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1991 Resigns professorship at the Höchschule für Bildende Künste, Hamberg 1993 Awarded the Lovis Corinth Prize, Esslingen 1994 Awarded the Erasmus Prize, Amsterdam 1995 Awarded the Carnegie Prize at the Carnegie International, Pittsburgh 1996 Awarded the NORD/LB Art Prize, Bremen 1998 Awarded the International Center of Photography Infinity Award for Art, New York 2000 Awarded the Kaiserring, Goslar 2002 Awarded the Praemium Imperiale Prize for Painting, Tokyo 2007 Awarded 11th Rubens Prize, Siegen Designed cathedral windows for St. Kunibert Cathedral Cologne and Grossmünster, Zürich 2008 Elected Honorary Member of the American Academy of Arts & Sciences 2009 Elected Honorary Member of the American Academy of Arts & Letters 2010 Awrded the Roswitha Haftmann Prize, Zürich Sigmar Polke died in Cologne, Germany in 2010 EXHIBITIONS 1963 Demonstrative Ausstellung, store-front exhibition with Manfred Kuttner, Konrad Lueg (Fischer) & Gerhard Richter, Düsseldorf 1964 Neodada Pop Decollage Kapitalisticher Realismus, Galerie René Block, Berlin 1966 Galerie h, Hannover (with Gerhard Richter) Galerie René Block, Berlin 1969 Galerie René Block, Berlin Galerie Rudolf Zwirner, Cologne 1970 Galerie Heiner Friedrich, Munich (with Chris Kohlhöfer) Galerie Konrad Fischer, Düsseldorf Galerie Toni Gerber, Bern Galerie Michael Werner, Cologne 1971 Städtische Kunsthalle, Düsseldorf Louisiana Museum of Art, Humlebaek 1972 documenta 5, Kassel Amsterdam – Paris – Düsseldorf, Solomon R. Guggenheim Museum, New York Galerie Toni Gerber, Bern Galerie Michael Werner, Cologne 1973 Galerie Konrad Fischer, Düsseldorf Galerie Michael Werner, Cologne 1974 Galerie Loehr, Frankfurt Hallo Shiva, Galerie Toni Gerber, Bern Galerie Rudolf Zwirner, Cologne (with Galerie Michael Werner and Thomas Borgmann) Galerie Springer, Berlin 1975 XIII São Paulo Biennale Galerie Michael Werner, Cologne 1977 Kasseler Kunstverein, Kassel documenta 6, Kassel 1980 Galerie Rudolf Zwirner, Cologne Art of the Seventies, XXXIX Venice Biennale 1981 A New Spirit in Painting, Royal Academy, London 1982 Holly Solomon Gallery, New York Zeitgeist, Martin-Gropius-Bau, Berlin Documenta 7, Kassel 1983 Galerie Michael Werner, Cologne Städtisches Museum Abteiberg, Mönchengladbach Studio d’Arte Cannaviello, Milan Museum Boymans-van Beuningen, Rotterdam 1984 Städtisches Kunstmuseum, Bonn Kunsthaus, Zurich Josef-Haubrich-Kunsthalle, Cologne Marian Goodman Gallery, New York 1985 Mary Boone/Michael Werner Gallery, New York Anthony d’Offay Gallery, London German Art in the 20th Century: Painting and Sculpture 1905-1985, Royal Academy, London 1986 Europa/Amerika, Museum Ludwig, Cologne Mary Boone/Michael Werner Gallery, New York Athanor, Il padiglione, XLII Venice Biennale Galerie Schmela, Düsseldorf 1987 The Spiritual in Art: Abstract Painting 1890-1985, Los Angeles County Museum of Art David Nolan Gallery, New York 1988 Mary Boone/Michael Werner Gallery, New York Kunstmuseum, Bonn Musée d’Art Moderne de la Ville de Paris Museum Boymans-van Beuningen, Rotterdam 1989 Refigured Painting: The German Image 1960-1988, Solomon R. Guggenheim Museum, New York Magiciens de la Terre, Musée National d’Art Moderne, Centre Georges Pompidou, Paris Mary Boone/Michael Werner Gallery, New York Städtische Galerie im Lenbachhaus, Kunstforum, Munich 1990 Staatliche Kunsthalle, Baden-Baden Mary Boone/Michael Werner Gallery, New York San Francisco Museum of Modern Art Michael Werner Gallery, New York 1991 Hirshhorn Museum, Washington, D.C. Museum of Contemporary Art, Chicago Brooklyn Museum, Brooklyn Michael Werner Gallery, New York Museo di Capodimonte, Naples Stedelijk Museum, Amsterdam Städtisches Museum, Möchengladbach 1992 Fundacio Espai Pobelnou, Barcelona Neues Museum Weserburg, Bremen 1994 