Vol. 23, No. 7 July 2019 You Can’T Buy It
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Vol. 23, No. 8 August 2019 You Can’T Buy It
ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute -
Vol. 23, No. 6 June 2019 You Can’T Buy It
ABSOLUTELY FREE Vol. 23, No. 6 June 2019 You Can’t Buy It Emerging Blue Violet Artwork is part of a solo exhibit The Invisible Landscape, featuring works by Orr Ambrose, on view June 10 - August 1, 2019, at Central Piedmont Community College’s Ross Art Gallery located in the Overcash Center. (Photo by David Ramsey) See article on Page 16. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Central Piedmont Community College - Orr Ambrose Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Whimsy Joy by Roz Page 4 - Editorial Commentary, City of North Charleston & Charleston Artist Guild Page 6 - Halsey-McCallum Studio & Thomas Dixon for Mayor Page 5 - Charleston Artist Guild cont. & Charleston Crafts Cooperative Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Charleston Crafts Cooperative cont. & Neema Fine Art Gallery x 2 Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Page 8 - Neema Gallery cont., Ella Walton Richardson Fine Art & Editorial Commentary cont. Page 9 - Art League of Hilton Head & Society of Bluffton Artists The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 11 - UPSTATE Gallery on Main / USC - Upstate Page 9 - Art League of Hilton Head Page 13 - UPSTATE -
UNITED STATES BANKRUPTCY COURT DISTRICT of MINNESOTA in Re: Polaroid Corporation, Et Al., Debtors. (Includes: Polaroid Holding
Case 08-46617 Doc 651 Filed 08/07/09 Entered 08/07/09 14:57:10 Desc Main Document Page 1 of 114 UNITED STATES BANKRUPTCY COURT DISTRICT OF MINNESOTA Jointly Administered under In re: Case No. 08-46617 Polaroid Corporation, et al., Court Files No.’s: Debtors. 08-46617 (GFK) (includes: Polaroid Holding Company; 08-46621 (GFK) Polaroid Consumer Electronics, LLC; 08-46620 (GFK) Polaroid Capital, LLC; 08-46623 (GFK) Polaroid Latin America I Corporation; 08-46624 (GFK) Polaroid Asia Pacific LLC; 08-46625 (GFK) Polaroid International Holding LLC; 08-46626 (GFK) Polaroid New Bedford Real Estate, LLC; 08-46627 (GFK) Polaroid Norwood Real Estate, LLC; 08-46628 (GFK) Polaroid Waltham Real Estate, LLC) 08-46629 (GFK) Chapter 11 Cases Judge Gregory F. Kishel NOTICE OF MOTION AND MOTION OF THE DEBTOR TO (I) SELL FINE ART PHOTOGRAPHY COLLECTION FREE AND CLEAR OF LIENS, CLAIMS, ENCUMBRANCES AND INTERESTS AND OUTSIDE THE ORDINARY COURSE OF BUSINESS PURSUANT TO 11 U.S.C. § 363; (II) APPROVE TERMS AND CONDITIONS OF CONSIGNMENT AGREEMENT WITH SOTHEBY’S, INC.; (III) GRANT SUPER-PRIORITY LIENS IN CERTAIN SALE PROCEEDS TO SECURE REIMBURSEMENT OF CERTAIN SUMS EXPENDED; AND (IV) GRANT RELATED RELIEF ______________________________________________________________________________ TO: The entities specified in Local Rule 9013-3 1. PBE Corporation, formerly known as Polaroid Corporation (the “Debtor”)1 through its undersigned attorneys, respectfully moves the Court for the relief requested herein and give notice of hearing. 1 On June 19, 2009, the above-captioned Debtors filed documents with the appropriate offices of the Secretary of State for the purpose of changing their corporate names to omit the reference to the word “Polaroid.” The Debtor Doc# 2997416\4 Case 08-46617 Doc 651 Filed 08/07/09 Entered 08/07/09 14:57:10 Desc Main Document Page 2 of 114 2. -
DEBORAH LUSTER Born Bend, Oregon, 1951 Grants / Awards 2002
