RAR Newsletter 210407
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Smörgåsbord: Lucy Dacus Displays Her Range with New EP “2019”
Smörgåsbord: Lucy Dacus displays her range with new EP “2019” graphic by Jennifer Ren Indie rock singer-songwriter Lucy Dacus has been steadily climbing her way into the spotlight. Her “2019” EP dropped November 8, capitalizing on her streak of popularity. Last year her sophomore record “Historian” hit #39 on the UK Independent Albums chart. She also debuted the band boygenius with fellow indie musicians Phoebe Bridgers and Julien Baker to widespread acclaim. Most recently, on the same night of her EP release, Dacus opened for alternative pop star Lana Del Rey’s live show at Chicago’s Aragon Ballroom, and was invited to perform her song “Night Shift” during the show itself. In such a time when critics and fans alike are singing Dacus’ praises, her latest work only compounds her relevancy. “2019” is a collection of three original tracks and four covers, each themed around holidays or other days of the year significant to Dacus. Over the course of its namesake year, Dacus released almost every song close in date to its respective inspiration. The exception was the EP-exclusive “Fool’s Gold,” a melancholy tribute to New Year’s. She started off this project back in February, releasing a cover of the romantic classic “La Vie Smörgåsbord: Lucy Dacus displays her range with new EP “2019” En Rose” for Valentine’s Day. This song has been performed and recorded by many since its original release in 1947, but Dacus’ take is unique to her style and sound. She utilizes the guitar-driven indie rock that she built her name off to turn the popular cover into a track that could have been an original. -
MICHIGAN MONTHLY ______November, 2018 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ November, 2018 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – Ford Field; DetroitLions.com or UNIVERSITY OF MICHIGAN WOLVERINES – 866- FordField.com; on Fox unless otherwise specified 296-MTIX, MGOBLUE.com/Tickets Nov. 4 at Minnesota Vikings; 1 pm Nov. 3 vs. Penn State Nov. 11 at Chicago Bears; 1 pm Nov. 10 at Rutgers Nov. 18 vs. Carolina Panthers; 1 pm Nov. 17 vs. Indiana Nov. 22 vs. Chicago Bears; 12:30 pm; CBS Nov. 24 at Ohio State Buckeyes; noon; Fox Dec. 2 vs. Los Angeles Rams; 1 pm Dec. 1 Big Ten Championship Dec. 9 at Arizona Cardinals; 4:25 pm Dec. 16 at Buffalo Bills; 1 pm MICHIGAN STATE UNIVERSITY – Dec. 23 vs. Minnesota Vikings; 1 pm msuspartans.com Dec. 30 at Green Bay Packers; 1 pm Nov. 3 at Maryland Terrapins DETROIT RED WINGS – LITTLE CAESARS Nov. 10 vs. Ohio State Buckeyes ARENA – on FSD unless otherwise stated Nov. 17 at Nebraska Cornhuskers Nov. 24 vs. Rutgers Scarlet Knights Nov. 1 vs. New Jersey Devils; 7:30 pm Dec. 1 Big Ten Championship Game; 8 pm; Fox Nov. 3 vs. Edmonton Oilers; 7 pm; also CBC Nov. 6 vs. Vancouver Canucks; 7:30 pm; FSD+ DETROIT PISTONS – LITTLE CAESAR’S ARENA Nov. 9 vs. N.Y. Rangers; 7:30 pm Nov. 10 at Carolina Hurricanes; 7 pm Nov. 3 at Philadelphia 76ers; 1 pm Nov. 13 vs. Arizona Coyotes; 7:30 pm Nov. 5 vs. Miami Heat; 7 pm Nov. 15 at Ottawa Senators; 7:30 pm Nov. 7 at Orlando Magic; 7 pm Nov. -
Zola.’ (AP) Song of the Summer
ARAB TIMES, THURSDAY, JULY 1, 2021 NEWS/FEATURES 13 People & Places Music Dacus sings young love Cat album falters at fi rst but ends strong By Mark Kennedy ot to be totally catty, but Doja Cat’s third album Nstarts poorly. The first four songs — “Woman,” “Naked,” “Payday” with Young Thug and “Get Into It (Yuh)” — are half-baked tunes mimicking beats and vocals from Nicki Minaj or Rihanna. None are note- worthy. It’s depressing. What happened to the artist behind 2019s “Hot Pink,” a sonic breath of fresh air? What happened to the Doja Cat whose electric performance of “Say So” at the Grammys was reminiscent of Missy Elliott’s futurism? Just wait. The fi fth song, “Need to Know,” is a superb, steamy sex tape of a song (with Dr. Luke co-writing and producing) and the sixth, “I Don’t Do Drugs” featuring Ariana Grande, is airy and confi dent with heav- enly harmonies. “Love to Dream” follows, a slice of dreamy pop, and then The Weeknd stops by on a terrifi c, slow-burning “You Right.” Cat The Cat is back. From then on, the 14-track “Planet Her” rights itself with whispery pop songs and the envelope-pushing “Options” with JID, climaxing with the awesome “Kiss Me More,” the previously released single with SZA that has a Gwen Stefani-ish refrain and must be considered a strong contender for This image released by A24 shows Riley Keough, (left), and Taylour Paige in a scene from ‘Zola.’ (AP) song of the summer. Despite the weak start, Doja Cat fulfi lls her promise on “Planet Her,” with an exciting, unpredictable style and a vocal ability that can switch from buttery sweet- Film ness to cutting raps. -
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
Spire Light Spire Light
Spire Light Spire Light Spire Light A Journal of Creative Expression Andrew College 2021 2021 2 0 2 1 Spire Light: A Journal of Creative Expression Spire Light: A Journal of Creative Expression Andrew College 2021 Copyright © 2021 by Andrew College All rights reserved. This book or any portion may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. ISBN: 978-1-6780-6324-5 Andrew College 501 College Street Cuthbert, GA 39840 www.andrewcollege.edu/spire-light Cover Art: "Small Things," Chris Johnson Cover Design by Heather Bradley Editorial Staff Editor-in-Chief Penny Dearmin Art Editor Noah Varsalona Fiction Editors Kenyaly Quevedo Jermaine Glover Poetry Editor Hasani “Vibez” Comer Creative Nonfiction Editor Penny Dearmin Assistant Layout Editor Cameron Cabarrus www.andrewcollege.edu/spire-light Editor's Notes Penny Dearmin Editor-in-Chief To produce or curate art in this time is an act of service—to ourselves and the world who all need to believe again. We decided to say yes when there is a no at every corner. Yes, we will have our very first contest for the Illumination Prose Prize. Yes, we will accept an ekphrasis prose poem collaboration. Rather than place limits with a themed call for submissions, we did our best to remain open. These pieces should carry you to the hypothetical, a place where there are possibilities to unsee what you think you know. Isn’t that what we have done this year? Escaped? You can be grounded, too. -
Indie Mixtape HQ Is the Third 2011
:: View email as a web page :: In conversation, Phoebe Bridgers speaks in a deadpan SoCal accent and punctuates her blunt and hilarious observations with generous amounts of curse words. She sounds, in other words, utterly unlike her music, which tends to be quiet, contemplative, and gorgeous. Because of her gently murmuring vocal style — "I don’t sing with a lot of emotion, it’s almost an apathetic singing voice," she confesses — Bridgers tends to be cast as yet another sad-sack singer-songwriter out to jerk every last one of your tears. It’s precisely that image that made her 2017 debut Stranger In The Alps a slow-burn sensation, setting in motion a promising career that was further bolstered by her participation in two indie supergroups: Boygenius (with Lucy Dacus and Julien Baker) and Better Oblivion Community Center (with Conor Oberst). On her latest album, Punisher, due out on Friday, Bridgers goes deeper and weirder, writing with uncommon insight about the millennial condition. Check out Uproxx’s interview with her here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century OPENING TRACKS HAIM This infectious and frequently canny pop-rock trio is known for making fun sing-along jams with splashy choruses that evoke the glory years of FM and Top 40 radio. They also have a good sense of humor, as evidenced by the title of their forthcoming LP due next week, Women In Music Pt. III. LISTEN MICHAEL STIPE KHRUANGBIN The venerable R.E.M. -
The Vasulkas