Porticus, Frankfurt Carré d’Art, Musée d’Art Contemporain, Nimes National Gallery of Scotland, Edinburgh IVAM Centro Julio Gonzalez, Valencia Anthony D’Offay Gallery, London 1995 Carnegie International, Pittsburgh Walker Art Center, Minneapolis Tate Gallery, Liverpool Michael Werner Gallery, New York Haus der Kunst, Munich The Museum of Contemporary Art, Los Angeles 1996 Stiftung Froehlich, Tate Gallery, London; Staatsgalerie, Stuttgart Photoworks, SITE Santa Fe Staatliches Museum, Schwerin Sammlung Garnatz, Städtische Galerie, Karlsruhe Galerie Michael Werner, Cologne Staatliche Kunsthalle, Baden-Baden Sammlung Speck, Museum Ludwig, Cologne Corcoran Gallery of Art, Washington, D.C. 1997 Michael Werner Gallery, New York Kunsthalle Bundsrepublik Deutschland, Bonn Deutschlandbilder, Martin-Gropius-Bau, Berlin Nationalgalerie im Hamburger Bahnhof, Berlin 1998 P.S.1 Contemporary Art Center, New York Michael Werner Gallery, New York 1999 Museum of Modern Art, New York Hamburger Kunsthalle, Hamburg Michael Werner Gallery, New York Knoedler & Co., New York XLVIII Venice Biennale Das XX Jahrhunderts, Neue Nationalgalerie, Berlin Sammlung Essl, Klosterneuburg 2000 Fundacio Joan Miró, Barcelona Galería Pepe Cobo, Seville Stadsgalerij Heerlen Galerie Heinz Holtmann/Holtmann Graphics, Cologne Württembergischer Kunstverein Stuttgart ZKM Museum für neue Kunst, Karlsruhe Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn Anthony d’Offay Gallery, London 2001 Astrup Fearnley Museet for Moderne Kunst, Oslo Sigmar Polke. Alchemist, Louisiana Museum, Humlebaek Music of Unclear Origin, Scottish National Gallery of Art, Edinburgh Sigmar Polke. Ausgewählte Grafik, Fotos, Objekte und Arbeiten auf Papier, Galerie Heinz Holtmann, Cologne Sigmar Polke and the French Revolution, Musée de la Revolution Francaise, Vizille Sigmar Polke. Photographie 1969-2000, Berlin Projects, Julian Soms, Berlin Rhenus Kunstpreis 2001, Museum Abteiberg, Mönchengladbach 2002 Sigmar Polke. History of Everything: Recent Paintings and Drawings, Dallas Museum of Art Spark Inc., Modern and Contemporary Arts, Tokyo 2003 Sigmar Polke. History of Everything: 1998-2003, Tate Modern, London Sigmar Polke, Arario Gallery, Cheonan, Korea 2005 Sigmar Polke. Works & Days, Kunsthaus Zurich Sigmar Polke – Alice in Wonderland, Ueno Royal Museum, Tokyo; The National Museum of Art, Osaka Stratification: an installation of works since 1960, Busch- Reisinger Museum, Harvard University, Cambridge Sigmar Polke: Music From an Unknown Source, Vietnam Museum Of Fine Arts, Hanoi 2006 Sigmar Polke: Das Kann doch kein Motiv sein, Kunstforum Ostdeutsche Galerie, Regensburg Sigmar Polke: Photographs 1964-2000, Städtische Kunsthalle Mannheim Mythologies, Walker Art Center, Minneapolis Homage to Chillida, Guggenheim Bilbao Museum, Bilbao Sigmar Polke: 64 Photographs from 1977, Springer & Winckler Galerie, Berlin Implosion, Anton Kern Gallery, New York Black and White: Drawings for Summer, Michael Werner Gallery, New York Works on Paper, Patrick Painter Inc., Santa Monica Auf Papier, Galerie Michael Haas, Berlin Eye on Europe: Prints, Books & Multiples, 1960 to Now, Museum of Modern Art, New York Frontiers: Collecting the Art of our Time, Worcester Art Museum Polke – Bernstein – Amber, Michael Werner Gallery, New York Supervision, Institute of Contemporary Art, Boston 2007 Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art Sigmar Polke: A Retrospective, Museum Frieder Burda, Baden- Baden Selection, Galerie Michael Werner, cologne Sigmar Polke: Photographs 1968-1972, Getty Museum, Los Angeles LII Venice Biennale Sigmar Polke, Museum für Gegenwartskunst, Siegen 2008 Homer. Der Mythos Von Troia In Dichtung Und Kunst, Antikenmuseum Basel und Sammlung Ludwig, Basel Sigmar Polke: Photographs from the Garnatz Collection, SK Stiftung