Page 1 / Luster DEBORAH LUSTER Born Bend, Oregon, 1951 Grants / Awards 2002 John Guttman Award, San Francisco, CA Anonymous Was a Woman, New York, NY 2001 Bucksbaum Family Award for American Photography, Friends of Photography, San Francisco, CA Dorothea Lange - Paul Taylor Prize, Center for Documentary Studies, Duke University, Durham, NC 1994 Art Council of the Lower Cape Fear, Emerging Artist Grant 1993 North Carolina Arts Council, Visual Arts Project Grant North Carolina Arts Council, Folklife Project Grant, with Michael Luster for NCCFP 1992 “NC Photographers,” Meredith College 1991 Purchase Award, Mecklenburg Arts Council, The Light Factory Permanent Collections Akron Art Museum, Akron, OH Berg Collection, New York Public Library, NY Kemper Museum, Kansas City, MO Livingston College, Salisbury, NC Los Angeles County Museum of Art, Los Angeles, CA Masur Museum, Monroe, LA Mecklinburg Arts Council, Charlotte, NC Mint Museum, Charlotte, NC Museum of Fine Arts, Houston, TX National Archives, Washington, DC Nations Bank Collection, Charlotte, NC Julia J. Norrell Collection, Washington, DC San Francisco Museum of Modern Art, San Francisco, CA Santa Barbara Museum of Art, Santa Barbara, CA Whitney Museum of American Art, New York, NY One-Person Exhibitions 2005 “One Big Self: Prisoners of Louisiana,” The Halsey Gallery, College of Charleston, Charleston, SC The Winthrop College Galleries, Rock Hill, SC Page 2 / Luster 2004 “One Big Self: Prisoners of Louisiana,” Jack Shainman Gallery, New York, NY “One Big Self: Prisoners of Louisiana,” -
View Renaissance Hotel; the Economic Development Flagging of the Holiday Inn; and the Ground Breaking for the Hampton Inn
A publication of Main Street Mobile, Inc. DV OWNTOWNOLUME 2 • NUMBER 1 •A DECEMBERLLIANCE 2007-JANUARYNEWS 2008 GLOBAL TRENDS AFFECTING DOWNTOWN MOBILE By Carol Hunter skills, American universities are graduating fewer students in science and engineering. Downtown Mobile should consider harnessing the power of local institutions of higher With today’s international trade, instant communications and intercontinental travel, learning by housing facilities to foster research and education in the city center. We are global trends affect all of us, even in Mobile. Whether those affects are positive or neg- particularly well poised to develop a relationship with the fine arts departments of our col- ative depends on how we prepare for them. Progressive Urban Management leges and universities. Associates, in consultation with the International Downtown Association, has developed a body of research that identifies major global trends affecting downtowns and recom- Traffic Congestion and mends tangible actions. The following is a summary of the research with recommenda- the Value of Time tions adapted for downtown Mobile. Traffic congestion cost Americans $63 billion and 47 hours of average Changing American annual delay in 2003, and experts sug- Demographics. gest that building more roads is doing Three generations are little to stem rising traffic congestion. shaping America and the Additionally, a commuter living an growth of downtowns, each As gas prices and congestion increase, more hour’s drive from work annually spends with distinctly different demo- smart cars may be seen downtown. the equivalent of 12 work weeks in the graphics and behaviors. The car. It is not uncommon to have an hour’s commute in Mobile and Baldwin Counties. -
Performance Art Context R
Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE ART CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "Performance Art" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles -
The Beauty of Nature Sometimes Brings Deadly Outcomes. Stay Safe! Publisher’S Note: Due to the Covid-19 Outbreak Many of These Art Spaces Are Currently Closed
ABSOLUTELY FREE Vol. 24, No. 4 April 2020 You Can’t Buy It The beauty of nature sometimes brings deadly outcomes. Stay Safe! Publisher’s Note: Due to the Covid-19 outbreak many of these art spaces are currently closed. We’re including the info we received, but strongly suggest that you call any venue you are thinking of visiting - some are trying to stay open, some have closed their doors, but are still working with customers, some open by appointment only. And, some are operating on the Internet. Don’t forget about these people, there are many ways you can support them during these troubling times. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. The Arts in North Carolina and COVID-19 Page 1 - Cover - COVID-19 Stay Safe Page 3 - Art Support: NC Arts Council, SC Arts Council, CERF & Even though participation in the arts has been greatly Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site National Endowment for the Arts disrupted by the coronavirus pandemic, and artists and Page 4 - Editorial Commentary arts organizations severely impacted, our network across Page 4 - Halsey McCallum Studio North Carolina is responding in a myriad of creative ways Page 5 - City of Charleston / City Gallery at Waterfront Park Page 5 - Whimsy Joy by Roz, Deane V. Bowers & Wells Gallery that demonstrate the power of the arts to connect, Page 6 - Charleston Artist Guild & Carnes Crossroads Artist Cooperative cope, and heal. -
January 2015
ARTifacts The Newsletter of the Art Libraries Society of North America, Southeast Chapter January 2015 Highlights from the ARLIS/NA Thursday afternoon was spent at the Birmingham Southeast Conference Civil Rights Institute, where we were led by outreach coordinator Samuel Pugh through an in Birmingham, Alabama, interactive exhibit tracing the history of civil November 6–7, 2014 rights activism. The group then moved across the by Kasia Leousis, street to Kelly Ingram Park's Freedom Walk and Architecture and Art Librarian, sculpture garden for an inspiring and powerful Library of Architecture, Design and tour of the Civil Rights Movement's Ground Zero Construction, Auburn University, led by Barry McNealy. Auburn, Alabama, 2015 President, ARLIS/SE Our chapter's fall conference was held in Bir- mingham, Alabama. There were eighteen regis- tered attendees with sessions and tours taking place on Thursday and Friday, November 6–7, with an optional dinner on Wednesday. The Tutwiler Hotel, our conference headquarters and a National Historic Landmark, was an ideal location from which to explore Birmingham on foot. During our conference, the Tutwiler cele- brated its centennial with a gala on Friday night. The business meeting and presentations took place in the Birmingham Museum of Art's meet- ing room. Lindsey Reynolds, librarian, provided an informative tour of the museum's Clarence B. Hanson, Jr. Library. Members Jessica Evans Brady (Florida State University, now at the Harvard Fine Arts Library) and Rebecca Fitzsimmons (University of Florida) presented engaging and informative talks about creating new outreach programs at their institu- Barry McNealy. Photo by Kasia Leousis. -
Agnes Scott Alumnae Magazine
k'^- End of an Era ASC's First Woman President Retires EDITOR'S NOTE Decades since Kwai Sing Chang broke ASC's faculty color harrier, the College has learned to view diversity as promise , difference as grace Only three Changs were listen within the institution and she helped the College in the Atlanta telephone make its philosophical commitment to diversity directory when Kwai Sin supportive on a "day-to-day basis." Says Chang, an American of Green, "I planted many seeds at Agnes Chinese ancestry, came in Scott, but I wasn't going to be around for 1956 to teach Bible and philoso- gathering the harvest." phy at Agnes Scott. He says he Today, almost 40 years since a experienced isolation, not discrimina- seminary friendship drew Kwai tion in his new hometown. But his anec- Sing Chang to Agnes Scott, the dotes of those early years are peppered wi professor emeritus who broke moments of "that stereotypical response" to the faculty color barrier here can himself, his young wife Miyoko, of Japanese open the Atlanta telephone book ancestry, and their two daughters. With a polite and find his name listed among more chuckle, he remembers the confusion of a census than 1 20 Changs. He talks about diversity taker who "didn't know how to list the kids." not in terms of harvest but as pockets of progress. Chang had done his Ph.D. work at the universities of He would be pleased to learn that in 1990 his former Edinburgh and Cambridge and moved freely in academic student Karen Green went on to advise multicultural stu- circles, both overseas and in the United States. -
Clayton V. Colvin Email: [email protected] Education 2005
