What Teens Want What Libraries Can Learn from MTV Erin Helmrich
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Directory Download Our App for the Most Up-To-Date Directory Info
DIRECTORY DOWNLOAD OUR APP FOR THE MOST UP-TO-DATE DIRECTORY INFO. E = East Broadway N = North Garden C = Central Parkway S = South Avenue W = West Market m = Men’s w = Women’s c = Children’s NICKELODEON UNIVERSE = Theme Park The first number in the address indicates the floor level. ACCESSORIES Almost Famous Body Piercing E350 854-8000 Chapel of Love E318 854-4656 Claire’s E179 854-5504 Claire’s N394 851-0050 Claire’s E292 858-9903 GwiYoMi HAIR Level 3, North 544-0799 Icing E247 854-8851 Soho Fashions Level 1, West 854-5411 Sox Appeal W391 858-9141 APPAREL A|X Armani Exchange m w S141 854-9400 abercrombie c W209 854-2671 Abercrombie & Fitch m w N200 851-0911 aerie w E200 854-4178 Aéropostale m w N267 854-9446 A’GACI w E246 854-1649 Alpaca Connection m w c E367 883-0828 Altar’d State w N105 763-489-0037 American Eagle Outfitters m w S120 851-9011 American Eagle Outfitters m w N248 854-4788 Ann Taylor w S218 854-9220 Anthropologie w C128 953-9900 Athleta w S145 854-9387 babyGap c S210 854-1011 Banana Republic m w W100 854-1818 Boot Barn m w c N386 854-1063 BOSS HUGO BOSS m S176 854-4403 Buckle m w c E203 854-4388 Burberry m w S178 854-7000 Calvin Klein Performance w S130 854-1318 Carhartt m w c N144 612-318-6422 Carter’s baby c S254 854-4522 Champs Sports m w c W358 858-9215 Champs Sports m w c E202 854-4980 Chapel Hats m w c N170 854-6707 Charlotte Russe w E141 854-6862 Chico’s w S160 851-0882 Christopher & Banks | c.j. -
The Case for Sears Holdings (SHLD)
BAKER STREET CAPITAL MANAGEMENT The Case For Sears Holdings (SHLD) With Our Proprietary Property-by-Property Real Estate Appraisal September 2013 (424) 248-0150 . 12400 Wilshire Blvd., Suite 940, Los Angeles, CA . [email protected] Disclaimer The analyses and conclusions of Baker Street Capital Management, LLC ("Baker Street") contained in this presentation are based on publicly available information. Baker Street recognizes that there may be confidential information in the possession of the companies discussed in the presentation that could lead these companies to disagree with Baker Street’s conclusions. This presentation and the information contained herein is not a recommendation or solicitation to buy or sell any securities. Baker Street has not sought or obtained consent from any third party to use any statements or information indicated herein as having been obtained or derived from statements made or published by third parties. Any such statements or information should not be viewed as indicating the support of such third party for the views expressed herein. No warranty is made that data or information, whether derived or obtained from filings made with the SEC or from any third party, are accurate. The analyses provided may include certain statements, estimates and projections prepared with respect to, among other things, the historical and anticipated operating performance of the companies, access to capital markets and the values of assets and liabilities. Such statements, estimates, and projections reflect various assumptions by Baker Street concerning anticipated results that are inherently subject to significant economic, competitive, and other uncertainties and contingencies and have been included solely for illustrative purposes. -
Filed 09/06/16 Page 1 of 21
Case 1:16-cv-06950 Document 1 Filed 09/06/16 Page 1 of 21 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK NEIL ZLOZOWER and BARRY LEVINE, Plaintiffs, Docket No. ________________ - against - JURY TRIAL DEMANDED MOTLEY CRUE, INC., MOTLEY CRUE TOURING, INC., LIVE NATION WORLDWIDE, INC., LIVE NATION CONCERTS, INC., LIVE NATION ENTERTAINMENT, INC., LIVE NATION MERCHANDISE, INC., GLOBAL MERCHANDISING SERVICES INC., GLOBAL MERCHANDISING SERVICES LTD., HOT TOPIC, INC., INFINITY 1 INC., SPENCER GIFTS LLC, ROCK.COM, INC., JET.COM, INC, SEARS HOLDINGS CORPORATION, AMAZON.COM, INC., TSC APPAREL, LLC, FRUIT OF THE LOOM, INC., GILDAN APPAREL USA INC., PEACE TEXTILE AMERICA, INC., FANTASY ACTIVEWEAR, INC., DELTA APPAREL, INC., and SCORPIO POSTERS, INC. Defendants. COMPLAINT Plaintiffs Neil Zlozower (“Zlozower”) and Barry Levine (“Levine” and together with Zlozower “Plaintiffs”) by and through their undersigned counsel, as and for their Complaint against Defendants Motley Crue, Inc. (“Motley”), Motley Crue Touring, Inc. (“Motley Touring”), Live Nation Worldwide, Inc. (“Live