Kultur, Cologne The Immediate Touch: German, Austrian & Swiss Drawings, Saint Louis Art Museum Serial Works on Paper, Julius Werner Berlin Series Drawings, Michael Werner Gallery, New York Sigmar Polke: Drawings, Gouaches, Watercolors 1964-2005, Schönewald Fine Arts GmbH, Düsseldorf Sigmar Polke: Musik unerklärter Herkunft, Kyungpook National University Gallery, Daegu Sigmar Polke – Photographische Arbeiten aus der Sammlung Garnatz, Stätdtische Galerie Karlsruhe Sigmar Polke – Lens Paintings, Galerie Michael Werner, Berlin; The Arts Club of Chicago, Chicago; Michael Werner Gallery, New York 2009 Art of Two Germanys/Cold War Cultures, Los Angeles County Museum of Art; Germanisches Nationalmuseum, Nuremberg; Deutsches Historisches Museum, Berlin Sigmar Polke: Wir Kleinbürger! Zeitgenossen und Zeitgenossinnen, Hamburger Kunsthalle Blickmaschinen, Mücsarnok Kunsthalle Budapest 2010 Sigmar Polke/Works from a decade, Galleri Bo Bjerggaard, Copenhagen High Ideals & Crazy Dreams, Galerie Vera Munro, Hamburg Sigmar Polke, Thomas Ammann Fine Art AG, Zurich 2011 In Praise of Doubt, Palazzo Grassi, Venice The World Belongs to You, Palazzo Grassi, Venice ILLUMInations, LIV Venice Biennale Flowers for Summer, Michael Werner Gallery, New York Distant Star, Regen Projects, Los Angeles; Kurimanzutto, Mexico City Multiplizieren ist Menschlich. 45 Jahre Edition Block, 1996-2011, Edition Block GmbH, Berlin Sigmar Polke. Bilder und Zeichnungen, Galerie Michael Werner, Cologne Through the Looking Brain – Eine Schweizer Sammlung Konzeptueller Fotografie, Kunstmuseum, St. Gallen Asche und Gold. Eine Weltenreise, MARTa Herford, Herford; Schloss Moyland, Bedburg-Hau Kunst-Stoff. Textilien in der Kunst seit 1960, Städtische Galerie, Karlsruhe Sigmar Polke: Fotografien, Springer & Winkler, Berlin 2012 German Masters. Lüpertz, Penck, Baselitz, Richter, Polke, Galerie & Edition Bode, Nürnberg Spirits of Internationalism: 6 European Collections, 1956- 1986, Museum
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    Getting to PTB in Braunschweig PTB is located on the western outskirts of Braunschweig, on Arriving by train/long-distance bus the road between the districts of Braunschweig-Kanzlerfeld The long-distance bus station is located right next to Braun- and Braunschweig-Watenbüttel. schweig Central Station (Braunschweig Hauptbahnhof), where Address ICE trains stop. To reach PTB from Braunschweig Central Station, you can take a taxi (approx. 15 minutes) or use public Physikalisch-Technische Bundesanstalt (PTB) transportation (approx. 30 minutes, see “Public transportation Bundesallee 100 in Braunschweig”). 38116 Braunschweig Phone: +49 (0) 531 592-0 Public transportation in Braunschweig Arriving by car Braunschweig Central Station (Braunschweig Hauptbahnhof), local bus stop A: take bus number 461 to “PTB”. Get off at the Braunschweig is conveniently located for the federal motor- last stop “PTB”. The bus stop is located right in front of the ways: the A 2 running from east to west (Berlin-Ruhr Area) and main entrance to PTB. Since the PTB site is very large, you will the A 39 going from north to south (Braunschweig-Salzgitter). want to plan enough time for walking to your final destination. • Coming from Dortmund (A 2 eastbound): Exit the motor- Alternatively, you can ask your host to pick you up at the main way at the “Braunschweig-Watenbüttel” exit. Turn right, entrance. following the signs towards Braunschweig. In Watenbüttel, turn right at the second set of traffic lights. After approx. 2 Arriving by plane km, you will see PTB‘s entrance area on your left. • From Hannover Airport, go to Hannover Central Station • Coming from Berlin (A 2 westbound): At the interchange (Hannover Hauptbahnhof) for example, by S-Bahn (com- “Braunschweig-Nord”, take the A 391 towards Kassel.