Clayton V. Colvin Email: [email protected] Education 2005: MFA (Painting), University of Alabama, Tuscaloosa, AL 2003: MAEd (Art Education), University of Alabama at Birmingham, Birmingham, AL 1999: BA (Art History) New York University, New York, NY Exhibition Record 2010 solo exhibition: Fiction, Spring Hill College, Mobile, AL Fiction, Caseworks, University of Memphis Art Museum, Memphis, TN group shows: Gulf Arts Now, Space 301 Off Centre, Mobile, Alabama "TKAM 2010: To Kill a Mockingbird-Awakening America's Conscience," organized by Alabama Humanities Foundation, Birmingham Civil Rights Institute, and Stonehenge Gallery, Montgomery The Price Is Right, David Lusk gallery, Memphis TN 2009: Fiction, solo exhibition, Amanda Schedler Fine Arts, Birmingham, AL Drawing on Alabama 2009, Biggins Hall, Auburn, Al ---- Space 301, Mobile, AL The Sketchbook Project Volume 3, Art House Gallery, Atlanta , GA ---- Museum of Contempory Art DC, Washington DC ---- Chris' Jazz Café, Philadelphia, PA ---- Laconia Gallery, Boston, MA ---- Antena Gallery, Chicago, IL ---- Soulard Art Market, ST Loius MO ---- 3rd Ward Gallery, Brooklyn, NY ---- Museum of Design Atlanta (MODA), Atlanta 2008: solo exhibtion Pier and Ocean and Main St., Amanda Schedler Fine Arts, Birmingham solo exhibtion Pier and Ocean and Main St., Material, Memphis, TN ARTPAPERS: 9th annual art auction, juried benefit for ARTPAPERS magazine, Atlanta 2007: le papier (part) deux: group exhibition of works on paper, Geschiedle, Chicago, IL FRISBEE is NOWHERE and EVERYWHERE (curated by Anat Ebgi and Jen DeNike), Circus of Books, Los Angeles FRISBEE is NOWHERE and EVERYWHERE (curated by Anat Ebgi and Jen DeNike), McMurdo Station, Antartica SuckaFreeJams: the Remainder Gallery, Birmingham, AL Dia de los Muertos: Barehands Gallery, Birmingham, AL Satellite Gone: solo show, The Upper Room, Birmingham, AL Popular Digest: Clayton V. -
Featured Releases 2 Limited Editions 102 Journals 109
Lorenzo Vitturi, from Money Must Be Made, published by SPBH Editions. See page 125. Featured Releases 2 Limited Editions 102 Journals 109 CATALOG EDITOR Thomas Evans Fall Highlights 110 DESIGNER Photography 112 Martha Ormiston Art 134 IMAGE PRODUCTION Hayden Anderson Architecture 166 COPY WRITING Design 176 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia PRINTING Sonic Media Solutions, Inc. Specialty Books 180 Art 182 FRONT COVER IMAGE Group Exhibitions 196 Fritz Lang, Woman in the Moon (film still), 1929. From The Moon, Photography 200 published by Louisiana Museum of Modern Art. See Page 5. BACK COVER IMAGE From Voyagers, published by The Ice Plant. See page 26. Backlist Highlights 206 Index 215 Hilma af Klint: Paintings for the Future Edited with text by Tracey Bashkoff. Text by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint’s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism. -
Oral History Interview with Edward Ruscha, 1980 October 29-1981 October 2
Oral history interview with Edward Ruscha, 1980 October 29-1981 October 2 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward Ruscha on Oct. 29, 1980, March 25, July 16, and Oct. 2, 1981. The interview was conducted by Paul Karlstrom for the Archives of American Art, Smithsonian Institution. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. This is a rough transcription that may include typographical errors. Interview October 29, 1980 PAUL KARLSTROM: I should mention one thing as an introduction to give some feeling for place and context. We're in your studio, which is on Western in the Hollywood area. I don't know if it's actually visible from your studio, but up there on the hill is the big Hollywood sign. I don't know if you get the credit for making it famous, but certainly your images of that sign are extremely well known. So it seems appropriate that we're doing this interview right here. You were born in 1937 in Omaha, Nebraska. I would like you to give us some idea of your family background, where you come from. I don't know how far you want to go back.