Creek Bridge - lamplightmagazine.com Ambrose Bierce 57 apokrupha.com Writer’s Bios 64 Follow us on Facebook Subscriptions facebook.com/lamplightmagazine Would you like LampLight sent to you in your email? Or on Twitter For $10 a year (that’s 4 issues!) get LampLight sent to you directly twitter.com/lamplightmag in any ebook format. -
Augusta Events
AUGUSTA EVENTS Blues & Swing Week • Old-Time Week Augusta Heritage Center of Davis & Elkins College • AugustaHeritageCenter.org • *Events with an asterisk are open to the public 3-6pm Participant Check-In Halliehurst Great 8am Late Check-Ins Augusta Office, JR st1 floor 11:30am-1pm 5th String Banjo Capo 1:15-2:15pm Blues & Swing Cultural Session: It Installations Bob Smakula Benedum Dining Hall 8-9am Newcomers’ Welcome Q&A Valerie Don’t Mean a Thing if it Ain’t Got That Swing Room Entryway 3-6pm Staff-Led Blues & Swing Jams Uccellani Benedum Dining Room Halliehurst Porch (rain location: Chapel) Halliehurst Porch *1:15-2:15pm Blues & Swing Cultural Session: *1:15-2:15pm Old-Time Cultural Session: 1:15-2:15pm Blues & Swing Cultural Session: Walkarounds, Cakewalks & Cyphers - 7-7:30pm All Augusta Orientation Welcome, The Corner of Blues & Swing Halliehurst Porch Traditions & Transformation Dena Jennings & Emancipation Ceremonies? Junious Brickhouse Greg Adams Madden Lounge updates and questions. Please join! MCA (rain location: Chapel) Halliehurst Porch (rain location: Chapel) Harper-McNeeley Auditorium 1:15-2:15pm Old-Time Cultural Session: Staff 2:30-3:30pm Old-Time Porch Party open jams & *1:15-2:15pm Old-Time Cultural Session: West Slow Jams Doug Sharkey & Lindsey McCaw 7:30pm Theme Orientations Locations will be Sampler Madden Lounge Virginia Dance Traditions & Playing for Square announced at All Augusta Orientation Halliehurst Porch 2:30-3:30pm Old-Time Porch Party open jams, Dances Master Artists Lou Maiuri & Kim Blues & Swing MCA Auditorium Tunes with Guest Master Artists Kim Johnson & Johnson Madden Lounge 3:45-5pm Old-Time Week One-Shot Electives Old-Time Pavilion Tessa Dillon, Slow Jams Rachel Eddy & Jake 2:30-3:30pm Old-Time Porch Party open jams & Open to ALL! (Details p. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
R This Dissertation Has Been 63-4676 M Icrofilm Ed Exactly As Received
r This dissertation has been 63-4676 microfilmed exactly as received LORD, Georgianna Wuletich, 1931— THE ANNIHILATION OF ART IN THE POETRY OF WALLACE STEVENS. The Ohio State University, Ph.D., 1962 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan significant value. All of its efforts, therefore, are to make the un real— that in which the imagination desires to believe— real and therefore worthy of belief. Stevens’ poetry and thought, then,springs from a dialectic between the imagination and reality, both of which are, in their most basic sense, internalized in the mind as wish (aspiration) and reason. Wish Implies the urge toward pleasure; reason, toward common sense and logic. Wish is the impulse toward grace; reason, toward gravity. Stevens believed that the dialectic between reality and the imagination is endless, that there is a war in the mind that will never end because the mind's desire to satisfy itself will never be fulfilled. Indeed, the major premise of Stevens' thought is that the wish of the imagination will never be ful filled. Underlying that major premise is a clash of irreconcilable desires: the desire to achieve fulfillment; the desire to be discon tent. Put another way, it is the desire to believe and the inability to (desire not to) believe. The imagination and reality enjoy a temporary armistice whenever each new wish postulated by the imagination is momentarily refined and sanctioned by reason, instead of being denied categorically. Ihat tem porary armistice is, as Stevens writes in "The Necessary Angel," a bal ance of imagination and reality (imagination and reason).