  • Sigmar Polke

    Sigmar Polke

    © Kenny Schachter / ROVE Projects LLP Published by ROVE Projects LLP, 2011 First Edition of 1000 copies ISBN 978-0-9549605-3-7 All rights reserved. No part of this catalogue may be reproduced, stored in a retrieval system or transmitted Curated by Adrian, Kai and Kenny Schachter in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise without prior permission from the publisher and artist. The artist retains copyright on all photographs, drawings, notes and text reproduced in this catalogue, except where otherwise noted. All photography except cover and pages 27, 29, 30, 32, 33, 39, 40, 48, 54, 57, 60, 75 - 79 by Caspar Stracke and Gabriela Monroy Graphic Design by Gabriela Monroy. Printed in the United Kingdom by Colourset Litho Ltd. Kenny Schachter ROVE Projects LLP Lincoln House 33-34 Hoxton Square London N1 6NN United Kingdom For all enquiries please contact: [email protected] +44 (0)7979 408 914 www.rovetv.net Kenny Schachter ROVE 2012 Stuart Gurr, Rachel Harrison, Ricci Albenda, Rob Pruitt, Brian Clarke, Zaha Hadid, Tracey Emin, Damien Hirst, Keith Tyson, Barry Reigate, Robert Chambers, Maria Pergay, Arik Levy, Martin Usborne, Tom Dixon, Vito Acconci, Franz West, George Condo, Josh Smith, Joe Bradley, Paul Thek, Sigmar Polke, William Pope.L, Marc Newson, Richard Artschwager, Peter Hujar, Misaki Kawai, Brendan Cass, Richard Woods, Donald Baechler, Keith Coventry, Lars Whelan, Hester Finch, Cain Caser, Muir Vidler, Jasper Joffe & Harry Pye, John Isaacs, Keith Coventry, Marianne Vitale, Simon English, Rod Clark, Mary Heilmann, and Adrian, Kai, Gabriel, Sage and Kenny Schachter, Ilona Rich, Kevbe Otobo, Tom Gould, Harry Rüdham, Alfie Caine, George Morony, Eleni Khouri, Tom Harwood, Ollie Wink, Antonia Osgood, Louis Norman, Matilda Wyman, Jessy Wyman, Katie Wyman, Calum Knight, Eugenie Clive-Worms, Emmanuelle Zaoui and Savannah Murphy.
  • Sigmar Polke: 'A Queer Journey...'

    Sigmar Polke: 'A Queer Journey...'

    Frontier Vol. 43, No. 11, Sep 26 –Oct 2, 2010 SIGMAR POLKE ‘A Queer Journey....’ Ritwika Misra Sigmar Polke, the painter-photographer has died of cancer on June 10. A central protagonist in post-war German art, Polke has been instrumental to bring about the laconic 'Modern Kunst' (the modem art movement from 1968) which was a tread away from the banality of genteel art. Born in 1941 at the height of world war in Lower Silesia, Polke at the age of 12 left the communist east with his family for Dusseldorf where he grew up in prosperity of the West Germany. This formative experience of crossing the borders underpinned his story of art. Satiating his initial artistic craving, being an apprentice in a stained glass factory he went on to study at the Dusseldorf Art Academy from 1961 to 1967. These years opened up a wider avenue for Polke to test his curious aesthetic intellect. The profound influence of his teacher Joseph Beuys shaped Polke's aptitude. As Robert Hughes wrote in Time, "He seems to have got two big things from Beuys: first, the ides of the artist as clown, shaman and alchemist; second, a healthy reluctance to believe in the final value of categories of style. Hence his early parodies of the sacred modes of Modernism." Even while studying at a conventional art academy Polke knew how to defy the laid out norms, imbibing a languid sarcasm in his creative output. In 1963 Polke and two fellow students, Gerhard Richter and Konrad Fischer-Leug, organized an exhibition entitled "Kapitalistischen Realismus" (Capitalist Realism).