Worldwide”), Live Nation Concerts, Inc. (“Live Concerts”), Live Nation Entertainment, Inc. (“Live Entertainment”), Live Nation Merchandise, Inc. (“Live Merchandise”), Global Merchandising Services Inc. (“Global Inc.”), Global Merchandising Services Ltd. (“Global Ltd.”), Hot Topic, Inc. (“Hot Topic”), Infinity 1 Inc. (“Infinity”), Spencer Gifts LLC (“Spencer”), Rock.com, Inc. (“Rock”), Jet.com, Inc. (“Jet”), Case 1:16-cv-06950 Document 1 Filed 09/06/16 Page 2 of 21 Sears Holdings Corporation (“Sears”), Amazon.com, Inc. (“Amazon”), TSC Apparel, LLC (“TSC”), Fruit of the Loom, Inc. (“Fruit”), Gildan Apparel USA Inc. (“Gildan”), Peace Textile America, Inc. (“Peace”), Fantasy Activewear, Inc. (“Fantasy”), Delta Apparel, Inc. -
Reality Television Participants As Limited-Purpose Public Figures
Vanderbilt Journal of Entertainment & Technology Law Volume 6 Issue 1 Issue 1 - Fall 2003 Article 4 2003 Almost Famous: Reality Television Participants as Limited- Purpose Public Figures Darby Green Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Privacy Law Commons Recommended Citation Darby Green, Almost Famous: Reality Television Participants as Limited-Purpose Public Figures, 6 Vanderbilt Journal of Entertainment and Technology Law 94 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol6/iss1/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. All is ephemeral - fame and the famous as well. betrothal of complete strangers.' The Surreal Life, Celebrity - Marcus Aurelius (A.D 12 1-180), Meditations IV Mole, and I'm a Celebrity: Get Me Out of Here! feature B-list celebrities in reality television situations. Are You Hot places In the future everyone will be world-famous for fifteen half-naked twenty-somethings in the limelight, where their minutes. egos are validated or vilified by celebrity judges.' Temptation -Andy Warhol (A.D. 1928-1987) Island and Paradise Hotel place half-naked twenty-somethings in a tropical setting, where their amorous affairs are tracked.' TheAnna Nicole Show, the now-defunct The Real Roseanne In the highly lauded 2003 Golden Globe® and Show, and The Osbournes showcase the daily lives of Academy Award® winner for best motion-picture, Chicago foulmouthed celebrities and their families and friends. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
What About the Osbournes? Each Member of the Osbournes Has a Developed
The Osbournes’: Genre, Reality TV, and the Domestication of Rock ‘n Roll by Rick Pieto and Kelly Otter The latest trend of television programming is reality TV, a genre that finds its most valuable content in the unabashed display of individuals willing to be put on display as they part with their privacy, dignity, and composure. The genre is clear, yet the formula varies so as to keep it fresh and increasingly bizarre to maintain its audience. Young women compete for a husband on camera by attempting to win the affection of a bachelor in six weeks; individuals compete for money by conquering their fears and consume live insects or allow themselves to be submerged under water for as long as possible; and couples test the strength of their relationships by subjecting themselves to the temptation of desirable strangers. Love, fear, and conflict provide the substance of a good story, and television producers have found a context in which drama is manufactured before a camera crew. But given the absence of a constructed context and specific roles to play, how do we define The Osbournes? How should we generically define this program about an aging heavy metal rock star and his “dysfunctional family?” One way to begin to place The Osbournes within an appropriate genre is to look at MTV’s presentation of the show. MTV sells The Osbournes as a reality TV sitcom and indeed its narrative structure is loosely similar to the sitcom formula, with real-life segments edited and sequenced to be reminiscent of a scripted program. -
Our Attorneys