1 1 THE VASULKAS v Vasulka Catalogue CONTENTS Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image/Marita Sturken Reading the Tools, Writing the Image/Maureen Turim and Scott Nygren Playing in the Fields of the Video Image : Steina Vasulka's Visual Pleasures/Lucinda Furlong The Images of the World/Raymond Bellour Program Notes Biographies Selected Works Selected Exhibitions Selected Bibliography Vasulka catalogue, Sturken essay, 1 Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image Marita Sturken The machine has constituted an important subject for artists since the industrial revolution . The rise of technological art forms, however, has raised questions about the act of collaboration with the machine . For Steina and Woody Vasulka, the creative process represents a "dialogue with the machine," in which they are not masters of a tool but receptors of its capabilities . Woody has said, "I have to share the creative process with the machine . It is responsible for too many elements in this work."(1) It is at the rupture between the mechanical and the electronic that the importance of the Vasulkas' work is best positioned . Their work poses crucial questions not only about the role of the machine in the creative process but also about what constitutes the electronic image, and how electronic space, with its level of abstraction and spatio-temporal dimensions, is redefining established concepts of space and time . In the work that they have produced collaboratively and as individual artists over twenty years, as multi-monitor installations or single-channel videotapes, the Vasulkas have pursued a phenomenological project of systematically deconstructing the properties of the video medium . -
Feminism & Christianity
ISSUE 2 FEMINISM & CHRISTIANITY Feature Article: page 12 01 LETTER FROM THE EDITOR CONTENTS Hey, Readers! 02. Letter from the Editor Welcome to ZU Magazine, Issue 2! I’m so excited you’re here. I want to talk to you about controversy. 04. APU To Do List Controversy is a prominent theme in our society Support Your Local Artist these days. People are less willing to have 06. conversations about differing political opinions, social norms are constantly changing and the 08. Gilmore Girls church is far more divided from the world than it should be. However, writing presents us with the unique opportunity of being able to share our 10. Apple Music Vs. Spotify opinions without bars. That’s what I challenged my writers to do for this issue; I wanted them to write about things that are important to them, 12. Marijuana in America even if they are controversial in nature. & the Legalization Battle My hope for you is that in reading this issue, 14. Embrace Your Fupa you welcome the controversy, the fun articles, and the research articles, and that you take what they say and learn something new from them. 16. Feminism & Christianity I hope that you find the courage to talk about controversial topics and your opinions about them with people who believe differently than 18. Love Your LGBTQ+ you. Society is never going to change if we Neighbor as Yourself refuse to bridge gaps and have conversations with those who differ from us. 20. Effects of Veganism Overtime I hope you never forget that your opinion matters, your voice deserves to be heard, and 22. -
By Claudia Meléndez Salinas in a Regular Year, Katia Cardenal
By Claudia Meléndez Salinas In a regular year, Katia Cardenal spends several months a year as a globetrotter, in two or three artistic tours, to bring her crystal-clear voice and her new Latin American trova, or ballads, to different corners of the world. This year is not ordinary. Cardenal, a Nicaraguan singer-songwriter with more than 40 years of artistic life, decided to leave her country nine months ago in the face of increased repression under Daniel Ortega. Since April 18, when thousands began to protest reforms to the pension system that Ortega implemented, the government is accused of imprisoning journalists and of organizing a violent wave of repression that resulted in the deaths of more than 300 people. Cardenal, who launched her career as a singer around the time when the Sandinista Revolution overthrew Anastasio Somoza, has long been disillusioned with Sandinismo, so it was not difficult to join the chorus of people who want to end Ortega’s mandate. But the political climate has made a safe life impossible for the dissidents, she said, and she preferred to leave everything rather than continue living under a constant threat of repression. “This is a dictatorship that has started to kill people, to repress, to jail political prisoners, to persecute journalists and leaders. With the kind of music I do, with my poetry, I’ve always tried to promote people’s rights, human rights, and I do not think I can live in Nicaragua,” Cardenal said in Spanish in a telephone interview from Maryland. So the singer-songwriter has been touring 13 countries since June, and will likely settle in Norway for some time after her tour ends. -
Phoebe Bridgers Likes Joni Mitchell, Astrology and Working on Her Issues
PHOEBE Phoebe Bridgers likes Joni Mitchell, astrology and working on her issues. Eve Barlow meets the California singer remaking emo in her own image. Photography by Emman Montalvan & Stling by Jesse Arifien 67 Left: Bridgers wears a shirt by COS. Previous: She wears a trench coat by Jac + Jack. “All I ever do on tour is save recipes on my phone.” On February 29, 2016, Phoebe stage with a box of tissues. Bridg- Bridgers made a list of goals she ers was promoting her second wanted to achieve by the next leap solo album, Punisher, made over year. They included: tour the world, the past year with Tony Berg and see Ireland, make three albums. Ethan Gruska, the producers who She’d never lef the US. She’d never worked on her debut, Stranger in made a record. She was 21 and un- the Alps. Although this time Bridg- signed. Now she’s 25. She’s toured ers donned a producer’s hat, too. the world, including Ireland, and Talking about the album has released three albums: one solo, meant wrapping her head around one as boygenius with Lucy Da- her personal songs. “I don’t know cus and Julien Baker, and one as what I’m thinking when I’m writ- Beter Oblivion Community Cen- ing. It’s meta—it just happens,” ter with Conor Oberst—her hero. she says. “The perspective doesn’t “Dude!” she says, of revisiting come for years. I can write a cra- the list on February 29, 2020. “It’s zy fucked-up emotional lyric, then happened. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
NWCG Smoke Management Guide for Prescribed Fire, PMS 420-3
A publication of the National Wildfire Coordinating Group NWCG Smoke Management Guide for Prescribed Fire PMS 420-3 November 2020 NFES 001279 NWCG Smoke Management Guide for Prescribed Fire November 2020 PMS 420-3 NFES 001279 The NWCG Smoke Management Guide for Prescribed Fire contains information on prescribed fire smoke management techniques, air quality regulations, smoke monitoring, modeling, communication, public perception of prescribed fire and smoke, climate change, practical meteorological approaches, and smoke tools. The primary focus of this document is to serve as the textbook in support of NWCG’s RX- 410, Smoke Management Techniques course which is required for the position of Prescribed Fire Burn Boss Type 2 (RXB2). The Guide is useful to all who use prescribed fire, from private land owners to federal land managers, with practical tools, and underlying science. Many chapters are helpful for addressing air quality impacts from wildfires. It is intended to assist those who are following the guidance of the NWCG’s Interagency Prescribed Fire Planning and Implementation Procedures Guide, PMS 484, https://www.nwcg.gov/publications/484, in planning for, and addressing, smoke when conducting prescribed fires. For a glossary of relevant terminology, consult the NWCG Glossary of Wildland Fire Terminology, PMS 205, https://www.nwcg.gov/glossary/a-z. For smoke management and air quality terms not commonly used by NWCG, consult the Smokepedia at https://www.frames.gov/smokepedia. The National Wildfire Coordinating Group (NWCG) provides national leadership to enable interoperable wildland fire operations among federal, state, tribal, territorial, and local partners. NWCG operations standards are interagency by design; they are developed with the intent of universal adoption by the member agencies.