Our Attorneys JAY TAYLOR [email protected] Jay Taylor is the Managing Partner of Taylor Louis LLP. He specializes in business and finance transactions, including structured finance and derivatives, broker-dealer transactions, project finance and complex business deals and structures. His overall expertise is reducing financial risk across a variety of complex transactions and business arrangements. He has approximately 20 years of experience reviewing, drafting, and negotiating structured trading deals and derivatives and project finance documentation. His expertise includes corporate and financial deals and security arrangements for all transaction types. He advises start-up enterprises and middle-market participants in basic and complex financial documentation and risk management issues. Mr. Taylor has represented a global client base which includes some of the world's largest corporations, energy companies, hedge funds and investment banks. His knowledge of financial transactions and products includes credit, equity, commodity, fixed income, currency and futures and options. He understands the actual and theoretical framework of financial risk management. Mr. Taylor has represented clients in a variety of domestic and international deals in his role as Special Counsel for one of the world's largest law firms, where he served as the firm's key point person for training and instruction in the area of financial derivatives and transactional matters. He has formed and advised several start-up enterprises, managed a multi-national transactional risk management project for a global international bank, led a legal risk assessment team for one of the world's largest hedge funds and served as lead commodities lawyer in the U.S. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
Inspirational Reality TV: the Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism
Inspirational Reality TV: The Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism Mina Tsay-Vogel and K. Maja Krakowiak In light of recent theories of meaningful media that suggest a host of psychological benefits, the present study uniquely extends the boundaries of the effects of reality TV from simply offering pleasure, diversion, and amusement to its viewers to also providing deep insight and meaning. In particular, a between-subjects experiment (N = 143) examined differences in affective, cognitive, and motivational responses to lifestyle transforming versus game based reality programs. Findings indicate that lifestyle transforming reality TV produced stronger feelings of elevation and percep- tions of the program as moving and thought-provoking than game reality TV, which in turn increased motivations for altruism. Avenues for future research and theore- tical implications of meaningful and inspiring reality TV for positive psychology are discussed. The proliferation and dominance of reality-based programs on television continues to generate considerable scholarly attention. The term, “reality TV,” has commonly encompassed programs that showcase real people or non-actors in unscripted scenarios (Hill, 2005; Nabi, Biely, Morgan, & Stitt, 2003) and claim to portray reality (Cavendar & Fishman, 1998). Such programs (e.g., The Bachelor, Survivor,andThe Real World) have generally been attributed under a single or collective genre. However, in recent years, the emergence of reality TV subgenres based -
Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom ............................................................................................. -
The Role of Pop Music and Pop Singers in the Construction of a Singer’S Identity in Three Early Adolescent Females
Wilfrid Laurier University Scholars Commons @ Laurier Music Faculty Publications Faculty of Music Summer 2010 The Role of Pop Music and Pop Singers in the Construction of a Singer’s Identity in Three Early Adolescent Females Amy Clements-Cortés Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/musi_faculty Part of the Music Performance Commons, and the Sociology of Culture Commons Recommended Citation Clements-Cortés, A. (2010). The role of pop music and pop singers in the construction of a singer’s identity in three early adolescent females. Canadian Music Educator, 51(4), 17-23. This Article is brought to you for free and open access by the Faculty of Music at Scholars Commons @ Laurier. It has been accepted for inclusion in Music Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. recurring motifs Peer Review Corner Edited by Lee Willingham The Role of Pop Music and Pop Singers in the Construction of a Singer’s Identity in Three Early Adolescent Females By Amy Clements-Cortes The Canadian Music Educator/ Musicien éducateur au Canada has recently established ‘Peer Review Corner’ as a regular feature of our journal. Authors wishing to have articles submitted to a panel for review may send them to Dr. Lee Willingham [[email protected]] with that request. This initiative within our own publication fills a void for Canadian scholars who wish to submit their writing to peer juries, and disseminate it to a Canadian audience. If you wish to serve as a reviewer, please contact Dr.